A-ha's Harket Demands Leap of Faith to Overcome Romantic Hesitation

a-ha - Take On Me (Official Video) [4K] — a-ha

a-ha

Taking emotional risks proves superior to playing safe because hesitation risks losing the relationship entirely before fleeting time runs out.

AI-assisted summary of a-ha - Take On Me (Official Video) [4K] — original source. Check the original for full context.

Source published:

Key ideas

  • Originally released in 1985 as a-ha's debut single from 'Hunting High And Low', 'Take On Me' topped charts in 36 countries and became one of the best-selling singles of all time and the 5th most streamed song of the 20th century.
  • The music video achieved massive critical and commercial success, winning six MTV Video Music Awards in 1986 and surpassing two billion views on YouTube by September 2024.
  • Musically, the song is built around Magne Furuholmen's Roland Juno-60 keyboard riff and features Morten Harket's expansive multi-octave vocal performance culminating in soaring falsetto choruses. (0:00)
  • Lyrically, the track centers on the urgency of romantic pursuit and the philosophy of emotional vulnerability over cautious restraint. (1:15)

Detailed notes

## Background This official 4K remastered music video for "Take On Me" was published on YouTube by the Norwegian pop trio a-ha on January 6, 2010. The video description highlights the song's historic global success from their 1985 debut album *Hunting High and Low*, its six MTV Video Music Awards wins in 1986, and its milestones of surpassing one billion and two billion views.

## TL;DR The track opens with Magne Furuholmen's iconic, high-tempo synthesizer riff and Morten Harket introducing a narrative of romantic pursuit and hesitation. Harket candidly reflects on his own vulnerabilities and urges his love interest to take emotional risks rather than playing it safe. Throughout the escalating verses and soaring choruses, the song balances lyrical intimacy with driving percussion and synth arrangements, ultimately building to an intense vocal climax defined by Harket's signature falsetto notes before fading out on an energetic instrumental groove.

## Atmosphere & style The piece carries an upbeat, buoyant energy powered by driving synth-pop rhythms that contrast with an undercurrent of vulnerable romantic urgency. Morten Harket's vocal delivery shifts seamlessly from conversational, tentative intimacy to sweeping, high-register falsetto crescendos. Listening to the track feels like an exhilarating emotional chase, balancing playful hesitations against a passionate, risk-taking leap into connection.

## Bulletin - Originally released in 1985 as a-ha's debut single from 'Hunting High And Low', 'Take On Me' topped charts in 36 countries and became one of the best-selling singles of all time and the 5th most streamed song of the 20th century. - The music video achieved massive critical and commercial success, winning six MTV Video Music Awards in 1986 and surpassing two billion views on YouTube by September 2024. - [00:00](https://www.youtube.com/watch?v=djV11Xbc914&t=0s) Musically, the song is built around Magne Furuholmen's Roland Juno-60 keyboard riff and features Morten Harket's expansive multi-octave vocal performance culminating in soaring falsetto choruses. - [01:15](https://www.youtube.com/watch?v=djV11Xbc914&t=75s) Lyrically, the track centers on the urgency of romantic pursuit and the philosophy of emotional vulnerability over cautious restraint.

