Ashley Walters Battles Top Boy Producers to Protect Final Season

Ashley Walters: The Unheard TRUTH About Top Boy! "Me & Kano Didn't Have The Greatest Time" — The Diary Of A CEO

The Diary Of A CEO

Ashley Walters reveals that childhood fatherlessness and trauma fueled both his rise to fame and the creative friction required to preserve authenticity in Top Boy.

AI-assisted summary of Ashley Walters: The Unheard TRUTH About Top Boy! "Me & Kano Didn't Have The Greatest Time" — original source. Check the original for full context.

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## Background This episode was published on YouTube by The Diary Of A CEO on September 14, 2023. According to the page description, Steven Bartlett sits down with actor and rapper Ashley Walters to discuss his journey from Asher D to Top Boy, touching on his prison time, fame, family trauma, and refusal to be constrained by others' expectations.

## TL;DR Ashley Walters reflects on how an absent father and childhood trauma shaped his early struggles with anger, street life, and imposter syndrome. He recounts his transition into acting and music with So Solid Crew, the transformative two weeks he spent with his dying father, and his rise to international prominence as Dushane in Top Boy. Throughout the conversation, Walters opens up about personal mistakes, fatherhood regrets, and the creative battles he and Kano fought behind the scenes to preserve the authenticity of Top Boy's final season.

## Atmosphere & style The conversation is remarkably intimate, raw, and vulnerable, balancing deep emotional reflection with moments of quiet humor and warmth. Host Steven Bartlett creates a calm, empathetic space that allows Walters to speak candidly about his deepest insecurities, unresolved grief, and personal flaws without defensiveness. Watching the episode feels like an authentic inner reckoning, tracing a powerful arc from childhood trauma and anger to self-awareness, maturity, and a desire to break generational cycles.

## Key takeaways - [01:46](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=106s) Growing up with an absent father left Ashley with severe trauma, anger, and self-doubt, leading him to seek male guidance from local gang figures. - [04:46](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=286s) Ashley pursued therapy to unpack his deep-seated issues and overcome the imposter syndrome that made him constantly feel like a fraud. - [07:23](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=443s) Joining So Solid Crew was less about music for Ashley and more about finding a sense of belonging and community. - [12:30](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=750s) Reconnecting with his dying father in 2005 taught Ashley that paternal love is unconditional and that external status symbols are fleeting. - [24:07](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1447s) The loss of his father triggered a period of destructive behavior and ego-driven decisions, resulting in broken relationships and lost personal archives. - [44:41](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2681s) Ashley credits his career longevity to soft skills, interpersonal charm, and maintaining genuine relationships in the entertainment industry. - [48:08](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2888s) Facing constant industry rejection, Ashley channels 'no' into directional fuel, which ultimately pushed him to establish himself as a director. - [58:47](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3527s) The COVID-19 pandemic forced Ashley to confront his personal vices, rely less on the work-based validation of his ego, and seek outside guidance. - [01:05:04](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3904s) To bridge emotional differences and communication gaps with his wife Danielle, the couple actively attends weekly counseling. - [01:14:47](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4487s) Ashley carries deep regret over being physically and emotionally absent during the formative years of his older children's lives. - [01:18:09](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4689s) Ashley was ready to quit acting to avoid repetitive 'bad boy' typecasting until the nuanced script for Top Boy changed his career path. - [01:23:11](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4991s) Top Boy broke ground by tackling complex social issues with cinematic quality, utilizing a cast composed largely of first-time actors. - [01:27:54](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5274s) Filming the final season of Top Boy involved intense creative friction with producers as Ashley and Kano fought to keep the story authentic. - [01:35:32](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5732s) Top Boy shifted global perceptions of Black British culture, opening doors for diverse UK talent and future stories across new genres. - [01:37:45](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5865s) If given one final phone call to his children, Ashley would tell them he loves them—a phrase he never got to exchange with his own father.

## Detailed walkthrough ### [00:00](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=0s) Intro and the Weight of Trauma

The interview opens with an intense, raw montage of Ashley Walters speaking on his childhood trauma, lingering anger, and the heavy emotional weight he has carried throughout his life. Reflecting on his rise to fame with So Solid Crew and his standout lead role as Dushane in *Top Boy*, Ashley admits that growing up with a father in and out of prison made him bitter and hostile toward the world. He gravitated toward local gang figures as father figures and followed in their footsteps, confessing: "I was obsessed with the fact that I was gonna die young. I wanted to hurt people the way I was hurt."

Even as his acting career skyrocketed and *Top Boy* became widely celebrated as one of the greatest television series to come out of the UK, Ashley discloses that behind the scenes, creative friction was constant. Filming the final season was particularly challenging, as he and co-star Kano (Kane Robinson) pushed back fiercely against production resistance to ensure their characters and community were represented authentically. He breaks down in tears while recalling the emotional aftermath of rekindling his relationship with his father in 2005 shortly before his death, revealing that the grief and unresolved issues still haunt him deeply.

---

[01:36](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=96s) Early Context, Therapy, and the Father Deficit

Host Steven Bartlett begins by observing that Ashley speaks with the introspection and self-awareness of someone who has undergone therapy to process the subconscious forces shaping his life. Ashley readily confirms this, explaining that after being "cancelled" and facing severe personal and public set-backs, he actively sought therapy to unpack his deep-seated trauma. The primary origin of his emotional struggles stems from the absence of a father figure, which left him feeling lost about what it truly meant to be a man and filled him with constant self-doubt.

``` [ Absent Father & Unresolved Trauma ] │ ▼ [ Anger, Self-Doubt, and Search for Identity ] │ ┌────────────────┴────────────────┐ ▼ ▼ [ Street Life / Gangs ] [ Inner Drive to Prove Worth ] (So Solid Crew, Bad Boys) (Acting, Music, Directing) ```

Although Ashley acknowledges that many people experience fatherlessness without turning to destructive behavior, he reacted with reckless anger. During his early years with So Solid Crew and his initial acting roles, his hostility led him to lash out at those around him, both loved ones and strangers, bringing him into frequent conflict with the police. Despite having an incredibly supportive mother and a loving family, he struggled with a persistent, nagging feeling that he didn't belong in rooms with other men.

* **Code Word "France":** Whenever Ashley's father went to prison during his childhood, his family told him and his younger brothers that their dad was in "France." * **Superhero Perception:** Despite his father's sporadic presence, young Ashley viewed him as a superhero and constantly begged to see him because "everyone else had a dad." * **Chased by Police:** Ashley recalls a vivid memory at age 10 or 11 when his father got drunk at a family christening party, got into a fight, and was kicked out. Ashley had to carry his father down the street while police cars pursued them, with his father pushing Ashley's head down in the backseat telling him to stay low.

---

[07:23](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=443s) Street Role Models, So Solid Crew, and the Illusion of Manhood

When Ashley grew older and realized his father was not providing the guidance he needed, his longing transformed into anger. He turned to his local community for male role models, adopting the swagger and aggressive attitudes of local drug dealers and gang members. He clarifies that joining So Solid Crew was never purely about music for him; it was fundamentally about finding a sense of belonging and community.

> "Joining So Solid was never about music for me in the beginning. It was about belonging. It was the first time I was part of a gang, and there were a lot of older men in that group that looked after me... and seemingly at the time loved me."

Despite experiencing early professional success in music, television, and film, Ashley admits he lacked a true template for manhood. He mistook aggression, toughness, and emotional stonewalling for masculinity—believing a man must never cry, never take "no" for an answer, and constantly fight back. However, underneath that hard exterior, he remained emotionally incapable of maintaining healthy relationships or understanding his own intrinsic worth.

---

[09:03](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=543s) Unmet Expectations, Imposter Syndrome, and Seeking Approval

Steven references child psychologists like Gabor Maté, noting that children inherently interpret parental flaws or abandonment through a narcissistic lens—believing they themselves are to blame. Ashley agrees, admitting that deep down he interpreted his father's neglect as a signal that he wasn't good enough. This core belief manifested as severe imposter syndrome throughout his career, making him constantly feel like a fraud who was about to be caught out.

* **Constant Self-Doubt:** Ashley constantly worries about what others think when he walks into a room, often suspecting that people talking in a corner are talking about him. * **Driven by Rejection:** His drive to succeed was initially fueled by a desire to prove doubters wrong and to spite his father, operating on a mindset of "look what I achieved without you." * **Mother's Disconnect:** Ashley's mother struggled to understand why he remained so deeply attached to a father who was rarely there for him, asking him even after his father died why he was so broken over someone he barely knew.

---

[12:30](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=750s) Reconnecting in Canada and Overcoming Prejudices

Ashley details the profound turning point in his relationship with his father, which occurred in 2005 shortly before his father passed away from lung cancer. At the time, Ashley was in Canada filming *Get Rich or Die Tryin'*. His father, knowing he had only weeks left to live, insisted on visiting Ashley to make peace. Prior to this, Ashley harbored intense resentment toward his father, recalling how discovering his father's illiteracy through letters sent while Ashley was in prison in 2001 only fueled his anger and contempt.

``` +-----------------------------------------------------------------------+ | Key Lessons from His Father in Canada | +-----------------------------------------------------------------------+ | 1. Fame and success are temporary and can be taken away at any time. | | 2. Paternal love is unconditional—not tied to achievements. | | 3. Chasing absolute perfection is a destructive, impossible trap. | +-----------------------------------------------------------------------+ ```

During their two weeks together in Canada, Ashley—who had been convinced since age six or seven that he was destined to die young at age 33—had a friend film their daily lives. Sitting up for hours smoking and talking, Ashley filmed his father and asked him deep questions about his past. To Ashley's surprise, he discovered his father possessed immense street-smart wisdom and life experience. His father gave him invaluable advice about life and women, reminding Ashley that external success and fame are fleeting, and that he would love him purely as his son regardless of his achievements.

* **Childhood Pre-monition:** From a young age, Ashley held a bizarre, persistent belief that he would die at age 33, leading him to hire a camera operator to document his daily life. * **Father's Toughness:** Even while dying of lung cancer and barely able to breathe, his father insisted Ashley go out and get him weed and alcohol while they talked for hours. * **Generational Trauma:** During these talks, Ashley realized his father was himself a product of severe neglect, having grown up in care as the "bad kid" of his family without proper guidance.

<FollowUp label="Want to hear about Ashley's time in prison and his transition back to acting?" query="Tell me about Ashley Walters' time in prison, his experience with So Solid Crew during that period, and how he rebuilt his acting career afterward."/>

[18:54](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1134s) A Father's Passing and Tragedy on Set

As Ashley Walters spent time getting to know his father, he gained a deeper understanding of the circumstances that had forced his father out of his life. Hearing his father's side allowed Ashley to reconcile his feelings and appreciate him as a person. They became close friends, attending clubs and raving together despite his father being visibly emaciated—"wafer-thin" and on "death's doorstep." At night, Ashley lay awake staring at the ceiling in constant dread as his father coughed violently through the hours, praying he wouldn't pass away right there in the room.

His father eventually boarded a plane to return home, but his health collapsed mid-transit. Rushed directly to the hospital from the airport, he died while Ashley was away working. Ashley learned of the death while on location, filming an intensely emotional scene alongside 50 Cent. Between takes, an unsettling silence fell over the set; the producers stood staring at Ashley until they gently instructed him to pause filming and call home. Retiring to his trailer, Ashley called his partner, who delivered the news that his father was gone.

Crushed by the loss, Ashley broke down crying in his trailer, where co-star Joy Bryant comforted him with a hug. 50 Cent also entered to offer a quick, somewhat detached condolence—"Sorry to hear about your dad, man"—before immediately pivoting back to discussing the scene's logistics. Ashley recognized that 50 Cent had likely lived through intense trauma that hardened his reactions, whereas for Ashley, this was his very first close encounter with losing someone who meant the world to him. Suppressing his grief, Ashley chose to keep working, flying back home for a single day to attend the funeral before immediately returning to set.

* **Year of Loss:** 2005 (18 years prior to the interview). * **Scene Partner:** Filming a scene with American rapper 50 Cent on location when notified. * **Support on Set:** Actress Joy Bryant came into his trailer to comfort him as he broke down. * **Unresolved Grief:** Ashley reflects that even 18 years later, talking about his father's death brings him to the edge of tears because he plowed through work rather than allowing himself to grieve.

---

[24:07](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1447s) Spiral, Ego, and the Lost Tapes

The death of his father shattered Ashley's belief system, triggering a dark period of rebellion and reckless behavior. Prior to the loss, Ashley was a firm believer in the law of attraction and universal manifestation—pointing out how as a young boy, he had looked into a mirror and declared he would join the rap group So Solid Crew long before they knew who he was, watching the universe bring the right connections into his path. Losing his father destroyed that spiritual connection. He began drinking heavily, stopped caring about his future, and let his ego take control.

During this era of self-destruction, Ashley gave in to the temptations around him and abused his celebrity status. His promiscuity destroyed his relationship with his primary partner and led to him fathering two children outside of that relationship. Though he cherishes all his children deeply, he acknowledges that his mind set at the time—a reckless "you only live once" attitude—severely hurt those closest to him, leaving consequences he continues to pay for.

Adding to the emotional weight is the loss of the physical footage he filmed during his father's final days. Ashley had established a production company with a close friend, but as Ashley battled his internal demons and his partner faced personal family struggles, the company collapsed. The co-founder walked away with the entire footage archive, including all the video Ashley had taken of his father. For over a decade, Ashley has tried reaching out through mutual acquaintances to recover the tapes, refusing to launch a legal battle. Because he possesses no family portraits or photographs of his father, those lost tapes represent his only tangible connection to him—a priceless asset akin to the movie *Things to Do in Denver When You're Dead*.

* **Belief in Manifestation:** Manifested his membership in So Solid Crew as a child before the group was aware of his existence. * **Consequences of Infidelity:** Fathered two children outside of his main relationship during his self-described promiscuous phase following his father's death. * **Lost Archive:** A 10-year attempt to recover the only video footage of his father from a former business partner.

---

[31:55](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1915s) Lessons Learned in the Final Two Weeks

Reflecting on the last two weeks he shared with his dying father, Ashley describes gaining an invaluable sense of identity. A core necessity of fatherhood, he notes, is providing children with a clear reference point of who they are and where they come from. Sitting with his father gave Ashley an explanation for his own personal quirks—such as a specific twitch in his eye when lying—and helped him understand the root of his emotional tendencies.

Despite having no material wealth, his father exuded an undeniable aura of confidence, charm, and quiet humility. Seeing this power stripped away Ashley's reliance on external signs of success, like luxury cars, high-end watches, and expensive apartments. His father cared nothing for these status symbols, yet demonstrated that he had secretly paid close attention to Ashley's life and career from afar.

Ashley walked away from those final days fully assured that his father loved him and was proud of him. His only lingering regret is whether his father departed feeling forgiven; Ashley had initially met his father's cancer diagnosis with anger and skepticism, accusing him of fabricating the illness for attention. While Ashley softened his posture toward the end, he maintained a tough exterior to protect himself. He hopes his father was able to read between the lines and realize he was forgiven.

> "I was hiding myself in success... 'I've got this watch, I've got this car, I'm staying in this apartment'—and he didn't give a fuck about any of that."

---

[37:45](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2265s) Imposter Syndrome and the Fuel for Ambition

When host Steven Bartlett questions Ashley's early assertion that his career success was simply down to raw talent, Ashley reevaluates what truly drove his trajectory in acting and music. Steven suggests that Ashley's upbringing and trauma left him with a persistent feeling that his work was never quite good enough—a form of imposter syndrome that forced him to become a perfectionist, driving him to work extra hours in the studio and push further than others.

Ashley notes the sharp contrast between his own upbringing and that of some peers in the industry whose fathers actively reviewed their contracts and guided their careers. That absence fueled Ashley's determination to be present for his own children's professional and personal lives. However, he acknowledges that the insecurity and need to prove himself served as the engine behind his ability to cross over into multiple entertainment fields at a remarkably young age.

[39:41](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2381s) Balance, Charm, and the "Engine Room" of Acting

Between performing with So Solid Crew and acting on BBC television as a teenager, Ashley Walters was executing two high-level careers simultaneously—an achievement few reach in a lifetime, let alone at 15 to 17 years old. When asked what internal traits allowed him to navigate that intense dual path, Walters admits he struggles to answer because self-praise makes him uncomfortable. However, he reflects on inheriting a natural charm from his late father—an innate ability to read a room, engage people, and make others like him.

That personal essence directly fuels his on-screen work. While characters serve as masks, Walters notes that "the engine room is Ashley," drawing heavily on his own raw life experiences and past trauma to bring authenticity to his roles. Off-camera, he consciously maintains humility and a desire to give back. Being one of the early Black British actors to break into mainstream television during a time when representation was scarce, he built a deep, lasting connection with audiences who grew up watching him on screen.

- **So Solid Crew & Early Acting**: Walters balanced chart-topping musical success with major BBC acting roles during his late teens. - **Relatability & Accessibility**: Unlike international superstars who require stores to shut down, Walters moves freely in public, taking public transit and walking the streets because fans view him with familiar warmth ("Oh, it's Ash"). - **Core Philosophy**: Prioritizes treating people well, staying grounded outside of acting, and using his position to support others in the community.

---

[44:41](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2681s) Invisible PR and Navigating Mistakes

Long-term success in the entertainment industry relies heavily on soft skills and interpersonal relationships—what host Steven Bartlett frames as "invisible PR." Walters acknowledges that his career longevity is directly tied to how he treats people behind the scenes. Having made his share of non-public mistakes over the decades, he credits his standing in the industry to the goodwill he cultivated; when times got tough, those who worked with him chose to support him rather than abandon him.

In an era characterized by quick judgments and cancel culture, Walters takes pride in having remained as genuine as possible. That authenticity has built a resilient foundation of industry colleagues and loyal fans who continue to show up for his projects.

- **Mistakes & Support**: Credits his survival through personal missteps to the strong, respectful relationships he maintained with colleagues. - **Industry Dynamics**: Emphasizes that consistently treating people well creates an enduring reputation that opens doors when you aren't in the room.

---

[45:38](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2738s) The Reality of the Acting Hustle

When asked how he would react if one of his own children wanted to pursue acting, Walters reveals a protective instinct born from experience. While he wouldn't forbid them, he admits it worries him deeply because of how volatile and unforgiving the industry is. As an educator at Kingdom Drama School, students frequently ask him for the secret to breaking through, but Walters insists there is no fixed blueprint—success is an anomaly born of preparation meeting an unpredictable moment.

Despite his visible profile, Walters reveals that financial security is a relatively recent development for him, having only achieved stability in the last decade. For years prior, despite working constantly, he faced the terrifying reality of not knowing how he would feed his family from one job to the next.

> "Eighty percent of it is people just telling you no, this ain't gonna happen... What people get to see is that little ten percent that works."

- **Kingdom Drama School**: Mentors aspiring actors, focusing on mental and professional preparation rather than promising linear success. - **Financial Instability**: Spent the vast majority of his lifelong career living with financial uncertainty before reaching stability in his thirties. - **The Rejection Rate**: Notes that standard acting careers are defined by constant rejection, where the public only sees a fraction of the efforts that actually succeed.

---

[48:08](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2888s) Turning "No" into Directional Fuel

Walters is uniquely motivated by doubt and rejection. Rather than letting a "no" crush his ambition, he uses it as quiet determination to prove critics wrong. He prefers to be given the freedom to try and fail on his own terms rather than being blocked from taking a shot altogether—a mindset that directly propelled his transition into directing.

When working on a show he created, production executives initially shut down his request to direct, citing a lack of experience. Refusing to accept that answer after having been on sets since age seven, Walters partnered with his business team to secure funding from Sky and direct a short film to prove his capability. In doing so, he discovered a genuine passion for the craft of directing that transformed his career trajectory.

- **Motivation Through Resistance**: Describes his reaction to being told he can't do something: "When I'm silent, that's when people should worry about me... that's when I'm thinking how to get around you." - **Directing Breakthrough**: Overcame executive skepticism by independently producing and directing a short film funded by Sky, which sparked a new professional path.

---

[51:51](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3111s) Unrepeatable Paths and Finding Joy in the Climb

Mentoring students at Kingdom Drama School, Walters cautions young actors against trying to replicate his exact life path. He reminds them that his specific presence and artist identity were forged through distinct hardships—including losing his father and serving time in prison—events he would not wish on anyone. When asked hypothetically if he would erase those painful moments if given a reset button, Walters firmly declines, using a *Back to the Future* analogy to explain that altering past tragedies could erase his present blessings, including his children.

Looking back at his career, Walters reflects on a paradoxical truth about success: the most fulfilling part of the journey is the hustle itself rather than reaching the destination. Seeing peers who have "completed the game" and hit the pinnacle of wealth, he notes that reaching a point where there are no hurdles left often leads to boredom. He thrives on having a target to chase and finds quiet stability in continuous creative ambition.