## Key takeaways - [00:00](https://www.youtube.com/watch?v=djV11Xbc914&t=0s) The track opens with Magne Furuholmen's iconic, fast-tempo keyboard riff, establishing the upbeat synth-pop energy of the song. - [00:00](https://www.youtube.com/watch?v=djV11Xbc914&t=0s) The first verse establishes the theme of romantic pursuit, contrasting hesitation and awkwardness with determination to connect. - [00:00](https://www.youtube.com/watch?v=djV11Xbc914&t=0s) The chorus introduces the central plea of 'Take on me' / 'Take me on', framed by an awareness of the fleeting nature of time. - [00:00](https://www.youtube.com/watch?v=djV11Xbc914&t=0s) Morten Harket demonstrates wide vocal dynamics, moving from conversational lower-register delivery into a signature high falsetto. - [01:15](https://www.youtube.com/watch?v=djV11Xbc914&t=75s) The second verse turns reflective, with Harket presenting himself with candid vulnerability as an imperfect person finding his footing. - [01:15](https://www.youtube.com/watch?v=djV11Xbc914&t=75s) The track delivers its central lyrical philosophy by urging a leap of faith over caution: 'It's no better to be safe than sorry.' - [01:15](https://www.youtube.com/watch?v=djV11Xbc914&t=75s) An extended instrumental bridge spotlights driving bass, keyboard layers, and Paul Waaktaar-Savoy's guitar textures. - [02:35](https://www.youtube.com/watch?v=djV11Xbc914&t=155s) The third verse raises introspective questions about whether the partner's words provide genuine substance or merely temporary comfort. - [02:35](https://www.youtube.com/watch?v=djV11Xbc914&t=155s) The singer reaffirms his commitment to pursue the bond regardless of the partner's hesitance: 'I'll be coming for you anyway.' - [02:35](https://www.youtube.com/watch?v=djV11Xbc914&t=155s) The climactic outro weaves overlapping call-and-response vocals beneath Harket's sustained peak falsetto notes before concluding on an energetic synth fade.

## Detailed walkthrough ### [00:00](https://www.youtube.com/watch?v=djV11Xbc914&t=0s) Opening Synth Riff and First Verse

The track opens with its signature, high-tempo synth-pop drum beat and Magne Furuholmen's instantly recognizable keyboard riff, establishing the buoyant, driving energy of the song. Morten Harket enters with the first verse, addressing an elusive love interest with a mixture of nervousness and determination. He acknowledges the hesitation and conversational awkwardness between them before resolving to push past it: “We're talking away / I don't know what I'm to say / I'll say it anyway.” The romantic chase is characterized by persistence despite the other person retreating, with Harket declaring, “Today's another day to find you / Shying away / I'll be coming for your love, okay?”

The tension builds directly into the soaring chorus, where Harket delivers the central plea of the track: “Take on me, take on me / Take me on, take on me.” His vocals transition smoothly into an expansive, soaring falsetto as he contemplates the fleeting nature of time and opportunity, cautioning, “I'll be gone / In a day or two.”

- Lead vocals delivered by Morten Harket over the iconic Roland Juno-60 keyboard riff. - Key thematic dynamic introduced: the tension between mutual hesitation and urgent romantic pursuit.

[01:15](https://www.youtube.com/watch?v=djV11Xbc914&t=75s) Second Verse and Pre-Chorus Reflection

Following an instrumental phrase driven by upbeat percussion and synthesizer motifs, Harket returns for the second verse in a reflective, vulnerable posture. He characterizes himself candidly as imperfect and still finding his footing, remarking, “So needless to say / I'm odds and ends but I'll be / Stumbling away / Slowly learning that life is okay.” He then offers advice, urging a leap of faith rather than cautious restraint: “Say after me / It's no better to be safe than sorry.”

The song launches once more into the full-throated chorus, repeating the insistent refrain “Take on me, take on me / Take me on, take on me” before Harket stretches into his peak vocal range with “I'll be gone / In a day or two.” This leads into an extended instrumental section dominated by driving bass rhythms, keyboard lines, and guitar textures by Paul Waaktaar-Savoy, letting the melodic energy carry the narrative tension before the lyrical story resumes.

- The lyrical philosophy centers on taking emotional risks rather than playing safe (“It's no better to be safe than sorry”). - Extended bridge section spotlights the synth arrangement and driving percussion.

[02:35](https://www.youtube.com/watch?v=djV11Xbc914&t=155s) Final Verse, Climactic Chorus, and Outro

Harket enters the third verse with introspective questioning, weighing whether the partner's words bring genuine clarity or merely temporary relief: “Oh, things that you say, yeah / Is it life or just to play my worries away?” Holding onto the connection, he stresses the partner's enduring significance to him: “You're all the things I've got to remember / You're shying away / I'll be coming for you anyway.”