> "It's not about the journey, it's about how you use your journey and, more importantly, enjoying the journey... The best parts of what I've achieved have been along the way."

- **The Reset Dilemma**: Refuses to erase his past imprisonment or trauma, recognizing that every event was required to shape his current family and identity. - **Constant Drive**: Admits to being creatively restless; even while wrapping up a project for Disney, his focus immediately shifts toward the next challenge.

---

[54:47](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3287s) Confronting the Mirror During the Pandemic

When the global pandemic brought the entertainment industry to a sudden halt, Walters struggled deeply with enforced stillness. As someone who relied on continuous work and travel as an emotional release valve, being forced to sit at home for weeks without a clear end date was unsettling. The experience exposed cracks in his routine, revealing that he was unprepared for 24-hour confinement with his family without his usual external outlets.

The lockdown forced Walters and his wife to confront friction points in their marriage that had previously been buried under busy schedules. Dealing with severe low moods and anxiety over the state of the world and his livelihood, the period became a grueling test of self-awareness, highlighting how deeply his sense of identity and mental stability were tied to the hustle of his work.

- **Holiday Differences**: Contrasts his need for constant activity with his wife's preference for relaxing on vacation with a book. - **Lockdown Friction**: Acknowledges that the forced proximity during the pandemic led to intense arguments with his wife, exposing underlying relationship challenges. - **Identity & Work**: Realized his work served as a crucial coping mechanism, forcing him to face severe emotional lows when that outlet was removed.

<ElicitationsGroup message="Where would you like to go next with this transcript?"> <Elicitation label="Summarize Ashley's journey with Top Boy" query="Summarize Ashley Walters' journey with Top Boy based on the transcript outline."/> <Elicitation label="Explore his reflections on fatherhood" query="Detail Ashley Walters' thoughts on fatherhood and his relationship with his children from the video notes."/> </ElicitationsGroup>

[58:47](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3527s) Stripped Down to a "Civilian": Navigating Lockdown and Internal Flaws

The COVID-19 pandemic imposed a sudden freeze on normal life, forcing Ashley Walters to halt the high-velocity world of film sets. Host Steven Bartlett notes that for actors whose sense of self-worth is tightly tethered to being on set, work provides validation that they are "enough." Walters agrees completely, explaining that when sets shut down, the unique identifier that set him apart from everyone else was stripped away, reducing him to a "civilian." Forced to sit quietly without the usual career distractions, he had to confront his internal thoughts and long-standing vices.

``` ┌─────────────────────────────────────────┐ │ Pandemic Lockdown Freeze │ │ (Sets shut down / Stripped of work) │ └────────────────────┬────────────────────┘ │ ▼ ┌─────────────────────────────────────────┐ │ Loss of Identity as an Actor/Artist │ │ ("Reduced to a civilian") │ └────────────────────┬────────────────────┘ │ ▼ ┌─────────────────────────────────────────┐ │ Forced Self-Confrontation & Vices │ │ • Heavy drinking • Nail-biting │ │ • Excessive smoking • Inner thoughts │ └─────────────────────────────────────────┘ ```

During this forced pause, habits he had never fully conquered became blatantly obvious. He found himself drinking too much, smoking heavily, and compulsively biting his nails. Sitting with himself exposed an uncomfortable internal landscape, leading him to realize that the inner voice in his head is, in his words, "a mug" that shouldn't be trusted blindly.

- **The Bias of the Inner Voice:** Walters argues that the voice inside one's head acts as an overly biased extension of the ego, justifying bad behavior and telling people what they want to hear rather than reality. - **Unwise Decisions:** Looking back, Walters attributes some of his worst historical choices to blindly following that internal monologue under the belief that it was "the right thing to do." - **Seeking External Guidance:** To counteract impulsivity driven by fear, anger, or jealousy, Walters now actively seeks outside perspectives—whether from his mother or his wife, Danielle—before acting on heightened emotions.

[01:03:00](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3780s) Vengeful Thoughts, Forgiveness, and the Jailer Within

Walters opens up about a darker, vengeful aspect of his personality that occasionally surfaces when he feels hurt. Acknowledging that "hurt people hurt people," he admits that the urge to inflict pain back can feel like the easiest path, though he works hard to lead with love and self-control.

``` ┌─────────────────────────────────────────────────────────────────────────┐ │ THE CYCLE OF HURT │ │ │ │ Past Hurt / Trauma ──► Vengeful Urges ──► Resentment / Grudges Held │ │ │ │ │ ▼ │ │ Self-Inflicted Suffering │ │ ("You are the prisoner") │ └─────────────────────────────────────────────────────────────────────────┘ ```

The discussion shifts to the mental burden of holding grudges. Bartlett highlights an insightful quote: *"Forgiving someone is like letting a prisoner go and realizing in doing so that you were the prisoner the whole time."* Walters resonates strongly with this metaphor, admitting that while he hasn't managed to forgive everyone from his past, keeping resentment alive only harms the person holding it.

> "Forgiving someone is like letting a prisoner go and realizing... that you were the prisoner the whole time."

- **Carrying Baggage:** Walters acknowledges carrying unresolved emotional baggage while actively working on making amends with people he has wronged, even those who may never forgive him. - **The Asymmetry of Grudges:** He reflects on how the targets of his lingering resentment have likely forgotten about him entirely, leaving him as the only person suffering from the past.

[01:05:04](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3904s) Contrast in Upbringings: Embracing a Different Kind of Love

When discussing his relationship with his wife, Danielle, Walters details the stark culture clash between their respective family backgrounds. Coming from an upbringing where physical affection and emotional displays were rare, encountering Danielle’s highly tactile, loving family was initially shocking.

``` ┌─────────────────────────────────┐ ┌─────────────────────────────────┐ │ Ashley's Upbringing │ │ Danielle's Upbringing │ ├─────────────────────────────────┤ ├─────────────────────────────────┤ │ • Independent & reserved │ │ • Highly tactile & affectionate │ │ • Rare physical contact │ vs. │ • Family lounge on sofa together│ │ • Weeks without phone calls │ │ • Open, continuous emotional │ │ • "Clean," practical dynamic │ │ dialogue & warmth │ └─────────────────────────────────┘ └─────────────────────────────────┘ ```

When he first observed Danielle's family lying together on the sofa, hugging and sharing physical warmth, his immediate internal reaction was discomfort and aversion—a reaction he now recognizes as disguised jealousy. Over time, however, he learned to embrace that dynamic, realizing he craved that level of affection even if it didn't come naturally to him.

- **Communication Styles:** Walters describes his survival-oriented mindset ("strap your boots up, solve the problem") versus Danielle’s processing style, which prioritizes talking through feelings in depth. - **Counterbalancing Dynamics:** Bartlett and Walters agree that having a partner with a completely opposite emotional style serves as a necessary counterbalance, pulling out suppressed, healthy aspects of their personalities. - **Weekly Counseling:** Walters shares that he and Danielle actively attend couple's counseling every weekend to bridge communication gaps and build an honest space for conflict resolution.

[01:11:03](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4263s) The "Fixer" Mentality vs. Pure Emotional Listening

Walters reflects on his difficulty with passive listening during emotional conversations. When a partner or friend shares a problem, his immediate instinct is to step in as a "fixer" rather than simply validating their feelings.

This behavioral pattern stems directly from his mother’s pragmatic parenting style. Growing up, complaints or emotional venting were met with swift demands for practical solutions: *"Shut up, how are you going to fix it? Write me a business plan."* Consequently, Walters viewed communication purely as a prelude to action rather than a medium for emotional connection.

- **The Bedtime Vent Example:** A friend shared that his wife would come home from work at 3:00 AM wanting to talk about her stressful day. The friend felt overwhelmed with rage toward her boss, illustrating how men often struggle to just listen without wanting to intervene physically or practically. - **Pragmatic Upbringing:** Communication in Walters' childhood house was structured around next steps, execution, and self-reliance rather than venting or bonding.

[01:14:35](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4475s) Breaking Generational Cycles and Fatherhood Regrets

The dialogue turns to fatherhood and the ongoing challenge of generational distance. Having become a father at age 17 and entering prison at 19, Walters spent crucial formative years away from his oldest children. Even after his release, the demands of touring, music, and acting took precedence over parental duties.

``` ┌─────────────────────────────────────────────────────────────────────────┐ │ GENERATIONAL DISTANCE PATTERN │ │ │ │ Absent/Distant Father ──► Early Absence & Career Focus (17-19 yrs) │ │ │ │ │ ▼ │ │ Communication Gap & Distance │ │ │ │ │ ▼ │ │ Cycle Repeated in Next Gen │ └─────────────────────────────────────────────────────────────────────────┘ ```

Walters candidly admits that during those early years, he lacked the maturity to embrace adult responsibilities and was unwilling to sacrifice his career aspirations. Today, he feels he is paying the emotional price for that absence, experiencing an underlying distance and lack of deep trust with his adult children.

- **Lack of Spontaneous Contact:** While family gatherings are joyful, Walters notes with sadness that his older children rarely call him on their own initiative, mirroring his own distant dynamic with his father. - **Generational Anxiety:** Both Walters and Bartlett express deep-seated fears about inadvertently passing down emotional coldness and detachment to the next generation. - **Regret over Missed Bonds:** Walters struggles with the realization that his kids often do not come to him with their life issues, seeing it as a direct consequence of his early absence and inherited emotional distance.

[01:17:09](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4629s) Shopify Sponsorship & Mid-Roll Break

Steven Bartlett takes a brief moment to introduce a new sponsor for the podcast, Shopify. He shares his genuine enthusiasm for the commerce platform, explaining that it is a tool he uses almost daily across his various business ventures. He highlights how his team utilized Shopify from start to finish to launch their own product, the "Conversation Cards," which featured questions submitted by podcast guests.

Bartlett praises how smooth the platform made the entire process, emphasizing that his team actually loved using it—a rarity when it comes to adopting new workplace technologies. He encourages listeners who are starting a side hustle or building a global business to visit `[shopify.com/bartlett](https://shopify.com/bartlett)` to elevate their operations.

---

* **Product Launch:** Bartlett's team created and sold the "Conversation Cards" using Shopify's infrastructure. * **Platform Reach:** Promoted as an all-in-one commerce engine for side hustles, friend collaborations, and global brands.

---

[01:18:21](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4701s) The Early Days of *Top Boy* and Breaking Typecasting

Ashley Walters reflects on the wild, surreal journey of making *Top Boy*, recalling the sheer shock he and co-star Kano (Kane Robinson) felt while filming the very first season for Channel 4. During the infamous scene on the Summerhouse estate where their characters chop off Kamale's associate's finger, Kano turned to Ashley in disbelief, asking, *"Are they gonna put this on TV?"* At the time, British television had never broadcast anything so raw or uncompromising, making its eventual evolution into one of Netflix's largest global exports feel mind-blowing.

``` +-----------------------------------------------------------------------------------+ | TOP BOY: FROM CULTRY UK DRAMA TO GLOBAL EXPORT | +-----------------------------------------------------------------------------------+ | 2011 (Channel 4): Groundbreaking, gritty UK street culture drama. | | Cancellation: Axed after Season 2 despite massive cult following. | | 2019 (Netflix): Resurrected globally; dynamic, multi-layered character arcs. | +-----------------------------------------------------------------------------------+ ```

Walters reveals that just months before reading the *Top Boy* script, he had told his agent he was done playing generic "bad boy" or gang member roles. After starring in *Bullet Boy*, he found himself pigeonholed, receiving endless scripts featuring variations of the same superficial tropes. He was prepared to walk away from acting entirely—even if it meant financial hardship—rather than continue taking repetitive roles. However, when Ronan Bennett's script for *Top Boy* arrived, everything changed. For the first time, he saw black organized crime depicted with structure, hierarchy, and human depth, reminiscent of iconic films like *Goodfellas* and *Scarface*.

* **Iconic Early Scene:** Filming the scene where Kamale's associate (Sway) has his finger cut off in the market made the cast question if Channel 4 would air the series. * **Breaking Free of Typecasting:** Ashley explicitly instructed his agent that he would rather not work at all than keep taking repetitive "bad boy" roles after *Bullet Boy*. * **Character Depth:** Ashley was drawn to Dushane because he wasn't a mindless thug; he had entrepreneurial ambition, strategic vision, and complex human motivations.

---

[01:23:11](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4991s) Cancellation, Cultural Impact, and Cinematic Magic

When asked why Channel 4 cancelled *Top Boy* after just two seasons, Ashley admits that he and the fans were baffled. Over the years, he developed a theory that a executive "change of guard" at the network led to the cancellation—new leadership often axes established hits to avoid living in the shadow of previous executives' successes. Despite the heartbreak at the time, Ashley views the hiatus as a blessing in disguise because it allowed public anticipation to build into a passionate cult demand.

The show's ability to cross over globally where other British urban dramas failed comes down to its three-dimensional storytelling and cinematic execution. *Top Boy* went beyond surface-level crime by weaving in heavy social issues like mental health, parental neglect, and community decay. Crucially, director Yann Demange brought a feature-film sensibility to the set. With over 90% of the first-season cast having no prior acting experience, Demange's directorial skill was vital in extracting natural, powerful performances while capturing London with striking visual beauty.

* **Executive Dynamics:** Ashley suspects a change in leadership at Channel 4 caused the initial cancellation, as new executives rarely want to give credit to prior hits. * **First-Time Actors:** Roughly 90% of the original season 1 cast had zero prior acting experience before being directed by Yann Demange. * **Broad Social Themes:** Season 1 tackled deeper societal issues, including mental health struggles and youth neglect (such as the storyline following Gem).

---

[01:27:54](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5274s) Ashley's Acting Methodology and The Final Season on Netflix

When preparing for roles, Ashley explains that he doesn't adhere to a single set of rigid rules; instead, he does whatever extreme measures the character requires. To play a homeless, crack-addicted alcoholic in a past project, he moved out of his home, slept on a thin mattress in a bare one-bedroom apartment, and stopped eating food to lose drastic weight. He believes that "less is more" and prefers not to be over-prepared so he can remain vulnerable and responsive in the moment.

``` +-----------------------------------------------------------------------------------+ | ASHLEY WALTERS' METHOD ACTING RANGE | +-----------------------------------------------------------------------------------+ | Extreme Prep: Fasting, leaving home, sleeping on a floor mattress for intense roles | | Instinctive Prep: Deep backstory knowledge combined with "less is more" vulnerability| +-----------------------------------------------------------------------------------+ ```