The track charges into its climactic final chorus and outro, where Harket's sustained falsetto notes reach their apex. The vocals interlock into overlapping call-and-response patterns, weaving repeated chants of “Take on me” and “Take me on” against Harket's soaring cries of “I'll be gone / In a day.” The layering intensifies, accompanied by driving synthesizer rhythms, before concluding in an energetic instrumental fade that leaves the spirited synth riff lingering.

- Lyrical resolution reaffirms the singer's resolve to pursue the bond regardless of distance or withdrawal (“I'll be coming for you anyway”). - Vocal arrangement culminates in overlapping harmonies and Morten Harket's signature high-register falsetto notes.

## Mentioned a-ha, Take On Me, Morten Harket, Magne Furuholmen, Paul Waaktaar-Savoy, Hunting High And Low, The Sun Always Shines On T.V., Cry Wolf, The Living Daylights, James Bond, Time and Again: The Ultimate a-ha, Roland Juno-60, MTV Video Music Awards, American Music Awards, YouTube

## Video description “Take On Me” has been remastered in stunning 4K resolution - watch it now! 📺 Watch all the official a-ha videos here http://bit.ly/ahaOfficialVideos

ONE BILLION VIEWS on February 17, 2020 / TWO BILLION VIEWS on September 19, 2024 📅

🎼 Listen to more a-ha here https://lnk.to/ahastrm

🔔 Subscribe to the a-ha channel and “ring the bell” to turn on notifications http://bit.ly/Subscribetoaha

At the 1986 MTV Video Music Awards, the video for "Take On Me" won six awards—Best New Artist in a Video, Best Concept Video, Most Experimental Video, Best Direction, Best Special Effects, and Viewer's Choice—and was nominated for two others, Best Group Video and Video of the Year. "Take On Me" was also nominated for Favorite Pop/Rock Video at the 13th American Music Awards in 1986.

Time and Again: The Ultimate a-ha, including the biggest hits + rare and unreleased remixes, is out now! Get your copy here: http://smarturl.it/ahatimeagaincd

Stay In Touch with a-ha…

📡 Website https://a-ha.com/ 🌎 Tour Dates https://a-ha.com/tickets 📣 Facebook https://www.facebook.com/officialaha/ 📸 Instagram https://www.instagram.com/officialaha/ 📱 Twitter https://twitter.com/aha_com 🔈 Soundcloud https://soundcloud.com/a-ha

Stay In Touch with Morten Harket…

📡 Website https://mortenharket.com/ 📣 Facebook https://www.facebook.com/mortenharket.official/ 📸 Instagram https://www.instagram.com/mortenharket/ 📱 Twitter https://twitter.com/mortenharket

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The a-ha channel is the official YouTube home of the Norwegian Pop trio a-ha, who achieved global stardom in 1985 when their debut single, “Take On Me” from the album ‘Hunting High And Low’ topped the charts in 36 different countries on its way to becoming one of the best-selling singles of all time, and the 5th most streamed song of the 20th century. a-ha struck chart gold again with “The Sun Always Shines On T.V.” and “Cry Wolf,” and recorded the theme to the 1987 James Bond film “The Living Daylights”. The a-ha YouTube channel is proud to host the music videos from these hits alongside live performance videos, lyric videos, and the solo work of band members Morten Harket (lead vocals), Paul Waaktaar-Savoy (Guitar), and Magne Furuholmen (Keyboards).