Addressing the final season on Netflix, Ashley describes his emotions as deeply bittersweet. The "bitter" element stems from the reality that finishing the show means drifting apart from cast members who felt like family. He acknowledges that because of his nature, once the shared work ends, those regular daily connections fade. Furthermore, Ashley reveals that he and Kano faced significant resistance behind the scenes during the final season. With seven or eight executive producers involved, they had to "go hard" and fight fiercely to protect the integrity of the scripts, characters, and storylines.

``` "Me and Kano didn't have the greatest time, you know, fighting for what we believed in and making it the best show that we could make it be... We faced a lot of resistance this time around. We weren't given the creative input all the time that we desired." ```

* **Method Dedication:** For a role playing an addict, Ashley isolated himself, lived in minimal conditions, and starved himself to feel genuine physical desperation. * **Behind-the-Scenes Tension:** Making the final season involved intense debates with 7 to 8 executive producers to ensure the characters and narrative remained authentic. * **Bonding Through Conflict:** Pushing back against creative resistance brought Ashley and Kano closer together than ever before, solidifying their partnership as both actors and businessmen. * **The Sweet Side of Ending:** Ending the series grants Ashley his personal freedom back, releasing him from restrictive long-term multi-year contracts so he can direct and explore new creative avenues.

---

<ElicitationsGroup message="Where would you like to go next with this transcript analysis?"> <Elicitation label="Summarize Part 6 of the transcript" query="Please provide the detailed, faithful walkthrough for Part 6 of this Ashley Walters transcript."/> <Elicitation label="Analyze Ashley's career transition from musician to actor" query="Can you summarize Ashley Walters' transition from So Solid Crew to becoming a mainstream actor based on the full interview context?"/> </ElicitationsGroup>

[01:35:32](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5732s) *Top Boy*'s Cultural Legacy and Breaking Global Boundaries

Ashley reflects on the profound global impact of *Top Boy*, illustrating its reach through recent encounters. Earlier in the day, he met with a Nigerian executive who runs a major record label and production company, who thanked him directly because the show made his work infinitely easier across international borders. Ashley shares that rapper Giggs expressed a similar sentiment when traveling to the States and around the world, explaining that he no longer has to constantly introduce or explain where he comes from. The show established an immediate cultural connection and context for global audiences, shifting the world's perception of British culture away from standard period dramas, cups of tea, biscuits, or films like *Notting Hill*.

Looking forward, Ashley views *Top Boy* as an essential foundation that opened doors for British culture and Black talent in the international market. However, he emphasizes that the industry must now push further by expanding the types of stories told. He envisions a future filled with Black detectives, Black superheroes, and diverse narratives that do not solely revolve around the gritty, street-level world depicted in *Top Boy*. By establishing global trust in UK exports, the show expanded horizons for unlimited creative possibilities.

* Ashley met with a prominent Nigerian record label and production company owner who expressed gratitude for the show's cultural footprint. * Giggs noted that *Top Boy* eliminated the need to explain his background when traveling to the United States and internationally. * Ashley advocates for broadening Black storytelling into new genres, including superhero and detective narratives.

---

[01:37:45](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5865s) The Last Diary Question: A Final Message to His Children

Following the podcast’s tradition where the previous guest leaves an anonymous question in Steven’s diary, Steven reads the prompt assigned to Ashley: *"You've got one phone call left to your children, what do you say to them?"* Ashley initially lightens the tense, emotional atmosphere with his trademark humor, cracking a joke about his usual household parting phrase: *"Don't eat my chicken wings!"*

Shifting to a sincere and tender tone, Ashley shares that he would simply tell them, *"I love you."* He reveals the deep personal motivation behind those words, reflecting on how he never got to say that to his own father before he passed away, nor did his father voice those exact words to him. Assuming that a final phone call would mark the last time he would ever speak to his children, he stresses that ensuring they know he loves them is the only thing that truly matters.

---

[01:39:15](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5955s) Steven's Tribute to Ashley's Journey and Integrity

Steven closes the conversation with a heartfelt tribute to Ashley’s resilience, character, and artistic legacy. He praises Ashley for fighting to maintain the integrity and authenticity of *Top Boy* over the years, noting how his lived experiences gave the show its deep resonance. Expressing genuine excitement for Ashley's evolving directing career, Steven highlights that his achievements stem far beyond raw talent—they are the product of decades of hard work, perfectionism, kindness, people skills, and rebounding from intense hardship and rejection.

Ashley graciously accepts the praise, thanking Steven for the warm hospitality and thoughtful interview environment before the episode officially wraps up.

* Steven commends Ashley’s relentless commitment to preserving the artistic integrity of his work across his two-and-a-half-decade career. * Ashley expresses his sincere gratitude for being on the show as the main interview segment comes to an end.

## Notable quotes > [00:00](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=0s) I was obsessed with the fact that I was gonna die young. I wanted to hurt people the way I was hurt. — Ashley Walters

> [07:23](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=443s) Joining So Solid was never about music for me in the beginning. It was about belonging. It was the first time I was part of a gang, and there were a lot of older men in that group that looked after me... and seemingly at the time loved me. — Ashley Walters

> [31:55](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1915s) I was hiding myself in success... 'I've got this watch, I've got this car, I'm staying in this apartment'—and he didn't give a fuck about any of that. — Ashley Walters

> [45:45](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2745s) Eighty percent of it is people just telling you no, this ain't gonna happen... What people get to see is that little ten percent that works. — Ashley Walters

> [48:08](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2888s) When I'm silent, that's when people should worry about me... that's when I'm thinking how to get around you. — Ashley Walters

> [51:51](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3111s) It's not about the journey, it's about how you use your journey and, more importantly, enjoying the journey... The best parts of what I've achieved have been along the way. — Ashley Walters

> [01:03:00](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3780s) Forgiving someone is like letting a prisoner go and realizing... that you were the prisoner the whole time. — Ashley Walters

> [01:11:03](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4263s) Shut up, how are you going to fix it? Write me a business plan. — Ashley's Mother

> [01:18:21](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4701s) Are they gonna put this on TV? — Kano (Kane Robinson)

> [01:27:54](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5274s) Me and Kano didn't have the greatest time, you know, fighting for what we believed in and making it the best show that we could make it be... We faced a lot of resistance this time around. We weren't given the creative input all the time that we desired. — Ashley Walters

> [01:37:45](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5865s) Don't eat my chicken wings! — Ashley Walters

## Mentioned Ashley Walters, Steven Bartlett, Kano, Kane Robinson, Top Boy, So Solid Crew, BBC, Sky, Channel 4, Netflix, Shopify, Kingdom Drama School, Gabor Maté, 50 Cent, Joy Bryant, Danielle Walters, Yann Demange, Ronan Bennett, Giggs, Get Rich or Die Tryin', Bullet Boy, Goodfellas, Scarface, Things to Do in Denver When You're Dead, Back to the Future, Notting Hill

[Source](https://www.youtube.com/watch?v=4C7aWQ0aSU8)

中文简报

Ashley Walters为保护最终季与《Top Boy》制片人据理力争 Ashley Walters透露,童年父爱的缺失与创伤不仅推动了他的成名,也促成了他在《Top Boy》中为保持真实性而付诸的创作抗争。 Ashley Walters回顾了父亲缺席和童年创伤如何影响了他早期在愤怒、街头生活和冒名顶替综合征中的挣扎。他讲述了自己加入So Solid Crew并向演艺与音乐领域转型、与病危父亲共度的两周如何改变了自己,以及凭借在《Top Boy》中饰演Dushane一角享誉国际的历程。在整场对话中,Walters坦诚谈及了个人的过错、在为人父方面的遗憾,以及他与Kano为了维护《Top Boy》最终季的真实性在幕后所经历的创作纷争。 由于童年时期父亲缺位,Ashley Walters 长期承受创伤、愤怒与强烈的冒名顶替综合征,最初加入 So Solid Crew 更多是为了寻求归属感与认同。 (7:23) 2005 年在加拿大与病重的父亲重聚,让 Ashley 领悟到父爱是无条件的,且外在地位象征毫无意义;但父亲的离世也一度诱发了他的自我毁灭行为与混乱人际关系。 (12:30) Ashley 将自己在演艺界的长期立足归功于人际交往软实力、亲和力以及面对行业频频拒绝时将其转化为自我证明动力的韧性,这也推动了他转型成为导演。 (37:41) 新冠疫情让 Ashley 骤然停下工作步伐直面自身缺陷与不良嗜好,促使他放下依靠事业支撑的自我意识,并与妻子共同接受心理咨询以改善沟通。 (58:47)

Reading summary

Actor and musician Ashley Walters explains how the unresolved trauma of an absent father fueled both destructive behavior and an obsessive drive to succeed, shaping his career from So Solid Crew to the contentious creative battles on Top Boy. Paternal Absence and Distorted Conceptions of Manhood (1:36) Walters attributes his early anger, run-ins with police, and persistent imposter syndrome to his father's recurring prison sentences, which his family masked with the euphemism that he was in 'France.' Deep-seated feelings of abandonment led young Walters to internalize his father's absence as personal inadequacy, sparking a constant need to prove his worth. To fill this void, he sought male role models among local gang figures and joined So Solid Crew primarily for community and belonging rather than music. Lacking a healthy template for masculinity, Walters mistook emotional stonewalling, aggression, and refusing to take 'no' for an answer as the definition of being a man. Beneath this tough exterior, he struggled with a pervasive sense of illegitimacy, constantly fearing he would be exposed as a fraud despite rapid professional success in acting and music as a teenager. Reconciliation, Tragic Loss, and Suppressed Grief (12:30) In 2005, while filming Get Rich or Die Tryin' in Canada, Walters spent two weeks with his terminally ill father, who was dying of lung cancer. The visit dismantled Walters' resentment: his father explained his own neglected childhood in care, imparted that parental love is unconditional rather than tied to status symbols, and urged him to abandon the pursuit of perfection. This brief reconciliation ended when his father collapsed mid-transit returning home and died while Walters was on set with 50 Cent. Instead of processing the loss, Walters suppressed his grief and returned to work after a one-day trip home for the funeral. This emotional deflection triggered heavy drinking, reckless promiscuity that resulted in fathering two children outside his primary relationship, and the eventual loss of the only videotaped archive of his father after a production company partnership collapsed. Breaking Typecasting and Battles Over Top Boy (78:21) Weary of being pigeonholed as generic gang figures after starring in Bullet Boy, Walters had instructed his agent that he would rather not work than continue taking one-dimensional scripts. Ronan Bennett's script for Top Boy disrupted this cycle by providing structured, nuanced character dynamics. Although Channel 4 cancelled the series after two seasons—which Walters attributes to executive turnover—the show found a massive international audience when revived by Netflix. Walters reveals that making the final season on Netflix involved severe creative tension. He and co-star Kano (Kane Robinson) faced pushback from seven or eight executive producers, forcing them to fight vigorously on set to ensure their characters and community retained authentic representation rather than executive-diluted narratives. Confronting Stillness and Generational Distance (74:35) The pandemic lockdowns removed the distraction of continuous film work, forcing Walters to confront personal vices such as heavy drinking and smoking. He realized that his work had functioned as a primary emotional coping mechanism. Navigating this forced pause required unlearning his upbringing's pragmatic 'fixer' mentality—where emotional vulnerability was met with demands for actionable plans—and committing to weekly couples counseling with his wife, Danielle, to develop genuine emotional listening. Fatherhood remains Walters' central area of reflection. Having become a parent at 17 and entering prison at 19, he regrets that early career ambitions kept him distant from his oldest children, resulting in an emotional gulf where they rarely reach out spontaneously. Asked what he would share in a final phone call to his children, Walters stressed he would tell them 'I love you,' ensuring they receive the explicit declaration of love he never exchanged with his own father. Walters argues that while Top Boy successfully altered global perceptions of Black British culture, the UK entertainment industry must now expand beyond gritty urban dramas into genres such as superhero and detective stories. He declines any hypothetical desire to erase his past hardships or prison sentence, maintaining that those distinct struggles were necessary to forge his present identity and family life.

精炼阅读摘要

英国演员兼音乐人 Ashley Walters 在访谈中详述了他如何将童年父爱缺失的创伤转化为事业驱动力,并坦言其在打破影视类型化偏见、保护剧集真实性以及跨越代际隔阂过程中所付出的沉重心理与人际代价。 父爱缺失与创伤驱动的早期认同 (1:36) Ashley Walters 幼年时父亲频繁进出监狱,家人常以其身在“法国”为借口隐瞒真相,这导致他长期在对父亲的英雄崇拜与被抛弃的怨恨之间挣扎。由于缺乏健康的男性榜样,Walters 误将冷酷、攻击性以及压抑情感视为男子气概,并在街头团伙与 So Solid Crew 中寻求归属感。他曾一度坚信自己活不过33岁,并将内心深处的自卑转化为对抗世界的愤怒。 主持人和心理学观点认为,被抛弃的儿童容易产生将过错归咎于自身的心理机制。Walters 证实了这一点,透露自己职业生涯长期伴随着严重的冒充者综合征,总觉得自己是个随时会被揭穿的骗子。他早期的拼搏动力在很大程度上源于向缺席的父亲证明自身价值,抱持着“没有你我也能成功”的报复性心态在演艺界和音乐界不断透支自己。 迟到的加拿大和解与未愈的丧亲余波 (12:30) 2005年,Walters 在加拿大拍摄《Get Rich or Die Tryin'》期间,身患肺癌晚期的父亲前来探访,促成了两人长达两周的深度交流。父亲展示出的街头智慧与无条件的爱,打破了 Walters 依靠名车、名表等外在物质掩盖内心脆弱的防线,并让他理解父亲自身也是系统性忽视与代际创伤的受害者。然而,父亲回国后病情急剧恶化离世,当时 Walters 正与 50 Cent 在片场拍摄情绪戏,只能强忍悲痛短暂回国奔丧后立刻复工。 父亲的骤逝摧毁了 Walters 的精神支柱,致使他陷入酗酒、放纵以及自我毁灭的深渊,并在一段稳定关系之外育有两名子女。雪上加霜的是,记录父亲生前最后两周影像的珍贵录像带因早年制作公司合伙破裂而被对方扣留,十余年间多次索要无果。缺少父亲实体照片的 Walters 坦言,未能妥善哀悼和痛失这批唯一影像的遗憾至今仍未彻底释怀。 演艺生存法则:无形公关与化否定为动力 (44:41) Walters 十五六岁时便同时兼顾 So Solid Crew 的音乐事业与 BBC 的重要剧集,但他指出光鲜外表下隐藏着巨大的不确定性。他直到三十多岁才真正实现财务稳定,此前常年承受着不知道下一份工作能否养家糊口的焦虑。他在 Kingdom Drama School 执教时告诫年轻人,演员行业有80%的常态是遭遇拒绝,大众看到的成功仅占10%,因此不能简单复制他人在创伤中淬炼出的独特路径。 面对高压且严酷的行业环境,Walters 将自己的长青归功于幕后的“无形公关”——即始终善待基层工作人员和同事,这让他在犯错或陷入公众舆论危机时仍能获得业内人士的力挺与挽救。同时,他习惯将来自外界的怀疑和否定转化为破局的动力;例如在担任主创的剧集中被资方以经验不足为由拒绝执导后,他选择联合团队争取 Sky 资金独立拍摄短片自证实力,成功开拓了导演生涯。 停滞期的自我反思与父职代际隔阂 (58:47) 新冠疫情导致片场停摆,迫使 Walters 脱离工作赋予的特殊光环,沦为必须面对真实自我的“平民”。缺乏忙碌作为情感减压阀后,他不得不直面过度饮酒、重度吸烟等不良恶习,并认识到大脑内部充斥着合理化恶习的自私执念。为了修正偏狭的情绪反应,他和妻子 Danielle 保持每周进行夫妻心理咨询,努力调和自己凡事要求“解决问题”的实用主义习惯与妻子开放表达情感的沟通风格。 在父职教育上,Walters 深感代际循环的沉重压力。他17岁初为人父、19岁入狱服刑,随后的巡演与拍摄工作让他缺席了年长子女的关键成长期。Walters 坦承,如今成年子女极少主动联系他,重演了他当年与父亲的疏离关系。这让他深切体会到早年缺席带来的情感代价,也坚定了他不再羞于表达情感、在每次通话时必须对孩子们亲口说出“我爱你”的决心。 《Top Boy》的文化突围与幕后博弈 (78:21) 在出演《Bullet Boy》后,Walters 曾一度向经纪人表示宁可失业也不再接演扁平刻板的街头混混角色,直到读到 Ronan Bennett 创作的《Top Boy》剧本。该剧首次为英国黑人帮派题材赋予了类似《Goodfellas》的严密组织架构与人性纵深,并在导演 Yann Demange 的电影化镜头下起用了90%无表演经验的本土演员。尽管在 Channel 4 播映两季后因高层换届惨遭取消,但长期的口碑发酵最终促成了 Netflix 的全球重启。 然而,拍摄 Netflix 最终季的过程充满了艰难博弈。Walters 与合作主演 Kano 面对多达七八位执行制片人的干涉,不得不进行激烈抗争以捍卫角色命运与社区描绘的真实性。Walters 强调,《Top Boy》彻底打破了海外对英国影视仅限于古装剧或中产喜剧的固有认知,为英国黑人创意群体叩开了国际市场;但他同时指出,行业未来的任务是突破底层犯罪叙事的限制,向黑人超级英雄、侦探等更多元的故事类型拓宽边界。 Ashley Walters 的经历揭示了街头创伤与演艺雄心之间的复杂共生关系;尽管他通过不懈抗争确立了文化影响力并迈向导演领域,但他能否在摆脱长约束缚后真正打破父职的情感代际隔阂,并推动黑人叙事超越街头犯罪题材,仍是有待时间和作品检验的课题。