[Source](https://www.youtube.com/watch?v=djV11Xbc914)

中文简报

A-ha乐队主唱哈克特呼吁勇敢跨越，克服情感中的犹豫不决 承担情感风险远胜于求稳，因为在短暂的光阴流逝之前，犹豫可能会彻底葬送这段关系。 这首曲目在马格尼·富鲁霍尔门标志性的快节奏合成器连复段中开场，莫滕·哈克特则借此引入了一段关于爱情追求与犹豫不决的叙述。哈克特坦诚地表达了自己的脆弱，并敦促心仪对象勇于承担情感风险，而非一味求稳。在层层递进的副歌与高亢的叠句中，歌曲将歌词的细腻亲密与激昂的打击乐和合成器编曲完美平衡，最终在哈克特标志性假音所铸就的高强度人声高潮中爆发，并在充满活力的器乐律动中渐弱淡出。 《Take On Me》最初于1985年作为a-ha乐队专辑《Hunting High And Low》的首支单曲发行，曾在36个国家登顶榜单，成为有史以来最畅销的单曲之一，也是20世纪流媒体播放量排名第5的歌曲。 该音乐视频在口碑和商业上均取得了巨大成功，于1986年斩获六项MTV音乐录影带大奖，并截至2024年9月在YouTube上的播放量已突破20亿次。 在音乐编排上，该曲围绕马格尼·富鲁霍尔门演奏的Roland Juno-60键盘连复段展开，并以莫滕·哈克特跨越多个八度的宽广音域为特色，最终在高亢的假音副歌中达到顶点。 (0:00) 从歌词层面上看，整首曲目聚焦于追求爱情的紧迫感，以及敢于展现情感脆弱而非谨慎克制的处世态度。 (1:15)

Reading summary

A-ha's "Take On Me" explores the tension between romantic hesitation and urgent pursuit, arguing that taking emotional risks outweighs the comfort of playing it safe. Emotional Risk and Personal Vulnerability (1:15) The song frames romantic engagement around an acceptance of imperfection and vulnerability. Vocalist Morten Harket confronts hesitation and conversational awkwardness directly, admitting uncertainty before choosing to speak regardless: “We're talking away / I don't know what I'm to say / I'll say it anyway.” He describes himself candidly as still finding his balance, remarking that he is “odds and ends” but “slowly learning that life is okay.” This self-reflection underpins the song's explicit philosophical stance that emotional exposure is preferable to guarded hesitation. Harket advises that “It's no better to be safe than sorry,” pressing forward even while questioning whether the partner's words offer genuine clarity or merely momentary distraction from his worries. Persistent Pursuit Amid Fleeting Time (0:00) The dynamic of the track hinges on persistent romantic chase set against a retreating partner and the pressure of passing time. Despite the subject continually shying away, Harket reaffirms his resolve to bridge the gap, declaring “Today's another day to find you” and insisting “I'll be coming for you anyway.” This pursuit is imbued with temporal urgency. In the soaring chorus plea, Harket transitions into falsetto to caution that the opportunity to connect is brief, warning that “I'll be gone / In a day or two.” The insistent repetition of “Take on me” and “Take me on” emphasizes that hesitation risks losing the bond entirely. Synth Arrangement and Vocal Crescendo (2:35) The thematic urgency is propelled by an energetic synth-pop architecture built upon Magne Furuholmen's Roland Juno-60 keyboard riff and driving percussion. Instrumental passages incorporate bass rhythms and guitar textures by Paul Waaktaar-Savoy, allowing melodic energy to carry the emotional narrative between lyrical reflections. The arrangement reaches its peak in the climactic final chorus and outro. Harket's sustained high-register falsetto is layered over interlocking call-and-response chants, intensifying the track's pleading atmosphere before concluding in an energetic instrumental fade that leaves the keyboard motif lingering. The track concludes on an unwavering resolve to pursue romantic connection regardless of distance or withdrawal, though the fleeting timeframe leaves the ultimate outcome of the chase unresolved.