Detailed notes — zh

## Background 本期节目由知名商业与人物访谈频道《The Diary Of A CEO》(主持人 Steven Bartlett)于 2023 年 9 月 14 日发布在 YouTube 平台。页面简介介绍,本期对话特邀英国说唱歌手兼演员阿什利·沃尔特斯(Ashley Walters),深度回顾他从 So Solid Crew 时期的 Asher D 到主演神剧《上层男孩》(Top Boy)、从服刑入狱到名扬国际的传奇人生,揭开他不愿被外界定义、直面创伤与追求艺术真实的未闻真相。 ## TL;DR 阿什利·沃尔特斯坦诚剖析了早年因父亲长期缺位与服刑所造成的深层创伤、狂暴愤怒以及“自己不够好”的冒名顶替心态,并回忆了少年时期在街头与音乐团体中寻求替代认同的歧途。他动情讲述了 2005 年与身患绝症的父亲在加拿大最后两周的长谈与和解,以及父亲猝逝后自己深陷虚无、滥用名声放纵自我的沉痛代价。阿什利揭开了演艺圈 80% 充斥着拒绝的残酷现实,分享了自己如何把外界否定化作前行燃料、主动争取拍摄短片并成功跨界导演的经历。此外,他详细揭秘了现象级英剧《上层男孩》(Top Boy)打破黑人刻板印象的文化意义,以及他与搭档 Kano 为捍卫最终季文化真实性所经历的激烈幕后博弈,并反思了自己在婚姻与代际育儿中通过心理咨询学会脆弱与表达“我爱你”的蜕变历程。 ## Atmosphere & style 整场对话沉静、坦率且极具情感张力,既充满对过往犯罪、放纵与心理防御机制的无情解剖,也洋溢着历经风雨后的从容与通透。阿什利完全卸下了荧幕硬汉的包袱,在谈及遗失的生父录像带与未竟的亲情时多次哽咽动容,展现出惊人的自我反思与脆弱感。主持人史蒂芬以敏锐而温和的心理学视角深度引导,两人如同多年好友般彼此共鸣,使整期节目的氛围在沉重的心灵告解与励志的艺术坚守之间达到深刻平衡,给听众带来极具冲击力的共情体验。 ## Bulletin - [04:46](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=286s) 阿什利·沃尔特斯反思原生家庭创伤与父亲长期服刑缺席的影响,指出自己曾将自卑转化为攻击性并深陷“英年早逝”执念,直至2005年父亲肺癌临终前的长谈才实现内心和解。 - [01:20:21](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4821s) 面对英国影视圈对黑人演员长期存在的扁平化刻板定型,阿什利曾冒着失去生计的风险拒绝同质化角色,最终凭借颠覆性的《Top Boy》杜尚一角打破行业壁垒。 - [01:31:49](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5509s) 《Top Boy》最后一季幕后遭遇多位执行制片人的剧本角力与创作阻力,阿什利与卡诺结成商业与艺术同盟,全力捍卫剧集底层真实底色与角色动机。 - [01:13:13](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4393s) 在亲密关系与为人父的代际课题上,阿什利坦承早期缺席引发了年长子女的疏离,如今正通过每周伴侣心理咨询与向外沟通打破冷酷的行动派防御机制。 ## Key takeaways - [01:36](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=96s) 父亲长期服刑与缺席导致阿什利童年陷入深层自卑,误将街头混混与 So Solid Crew 当作男性楷模,将未消解的创伤外化为反社会的暴怒与攻击性。 - [09:03](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=543s) 儿童心理天然具有全能自恋倾向,容易将父母的缺席内化为“我不够好”,这种心魔驱使阿什利在演艺生涯中长期饱受冒充者综合征折磨。 - [14:07](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=847s) 2005年父亲肺癌晚期赴加拿大两周同住,通过真实的生活智慧与对物质虚荣的摒弃,彻底重塑了阿什利的血脉归属与自我认同。 - [23:18](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1398s) 父亲猝然离世导致阿什利的精神信仰一度崩塌,陷入自负膨胀、酗酒放纵的破坏性深渊,甚至以自我毁灭的方式重创了第一段家庭关系。 - [40:43](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2443s) 阿什利将父亲给予的人格魅力、表演中的脆弱感与极致谦逊结合,形成了在英国黑人社群与演艺界长盛不衰的“无形公关”资产。 - [47:37](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2857s) 演艺界充斥着80%的残酷拒绝与漫长的财务动荡,阿什利将“被否定”转化为破局燃料,在资方质疑其执导经验时通过主动拍摄短片开辟了导演生涯。 - [51:26](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3086s) 阿什利拒绝用假如按钮抹去牢狱之灾或换回父亲,坚信人生每一处苦难与挫折都是塑造当下自我的必要链条,核心在于拥抱奋斗的沿途过程。 - [58:47](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3527s) 新冠疫情封控强行剥离了片场工作所带来的演员光环,逼迫阿什利直面内心的焦虑恶习,并学会警惕头脑中迎合私欲与冲动的“混蛋声音”。 - [01:09:53](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4193s) 夫妻相处中冷峻的“问题修理者”逻辑与妻子的“情感共情”需求形成剧烈碰撞,促使阿什利依托每周伴侣心理咨询克服情感表达障碍。 - [01:14:33](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4473s) 早年在孩子们成长黄金期的缺位与入狱服刑,导致阿什利与年长子女产生代际隔阂,印证了未消解的冷漠模式具有跨代际传递的破坏性。 - [01:20:21](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4821s) 《Top Boy》以立体、严密的组织层级与深刻人性颠覆了英国影视圈对黑人街头青年的脸谱化刻板印象,开创了英式严肃犯罪剧的全新标杆。 - [01:23:11](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4991s) 经历 Channel 4 换届停播后,《Top Boy》依靠社交媒体与底层真实的文化力量发酵为全球 Cult 经典,最终获 Netflix 重启并跃升为国际旗舰剧集。 - [01:27:54](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5274s) 在角色塑造上信奉“少即是多”,通过前期极端的体验派身心折磨确立底色,而在镜头开机瞬间放下过度排练,呈现不可预测的真实脆弱感。 - [01:31:49](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5509s) 《Top Boy》最终季拍摄充斥着幕后多方博弈与创作权力的艰难争取,阿什利与卡诺建立起深厚战友纽带,共同捍卫了角色的文化真实性。 - [01:35:36](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5736s) 《Top Boy》彻底打破了海外对英国只有时代剧与古典浪漫的刻板滤镜,为非洲与英国黑人创意叙事走向全球超级英雄、侦探等多元领域奠定了国际信任基石。 - [01:37:48](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5868s) 因父亲生前未能亲口言爱而抱憾终生,阿什利明确表示生命中留给孩子们的最后一通电话绝不再留遗憾,必须毫无保留地对他们说出“我爱你”。 ## Detailed walkthrough ### [00:00](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=0s) 开篇片花与成长创伤的自白 访谈在一段情绪极其强烈的剪辑中拉开序幕。阿什利·沃尔特斯(Ashley Walters)坦言自己曾一度极度执迷于“自己会英年早逝”的念头;由于内心深处背负着巨大的创伤,他曾经对这个世界充满愤怒,甚至产生过一种极具报复性的危险心态——“我想像自己受伤害那样去伤害别人”。脑海中闪过的某些可怕念头连他自己回想起来都感到害怕。 片花随后回顾了他的传奇人生片段:从早年作为说唱团体 So Solid Crew 成员叱咤乐坛(伴随着经典单曲《21 Seconds》的呼喊),到主演被誉为英国史上最杰出剧集之一的《上层男孩》(Top Boy)。成长的阴影始终如影随形:父亲长期在监狱服刑,社区里的混混和毒贩成了他模仿的“父亲”,他也为此付出了沉重的代价并锒铛入狱。而在拍摄《上层男孩》最后一季时,他与搭档 Kano(Kane Brett Robinson)其实经历了一段极为艰难的时光——外界很难理解他们为了让剧中的黑人角色得到最真实的呈现而付出了多么激烈的抗争。此外,2005年当他好不容易与生父重修旧好,父亲却旋即离世,这一打击将他拖入了极度黑暗的深渊。阿什利在录制现场动情表示,自己哪怕只是回聊起那段过往,都几乎要当场崩溃。 - **早年毁灭性心态**:深信自己活不长,充满向外界发泄伤痛与报复的冲动。 - **《上层男孩》的幕后坚守**:与 Kano 共同承担巨大阻力,全力捍卫剧集角色的文化真实性。 - **2005年的沉重打击**:刚修复与生父的裂痕,生父便撒手人寰,引发了长期未愈合的情感创伤。 --- ### [01:36](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=96s) 心理治疗的痕迹与缺失的父亲角色 主持人史蒂芬(Steven Bartlett)在正式开场时分享了一个敏锐的观察:在节目录制前与阿什利的交谈中,他感觉阿什利的言行举止非常像一个系统接受过心理治疗的人,能够清晰剖析那些在潜意识中操纵人生的隐秘力量。史蒂芬指出,童年早期的原生环境往往以深远的方式塑造一个人,成年后想要重塑自己往往极其困难。 阿什利对此直言不讳地承认,自己确实接受了大量的心理治疗。过去经历过多次舆论危机与“被抵制”(cancelled),这些风波促使他寻求专业的心理救助。回顾一切问题的根源,阿什利明确指向了自己的父亲。由于童年时期严重缺乏父亲形象的引导,阿什利陷入了一种极不健康的应对机制。尽管许多人同样在单亲或缺爱家庭中成长并平安度过,但他却将这股缺失转化成了针对全世界的暴怒。在 So Solid Crew 时期以及早期的演艺生涯中,他对生活和身边的人持有极具破坏性、负面的敌意,伤害了许多亲近的人乃至素不相识的陌生人,导致他频繁与警察和法律产生严重冲突。虽然他的母亲和家庭给予了他极大的支持,但他内心始终缺乏对“何为真正的男人”的认知,在男性群体中总觉得自己格格不入、无法立足。 ```mermaid flowchart TD accTitle: 童年创伤至愤怒外化的心理成因路径 accDescr: 展示父亲缺席导致身份认同缺失,进而通过愤怒与暴力向外寻求平衡的恶性循环。 subgraph 原生家庭缺失 A["父亲长期缺席 / 服刑"] --> B["缺乏男性榜样与引导"] B --> C["身份认同迷失<br/>(何为真正的男人?)"] end subgraph 心理与行为外化 C --> D["深层自卑与群体疏离感"] D --> E["愤怒转移与报复心理<br/>(渴望以伤还伤)"] E --> F["违法犯罪与社会越轨行为"] end ``` --- ### [04:46](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=286s) “在法国”的代号与失控的父子记忆 在阿什利的整个童年里,父亲大部分时间都在监狱里度过。当时家里对阿什利和他的弟弟们隐瞒了这个真相,母亲和亲友总是谎称父亲“去了法国”。“他在法国”便成了家庭内部隐晦代表“服刑入狱”的暗语。父亲偶尔通过电话联系,更多时候则是毫无征兆地突然在门前现身。即便成人们都清楚父亲的反复无常会对孩子造成多大的伤害,年幼的阿什利依然把父亲奉为心目中的“超级英雄”,渴望能和其他孩子一样拥有父亲的陪伴。阿什利的母亲在这一点上表现出了极大的克制,她从未当着孩子的面贬低父亲,并且总是把选择权交给阿什利,询问他是否愿意跟父亲出去。 然而,每一次满怀期待地跟随父亲出门,换来的几乎都是哭着回家的结局。父亲严重酗酒,有一次带着十岁或十一岁的阿什利去参加一场洗礼仪式后的家庭派对,喝得酩酊大醉后与人斗殴被赶了出来。阿什利只能用稚嫩的肩膀一路半扶半扛着父亲走在街上,试图把他送回祖母家。甚至在警车鸣笛追击时,坐在车里的父亲一把按住阿什利的头喊道:“低头,别露出来!”阿什利坦言,如今用带着自嘲的苦笑聊起这些往事,并不代表他对此感到骄傲,但这确实构成了他对父亲仅有的真实记忆。但即便经历了这种混乱,只要母亲下一次再问他想不想见父亲,他依旧毫不犹豫地回答“想”。 - **“在法国”的狱中隐语**:母亲为了保护年幼的孩子,将父亲服刑美化为身在法国。 - **母亲的克制**:从未在孩子面前恶言中伤前夫,始终尊重孩子渴望父爱的本能。 - **混乱危险的父子独处**:十一岁时被迫在大街上搀扶醉酒斗殴的父亲,甚至在车上遭遇警车追捕并被按住头藏匿。 --- ### [07:16](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=436s) 从街头坏榜样到 So Solid Crew 的归属感 随着年龄增长,阿什利内心的崇拜逐渐演变成了被忽视与被伤害的怨恨。既然在亲生父亲那里得不到指引,他便开始在社区里寻找替代的父辈形象与榜样。当地的街头混混(bad boys)和毒贩成了他眼中的“父亲”,他开始模仿他们的步态、做派和嚣张的气焰(Swagger)。阿什利坦承,自己当年加入轰动全英的音乐团体 So Solid Crew,最开始根本不是为了做音乐,而是为了寻找一种归属感——那在本质上就像是一个街头帮派,里面聚集了许多比他年长的男性,他们照顾他、保护他,并给予了他梦寐以求的关爱与认可。 在那些年里,阿什利一边在泥潭中打滚,一边展现出了惊人的艺术天分,接连出演成功的电影、电视剧,并在音乐上大获成功。然而名声和才华并没有教会他如何做一个男人。他曾狭隘地认为,所谓的男性气概就是“具有攻击性、绝不向任何人低头、不许哭泣、展现强硬”。这种伪装掩盖了他情感能力的极度匮乏,让他完全无法理解一个真正成熟男人的责任与内核。 - **寻找替代父亲**:将社区毒贩与混混视为男性楷模,全盘照搬街头价值观。 - **加入乐团的本质**:So Solid Crew 对少年阿什利而言首先是提供安全感与兄弟情谊的帮派,其次才是音乐平台。 - **被扭曲的男子气概**:误以为冷酷、不屈服和侵略性就是成熟,陷入了情感无能的硬汉面具中。 --- ### [09:03](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=543s) “我不够好”的心魔与自恋式创伤认知 史蒂芬在此处引入了著名心理学家加博尔·马泰(Gabor Maté)的儿童心理学观点:小孩子在心理层面上天然是“全能自恋”的,他们会把周遭发生的一切归因于自己。如果父母吵架或父亲弃家不顾,孩子绝不会理性地认为这是父母自身的问题,而是会下意识地认定“是因为我做错了什么,父母才不要我”。史蒂芬询问阿什利,在经历一次次失望后,他当时是如何解读父亲的行为以及内心的怒火来自何处。 阿什利沉思后回答,虽然当时年纪太小无法用精准的语言剖析,但在潜意识深处,他内化成的核心信念就是:“我配不上,我根本不够好(I wasn't good enough)。”这种自我怀疑直接塑造了他对待自己的苛刻方式。即使如今在演艺事业上取得了巨大的成就,他内心依然深埋着冒充者综合征(Impostor Syndrome)的阴影——总觉得自己随时会被拆穿,总觉得下周就会有人跳出来指出他不配拥有眼前的机会。尽管他会拼尽全力去抓住每个机会向外界证明自己,但他始终无法彻底摆脱对于他人评价的焦虑与心魔。阿什利感慨道,自己直到今天依然在艰难地修行这一课,努力让自己接受一句话:“别人对我的看法,其实根本与我无关。” - **加博尔·马泰的心理学洞察**:儿童倾向于将父母的抛弃与失败行为自恋式地归咎于自身缺陷。 - **顽固的自卑感与冒充者心态**:长期深信自己不配拥有成功,时刻担忧自己会被社会“识破假象”。 - **当下的心理功课**:努力脱敏他人的评价,学着将自我价值与外界目光剥离开来。 ### [11:12](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=672s) 渴望缺席父亲的认可与母亲的不解 阿什利·沃尔特斯(Ashley Walters)坦言,自己长期以来饱受猜忌与偏执的折磨,常常看到角落里有人交头接耳,就会忍不住怀疑对方是不是在议论自己。他剖析这种心态的根源在于深层的“被排斥感”以及年幼时被父亲慢慢抛弃的创伤。尽管母亲是一个极其聪明能干的女性,但她始终无法在情感上理解阿什利——哪怕父亲常年缺席,甚至在父亲离世前后让阿什利几近崩溃时,母亲依然十分困惑和不解,质问他:“你到底怎么了?你根本没那么了解他,何必如此?”母亲无法体会阿什利内心深处对父爱的执念,他只是极度渴望得到父亲的认可,渴望父亲能为他感到骄傲。 最初,阿什利追逐名利与成功的动力更像是一种叛逆的示威,心想着“哪怕没有你,我也能过得很棒”,试图以此向父亲“竖起中指”。然而,在父亲生命的最后阶段,两人的相处彻底颠覆了这种心态。那次会面成了阿什利人生中最美好、最刻骨铭心的经历之一。父亲对他坦言,自己根本不在乎阿什利在演艺界取得的名利与光环,因为那些东西随时都可能烟消云散;父亲为他的才华和人生追求感到高兴,但无论阿什利从事什么职业,哪怕一无所有,也依然是他深爱的儿子。不仅如此,父亲还指出了阿什利性格中致命的弱点——对“完美主义”的执念。父亲劝诫他不要把所有精力都耗费在强求万事完美上,因为世上本无完美。阿什利直到后来才真正领悟:人生不可能事事顺从己意,唯有学会顺应与接纳,好事才会自然发生。 ### [14:07](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=847s) 33岁的死亡预言与最后的加拿大之旅 斯蒂芬·巴特利特(Steven Bartlett)提及阿什利在自传中曾写道父亲是“浪费空间的人”(a waste of space),阿什利笑称那本充斥着照片的书自己甚至从未真正读过,但那个描述确实精准反映了当年的怨恨。两人的关系直到2005年父亲离世前夕才迎来彻底转折。当时阿什利正在加拿大拍摄传记电影《要钱不要命》(*Get Rich or Die Tryin'*),身患肺癌晚期、深知自己大限将至的父亲顶着重病执意飞往加拿大见他。 彼时的阿什利正深陷于一种荒谬却根深蒂固的死亡执念中——他从六七岁起就坚信自己活不过33岁,这种对早夭的恐惧伴随他长大,促使他专门找朋友拿着摄像机每天跟拍自己的日常生活,试图留下一份影像记录。当他带着这台摄像机前往加拿大拍戏时,父亲搬来与他同住了整整两周。父亲虽然饱受肺癌折磨、呼吸极度困难,但每天晚上仍会要求阿什利帮他买大麻和酒。阿什利把摄像机随手架在桌上,父子俩一坐就是数小时,漫无边际地聊起过往人生的种种困惑与缺席的岁月。 - **早年心结的化解**:阿什利曾在2001年入狱,当时父亲寄来的信件错漏百出,他才震惊地发现父亲是个文盲(无法读写)。那时的阿什利甚至恶毒地将此转化为更多厌恶:“原来你不光抛弃我,还这么蠢。” - **父亲的街头智慧**:在加拿大的长谈中,阿什利赫然发现父亲其实极具智慧。虽然父亲无法用文字或优雅的辞藻表达,但凭借丰富的街头经历与人生阅历,他给阿什利在处理女性关系与生活困境上提供了无可替代的真知灼见,这让曾经极力否认父亲价值的阿什利深受震动。 - **理解与释怀**:阿什利深入了解了父亲的童年经历——从小被亲生父母忽视送进寄养机构(in care),沦为家族里的“害群之马”。阿什利终于明白父亲为何会变成后来的模样,甚至释怀地想到:“或许正是因为你当年不在我身边,我才没有走上同样的道路,才成为了今天的我。” ```mermaid flowchart TD accTitle: 父亲在阿什利心中的形象演变 accDescr: 展示阿什利·沃尔特斯从怨恨父亲、发现父亲文盲,到加拿大长谈后理解父亲心路历程的认知转变过程。 subgraph Phase1["童年与狱中时期:怨恨与排斥"] A["父爱长期缺席<br/>留下被抛弃的心理创伤"] --> B["2001年狱中收到家信<br/>发现父亲是文盲产生蔑视"] end subgraph Phase2["2005年加拿大同住:镜头下的和解"] C["重病父亲执意飞往片场<br/>桌前长谈数小时并录像记录"] --> D["领略父亲独特的街头智慧<br/>以及对人情世故的洞察"] D --> E["得知父亲在寄养系统长大的悲惨身世<br/>释怀并接纳父亲的局限性"] end Phase1 --> Phase2 ``` ### [19:18](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1158s) 最后的狂欢、片场的噩耗与压抑的悲伤 在那两周里,父亲骨瘦如柴、已在生死边缘徘徊,却依然竭尽全力陪阿什利外出狂欢、出入夜店,两人像最好的挚友一样相处。然而在狂欢背后,阿什利每晚躺在床上盯着天花板彻夜难眠,听着隔壁房间父亲整夜剧烈咳嗽,仿佛要把肺都咳出来,他只能在恐惧中祈祷父亲不要死在自己眼前。两周结束后,父亲乘机返回英国,刚下飞机便因病情急剧恶化被直接送往医院抢救,不久后撒手人寰。 父亲去世时,阿什利正在加拿大片场与50 Cent(柯蒂斯·杰克逊)拍摄一场情绪激烈的对手戏。拍摄间隙,片场的气氛突然陷入诡异的死寂,工作人员纷纷停止交谈,制片人神色凝重地注视着他。直觉告诉阿什利出大事了。制片人随即叫停拍摄,让他回休息车给家里打电话。当阿什利从当时的伴侣口中得知父亲去世的噩耗时,整个人瞬间崩溃痛哭。 - **片场众人的反应**:同剧组的女演员乔伊·布莱恩特(Joy Bryant)快步走进休息车,紧紧拥抱并安慰嚎啕大哭的阿什利;而50 Cent随后也走进来,淡淡地说了句“听到你父亲的事我很遗憾”,随即若无其事地转头与旁人继续讨论起戏份。阿什利深知50 Cent经历过极其残酷的街头生死,早已对死亡麻木硬化,但这番反应依然给第一次直面至亲离世的他留下了极为深刻的记忆。 - **未曾宣泄的悲痛**:面对巨大的丧父之痛,阿什利的第一本能却是用工作来逃避和麻痹自己。他仅仅请假一天飞回英国参加了葬礼,仪式一结束就立刻飞回加拿大剧组继续高强度拍戏,将全部悲伤强行压制在心底,完全没有给自己留出任何哀悼和疗愈的时间。 ### [23:18](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1398s) 父亲离世引发的失控与信仰破灭 阿什利·沃尔特斯(Ashley Walters)坦言,尽管父亲早在 2005 年就已经离世,距离现在已有整整 18 年,但只要一谈及这段往事,他内心依旧会涌起强烈的崩溃感。这种难以平复的情绪让他不得不怀疑自己是否从未真正消化这份伤痛。当主持人斯蒂芬·巴特利特(Steven Bartlett)问及这份悲痛背后是否夹杂着未解的对话或遗憾时,阿什利承认,父亲的去世彻底打乱了他的生活轨迹,让他一度陷入了脱轨的边缘。 在那段黑暗的时期,阿什利被强烈的自我(Ego)所吞噬,丧失了以往对生命和宇宙规律的内在精神联结。他一直不算个传统意义上的虔诚信徒,但他始终深信一种“宇宙法则”或显化(manifestation)的力量——即“有所付出,必有所得”。他回忆起年轻时加入英国车库音乐传奇团体 So Solid Crew 的经历:在组合成员还完全不认识他时,他就在镜子前坚定地对自己说“我一定要成为那个团队的一员”,随后生活便不断将与该圈子相关的人带到他身边,替他架起桥梁。然而,父亲的猝然离世彻底粉碎了他的这种信念。他感到前所未有的迷茫,开始酗酒、放任自流,对自己的前途和生活彻底失去了在乎,一步步滑向极度阴暗的境地。 ### [26:20](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1580s) 滥用名声、放纵自我与不可挽回的代价 在那段迷失的岁月里,阿什利开始故意做出一些明知会反噬自己的破坏性决定。他彻底放弃了当时的稳定感情,陷入了极度混乱与放纵的私生活。他承认自己当时严重滥用了明星光环与名人特权,任由身边的各种诱惑将自己吞噬。这种不计后果的背叛深深伤害了他的第一任伴侣,并在婚外生下了两个孩子——尽管他深爱这两个孩子,但这无疑是他当时叛逆与鲁莽举动的直接产物。 阿什利反思道,当时的他彻底变成了以自我为中心的人,信奉着“人只活一次”(You only live once)、“天不怕地不怕、爱怎样就怎样”的荒唐信条。在那之前,尽管他也曾有过叛逆不羁的时刻,骨子里依然是那个善良、充满爱心的阿什利;但父亲离世后,他的自负彻底失控,认为整个世界都必须围着他转。直到今天,他依然在为那段荒唐岁月中犯下的错误偿还沉重的代价。 - **生活失控的表现**:沉溺酒精、不计后果的自我毁灭倾向、肆意放纵私生活并滥用知名度。 - **情感与家庭冲击**:重创第一任伴侣,并在婚外育有两名子女。 - **心理状态转变**:从原本充满爱与同理心的状态,滑向完全被自我中心主义和虚无主义裹挟。 ### [29:15](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1755s) 遗失的录像带:与父亲最后的珍贵影像 当斯蒂芬询问起阿什利为父亲拍摄的那些私人录像带如今何在时,阿什利道出了一段令人扼腕的伤心往事。当年他与一位好友合伙成立了一家影视制作公司,但由于阿什利正深陷内心的心魔与混乱之中,完全无法百分之百投入工作,将沉重的运营压力全部抛给了搭档;而对方当时也正面临着与父亲及家庭相关的个人困境,导致公司最终走向倒闭和破裂。 在清算分道扬镳之际,合伙人带走了公司所有的影像素材归档,其中就包括阿什利生前为父亲录制的全部珍贵胶卷。阿什利并没有父亲的照片,也没有任何全家福画像,那些录像带是他拥有关于父亲唯一的实体记忆。在过去的十年间,阿什利无数次试图通过共同朋友传话,希望能拿回这些带子,但对方始终音信全无。阿什利极度不愿诉诸法律纠纷,但他将那些胶卷视若绝世珍宝——就如同电影《在丹佛要做的逝者之恶》(*Things to Do in Denver When You're Dead*)里所寄托的追思一样,他渴望在自己或儿子们遭遇人生难关时,能重新看着录像带中的父亲汲取力量。 ### [31:55](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=1915s) 生命最后两周的相处:看清血脉根源与剥离虚荣 谈到父亲临终前的最后两周,阿什利表示虽然理智上知道父亲即将离去,但内心其实根本无法接受。然而,那段相处让他收获了一件身为人子最核心的东西:**知晓自己的根源**。阿什利认为,作为父亲,最重要的就是让孩子清楚自己是谁、从何而来、坚守怎样的价值观;而此前缺乏这种“参照坐标”的他,始终像个迷途的孩子。在那短短两周里,他突然看懂了自己身上的许多小习惯和情绪反应——比如“为什么我说谎时眼睛会那样奇怪地动一下,为什么在某些时刻我会有那样的感受”。 ```mermaid flowchart TD accTitle: 父亲临终相处对阿什利认知转变的影响 accDescr: 展示父亲在临终相处中如何剥离阿什利的物质伪装并重塑其内在认同的过程 subgraph External["虚妄的外在伪装"] A["名表与豪车"] B["昂贵大衣与奢华公寓"] C["以物质成功掩饰自卑"] end subgraph FatherImpact["父亲的言传身教"] D["一无所有却散发自信与魅力"] E["对物质浮华完全不屑一顾"] F["默默关注阿什利的一切成长"] end subgraph InternalChange["内在认知蜕变"] G["获得血脉归属与自我参照"] H["汲取谦逊且强大的内在自信"] I["确信父亲的深爱与认可"] end External --> FatherImpact FatherImpact --> InternalChange ``` 尽管父亲在物质上一无所有,但身上却散发着一种金钱买不到的从容魅力、自信以及极具美感的谦逊。这种气场彻底震撼了阿什利,让他意识到真正的强大无须自我怀疑。更关键的是,父亲毫不留情地剥除了阿什利包裹在身上的虚荣外壳——当时阿什利用名表、跑车、名牌大衣和高档公寓来标榜成功,但父亲对此完全不屑一顾,反而对阿什利的真实内心了如指掌。阿什利最终离开那次相聚时,心中无比确信父亲深深地爱着自己、并为自己感到骄傲。而当被问到现在最想对父亲说什么时,阿什利红着眼眶表示,他最遗憾的是当年没能当面对父亲说一句“谢谢”,他只希望父亲当年登机离开时,没有带着觉得儿子依旧在怨恨他的沉重心情离开。 ### [36:21](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2181s) 对患癌父亲的戒备心与未解的温情 阿什利·沃特斯(Ashley Walters)回忆起父亲当初告诉自己身患癌症时的反应。当时他心中积压了太多的怨恨与愤怒,脱口而出的却是冷漠的怀疑:“随便你,我甚至不信你,你大概只是为了让我和你说话才编出这种话。”那种深埋在心底的敌意让他筑起了厚厚的防线。尽管在父亲最后的日子里,两人朝夕相处让他释怀了很大一部分怒火,但他至今仍在思索父亲临终时心中是否存有疑虑。阿什利坦承,自己当时并未展现出过度的温存——没有依偎、亲吻或抚摸,依旧保持着一种强硬的外壳,仿佛在传递“我不会就这么轻易让你走近我”的态度。但他内心深处由衷希望,父亲当时能够读懂那些言外之意,明白他的内心早已悄然软化,其实已经接纳了他。 斯蒂芬·巴特利特(Steven Bartlett)问他,如果父亲能看到他如今取得的巨大成就,会作何感想。阿什利笑着推测,父亲大概还是会挑刺说:“你这没做对,那没做好,这里那里都还有提升空间。”两人或许依然会针锋相对地顶撞吵架。但阿什利坦言,如今站在回溯的角度,他完全能够欣然接受这种挑剔,因为“那正是你想从父亲身上体会到的东西”。他甚至很羡慕身边那些与父亲关系极其融洽的朋友——父亲会替他们把关合同,深度参与他们的人生。这种曾经缺失的父爱,成为阿什利下定决心要在自己的孩子身上倾注的承诺。 ### [38:09](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2289s) 创伤作为驱动力:天赋与“冒名顶替感”的双刃剑 斯蒂芬展开了深入分析:人们往往在度过人生至暗时刻后,才发现最深重的创伤与自身最优秀的品质之间存在着惊人的关联。针对阿什利早前轻描淡写提到的“天赋”,斯蒂芬提出了疑问:阿什利在15岁左右时,不仅加入了当时声名大噪的顶尖音乐厂牌 So Solid Crew,还在 BBC 的剧集中担任重要演员。在如此年幼的年纪同时在音乐和表演两个极难涉足的领域攀上巅峰,仅靠空泛的“天赋”不足以解释。斯蒂芬指出,正是那种由于童年境遇导致的“永远觉得自己不够好”的心态,驱使着他比别人多走一英里、多熬一个小时、在剪辑室里多泡一个钟头。这种常被称作“冒名顶替综合征”(Imposter Syndrome)的心态,反倒逼迫他成了父亲曾告诫他不要成为的极致完美主义者。 面对这一赞誉,阿什利表现得十分腼腆,笑称自己很不擅长自我夸赞,因为这需要打破他不习惯的自谦界限。但他也剖析了自身的核心特质: ```mermaid flowchart TD accTitle: 阿什利·沃特斯的成功与影响力引擎 accDescr: 展示阿什利如何将原生家庭的魅力与创伤转化为表演内核,并结合谦逊品格形成无形公关资产的机制。 subgraph Internal["内在动力与表演内核"] A["继承自父亲的人格魅力与沟通天赋"] --> C["将个人创伤与真实自我注入角色"] B["自卑感驱动的极致完美主义"] --> C end subgraph External["行业处世与公众关系"] C --> D["荧幕表现:真诚与不可替代性"] E["保持极度谦逊与平易近人"] --> F["“无形公关”效应:建立长久人脉与忠实支持"] G["回馈黑人社群与扶持后辈"] --> F end Internal --> External ``` ### [40:43](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2443s) “阿什”的处世哲学:谦逊、无形公关与亲和力 阿什利承认,自己确实继承了父亲那种善于言辞的人格魅力——只要坐进某个交流场合,他就有能力让人产生好感。在表演中,他从不完全躲在虚构的角色面具之后,而是把真正的“阿什利”作为发动机,调动自身真实的创伤去赋予角色生命力。而在戏剧的“擂台”之外,他恪守极度谦逊的原则:不炫耀、保持简单、善待所有人,并不遗余力地回馈他人。作为极少数在早期突破行业壁垒的黑人面孔之一,陪伴整整一代黑人观众长大的阿什利,在他们眼中始终是那个平易近人的“阿什”(Ash)。 这种真实性让他即使成为家喻户晓的明星,也依然自在地在大街上行走或乘坐公共地铁,而无需像贾斯汀·比伯(Justin Bieber)那样走到哪里都封店清场。斯蒂芬将这种长年累月善待他人所积淀的影响力总结为“无形的公关力量”(Invisible PR):在你看不到的会议室里,正是这种口碑让别人愿意向你伸出橄榄枝。阿什利对此深表认同,并坦言自己一路走来并非完人,犯过很多公众视野之外的错误,但正因他待人以诚,当他跌入低谷时,身边的朋友和业内伙伴都坚定地支持着他,没有在当今动辄“取消”他人的严苛舆论环境中将他抛弃。 ### [45:38](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2738s) 演艺圈的残酷真相:不稳定与80%的拒绝 当斯蒂芬问及如果自己的孩子跑来说想成为一名演员,他会如何反应时,阿什利毫不犹豫地脱口而出:“不行。”虽然他明白自己无法真正强硬阻拦,但他内心充满了深切的忧虑。即使孩子会反驳“可老爸你成功了”,阿什利依然表示自己至今都没有摸透成功的蓝图与规律。在他在戏剧学校(Kingdom Drama School)教导学生时,他也总是强调:自己能教授的只有如何做好准备,至于机会何时降临、以何种形式爆发,完全是一种不可控的随机现象。 