精炼阅读摘要

根据挪威乐队 a-ha 经典单曲《Take On Me》的官方记录，该作品通过合成器流行乐的高速律动与主唱莫滕·哈克特（Morten Harket）跨度极大的假音演绎，展现了在犹豫不决与时光流逝中执着追寻情感联结的核心主题。 克服局促与主动出击的情感追求 (0:00) 歌曲在开篇便确立了面对退缩依然坚持追寻的情感张力。主唱莫滕·哈克特以第一人称直面与心仪对象之间的局促与拘谨，在承认“我们不断交谈，我不知道该说什么，但我无论如何都要说出来”之后，明确表达了打破僵局的决心。面对对方的闪躲与退缩，歌词展现了坚定的追求态度，强调“今天是找到你的又一天 / 即使你仍在退缩 / 我也会为你的爱而来”。这种叙事将原本充满不确定性的浪漫接触，转化为一种不顾尴尬、主动跨越距离的实际行动。 时光紧迫感与反保守的冒险哲学 (1:15) 在副歌及第二段主歌中，作品将情感诉求与时间的短暂性紧密挂钩，反复唱出“接纳我、接受我（Take on me, take me on）”，并伴随“一两天后我就会离去”的警示。主唱坦诚自身并非完人，正处于“跌跌撞撞地前行、慢慢懂得生活尚可”的状态，进而提出了“与其事后后悔，不如放手一搏（It's no better to be safe than sorry）”的人生态度。这种叙事主张摒弃过度的自我防护与谨慎，指出在有限的时光机遇中，唯有承担情感风险才能建立真正的关系。 内心质询与最终执着的誓言 (2:35) 进入第三段主歌，作品转向对彼此言语真实性的省思，提出“你所说的话，究竟是真切的生活，还是仅仅为了抚平我的担忧”。尽管对对方的态度抱有疑虑，叙述者依然确认对方是自己必须牢记的一切，并再次重申即便面临闪躲与疏离，自己“无论如何都会向你走来”。整首歌曲在层叠的呼应式合声与持续的高亢假音中迎来高潮，将复杂的疑虑最终统一在不畏退缩、持续奔赴的执着誓言之中。 标志性合成器配器与高亢人声的融合 (1:15) 全曲的叙事动力由马格内·富鲁霍门（Magne Furuholmen）标志性的 Roland Juno-60 键盘连复段（riff）以及保罗·瓦克塔尔-萨沃伊（Paul Waaktaar-Savoy）的吉他与贝斯编曲共同推进。高速的鼓点节奏为歌词中的追逐意象提供了充沛的前进感，而伴奏在第二段后展开的延展器乐段落，进一步强化了旋律的情绪张力。最终，伴奏在多层交织的打击乐与高音区呼应式演唱中推向峰值，并以标志性的键盘连复段淡出，完成整首作品的听觉建构。 该作品通过将不完美的个体剖白、对时间流逝的紧迫感以及坚定的追求态度融为一体，构建了合成器流行乐中兼具脆弱性与冲击力的情感表达；其叙事始终聚焦于追求过程中的动态张力，并未对最终的情感走向给出确切结果。