阿什利进一步揭开了光鲜行业背后的残酷现实: - **漫长的财务动荡**:阿什利演了一辈子的戏,但实际上“仅仅在过去的十年里才真正实现财务稳定”。在此之前的大部分岁月里,他时常不知道下一顿饭要怎么喂饱孩子。 - **巨大的心理承受力**:演艺行业充斥着无休止的动荡不安,其中“80%的时间都充斥着拒绝,人们只是冷酷地对你说‘不,这不可能发生’”。 - **对下一代的矛盾心理**:阿什利无奈地提到,他的大多数孩子未来很可能依然会步入娱乐行业,他深知前方是一条极度坎坷凶险的道路,但作为父亲,他唯有在他们身后提供全力支持。 ### [47:37](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2857s) 将否定化作燃料:为何从不轻言放弃 主持人史蒂芬·巴特利特(Steven Bartlett)向阿什利·沃尔特斯(Ashley Walters)抛出一个尖锐的观察:演艺圈充满了无休止的拒绝——“你做不到”、“这行不通”、“这次不需要你,尽管你很棒”——大众所见的成功往往只是那冰山一角的 10%。在此前交谈中,阿什利承认自己过去有讨好型人格、很难对别人说“不”;但史蒂芬从阿什利身边亲近之人那里得知,阿什利同样“极度听不得别人对自己说‘不’”。一旦有人否定他、断言他成不了某件事,这句拒绝就会瞬间化为他最强烈的驱动力。史蒂芬追问,为什么在无数人否定他的时候,他偏偏不肯听从那些声音? 面对这个直击内心的提问,阿什利略显惊讶地思索史蒂芬到底向谁打听了消息,随后坦诚承认了这一特质。他解释说,自己的反抗绝非无理取闹或态度粗鲁,而是一种被点燃的斗志。“当我保持沉默时,人们反而应该提防我;因为那正是我在盘算如何绕过你、如何去达成那件你断言我做不到的事情的时刻。”听到别人说“阿什利·沃尔特斯,你做不到”会让他感到极度不适。他坚信只要有路可行,就应该获得尝试的机会;如果全力以赴后失败了,大家可以平静地承认方法不通并尝试其他途径,但他绝无法容忍连把想法端上台面的机会都被剥夺。过去他也曾妥协过,但事后往往无比后悔,因为不久后就会眼睁睁看着别人把同样的事情做成了。 --- ### [50:09](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3009s) 跨界执导:从“经验不足”的质疑到爱上导筒 阿什利在演艺生涯中变得愈发坚韧,而他进军导演领域的经历正是这种韧劲的典型写照。当时他向资方提出想执导自己亲自参与创作的一部剧集,却遭到高层的直接驳回,对方给出的理由是:“你没有足够的导演经验。”这句话对阿什利而言如同“当头一棒”。他心中极其不平:剧组雇佣过的某些导演,其资质在他看来根本站不住脚,而自己从七岁起就泡在片场拍戏,论片场浸润与实战感知,远比那些空降的人丰富得多。 ```mermaid flowchart TD accTitle: 阿什利·沃尔特斯跨界导演历程 accDescr: 展示阿什利从被资方质疑到主动拍摄短片证明自己,最终爱上导演事业的过程。 subgraph Challenge["遭遇质疑"] A["提出执导自创剧集"] --> B["资方以'缺乏经验'驳回"] end subgraph Action["主动破局"] B --> C["与合伙人商议对策"] C --> D["向天空电视台 (Sky) 争取资金"] D --> E["拍摄独立短片积累作品"] end subgraph Outcome["心态升华"] E --> F["成功证明自身执导能力"] F --> G["意料之外:真正爱上导演创作过程"] end ``` 受到刺激后,阿什利没有陷入自怨自艾,而是立刻找到商业合伙人商量如何扭转局面。合伙人建议他:“如果你真想做,我们就先拍一部短片。”于是他们付诸行动,成功从天空电视台(Sky)争取到拍摄资金,制作了一部短片。在这场原本旨在“证明自己、狠狠还击偏见”的行动中,阿什利收获了意想不到的领悟:他发现自己竟深深爱上了导演这份工作。这不再仅仅是为了向质疑者证明他拥有最过硬的经验,而是全情投入到镜头创作与调度的艺术之中,进而开启了更广阔的导演生涯。 --- ### [51:26](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3086s) 无法复制的人生:为何不愿抹去生命中的苦难 谈到在王国戏剧学校(Kingdom Drama School)辅导后辈的经历时,阿什利表示,年轻学员总渴望探寻成名的秘诀与时间表。他总是明确地告诫大家:若想复制他的人生轨迹,就必须全盘接受其中的代价——“你得去坐牢,得经历丧父之痛,得承担所有发生在我身上的负面遭遇。”他曾与妻子劳拉(Laura)探讨过命运的偶然性:他无法沉溺于过去的遗憾,因为正是那一系列环环相扣的特定事件,才塑造了当下的他;倘若抽掉其中任何一环,他今天拥有的家庭、孩子与事业都可能化为乌有。 当史蒂芬追问,如果眼前有一个按钮,可以抹去坐牢的经历或是让父亲复活,他是否愿意按下时,阿什利斩钉截铁地回答:“绝不。”他打了一个生动的比方,就像科幻电影《回到未来》(Back to the Future)中主人公全家福照片里的人物逐渐消失一样,如果擅自抹去苦难、带回父亲,现实世界中可能会有四个孩子随之不复存在。他告诫学员,核心不在于去复制他人的经历,而在于如何运用自己的际遇,并学会“享受沿途的过程”。在阿什利看来,当一个人“通关了游戏”、站在顶峰时,生活反而可能索然无味;那些真正迷人的高光,恰恰是克服阻碍、与同行者建立羁绊的奋斗历程。他承认自己有着永不停歇的渴望,刚拍完一部迪士尼(Disney)剧集并进入后期剪辑,脑海中就已经迫不及待地渴望奔向下一个新项目。 - **六度分隔理论与宿命感**:任何微小的改写都可能导致当下现实的彻底瓦解,阿什利宁愿坦然背负所有痛苦的烙印。 - **对虚无的警惕**:他不羡慕那些站在顶峰已无事可做、仅剩豪车代步的生活状态,认为失去追求的人生极其无聊。 --- ### [54:46](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3286s) 疫情封锁的危机:工作停摆下的内心深渊 史蒂芬顺着阿什利“无法停止奔跑”的性格,提出了一个假想情境:如果有人强制让他停工两年只能待在家里,他该如何应对?两人随即相视苦笑,因为这正是 2020 年新冠疫情期间真实发生的噩梦。阿什利坦承,赋闲在家对他而言是一种折磨。他和妻子的休假习惯截然相反:妻子喜欢躺在躺椅上晒太阳、阅读平时没空读的书籍,而他则必须持续找事情做,一旦闲下来就会感到全身不适。 疫情刚爆发的前几周对阿什利是毁灭性的打击。健身房关闭、行动受限,更残酷的是被彻底剥夺了工作的权利。他原本总把“渴望多陪陪家人、多和妻子交流”挂在嘴边,直到被困在同一个屋檐下进行 24 小时无休止的相处,他才猛然意识到自己根本没有准备好。过去他总有外出工作的喘息窗口,而全天候的封闭让婚姻中的摩擦彻底爆发,彼此挑剔、争吵不休。与此同时,严重的焦虑笼罩着他:他不仅对行业前景感到绝望,更陷入了“自己是否会染病死去”的死亡恐惧。虽然他不愿将那段经历定义为彻底的“精神崩溃”,但他承认自己陷入了极度的抑郁与低谷。史蒂芬对此深有共鸣并指出,像他们这类人往往把自我价值感与自尊心全然锚定在工作与成就上,看似混乱的高压运转,实则是维持内心安定的唯一支柱;一旦外部的忙碌被强行剥离,内心的虚无与脆弱便暴露无遗。 ### [58:47](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3527s) 疫情封控剥离光环:面对真实的自我与恶习 当新冠疫情爆发、整个社会陷入停摆时,影视行业几乎全面关停。主持人 Steven 指出,对于像 Ashley 这样需要亲临片场开展工作的人来说,工作往往不仅是一份生计,更是自我价值与成就感的支柱;一旦片场被封锁,这种赖以维持自我认同的外部环境便瞬间崩塌。Ashley 深有共鸣地表示,疫情直接将他身上特殊的光环剥离殆尽,让他彻底变回了一个普通老百姓("a civilian")。当那些让他与周围人有所区分的外部标签被夺走后,他不得不直面剥离了演员身份的自己,困在屋子里独自面对内在的思绪与缺点。 在过去很长一段时间里,Ashley 习惯通过忙碌的工作来分散注意力、逃避内心。然而在无所事事的封控期间,他身上的坏习惯和心理漏洞被无限放大。他开始过量饮酒、大量抽烟,甚至频繁咬指甲。虽然咬指甲听起来微不足道,但他坦承这是自己一生都未能克服的焦虑表征。静静地与自己的思绪共处对他而言是一场极其痛苦的折磨,这种体验并不美好,甚至直到今天也依然充满挑战。 ### [01:00:35](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3635s) 头脑中的声音是个“混蛋”:警惕情绪驱动的冲动决策 在反思独处时的内心世界时,Ashley 抛出了一个极其深刻的观点:绝不要轻易相信头脑中那个自言自语的声音。他甚至毫不客气地用“混蛋”("a mug")来形容自己脑海中的声音。Ashley 解释说,大脑只是自我的延伸,它天然带有主观偏见,大部分时候只会迎合你的私欲,对你诉说你最想听的谎言,或者将错误的行为合理化。在过去的人生中,他之所以做出一些极其愚蠢而毁灭性的决定,正是因为对头脑中的声音言听计从,自以为那是“正确的事”。 如今,Ashley 努力去压制并弱化大脑中那个冲动的声音。他认为作为人类这种情绪化动物,人们的大量举措都是由愤怒、恐惧或嫉妒等极端情绪驱动的,但人绝不应该在这些情绪支配的框架下去做抉择。现在每当他在情感上陷入迷茫或未知时,他的做法是向外连接——拿起电话打给母亲,或者敞开心扉向妻子 Danielle 倾诉,寻求外部第三方的视角与反馈,然后再做判断。 ```mermaid flowchart TD accTitle: 情绪决策与理性向外沟通的模式对比 accDescr: 展示内心冲动导致糟糕后果与向外沟通获取客观视角从而理性决策的两种路径对比。 subgraph Internal["冲动内省循环(不可靠)"] A["情绪滋生(愤怒、恐惧、复仇)"] --> B["脑中偏见声音合理化('混蛋'声音)"] B --> C["做出冲动或毁灭性决定"] end subgraph External["向外连接回路(理智路径)"] D["遇到情绪难题/未知困境"] --> E["向外沟通(致电母亲/向妻子坦白)"] E --> F["获取客观视角与理性反馈"] F --> G["做出平衡稳妥的最终决定"] end ``` ### [01:02:55](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3775s) 压抑的复仇欲与宽恕的力量 主持人追问那个声音的性格究竟是什么,Ashley 坦承有时它是充满愤怒的。在经历过无数次背叛与伤害后,他的内心里埋藏着一个极其渴望复仇的人格。他甚至直言,头脑中偶尔闪过的一些阴暗念头连他自己都会感到恐惧,因为当一个人伤痕累累时,本能中最容易的选择往往是以牙还牙去伤害他人。但他庆幸自己逐渐培养出了克制的能力,明白“受伤的人往往更容易去伤害别人”("hurt people hurt people")。 Ashley 意识到,学会放下执念、选择宽恕,最直接的受益者并非对方,而是自己。尽管他承认自己目前仍背负着许多过去的心灵包袱,尚未能完全原谅生命中伤害过他的每一个人,但他正努力修补裂痕。他清醒地反思道:许多自己耿耿于怀的人,可能早就把自己忘得一干二净,如果自己依然日复一日在痛苦中回想他们,那么真正受折磨的只有自己。Steven 随即引用了一句深有寓意的名言予以呼应:“原谅一个人,就像放走一个囚犯,而在此过程中你才猛然发现,那个囚犯一直以来都是你自己。” ### [01:05:02](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3902s) 两个世界的碰撞:家庭情感表达的剧烈文化冲击 两人的对话随后延伸至婚姻中的沟通难题。Steven 提到,成长在缺乏肢体与言语亲密感的环境中的人,往往很难展现出维系亲密关系所需的情感表达能力。Ashley 对此感同身受,并分享了他与妻子 Danielle 之间因成长背景差异而引发的漫长“战役”。Danielle 是他见过最懂得给予爱、充满关怀且极具肢体亲和力(tactile)的人。然而,在两人刚开始约会时,Ashley 第一次踏入她家所目睹的温情场景,带给他的不是感动,而是生理性的“反胃与厌恶”。 Danielle 一家人的亲密互动彻底颠覆了他的认知:全家人——无论是兄弟还是母亲——都会极其自然地挤在一张沙发上,头枕着彼此的腿依偎聊天;父亲从厨房走出来,亲切自然地向大家打招呼。对于习惯了家庭界限分明、与母亲可以两周不联系、彼此极少拥抱的 Ashley 来说,这种亲昵不仅不可思议,甚至被他最初判定为“怪异”。然而经过多年反思,Ashley 承认那种最初的抗拒实际上是源于深刻的嫉妒:因为他从未拥有过这样的温情。虽然他深爱自己的原生家庭,但他内心深处同样渴望这份毫无保留的爱与身体接触。 ### [01:08:00](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4080s) “奶酪与巧克力”:冷峻行动派与情感共情派的磨合 在日常相处与矛盾解决上,Ashley 和 Danielle 展现了完全南辕北辙的思维模式,他用“奶酪与巧克力”(chocolate and cheese)来形容两人的格格不入: - **Ashley 的解决逻辑**:“系紧鞋带上阵”("strap your boots up"),现实出了问题就立即行动去解决,专注于结果,不理解为什么要沉溺在情绪里。 - **Danielle 的解决逻辑**:必须坐下来花上一小时倾诉内心的真实感受,必须把事情发生时的心理体验彻底剖析清楚。 Ashley 承认自己作为一个丈夫往往显得过于冷酷,而 Danielle 性格坚强泼辣,从不会对他妥协或退让。尽管每当要坐下来谈论感受时,Ashley 常常是被“踢着叫着”(kicking and screaming)强拉进沟通中,但他深刻地明白妻子正是自己生命中最不可或缺的平衡力量。如果伴侣也是一个像他一样冷硬的人,这段关系早已彻底失衡。正是 Danielle 的坚持,像一股反向力量在拉扯着他,唤醒了他内心深处从未被滋养过的情感面,促使他日复一日地学习如何给予爱、如何成为一个更柔软健全的人。 ### [01:09:53](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4193s) 沟通即解决:无法静止倾听的“修理者”心态 斯蒂芬·巴特利特(Steven Bartlett)率先分享了自己在亲密关系中的困惑:每当女友希望坐下来聊上一个小时的感受与处境时,他内心总会产生一种近乎“过敏”的抗拒反应,本能地想要逃跑,或者急切地询问“我现在能做点什么来解决这件事”。斯蒂芬反思,这种不适感究竟是因为自己从未被教导过如何表达情感,还是内心深处的一种防御机制。阿什利·沃特斯(Ashley Walters)坦言这二者兼而有之,并分享了自己前一天刚与朋友聊起的趣事:那位朋友的妻子从事夜班工作,凌晨三点到家后躺在床上向他倾诉一天的经历;朋友听着妻子受委屈的琐事,内心的怒火被彻底点燃,甚至恨不得冲过去揍妻子的老板一顿,但他依然强忍着闭紧嘴巴听下去。 阿什利感叹自己根本做不到闭嘴倾听,因为他是一个典型的“问题修理者”(Fixer)。对他而言,单纯为了倾听而倾听几乎是不可理喻的;只要对方开口叙述,他的大脑就会立刻切换到解决方案模式——哪怕对方只是随口提一句上周在街上摔了一跤,他也会立即追问是否需要预约医生或拍 X 光片。阿什利将这种思维模式追溯至自己的母亲:在成长过程中,母亲对他的抱怨总是报以“闭嘴,你打算怎么解决它?下一步做什么?想做成这件事就先给我写份商业计划书”。在这样的家庭教育下,沟通永远只是“采取行动”的前置步骤,而从来不是为了建立单纯的情感联结。 ```mermaid flowchart TD accTitle: 沟通模式冲突示意图 accDescr: 对比单纯倾听的共情模式与以解决问题为导向的行动模式 subgraph Empathy["期望的情感沟通模式"] A["分享感受与遭遇"] --> B["倾听与共情陪伴"] B --> C["情感联结与舒缓"] end subgraph Fixer["阿什利的解决者模式"] D["听到问题/倾诉"] --> E["触发行动本能"] E --> F["提出解决措施/预约方案"] F --> G["忽略情感共鸣,造成疏离感"] end ``` --- ### [01:13:13](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4393s) 亲密关系中的隔阂与每周伴侣心理咨询 面对阿什利极具目标导向的行事风格,斯蒂芬提出疑问:这种对情感沟通的冷漠与务实,是否会让他的妻子丹妮尔(Danielle Isaie Walters)感到被忽视,甚至误以为他不爱她。阿什利非常坦诚地承认,哪怕到了今天,妻子依然常常有这种冰冷的感受,而他也无法确信妻子是否能在内心深处真正理解自己的心理机制,尽管她依然选择留在身边共同经营生活。 阿什利解释说,在日常相处中直接向妻子袒露这些内心的软弱与性格缺陷极为困难,甚至远不如在一对一的访谈中对斯蒂芬倾诉来得自然。为了修补这种裂痕,他们夫妇如今保持着每周进行一次伴侣心理咨询(Couples Counseling)的习惯。阿什利表示,在有专业咨询师作为调解人的安全空间里,深埋于内心的情感才更容易被引导出来;正是通过这种外部介入,他们正在逐步摸索出一套适合彼此、能够坦诚讨论矛盾的健康沟通方式。 --- ### [01:14:33](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4473s) 缺席的父亲与代际创伤的连锁反应 斯蒂芬将话题引向阿什利的父亲角色,询问他如何看待自己与生父之间的疏离感在下一代身上的重演。阿什利毫无保留地承认,这一直是他心中巨大的恐惧与痛楚,因为他与年长几个孩子的关系并不理想。阿什利在 17、18 岁时就迎来了最初的孩子,19 岁因持枪罪入狱服刑,导致他在孩子们生命最初的黄金期严重缺席;出狱后,他又全身心扑在巡演、音乐创作和演艺事业中。 更残酷的现实是,阿什利承认当时年轻的自己“爱孩子,但并不足够在乎成年人应承担的抚养责任”,也不愿意为了孩子牺牲个人的事业与野心。长期缺位的结果,便是如今他必须咽下代际疏离的苦果: - **信任与隔阂**:年长的孩子们遇到人生难关时,往往不会主动找他倾诉,这让渴望履行父亲职责的阿什利倍感失落。 - **冷漠的传递**:阿什利意识到自己无意间将冷漠、疏离的人际相处方式遗传给了孩子;虽然见面时相处融洽,但孩子们平时极少主动给他打电话。 - **斯蒂芬的共鸣**:斯蒂芬对此深有感触,谈到自己与生父之间也是除了通过播客了解彼此动态外,私下几乎没有电话长谈,这种跨代际的疏离感同样让他对未来成为父亲充满担忧。 --- ### [01:17:20](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4640s) 商业赞助环节:Shopify 播客在此处插入了商业赞助内容。斯蒂芬宣布与全渠道电商平台 Shopify 展开合作,强调这是他在日常商业运营中几乎每天必用的工具。他以团队近期推出的《CEO日记》(The Diary Of A CEO)对话卡牌为例,分享了从产品策划到全流程上线发售均依托 Shopify 完成的顺畅体验,并建议无论是发展副业还是打造跨国企业的创业者体验该平台。 --- ### [01:18:21](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4701s) 《顶级男孩》(Top Boy)的破局与戏路重塑 话题切回演艺生涯,斯蒂芬与阿什利深入探讨了轰动一时的英剧《顶级男孩》(Top Boy)。阿什利回忆起剧集拍摄伊始的震撼场景:在拍摄第 1 季(Summerhouse)街头菜市场中残忍切断角色 Sway 手指的那场戏时,他和联合主演卡诺(Kano,饰 Sully)面面相觑,满心疑虑地嘀咕:“英国第四台(Channel 4)真的敢把这种镜头播出去吗?”在此之前,英国主流电视荧幕上从未出现过如此赤裸、真实的街头黑帮题材。 谁也未曾预料到,该剧不仅顺利播出,日后更被 Netflix 接盘复活,成为英国推向全球的最具代表性的影视作品之一,彻底改变了阿什利的人生。走在伦敦街头,四面八方都会传来路人呼喊他在剧中角色“杜肖恩”(Dushane)的声音。然而令人玩味的是,在接下这个角色前几个月,阿什利刚刚郑重警告过自己的经纪人:他在演完 2004 年的电影《枪手少年》(Bullet Boy)后,已经被行业彻底定型(Typecast),桌上堆满的永远是千篇一律的街头“坏男孩”剧本,他本已下定决心拒绝再接演此类反派角色。 ### [01:20:21](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4821s) 拒绝刻板印象与《顶级男孩》剧本的震撼 在下定决心改变戏路前,阿什利·沃尔特斯(Ashley Walters)仔细研究了许多黑人演员(尤其是非裔美国演员)在演艺生涯中面临的类似困境。他最终向经纪人明确表示:即使冒着接不到任何工作、赚不到钱的巨大风险,他也绝不再接演那些扁平化、刻板的角色。经纪人直言不讳地警告他,这意味着他可能要经历一段很长的事业空白期,不仅没有收入,还要承受经济压力。阿什利咬牙认下了这个代价,回答道:“那就这样吧。” 然而仅仅几个月后,命运便迎来了转机——《顶级男孩》(Top Boy)的剧本送到了他的手中。此前他读过无数个剧本,几乎全都是千篇一律地讲述伦敦内城区的黑人男孩如何贩毒、捅人或开枪互射。但翻开《顶级男孩》的那一刻,阿什利彻底被震撼了。它让人联想到《好家伙》(Goodfellas)和《疤面煞星》(Scarface)这样的经典黑帮史诗;尽管同样充满暴力,但暴力背后有着严谨的组织架构、层级秩序以及深邃的人性。 这是英国影视作品中第一次将黑人有组织犯罪呈现得如此立体,不再把他们拍成一群“毫无头脑、穿着连帽衫胡作非为的疯小子”,而是让观众看清兜帽背后的血肉之躯。阿什利发现剧中杜尚(Dushane)这个角色拥有强烈的向上渴望与企业家具备的抱负:他想颠覆整个游戏规则,渴望做到极致,最初甚至立下“不伤害他人、让每个人都有饭吃”的初衷。读完剧本后,阿什利毫无犹豫,当即决定接下这部戏。 - 行业共性痛点:当时市面上所有递给黑人演员的剧本,几乎全是伦敦内城年轻黑人涉毒、持刀或开枪的同质化脸谱。 - 剧本的核心突破:将黑人帮派提升到了类似经典黑帮片的层次,赋予角色严密的组织层级、行为动机与人性厚度。 ### [01:23:11](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4991s) Channel 4 的腰斩与地下狂热的文化发酵 尽管《顶级男孩》播出后引发了现象级的反响,英国第四台(Channel 4)却在播完第二季后出人意料地停止续订。多年来无数人追问阿什利停播的缘由,他虽然无法确知高层的真正决策,但也总结出了行业规律:当时电视台正值领导层更替("change of guard")。在电视媒体行业中,新官上任往往为了彰显个人政绩、避免给人留下“坐享前人成果”的印象,往往会最先砍掉前任留下的最成功的王牌项目,或者台里当时确实没有足够的空间与资源将其推向更高维度。 塞翁失马,这场停播反而成了该剧封神的契机。阿什利指出,该剧在 Channel 4 播出的时机恰逢伦敦本土文化与社交媒体全面爆发的拐点。作为同类题材的开山之作,剧集在停播的数年间并没有被遗忘,反而在观众群体中发酵出极具凝聚力的小众狂热信徒(cult fan base),粉丝们对后续故事的渴求年复一年地持续升温。 与当时许多局限于本地街头、无法打破文化隔阂的英国犯罪题材不同,《顶级男孩》凭借精妙的人物塑造跨越了文化与地域壁垒,在国际市场上同样赢得了极高赞誉。剧本跳脱了肤浅的刻板印象,塑造出有血有肉的三维立体角色,即使角色在做着伤天害理的犯罪勾当,观众依然能看透其内心世界并为他们的命运揪心。此外,第一季就开创性地融入了严重的社会议题,例如心理健康困境,以及小男孩杰姆(Gem)因家庭疏离和父母忽视而走向深渊的现实写照。 - 导演功力:首季导演扬·德芒热(Yann Demange)将高度电影化的镜头语言注入电视剧,赋予了作品非凡的质感。 - 演员挖掘:第一季中约有 90% 的演员此前从未有过任何专业表演经验,德芒热凭借对素人演员潜力的精准调动,让整部作品焕发出生猛而真实的生命力。 ```mermaid flowchart TD accTitle: Top Boy Cancellation and Rebirth Path accDescr: Flowchart illustrating the evolution of Top Boy from Channel 4 cancellation to global Netflix hit. subgraph Stage1["第一阶段:Channel 4 播映"] A["颠覆刻板印象,引发本土热潮"] --> B["高层换届与战略转向"] B --> C["两季后遭遇腰斩停播"] end subgraph Stage2["第二阶段:文化发酵与沉淀"] C --> D["社交媒体传播与亚文化积累"] D --> E["深刻人性与社会议题跨越地域"] E --> F["形成强大的全球 Cult 粉丝群"] end subgraph Stage3["第三阶段:Netflix 重启与巅峰"] F --> G["流媒体巨头接盘重启"] G --> H["续订多季并晋升为全球王牌剧集"] end ``` ### [01:27:54](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5274s) 演员的自我极致与“少即是多”的脆弱感 谈到如何在镜头前呈现出极致的表演,阿什利透露自己并没有一套固定的表演教条,但他始终愿意为角色付出一切代价。遇到那些让他感到恐惧、自认难以驾驭的角色时,他会毫不犹豫地采取极端体验派手段。例如在出演一个酗酒且吸食可卡因成瘾的边缘人角色时,为了体验那种流落街头的饥饿与绝望感,他不仅狠心绝食减重,甚至主动搬出温馨的家,切断与亲朋好友的联系,独自挤在一间单身公寓里睡床垫,将自己的身心推向崩溃的边缘。 阿什利坦言,光凭技巧有时并不足以说服自己,他必须在肉体与精神上真实感受到那种痛苦。但在另一些时候,特别是当他对角色的背景与内心了如指掌时,他反而信奉“少即是多(less is more)”的哲学。他认为过度排练和严密设计会扼杀表演中的脆弱感(vulnerability)与临场生动感。唯有对角色的来龙去脉烂熟于心,演员才能在拍摄现场彻底放下防备,自由地进入角色的呼吸之中。 - 极端角色准备:曾为饰演成瘾流浪汉角色断食、与家庭完全隔离、独居简陋公寓睡床垫,通过物理折磨寻找角色真实的痛感。 - 核心表演哲学:“少即是多”,避免过度设计,确保在开机那一刻留有不可预测的真实脆弱。 ### [01:30:00](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5400s) 告别《顶级男孩》:终章背后的苦涩与重逢 在被 Netflix 接盘复活后,《顶级男孩》迎来了更为辉煌的爆发,跃升为该平台上最具全球影响力的旗舰剧集之一。阿什利的人生也随之彻底改变。然而,在经历了 Netflix 的两季征程并即将迎来最终季的落幕之际,面对主持人斯蒂芬·巴特利特(Steven Bartlett)的提问,阿什利坦言自己心中满是“苦乐参半(bittersweet)”的复杂情绪。 谈及“苦涩”的一面,阿什利眼眶泛红、神情落寞。他感叹剧组里那些合作多年的演职人员早已成为了他的家人,演员在片场与搭档相处的时间甚至远超陪伴自己亲生骨肉的时间,投入了无比深厚的情感。然而他深知演艺圈的残酷现实:剧组散场后,每个人都会奔赴下一段旅程、组建新的“家庭”并建立新的人际圈。阿什利清楚自己的性格倾向,戏一旦拍完,大家便很难再频繁相聚,彼此赖以维系的纽带也就此断裂,这让他对失去这些深厚的情感联结感到无比恐惧。 但在最后这一季的拍摄中,这份告别的沉重也带来了珍贵的礼物:它让阿什利与饰演萨利(Sully)的卡诺(Kano,本名 Kane Robinson)之间的羁绊达到了前所未有的深度。面对终局的到来,两位核心主演在并肩作战中走得比以往任何时候都要更近。 ### [01:31:49](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5509s) 《Top Boy》最终季的创作博弈与兄弟同盟 在谈到《Top Boy》(上层男孩)最终季的制作幕后时,阿什利·沃特斯(Ashley Walters)坦言他和卡诺(Kano)度过了一段并不轻松的时光。为了呈现出对得起粉丝的最佳收官之作,两人全力以赴地为各自坚信的艺术理念据理力争。观众往往看不到幕后的艰辛——他们必须死磕每一句剧本对白,极力确保每一个角色的塑造合乎真实底色,并让所有情节线索合情合理。然而,这一次他们在幕后遭遇了巨大的阻力,并未能如愿全程获得所期望的创作自主权。面对七八位意见不一的执行制片人,制作机制内部充斥着商业妥协与博弈,这种角力让整个拍摄过程变得异常艰难。 这种前所未有的外部压力与创作抗争,反而让阿什利与卡诺之间的战友关系升华到了全新境界。阿什利感慨道,他们不仅在镜头前互为搭档,在幕后更是作为一个商业共同体与紧密战队共同进退。正因彼此之间建立起了这种深沉的默契与信任,面对剧集的终结才显得格外令人不舍与感伤。 --- ### [01:33:13](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5593s) 告别杜尚:重获自由与演员职业的不安全感 剧集的落幕给阿什利带来了一种苦乐交织的释怀感,最美好的一面莫过于他终于“找回了自己的生活”。在过去数年里,扮演深受大众喜爱的黑帮核心角色杜尚(Dushane)在合约上将他死死绑定。如今合约解除,他终于能自由地探索全新的艺术领域,看清自己未来的事业版图究竟能延伸至何方。但与自由相伴而来的,是演艺界无法回避的恐惧与动荡——在主流严肃严肃剧情片中,演员极少能获得像长寿肥皂剧(Soap opera)那样持续且稳定的经济保障。 回顾过往,这部剧为他的家庭筑起了一道避风港,让他多年来不必为房贷和生计焦虑,能够心无旁骛地沉浸在艺术创作之中。当主持人史蒂文·巴特利特(Steven Bartlett)问他最终是否“赢得了这场抗争”、对最终季的结局是否满意时,阿什利给出了成熟而克制的回答: > “我不会说我们绝对赢了……但我认为,抗争与坚持信念的过程本身就是不可或缺的。如果没有那种推拉博弈,这部剧绝不可能达到如今的高度。” --- ### [01:35:36](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5736s) 颠覆英伦刻板印象:重新定义黑人文化输出与全球共鸣 《Top Boy》在全球范围内的影响力早已超越了普通电视剧的范畴。阿什利提到当天他与一位尼日利亚知名唱片厂牌及影视制作公司的掌舵人会面,对方一坐下就真诚地向他道谢,直言这部剧让非洲与英国黑人创意产业在国际市场的推广工作变得容易得多。英国著名饶舌歌手吉格斯(Giggs)在前往美国时也有同样的感受,欣慰地表示自己走出国门后“再也不需要费尽口舌向别人解释我来自哪里”,因为这部剧已经在全球观众心中建立了立体的文化坐标。 阿什利深刻剖析道,《Top Boy》彻底打破了外界对英国影视作品只有“红茶、饼干、古典历史时代剧或《诺丁山》(Notting Hill)”的刻板滤镜,让全世界看到了英国社会现实的另一面。作为推开国际市场大门的奠基之作,它赢得了海外市场对英国黑人故事的信任与接纳。阿什利强调,未来的影视界应当以此为跳板走得更远,去拓展更为宽广的黑人叙事边界: - 讲述不必局限于底层街头犯罪的多元题材; - 塑造黑人侦探、黑人超级英雄等更加立体多样的银幕形象; - 依托已经建立的国际信任,彻底打破主流题材的创作禁锢。 --- ### [01:37:48](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5868s) 最后一通电话的告白:对孩子们说出那句缺失的“我爱你” 按照《CEO日记》(The Diary Of A CEO)的闭幕传统,上一位飞行嘉宾会在日记本中为下一位未知的造访者留下一道亲笔问题。留给阿什利的问题是:“如果你生命中只剩下最后一通打给孩子们的电话,你会对他们说什么?” 听到问题后,阿什利陷入了短暂的沉思,随后用一句典型的英式冷幽默打破了凝重的气氛:“大概会说我每次离家前常说的那句——‘别偷吃我的炸鸡翅!’”但紧接着,他神色严肃起来,给出了直击心灵的答案:“虽然听起来很老套,但我会说‘我爱你’。” 这份回答承载着他心底最深沉的创伤与遗憾。阿什利坦言,在父亲当年离世之前,由于长期的情感隔阂与沟通缺位,他从未亲口对父亲表达过爱意,而父亲生前也从未用明确的字眼向他倾诉过爱。正因切身体会过这种缺失带来的终身伤痛,若这通电话将是今生与孩子们的最后一次交谈,他必须毫无保留地让他们确信这份爱的存在。 --- ### [01:39:15](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5955s) 坚守艺术本色:从荧幕硬汉到导演之路的寄语 史蒂文对阿什利表达了极高的敬意与由衷的赞赏,感谢他多年来顶着重重压力与妥协诱惑,始终坚决捍卫作品的艺术尊严与真实底色。在史蒂文看来,阿什利能在长达二十五年的残酷行业周期中屹立不倒,绝非仅凭与生俱来的天赋,更是凭借着常人难以想象的苦功、对工艺的偏执、为人处世的真诚谦逊,以及在接二连三的被拒与创伤中强势反弹的惊人韧性。 史蒂文特别提到阿什利正在倾力打磨的新导演项目,坚信这位从底层风浪中淬炼出独到视角的艺术家,将在未来的执导生涯中创造出与《Top Boy》一样震撼世界的力量。阿什利对此由衷致谢。在二人温暖作别之后,节目进入了赞助商插播环节,史蒂文随后分享了联合办公空间 WeWork 与营养代餐品牌 Huel 对本期节目的支持。 ### [01:42:26](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=6146s) 赞助商推荐与畅销组合体验 Steven Bartlett 在节目尾声向听众推荐了健康代餐饮食品牌 Huel 的畅销明星组合(Best Seller Bundle)。对于那些经常在节目中听到他推荐 Huel、但出于某种原因仍未亲自尝试过的听众而言,这个组合是全面了解该品牌全线产品并找到最契合个人需求食品的最佳入门途径。该套装汇集了多种代餐与能量棒,并附带了标志性的摇摇杯(Huel Shaker)、食物冲泡罐(Pot)以及一件免费赠送的品牌 T 恤。Steven 特别由衷赞叹这件赠品 T 恤的版型与剪裁极其出众,强调自己绝非商业客套,“它穿起来真的非常棒”。 作为品牌的长期支持者与董事会成员,Steven 分享称自己在会议室、研发实验室以及日常居家生活中,几乎亲自品尝并测试过 Huel 的每一款产品。他坦言,其中有几款单品彻底改变了他的生活方式,完美匹配了他对便捷与高营养摄入的日常诉求。他极力建议初次接触 Huel 的新手抓住机会尝试这套畅销套装,以此找到自己最喜爱的口味与配方,正式加入被称为“Hooligan”的庞大品牌社群与粉丝大家庭。 - **畅销组合内容物**:包含丰富多样的便携代餐、营养能量棒、标志性摇摇杯(Shaker)、冲泡罐(Pot)以及一件版型极佳的免费品牌专属 T 恤。 - **个人试用体验**:Steven 试吃过研发实验室与市场上的每一款 Huel 单品,其中特定产品凭借高度匹配其生活节奏与健康指标,彻底革新了他的日常饮食习惯。 ## Notable quotes > [00:00](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=0s) 我想像自己受伤害那样去伤害别人 — 阿什利·沃尔特斯 > [09:03](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=543s) 别人对我的看法,其实根本与我无关。 — 阿什利·沃尔特斯 > [47:37](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=2857s) 当我保持沉默时,人们反而应该提防我;因为那正是我在盘算如何绕过你、如何去达成那件你断言我做不到的事情的时刻。 — 阿什利·沃尔特斯 > [51:26](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3086s) 你得去坐牢,得经历丧父之痛,得承担所有发生在我身上的负面遭遇。 — 阿什利·沃尔特斯 > [01:02:55](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=3775s) 原谅一个人,就像放走一个囚犯,而在此过程中你才猛然发现,那个囚犯一直以来都是你自己。 — 史蒂芬·巴特利特 > [01:09:53](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=4193s) 闭嘴,你打算怎么解决它?下一步做什么?想做成这件事就先给我写份商业计划书。 — 阿什利的母亲 > [01:33:13](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5593s) 我不会说我们绝对赢了……但我认为,抗争与坚持信念的过程本身就是不可或缺的。如果没有那种推拉博弈,这部剧绝不可能达到如今的高度。 — 阿什利·沃尔特斯 > [01:37:48](https://www.youtube.com/watch?v=4C7aWQ0aSU8&t=5868s) 虽然听起来很老套,但我会说‘我爱你’。 — 阿什利·沃尔特斯 ## Mentioned Ashley Walters (阿什利·沃尔特斯), Steven Bartlett (史蒂芬·巴特利特), So Solid Crew, Top Boy (上层男孩 / 顶级男孩), Kano (Kane Brett Robinson / 卡诺), Gabor Maté (加博尔·马泰), Get Rich or Die Tryin' (要钱不要命), 50 Cent (柯蒂斯·杰克逊), Joy Bryant (乔伊·布莱恩特), Things to Do in Denver When You're Dead (在丹佛要做的逝者之恶), Justin Bieber (贾斯汀·比伯), Kingdom Drama School (王国戏剧学校), Sky (天空电视台), Disney (迪士尼), Danielle Isaie Walters (丹妮尔), Shopify, Channel 4 (英国第四台), Bullet Boy (枪手少年), Goodfellas (好家伙), Scarface (疤面煞星), Netflix, Yann Demange (扬·德芒热), Giggs (吉格斯), Notting Hill (诺丁山), WeWork, Huel ## Video description If you enjoyed this episode and want to hear more about the inside world of acting, you'll definitely enjoy our conversation with Cole Sprouse: https://www.youtube.com/watch?v=3XP9J3UyTUo From Asher D to Top Boy, prison to fame, Ashley Walters refuses to be told what he can or can’t do. In this new episode Steven sits down with rapper and actor, Ashley Walters. 00:00 Intro 01:37 😢 Ashley Walters discusses his troubled childhood, trauma, and anger issues, leading to a negative attitude and reckless behavior. 04:46 🧠 Walters delves into his therapy experiences and the impact of his absent father on his self-esteem and relationships. 11:06 💔 Walters reflects on his deep desire for his absent father's approval and how it shaped his self-worth and fear of rejection. 15:32 🎥 Ashley Walters shares a poignant story about his father's last days, his own obsession with dying young, and the emotional impact of his father's death. 23:41 😔 Walters hints at unresolved grief and the struggle to cope with his father's loss, even after 18 years. 24:28 🌌 Ashley Walters believes in the universal law and manifestation, feeling that what he gives, he eventually receives. He attributes his success to this belief. 27:14 🚀 Ashley admits to abusing his celebrity status, making reckless decisions, and hurting his first partner, resulting in two children. He acknowledges his past ego-centric behavior. 32:28 🧡 Ashley reflects on the last two weeks with his father before he passed away, gaining a better understanding of himself and his father's impact on him. 37:45 🎭 Ashley attributes his success to his charm, people skills, humility, and maintaining good relationships within the entertainment industry. 47:02 🌟 Ashley describes the rocky and unstable nature of the entertainment industry, where rejection is frequent, but his drive and motivation come from turning those rejections into fuel for success. 48:58 😶 Ashley Walters prefers the opportunity to try rather than being told he can't do something. He values the chance to bring his ideas to the table and learn from failure. 50:09 🎬 Ashley Walters overcame skepticism about directing by making a short film after being told he lacked experience. This experience led him to discover his passion for directing. 51:51 🤝 Ashley advises students to embrace their unique life journeys and not seek to replicate his own path, which includes hardships like prison and loss. 54:47 💔 The pandemic forced Ashley Walters to confront himself, his flaws, and the importance of communication in his relationship with his wife. It was a challenging time but led to self-awareness. 01:00:53 🗣️ Ashley recognizes the limitations of the voice in his head, which can sometimes lead to poor decisions. He emphasizes the importance of seeking outside perspectives and avoiding impulsive choices based on emotion. 01:12:18 😌 Ashley Walters believes in taking action and not just talking about problems, inspired by his mother's practical approach. 01:13:39 😔 Ashley Walters discusses the challenges of bridging the gap with his partner, who may struggle to understand his background and emotional complexities. 01:14:47 🧔 Ashley reflects on his past failures as a father, acknowledging that he wasn't fully present for his older children due to career priorities. 01:16:02 😞 Ashley expresses concern about the generational impact of his distant relationship with his own father and how it may affect his relationship with his children. 01:17:20 Ad break 01:18:25 🎬 Ashley Walters journey with Top Boy 01:31:20 😢 Ashley Walters shares his thoughts about the final season of "Top Boy," 01:36:27 🌍 "Top Boy" has helped opening doors for a new type of shows. 01:38:41 ❤️ Ashley Walters would use his last phone call to tell his children that he loves them, emphasizing the importance of expressing love. 01:37:45 🙌 The last guest's question Follow Ashley: Instagram: https://bit.ly/3RfAyI9 Twitter: https://bit.ly/48f3PZt My new book! 'The 33 Laws Of Business & Life' is out now: https://smarturl.it/DOACbook Join this channel to get access to perks: https://bit.ly/3Dpmgx5 Follow me: Instagram: http://bit.ly/3nIkGAZ Twitter: http://bit.ly/3ztHuHm Linkedin: https://bit.ly/41Fl95Q Telegram: http://bit.ly/3nJYxST Sponsors: Shopify: https://bit.ly/3Zf4qpQ Wework: https://we.co/ceoworks Huel: https://g2ul0.app.link/G4RjcdKNKsbo [Source](https://www.youtube.com/watch?v=4C7aWQ0aSU8)

Source quotes

[0:00] 阿什利·沃尔特斯: 我想像自己受伤害那样去伤害别人 [9:03] 阿什利·沃尔特斯: 别人对我的看法,其实根本与我无关。 [47:37] 阿什利·沃尔特斯: 当我保持沉默时,人们反而应该提防我;因为那正是我在盘算如何绕过你、如何去达成那件你断言我做不到的事情的时刻。 [51:26] 阿什利·沃尔特斯: 你得去坐牢,得经历丧父之痛,得承担所有发生在我身上的负面遭遇。 [62:55] 史蒂芬·巴特利特: 原谅一个人,就像放走一个囚犯,而在此过程中你才猛然发现,那个囚犯一直以来都是你自己。 [69:53] 阿什利的母亲: 闭嘴,你打算怎么解决它?下一步做什么?想做成这件事就先给我写份商业计划书。 [93:13] 阿什利·沃尔特斯: 我不会说我们绝对赢了……但我认为,抗争与坚持信念的过程本身就是不可或缺的。如果没有那种推拉博弈,这部剧绝不可能达到如今的高度。 [97:48] 阿什利·沃尔特斯: 虽然听起来很老套,但我会说‘我爱你’。

Source quotes

[0:00] Ashley Walters: I was obsessed with the fact that I was gonna die young. I wanted to hurt people the way I was hurt. [7:23] Ashley Walters: Joining So Solid was never about music for me in the beginning. It was about belonging. It was the first time I was part of a gang, and there were a lot of older men in that group that looked after me... and seemingly at the time loved me. [31:55] Ashley Walters: I was hiding myself in success... 'I've got this watch, I've got this car, I'm staying in this apartment'—and he didn't give a fuck about any of that. [45:45] Ashley Walters: Eighty percent of it is people just telling you no, this ain't gonna happen... What people get to see is that little ten percent that works. [48:08] Ashley Walters: When I'm silent, that's when people should worry about me... that's when I'm thinking how to get around you. [51:51] Ashley Walters: It's not about the journey, it's about how you use your journey and, more importantly, enjoying the journey... The best parts of what I've achieved have been along the way. [63:00] Ashley Walters: Forgiving someone is like letting a prisoner go and realizing... that you were the prisoner the whole time. [71:03] Ashley's Mother: Shut up, how are you going to fix it? Write me a business plan. [78:21] Kano (Kane Robinson): Are they gonna put this on TV? [87:54] Ashley Walters: Me and Kano didn't have the greatest time, you know, fighting for what we believed in and making it the best show that we could make it be... We faced a lot of resistance this time around. We weren't given the creative input all the time that we desired. [97:45] Ashley Walters: Don't eat my chicken wings!

Original transcript

[0:00] I was obsessed with the fact that I was [0:01] gonna die young I wanted to hurt people [0:04] the way I was hurt some of the things [0:07] that go through my head scared me [0:11] nice I got 21 seconds to go [0:14] top boys are in the building growing up [0:17] had a lot of trauma and it made me angry [0:20] with the world my dad was in prison you [0:22] know so much childhood the local bad [0:24] boys they became dead to me and I [0:27] started to follow in their footsteps I'm [0:29] still paying the price for those years [0:30] now but once I get in front of a camera [0:33] it's not that Ashley anymore top boy top [0:36] boy top boy the greatest show that's [0:38] ever come out of the UK let him up it's [0:42] crazy you know it changed my life but [0:43] filming the last season me and Kane we [0:46] didn't have the greatest time people [0:47] don't understand we go hard for that [0:50] show we go hard to make sure characters [0:51] are being represented in the way they [0:53] should be and we Face a lot of [0:55] resistance how [0:57] the truth is [1:01] 2005. you had rekindled your [1:03] relationship with your father yeah [1:06] and then he died man I never realized [1:10] it would affect me that much took me to [1:13] some Dark Places making decisions that [1:16] [Music] [1:18] were gonna come back to haunt me you [1:21] know [1:22] um [1:24] yeah man I want to break down now just [1:27] talking about [1:30] [Music] [1:36] Ashley I've got an interesting [1:38] observation that I wanted to start with [1:40] i the way you speak the way you've been [1:42] chatting to me before we started rolling [1:45] it [1:47] almost reminds me of someone who has [1:50] had a bit of therapy [1:52] or has done some work on understanding [1:57] the unobvious subconscious forces that [2:01] are at play in their life and what [2:03] you've had to delve into because I think [2:07] as is often the case in this podcast I [2:09] think our like earliest context shapes [2:11] us in a profound way and it's something [2:12] that's quite hard to unshape ourselves [2:14] with undo as we become adults so what is [2:17] that early context that you've um you've [2:19] had to reflect on to understand yourself [2:21] ah man so where do I start [2:25] um so much I mean look I I I [2:28] first of all I've had a lot of therapy [2:32] right so I've been in a lot of [2:34] situations where [2:36] I've been canceled you know I've I've [2:39] um [2:40] sought help [2:42] um [2:43] because I needed it right [2:45] um [2:46] had a lot of trauma I guess that that [2:48] has kind of stuck with me over my life [2:50] and I think one of the biggest things [2:53] for me was [2:55] um my dad really that's why I stem back [2:58] to like growing up [3:00] um just not having a father figure [3:03] around [3:05] um and the places that push me to and [3:08] don't get me wrong like a lot of people [3:10] have gone through that [3:12] and come out the other side and not been [3:15] like me but I dealt with it in like a [3:19] really [3:20] crazy sort of way you know it made me [3:24] angry [3:26] made me angry with the world so all [3:28] throughout my you know my soul solid [3:31] years and my early kind of acting years [3:36] um my attitude towards life and towards [3:38] other people was very I mean it was [3:41] wrong you know it was quite negative [3:43] and I wanted to hurt people [3:47] the way I was hurt [3:48] and sometimes I did you know sometimes I [3:51] did it came out in a lot of different [3:52] ways some of the people I cared about [3:54] some of the people were close to me and [3:57] some people I didn't know random people [3:58] but [3:59] got me into a lot of trouble with the [4:02] police [4:03] yeah you know I just didn't care about [4:04] myself as a team growing up so and look [4:08] I had some amazing supportive people [4:10] around me like my mum is amazing I've [4:12] got an amazing family but that one [4:14] niggling thing of kind of being slightly [4:17] lost about what a man is [4:20] um not feeling like I fit in [4:23] rooms with other men you know in groups [4:27] of people and stuff like that just like [4:29] having this niggling doubt about myself [4:31] all the time [4:34] um made me quite a difficult person to [4:37] be around [4:38] um growing up and trying to explore that [4:41] so yeah when I and I didn't know it was [4:43] that's why at the time I didn't know I [4:46] had anything to do with [4:48] you know not having my dad around like [4:50] my dad when he was around [4:52] you know he was in prison most of my my [4:54] childhood growing up that was like [4:57] France he used to say he was in France [4:59] so to me and my younger brothers like [5:01] any time [5:02] you know my mom would be like he's in [5:04] France or someone would say he's in [5:05] France or whatever that was like code [5:07] for prison didn't know at the time [5:08] something I learned later on but it was [5:10] he was in France a lot of times so you [5:13] know I mean it was like [5:15] um so there was a few phone [5:16] conversations and stuff like that with [5:18] him but never had him there and then [5:20] when he would turn up he would just turn [5:23] up randomly at my at my house and stuff [5:26] and one thing I always remember is that [5:28] I always wanted to go with him right [5:30] because he was a superhero to me you [5:33] know I didn't care as much as the other [5:35] adults cared about the fact that he was [5:37] you know in and out of my life and what [5:39] damage that was doing to me and stuff [5:41] like that I was just like I want to see [5:43] my dad everyone else has got a dad [5:45] why haven't I got a dad you know I want [5:47] to know my dad so [5:49] I'll give my mom a little credit because [5:52] she would never bad mouth him in front [5:55] of me even though I know that she wanted [5:56] to and [5:58] she would always give me the option so [6:01] anytime he would come she was like would [6:03] you like to go [6:04] and I would obviously go and then I'd [6:06] come back crying because something had [6:09] happened you know like one of the [6:11] you know my dad drank a lot I remember [6:13] one time he took me to a party he was [6:14] like a family party he was like after a [6:17] christening or something like that [6:19] um [6:20] and he was he got so drunk and they [6:24] threw him out he had a fight with [6:26] someone in the party and he was he got [6:27] thrown up [6:29] and I remember having to like oh you [6:30] know maybe like 10 11 tops having to [6:34] carry him home [6:36] literally down the street like carry [6:38] this guy home [6:40] um to to my Grands to his mums you know [6:43] being chased by the police in the car [6:45] you know [6:47] him pushing my head down in the back I [6:49] just remember that image of him going [6:50] like look keep your head down and stuff [6:52] like that and he was getting chased by [6:54] police and I laugh about it now it's [6:56] more on an easy laugh this happened this [6:58] is not me being like proud of any of [7:00] this it's just those were my images [7:02] those are my images and memories of like [7:05] being with my dad but without fail my [7:08] mom said you want to go back [7:10] I'll go back you know I wanted a dad he [7:13] weren't the best dad you know but I [7:15] wanted someone there and kind of [7:16] eventually when I realized when I got a [7:18] bit older and I was kind of angry with [7:19] him for how he treated me it became [7:23] I'm gonna find other [7:25] figures other Dead figures other role [7:28] models in my community [7:31] um so the you know the local Bad Boys [7:35] the local dealers [7:37] they became [7:39] that's to me you know and I started to [7:42] to follow in their footsteps a bit you [7:45] know what I mean and adopt the same [7:46] attitude adopt the same Swagger [7:50] um you know I think even joining