Detailed notes — zh

## Background 本视频由挪威流行乐团 a-ha 于 2010 年 1 月 6 日发布在 YouTube 官方频道，呈现的是其 1985 年享誉全球的代表作《Take On Me》的 4K 高清重制版音乐录影带。视频简介指出，这支曾斩获 6 项 MTV 音乐录影带大奖的经典作品已突破 20 亿次播放，见证了该单曲在 36 个国家夺冠并成为 20 世纪流媒体播放量第五名歌曲的辉煌成就。 ## TL;DR 歌曲以极具辨识度的快节奏电子合成器前奏拉开序幕，主唱莫滕·哈克特用真挚的歌词直白诉说面对心仪之人时的笨拙与追爱决心。随着副歌那穿透力极强的标志性高音响起，呼唤对方接受自己的热烈渴望与时光易逝的紧迫感交织在一起。随后曲目在自我审视与鼓励冒险的人生感悟中层层推进，经过一段梦幻激昂的器乐过门后，最终以震撼的极限超高音与层叠交织的和声将全曲推向最高潮。 ## Atmosphere & style 整首歌曲洋溢着 1980 年代标志性的合成器流行乐活力，节奏轻快明朗且极具感染力。主唱的嗓音在细腻坦诚的低吟与极具爆发力的极限假音之间自如切换，营造出一种既热情澎湃又带有浪漫忧郁的情绪张力。聆听过程中，紧凑的电子鼓点与飞驰的键盘旋律不断推动着听众的心绪，带来如疾速奔赴爱情般既紧张又眩晕的纯粹感动。 ## Bulletin - 挪威流行乐团 a-ha 的出道单曲《Take On Me》自 1985 年发行后登顶 36 国榜单，成为 20 世纪流媒体播放量排名第 5 的歌曲，其官方重制版 MV 在 YouTube 播放量已突破 25 亿次。 - 该音乐录影带在 1986 年 MTV 音乐录影带大奖上横扫六项大奖，包括最佳新人、最佳概念、最具实验性、最佳导演、最佳特效及观众票选奖。 - [00:02](https://www.youtube.com/watch?v=djV11Xbc914&t=2s) 全曲由标志性的快节奏合成器与电子鼓点驱动，主唱莫滕·哈克特（Morten Harket）以宽广的音域和穿透力极强的极限假音完成高潮演绎。 - [01:15](https://www.youtube.com/watch?v=djV11Xbc914&t=75s) 歌词以勇敢告白与时间紧迫感为核心，传递出宁愿冒险也不留遗憾的人生态度。 ## Key takeaways - [00:02](https://www.youtube.com/watch?v=djV11Xbc914&t=2s) 标志性合成器旋律与电子鼓点奠定了整首歌曲轻快、明朗且极具辨识度的 80 年代流行底色。 - [00:02](https://www.youtube.com/watch?v=djV11Xbc914&t=2s) 第一段主歌真实描绘了面对心仪对象时的笨拙与不知所措，展现即使词不达意也要勇敢告白的决心。 - [00:02](https://www.youtube.com/watch?v=djV11Xbc914&t=2s) 副歌以标志性的高音与假音反复呼唤“Take on me”，向对方发出打破隔阂、勇敢相爱的强烈邀请。 - [00:02](https://www.youtube.com/watch?v=djV11Xbc914&t=2s) 副歌末尾以“I'll be gone / In a day or two”制造出时光流逝的紧迫感，强调爱意的当下珍贵性。 - [01:15](https://www.youtube.com/watch?v=djV11Xbc914&t=75s) 第二段主歌融入深刻的自我审视与自嘲，坦陈在生活跌跌撞撞中逐渐接纳自我与成长的过程。 - [01:15](https://www.youtube.com/watch?v=djV11Xbc914&t=75s) 歌曲高唱“It's no better to be safe than sorry”，提出宁愿承担风险也绝不让青春留有遗憾的坚定人生观。 - [01:15](https://www.youtube.com/watch?v=djV11Xbc914&t=75s) 曲中设计了近一分钟动感梦幻的合成器与器乐交织过门，为整首作品蓄积起最终爆发的情感能量。 - [02:35](https://www.youtube.com/watch?v=djV11Xbc914&t=155s) 第三段主歌进一步加深情感浓度，将心上人确立为唯一而不可替代的存在，执着追寻到底。 - [02:35](https://www.youtube.com/watch?v=djV11Xbc914&t=155s) 终极高潮部分主唱展现惊人的超高音跨度与强大爆发力，将渴望被接纳的急切心情推向顶峰。 - [02:35](https://www.youtube.com/watch?v=djV11Xbc914&t=155s) 尾奏通过多层次人声和声与持续跳跃的合成器旋律交织呼应，在回味悠长的梦幻氛围中收拢全曲。 ## Detailed walkthrough ### [00:02](https://www.youtube.com/watch?v=djV11Xbc914&t=2s) 标志性合成器前奏与第一段真情告白 歌曲在极其轻快且具辨识度的电子鼓点与合成器键盘旋律中拉开序幕。伴随着快节奏的律动推进，主唱莫滕·哈克特（Morten Harket）以清脆而真挚的嗓音进入第一节主歌，直白倾诉在心仪之人面前的那份笨拙与渴望，唱道：“We're talking away / I don't know what I'm to say / I'll say it anyway”，展现出即使不知该说些什么也要勇敢表达的心情。面对意中人的躲闪，他毫无保留地宣告寻找对方的决心与爱意：“Today's another day to find you / Shying away / I'll be coming for your love, okay?” 随着情绪层层递进，旋律迅速推向全曲最具代表性的高音副歌。主唱用兼具力量感与穿透力的标志性假音反复呼唤：“Take on me, take on me / Take me on, take on me”，向对方发出接受自己、勇敢相爱的邀请；随后旋律在紧迫感中流露出对时光流逝的忧虑与紧迫，以一句深情的“I'll be gone / In a day or two”作为收尾，点明相聚时光短暂而珍贵的张力。 ### [01:15](https://www.youtube.com/watch?v=djV11Xbc914&t=75s) 第二段主歌的人生态度与情绪递进 进入第二节主歌，节奏依旧紧凑明快，歌词转向自我审视与略带自嘲的坦诚剖白。歌手坦然承认自己的不完美与磕磕绊绊，唱道：“So needless to say / I'm odds and ends but I'll be / Stumbling away / Slowly learning that life is okay”，表达出在跌跌撞撞中逐渐理解并接纳生活的成长过程。紧接着，他向听者传达出一种毫无保留、敢于冒险的坚定态度，唱响：“Say after me / It's no better to be safe than sorry”，呼吁不要因循守旧或畏缩不前，宁可冒险尝试也不要留下遗憾。 紧接着这一人生感悟，情绪再次激荡并无缝衔接至核心副歌部分。莫滕·哈克特再度以极具爆发力的高音呐喊唱出“Take on me, take on me / Take me on, take on me”，伴随“I'll be gone / In a day or two”的紧迫倒计时，将渴望被接纳的情感张力推向更高点。副歌结束后，音乐随即转入一段长达近一分钟、充满动感与梦幻色彩的合成器与器乐交织过门，为最后的高潮蓄足能量。 ### [02:35](https://www.youtube.com/watch?v=djV11Xbc914&t=155s) 终章告白、标志性超高音与交织尾奏 长段器乐演奏结束后，第三段主歌在更加充沛的情感中归来。面对内心的游移与疑惑，主唱追问彼此言语的真意，唱道：“Oh, things that you say, yeah / Is it life or just to play my worries away?”随后他坚定地将对方确立为生命中不可替代的存在，唱出“You're all the things I've got to remember / You're shying away / I'll be coming for you anyway”，展现出无论对方如何退缩也誓要追寻到底的执着。 这一段决意直接引爆了整首歌曲最后的终极高潮副歌。主唱不仅再次高唱“Take on me, take on me / Take me on, take on me”，更在尾声阶段展现了惊人的声乐跨度，以极其明亮高亢的极限超高音唱响“I'll be gone / In a day”，并与层叠交织的背景和声“Take on me / Take on me, take me on, take on me”交相辉映。全曲在合成器旋律的持续跳跃与多层次人声重叠呼应中逐渐收拢，直至尾奏音符缓缓消散。 ## Mentioned a-ha, Morten Harket, Paul Waaktaar-Savoy, Magne Furuholmen, Take On Me, Hunting High And Low, The Sun Always Shines On T.V., Cry Wolf, The Living Daylights, MTV Video Music Awards, American Music Awards ## Video description “Take On Me” has been remastered in stunning 4K resolution - watch it now! 📺 Watch all the official a-ha videos here http://bit.ly/ahaOfficialVideos ONE BILLION VIEWS on February 17, 2020 / TWO BILLION VIEWS on September 19, 2024 📅 🎼 Listen to more a-ha here https://lnk.to/ahastrm 🔔 Subscribe to the a-ha channel and “ring the bell” to turn on notifications http://bit.ly/Subscribetoaha At the 1986 MTV Video Music Awards, the video for "Take On Me" won six awards—Best New Artist in a Video, Best Concept Video, Most Experimental Video, Best Direction, Best Special Effects, and Viewer's Choice—and was nominated for two others, Best Group Video and Video of the Year. "Take On Me" was also nominated for Favorite Pop/Rock Video at the 13th American Music Awards in 1986. Time and Again: The Ultimate a-ha, including the biggest hits + rare and unreleased remixes, is out now! Get your copy here: http://smarturl.it/ahatimeagaincd Stay In Touch with a-ha… 📡 Website https://a-ha.com/ 🌎 Tour Dates https://a-ha.com/tickets 📣 Facebook https://www.facebook.com/officialaha/ 📸 Instagram https://www.instagram.com/officialaha/ 📱 Twitter https://twitter.com/aha_com 🔈 Soundcloud https://soundcloud.com/a-ha Stay In Touch with Morten Harket… 📡 Website https://mortenharket.com/ 📣 Facebook https://www.facebook.com/mortenharket.official/ 📸 Instagram https://www.instagram.com/mortenharket/ 📱 Twitter https://twitter.com/mortenharket ******************* The a-ha channel is the official YouTube home of the Norwegian Pop trio a-ha, who achieved global stardom in 1985 when their debut single, “Take On Me” from the album ‘Hunting High And Low’ topped the charts in 36 different countries on its way to becoming one of the best-selling singles of all time, and the 5th most streamed song of the 20th century. a-ha struck chart gold again with “The Sun Always Shines On T.V.” and “Cry Wolf,” and recorded the theme to the 1987 James Bond film “The Living Daylights”. The a-ha YouTube channel is proud to host the music videos from these hits alongside live performance videos, lyric videos, and the solo work of band members Morten Harket (lead vocals), Paul Waaktaar-Savoy (Guitar), and Magne Furuholmen (Keyboards). [Source](https://www.youtube.com/watch?v=djV11Xbc914)

Original transcript

[0:02] ♪♪ [0:36] ♪ We're talking away ♪ [0:39] ♪ I don't know what I'm to say ♪ [0:41] ♪ I'll say it anyway ♪ [0:44] ♪ Today's another day to find you ♪ [0:48] ♪ Shying away ♪ [0:50] ♪ I'll be coming for your love, okay? ♪ [0:53] ♪ Take on me, take on me ♪ [0:59] ♪ Take me on, take on me ♪ [1:04] ♪ I'll be gone ♪ [1:09] ♪ In a day or two ♪ [1:15] ♪ So needless to say ♪ [1:18] ♪ I'm odds and ends but I'll be ♪ [1:21] ♪ Stumbling away ♪ [1:24] ♪ Slowly learning that life is okay ♪ [1:27] ♪ Say after me ♪ [1:30] ♪ It's no better to be safe than sorry ♪ [1:33] ♪ Take on me, take on me ♪ [1:39] ♪ Take me on, take on me ♪ [1:44] ♪ I'll be gone ♪ [1:49] ♪ In a day or two ♪ [2:35] ♪ Oh, things that you say, yeah ♪ [2:38] ♪ Is it life or just to play my worries away? ♪ [2:44] ♪ You're all the things I've got to remember ♪ [2:47] ♪ You're shying away ♪ [2:50] ♪ I'll be coming for you anyway ♪ [2:53] ♪ Take on me, take on me ♪ [2:58] ♪ Take me on, take on me ♪ [3:04] ♪ I'll be gone ♪ [3:09] -♪ In a day ♪ -♪ Take on me ♪ [3:14] ♪ Take on me, take me on, take on me ♪ [3:21] -♪ I'll be gone ♪ -♪ Take on me ♪ [3:25] -♪ In a day ♪ -♪ Take on me, take me on ♪ [3:36] ♪♪