Soul [7:53] solid was [7:54] was never about music for me in the [7:56] beginning it was about belonging it was [7:58] about like it was the first time [8:00] you know I was part of a gang and there [8:03] was a lot of older men in there in that [8:05] group that looked after me and I took [8:08] care of me and seemingly at the time [8:10] loved me you know what I'm saying as [8:11] much as you know as far as I was [8:13] concerned so [8:14] I spent a lot of years bouncing around [8:16] like that the the funny thing is about [8:18] it is I was having success throughout [8:21] this this you know throughout this [8:23] process like [8:24] making films and successful TV shows and [8:28] music and stuff like that like [8:30] so I guess that I had Talent you know I [8:33] had a gift [8:34] that was shining through but [8:38] um [8:39] learning how to be a man [8:42] I didn't I didn't get I didn't know you [8:45] know I thought that was aggression I [8:47] thought that was [8:48] don't take no from anyone you know [8:51] what I mean don't cry don't take no [8:53] be hard [8:54] you know try and stand up for yourself [8:56] but emotionally I was incapable of the [8:59] other stuff that really [9:01] builds the real picture of what a man is [9:03] where does the anger come from in that [9:05] situation of like abandonment meeting a [9:07] father the father not meeting the [9:09] expectation that you want him to be [9:11] you're I often hear it with um kids like [9:14] you're desperate for your father to like [9:15] be a father and you you repeatedly give [9:18] them another chance to be that person [9:19] and they continue to let you down over [9:21] and over and over again and it's funny [9:24] because I've sat here with like child [9:25] psychologists and gabo mate and all of [9:27] these Geniuses that study children at a [9:29] young age and [9:30] um it's funny how the one thing that [9:32] Gabel said to me who's maybe like the [9:34] number one child [9:36] psychologist in the world said to me he [9:38] was like children in any context think [9:40] everything's about them they're [9:41] narcissists so if the parents were [9:43] arguing they interpret that as something [9:45] about them and if they so even in the [9:48] context of what you've described your [9:49] father's Behavior there [9:51] you almost [9:53] he's got his own problem clearly but you [9:55] interpret it as meaning something about [9:57] you of course yeah and do you unders [10:00] have you been able to understand what [10:01] the interpretation was how you [10:03] interpreted that situation [10:05] um [10:06] and I think not in not in that much [10:09] detail but I guess [10:10] you know surface wise that that I wasn't [10:13] good enough you know I can only say that [10:15] because of how I've treated myself [10:19] um [10:19] because I never I generally generally I [10:24] never think [10:25] I'm good enough [10:26] to be doing [10:28] anything that I'm doing you know I [10:30] always feel like there's always like a [10:33] sly little bit of meanness like they're [10:35] gonna catch me out next week like I'm I [10:37] shouldn't have this opportunity you know [10:40] I always pla I'm always going to make [10:42] the most of it I'm always going to prove [10:45] to people that I'm good enough to be [10:47] here but I'm always there's always that [10:49] niggling doubt of what the other [10:51] person's thinking about me you know and [10:53] um [10:54] and that's something that I'm still [10:56] working on today I'm still working on [10:58] the whole process of understanding like [11:03] um you know someone else's opinion of me [11:06] is none of my business you know what I'm [11:08] saying like and just accepting that you [11:10] know going into a room and if I see [11:12] people talking in the corner wondering [11:14] are they talking about me you know [11:16] having those like that sort of thought [11:18] process is tough but I think it stems [11:21] from [11:23] um rejection [11:25] I think it stems from you know being [11:28] abandoned slowly I mean I hate to use [11:31] that word but because you know my mom my [11:34] mum will be [11:36] upset about me using that terminology [11:38] bro because she never understood and [11:41] bless her you know actually my mom's a [11:43] very intelligent woman but one thing she [11:45] couldn't understand emotionally was the [11:47] fact that I still wanted him you know [11:50] and even you know up until he died and [11:52] after he died there was loads of moments [11:54] where [11:55] I was broken [11:57] and she would she was just like what is [11:59] wrong with you like why you know you [12:02] didn't really know him like that like [12:04] why are you you know she just didn't get [12:06] that [12:08] yeah I just wanted him to be proud you [12:11] know if anything you know I'd just love [12:13] him to see me now I'd love him to [12:16] understand like [12:18] who have become what I've achieved I [12:20] think in the beginning that was more [12:21] about [12:22] that was like a stick your finger up [12:25] sort of thing like even without you [12:27] I did great you know [12:30] um but the reality is like the last [12:32] encounter I had with him was the most [12:34] beautiful encounter [12:37] um ever you know maybe I've ever had [12:40] with any person that I love like and [12:44] he said some things to me that really [12:46] have stuck with me you know really I [12:48] changed my life going forward but [12:51] you know he didn't he didn't care [12:53] he was like and I mean he cared about me [12:56] but he didn't care about the stuff that [12:57] I was doing he was like that's [12:59] meaningless it's like [13:00] you know all of that can be taken away [13:02] at any time you know I'm glad you've Got [13:04] Talent I'm glad you feel fulfilled in [13:06] like what you're trying to achieve in [13:09] life when your life goes on that but [13:12] I wouldn't care if you did that or you [13:15] didn't it'd still be my son and I'd [13:18] still love you as much as I do and [13:21] he was always concerned about my fight [13:24] my fight for perfection [13:27] because I spend a lot of time like [13:31] trying to dig deep to make things [13:33] perfect right and [13:37] it's only now I know that nothing [13:39] nothing can be perfect there's no such [13:42] thing you know [13:44] and I think I eventually understood like [13:46] you know it's not always gonna go [13:49] my way right I have to be slightly more [13:52] willing to [13:54] to adapt and to accept that [13:57] um and when I have been [13:59] more willing to accept it [14:02] um [14:03] good things have happened you know I [14:06] gotta be open to it [14:07] he passed away in 2005 right yeah yeah [14:10] and by that time [14:12] you would [14:14] sort of rekindled your relationship to [14:16] some degree I when I was reading through [14:19] I think it's so solid [14:21] um page 12 you referred to him at that [14:23] time as a waste of space [14:26] which I guess was a reflection of how [14:28] you were feeling about him at that time [14:29] yeah I mean it's so funny you bring that [14:31] book up because [14:33] [Music] [14:34] I don't even I won't even read that book [14:37] really I don't even think I've ever read [14:39] it if I'm honest review and I mean yeah [14:42] I mean there's not that much to read if [14:44] I'm honest it's a lot of pictures but [14:47] um but yeah probably that's I mean [14:49] that's how I felt for a lot of the time [14:51] I think those last two weeks [14:53] when I was in I was shooting Get Rich or [14:55] Die try and I was in Canada he forced [14:57] his way out [15:00] to come and see me because [15:02] you know he knew how I felt about him [15:04] and he knew he only had weeks left to [15:06] live and he was like look I have to have [15:09] to come and see you [15:11] and he came and he lived with me for [15:14] those like two weeks [15:16] and I was already in the process of like [15:20] so I had this thing back then that I was [15:22] gonna die when I was like 33 I'd been [15:25] I've been something that I said to my [15:27] mum from a young age and she was like [15:29] randomly one day at like six seven he [15:32] was like you're gonna die at 33 or [15:33] whatever [15:34] and she's like I don't know where you [15:36] got that from but you've been obsessed [15:37] with that [15:39] and as an adult I was obsessed with the [15:41] fact that I was gonna die young right I [15:43] wasn't going to survive past that age [15:46] so I got someone to start filming me [15:51] every day and I got a friend to just [15:54] start documenting my like daily life on [15:57] camera [15:59] and [16:01] when I went to Canada to shoot I took [16:05] the camera with me and just said look [16:07] I'll get some like some footage myself [16:11] um when you're not while you're not here [16:13] my dad came and I just decided to turn [16:16] the camera on [16:18] so I did so every night you know while [16:20] he was there he was like you know go and [16:22] get me some weed this guy had lung [16:24] cancer and could hardly breathe he's [16:26] like I'm gonna be some weed and you know [16:28] I'll get him some drink and stuff like [16:30] that and we'll be sitting there for [16:32] hours like [16:33] for hours and hours and I just put the [16:35] camera down on the table and that and [16:37] just filming and just ask him the most [16:39] random questions just about life like [16:44] um you know where was you [16:47] where was he at this time where was you [16:49] that time whatever [16:50] and the guy was like [16:54] for context when I was in prison I was [16:57] in prison in like 2001 right and he [17:01] wrote to me a few times and it was the [17:02] first time I understood that my dad was [17:04] illiterate like he couldn't read or [17:06] write [17:07] so these letters were so like it's just [17:10] up man it was just like I was [17:12] like I had no idea that he had that [17:14] issue [17:15] and I read these letters I was like wow [17:18] so that [17:19] gave me another level to my hate for him [17:22] it was like [17:23] now you're dumb as well like yeah do you [17:26] know what I mean it was like [17:27] yeah I really don't like it like I don't [17:30] know so it was evil but it was just [17:32] another excuse for me not to like him [17:34] right [17:37] um [17:37] so cut back to being in Canada [17:41] he um [17:43] I sat down with him and filmed them [17:46] and found out that he was one of the [17:48] most intelligent people I know [17:50] just from being Street wise just from [17:54] life experience to get on saying like it [17:57] it actually burnt me because I didn't [17:59] want him to know anything I didn't want [18:00] him to have anything to really offer me [18:03] in the end when I delved deeper into who [18:06] he was as a person but all the things I [18:09] was going through with women with life [18:11] with you know what I mean it was like he [18:13] had a wealth of knowledge that he could [18:15] speak to me about he couldn't write it [18:16] down couldn't really articulate it [18:19] in the greatest way but just listening [18:22] to his kind of anecdotal sort of stories [18:25] and whatever [18:26] I got what I needed to get from it and I [18:28] filmed him kind of going through it [18:31] um [18:33] but there was also like a huge fear as [18:35] well you know I realized in that moment [18:37] that [18:38] he had he had genuine excuses for being [18:40] the person he was I mean he grew up he [18:43] didn't have the greatest upbringing you [18:45] know he was in care [18:47] he was slightly neglected by his own [18:49] parents you know and [18:52] you know he was the bad kid of the bunch [18:54] and he just kind of got pushed out and [18:56] that kind of led to his life and things [18:58] happened etc etc but I understood it [19:00] from his point of view when I heard him [19:02] talk about it and I was like actually [19:03] okay I can see why you would be the [19:05] person that you are and actually maybe [19:07] you did me a favor by not being there [19:09] too much because who would I be you know [19:12] would I be the person I am today and [19:15] um but then you know after realizing I [19:18] love this guy and I'm enjoying spending [19:22] time with him and we were like good [19:24] friends and we went to clubs to give her [19:25] out there this guy's like [19:27] you know thin [19:29] like way for Finn like on death's [19:32] doorstep [19:33] and he was making the effort to come out [19:35] with me and you know Rave and do all of [19:38] this stuff [19:39] and um [19:41] but at night [19:43] at bedtime I slayed in my bed awake [19:46] every night just staring at the ceiling [19:48] thinking he's gonna die here because [19:50] he was just coughing all through the [19:52] night man it was like you know like he [19:55] was coughing up his lungs like [19:58] I was like what [20:00] I was praying that it didn't happen you [20:02] know there [20:04] um [20:07] and then he died man he'd like you know [20:11] he left [20:12] left literally got off the plane [20:15] they rushed him to hospital because he's [20:18] he was going on the plane rushing to [20:20] hospital he died [20:22] um whilst I was filming and [20:25] you know it wasn't the best way that I [20:26] found out [20:28] um [20:31] I was filming at the time I was doing a [20:33] scene with 50. [20:35] and it was like a really emotional scene [20:39] um [20:40] outside on location [20:44] and [20:46] the vibe just changed on set like [20:50] you know in between takes everyone [20:52] stopped talking and it was quiet it was [20:55] like this and like [20:57] The Producers were just like looking at [21:00] me [21:02] and I was like nah I knew [21:05] do you know me something had happened I [21:07] knew something was wrong [21:09] and they was like look we're gonna take [21:11] a break just [21:14] go and call home [21:15] you need to call home actually [21:17] so I went to my train line called my [21:19] partner at the time and she was like [21:21] sorry man [21:23] I mean he's gone so I was [21:27] tough it was tough it was tough moment [21:29] this tough moment [21:32] um [21:35] yeah and I was I was broken [21:38] I was broken I never realized [21:41] it would affect me that much [21:43] broke me [21:45] and um [21:49] crazy but the one thing I remember from [21:52] that moment is I went to my trailer I [21:55] broke down some of the actors came like [21:57] Troy Bryant she came in and she was just [22:00] like just hugged me and I was just [22:02] crying and stuff [22:04] and 50 came in and was [22:07] he won't remember this and I know it [22:09] wasn't malice or is there any bad [22:11] intentions but he was like [22:14] I'm sorry to hear about your dad [22:18] and it just started talking about a [22:19] scene to someone you know when someone's [22:21] like sorry to hear about your dad man [22:23] anyway [22:24] um whatever and I was like [22:29] you know talking to him after is like [22:30] he's been through some [22:32] some you know that's made them [22:34] really like [22:38] um I hadn't been through anything like [22:39] that [22:41] you know at that point that was my first [22:43] real [22:45] kind of close encounter with [22:48] death [22:49] like and [22:51] having someone that meant so much to me [22:54] and pass away [22:58] um but my first instinct was you know to [23:00] work to continue working I continued [23:02] working [23:04] I flew back for the funeral [23:07] for literally one day [23:09] did the funeral and then I left I went [23:11] back to work [23:13] um [23:14] I just plowed through and I didn't [23:16] grieve [23:18] and I haven't [23:19] you haven't I don't think I have you [23:22] know I don't [23:24] I don't know what you call it because [23:25] even like now I want to break down now [23:28] just talking about I don't know it's [23:30] just like [23:31] 2005 right it's like 18 years or [23:34] whatever so I mean is that an indication [23:36] that I haven't [23:38] dealt with it enough [23:41] yeah I don't know [23:46] the feelings you have towards his his [23:48] loss are they are they complicated [23:51] are they because are there unanswered [23:54] conversations are there is there is [23:57] there any regrets in there is there what [24:00] are what were those feelings because [24:01] your mother as you said is was surprised [24:04] by your reaction to his loss [24:07] from him dying I lost [24:09] I went off the rails a bit [24:12] you know I went off the rails a bit when [24:13] the sense of [24:16] my ego took over and I lost [24:20] any [24:22] sort of spiritual [24:24] connection that I had with [24:28] life or the universe up until that point [24:32] you know I'm I'm never been the most [24:34] religious person but I've always been a [24:37] believer in [24:41] in like the universal law right like in [24:46] in if I give I will get [24:49] you know in there in the in a way that [24:52] things are meant to be you know anything [24:54] that's [24:55] happened in my life [24:57] has been [24:59] manifested in some sort of way you know [25:02] when I wanted to be in so solid I knew [25:03] who so solid were before they knew who I [25:06] was you know and I was I made a I looked [25:08] in the mirror one day and said I'm going [25:10] to be in that group you know and that [25:12] was [25:13] I was a little boy on the streets [25:15] working out ways to [25:18] to be and the universe can constantly [25:21] bring in people around my situation [25:25] that was connected to that situation [25:27] that was Bridging the Gap for me you [25:29] know so I I only had to be I only had to [25:31] you know focus and believe or whatever [25:33] so I believe in all that all that stuff [25:35] but when it comes to when my dad passed [25:38] I like I lost a lot of that [25:41] those beliefs I lost a lot of that [25:43] understanding and I became slightly like [25:48] yeah just lost you know lost I was [25:53] you know I drank more I you know I I did [25:56] I cared less about myself [25:59] about where I was going and about you [26:01] know what I wanted in life and stuff and [26:06] um [26:07] yeah that led me on a on a different [26:10] a different sort of Journey you know [26:13] um [26:15] took me to some dark places if I'm [26:17] honest Dark Places [26:20] yeah man just like [26:26] like definitely not making [26:29] decisions purposely making decisions in [26:33] life that [26:37] we're gonna come back to haunt me you [26:39] know [26:40] um [26:42] they'll come in a big thing for me was [26:44] like [26:48] my relationship at the time [26:52] um [26:55] I gave up on you know I gave up on it [26:59] um [27:01] I became quite like promiscuous [27:04] you know I abused the the [27:11] celebrity that I had you know like I I [27:14] gave into the the Temptation that was [27:17] around me a lot more [27:19] um [27:20] you know and I really hurt my my first [27:22] partner [27:24] um by being that person and actually [27:26] that resulted in [27:28] in me having two kids out of my [27:31] relationship you know so two of my [27:33] children [27:34] who I love daily [27:36] um [27:38] you know came from from that situation [27:40] but I think that was like a big part of [27:42] my like [27:44] you know my reckless sort of rebellious [27:46] sort of attitude and I I mean the only [27:49] way I can put it is that I I became I [27:52] came before everyone at that point you [27:54] know me and my ego and like the world [27:56] revolved around me and I think before [27:58] that point even though I did have [27:59] moments of being quite Wayward and [28:02] whatever I was still [28:05] um [28:07] caring loving Ashley you know [28:11] that's how I that's how I grew up [28:15] um [28:16] but yeah I definitely came out of my box [28:19] from that point on [28:21] um and I I guess to me at the time it [28:24] was like [28:26] you only live once [28:29] you know I don't fear anyone whatever [28:31] happens happens it was that whole thing [28:33] that was going on but [28:35] um [28:37] I'm still still paying the price for [28:39] those [28:39] those years now [28:41] I think this is fascinating I looked at [28:45] the back end of our YouTube channel and [28:46] it says that since this channel started [28:49] 69.9 percent of you that watch it [28:51] frequently haven't yet hit the Subscribe [28:53] button so I have a favor to ask you if [28:56] you've ever watched this Channel and [28:57] enjoyed the content if you're enjoying [28:58] this episode right now please can I ask [29:00] a small favor please hit the Subscribe [29:01] button helps this channel more than I [29:03] can explain and I promise if you do that [29:06] to return the favor we will make this [29:08] show better and better and better and [29:10] better and better that's the promise I'm [29:12] willing to make you if you hit the [29:13] Subscribe button do we have a deal [29:15] those tapes [29:16] um have you still got them [29:21] it's another upsetting story man like [29:25] so I set up a production company me and [29:27] a good friend of mine at the time [29:30] but [29:32] I was a nightmare to deal with you know [29:36] this the demons [29:38] were there and I've I don't I didn't [29:41] give a hundred percent [29:43] into this company at all so like a lot [29:46] of the weight was left on them [29:48] to kind of hold it up and then I think [29:50] this person this guy was going through [29:53] his own [29:54] troubles as well at the time with his [29:56] dad and his family and stuff so [29:59] you know it was a disaster in the end [30:00] but [30:01] either way you know we had an archive of [30:03] footage that we created from filming [30:07] that we never knew what was going to use [30:09] it for but all the stuff I filmed [30:12] my dad went into this archive [30:16] um and when the company actually was [30:18] dissolved and [30:20] you know we kind of fell out at that [30:22] point [30:24] he took all the tapes and the footage [30:27] and for how many years now I've been [30:30] asking to get it back because we don't [30:32] speak you know but for maybe 10 years [30:34] now I've been trying to send messages [30:36] through people I know know him and stuff [30:38] like that and I've just had no response [30:40] you know and the last thing I want to do [30:42] is [30:43] go into some legal sort of [30:46] battle for it or whatever but [30:50] it's the last you know the other stuff I [30:54] can let go but the stuff with my dad [30:56] like it's the last [30:59] things I've got I don't have pictures of [31:01] him you know I know I don't have like [31:03] family portraits and anything like that [31:05] all I really have is those those tapes [31:07] and they're like [31:09] they're like my um [31:11] do you know that movie um things to do [31:13] in Denver when you're dead yeah [31:16] they're like you know it's like that to [31:18] me it's like gold dust it's like [31:21] I can I could probably watch those tips [31:23] and it could probably help me through a [31:25] lot of tough times that I face now or [31:28] maybe even my kids you know maybe even [31:31] um help the boys somehow so [31:33] it'd be nice to get them back it's it's [31:35] really sad it's like it's hurtful man [31:38] and uh and I hope one day I can resolve [31:40] that situation [31:43] do you even know if that person still [31:44] has them [31:45] do you know what I mean I could be [31:47] sitting there with the you know thinking [31:49] that he has them but he might not I'm [31:52] pretty sure he does pretty sure [31:55] that last two weeks with your father [31:56] before he passed away [31:57] um my first question is did you did you [31:59] know he was going to pass away soon [32:01] and um [32:03] what did you take from that those two [32:04] weeks of sitting with him and asking [32:06] what is the what did you walk away with [32:08] that you didn't have in that moment you [32:10] knew he was much more intelligent than [32:11] you ever knew but the the lessons you [32:13] speak of that you've have stayed with [32:15] you ever since and that have seemingly [32:17] guided you [32:19] what were those lessons I knew he was [32:21] going to pass away [32:22] um [32:24] I hadn't accepted it yeah you know but [32:26] it was obvious that he was going to die [32:28] right it was obvious [32:30] um [32:32] lessons [32:35] um I think is I got from it what I what [32:37] I [32:39] one of the key things I needed and I [32:41] think one of the key things you need [32:43] from [32:45] knowing your dad is [32:48] knowing where you come from [32:51] I think that's such a it's just such a [32:54] key point in [32:58] being a dad like if my son can look at [33:00] me I can look at my son and kind of [33:03] he knows who I am he knows where I came [33:05] from he knows what my values are you [33:08] know what I expect of him and stuff like [33:10] that then I think it makes him easier [33:12] for him going out there to be just a [33:15] person to be a human being when you are [33:19] when you're constantly looking for that [33:20] reference point right [33:22] you're lost you know and and [33:26] when I spent those two weeks with him I [33:29] kind of got a better understanding of oh [33:32] okay this is why I [33:35] do that funny thing with my eye when you [33:38] don't mean I'm lying or this is why I [33:42] feel this way at this point and [33:48] you know he was powerful as a man he [33:51] didn't have anything [33:52] didn't have anything but [33:55] he used some sort of confidence and [33:59] charm right that [34:02] you can't buy like you know what I mean [34:06] um [34:07] and I felt that and I saw that in him [34:09] and it made me understand about [34:14] I should feel more like that by myself [34:16] do you know what I mean [34:18] I should feel more [34:20] powerful look you don't have to be a [34:23] you know when you're [34:25] you know when you're confident [34:28] doesn't have to come across that way [34:31] but he had he had that like that level [34:33] of confidence with like a [34:36] some beautiful sort of humility [34:39] that went with it but you know [34:43] and that was my dad that was my dad's so [34:46] it made me know that I can be that [34:49] person you know [34:50] that I don't need to doubt myself as [34:52] much as I do [34:55] um and he Stripped Away From Me He [34:57] constantly in that little time I spent [34:59] with me Stripped Away all the because I [35:02] was like hiding myself [35:05] in success [35:07] I've got this I've got this watch I've [35:09] got this car this Co and staying in this [35:13] apartment and this and that or whatever [35:15] and he didn't give a about any of [35:16] that [35:17] and I don't know whether he was doing it [35:19] on purpose but he genuinely was like [35:20] well I mean it's it's good I mean but [35:24] and he he [35:26] knew a lot more about me than [35:30] and thought he did [35:32] so [35:35] he'd paid attention [35:37] somehow [35:39] um [35:40] but I walked away from that [35:43] meeting that encounter knowing [35:47] that he loved me [35:49] and knowing that he was proud of me you [35:52] know he was proud [35:54] um [35:55] and that was good enough [35:57] what would you say to him if he was [35:58] listening now [36:00] um [36:02] I think I I didn't tell him [36:05] thank you [36:07] no I I hope he didn't get on that plane [36:10] feeling like [36:16] in a feeling that I was still unhappy [36:18] with him [36:19] because I treated him quite bad you know [36:21] especially when I mean when he was going [36:23] through his cancer when he told me he [36:25] had cancer I was like [36:28] whatever like I don't even believe you [36:30] you're probably just saying it for me [36:32] because you want me to talk to you yeah [36:33] that's how I that was my attitude [36:35] towards towards him in that period of [36:38] time that's how much anger I was holding [36:40] so [36:40] you know I let go of a lot of that [36:43] whilst we was together [36:46] but [36:47] I do wonder if there was any doubt in [36:49] his mind when he left you know because I [36:51] couldn't you know it's not like I was [36:53] like you know all over him and touchy [36:55] feely and kissing him and you know [36:57] rubbing him and stroking him and stuff I [36:58] still kept a bit of a [37:00] you know a toughness about it like I'm [37:02] not gonna let you in like that you know [37:04] but I do [37:06] I do hope [37:08] that he could read between the lines and [37:11] know that [37:12] I'd [37:14] softened slightly and like let him in a [37:17] bit [37:18] if you can see all the success you've [37:21] had now what do you reckon you'd think [37:23] all that you've done [37:25] it'd probably try and tell me like you [37:27] know [37:29] it'd be like you're not doing this right [37:31] you're not doing that right you could [37:32] improve in this area in that area and [37:34] whatever but uh probably butt heads [37:37] about it but you know that'd be all good [37:40] I I take that now in hindsight you know [37:43] I mean I'd take it you're trying to be [37:45] your dad I mean that's it yeah yeah [37:47] that's it mines do the same yeah [37:49] yeah some I I do Envy some of my [37:53] friends that I know like I've got really [37:55] good relationships with their dads and [37:58] dads have looked over their contracts [38:00] and [38:01] stuff like that you know I mean I've [38:02] been a major part of their life [38:05] you know I'm determined to do that for [38:07] my my kids if they ever need it in [38:09] hindsight though we we look at the some [38:11] of the most difficult things we've been [38:12] through and overcome and we understand [38:14] the correlation that has with [38:16] the better things about us all the [38:18] things that we're proud of like there's [38:20] often a surprising link between the [38:23] worst thing that's happened to us or the [38:24] worst trauma we've had and the best [38:27] thing that's happened to us and as I was [38:29] listening to all of that you know you [38:31] use this word talent at the very [38:32] beginning you said I must have had just [38:34] had a talent [38:35] but [38:37] I'm not necessarily sure what you mean [38:38] by talent because [38:41] um you grew up with an ability to have [38:45] um that talent in multiple areas you [38:48] were you had it in music you had it [38:50] acting in a very young age and there's [38:51] part of me that Wonders that you know [38:53] about the link of the things that you [38:55] went through in the circumstances you [38:57] were in and how that left you with this [38:59] trait you described as not quite ever [39:02] think in your work or you were good [39:03] enough how that actually all played into [39:05] your drive and ambition [39:06] to go that extra mile to work that extra [39:09] hour to spend an extra hour in the [39:11] editing studio and I often see in people [39:13] that when they have that feeling of like [39:15] some call it imposter syndrome I don't [39:17] like the term that they actually produce [39:19] better work because they end up becoming [39:21] the perfectionist that you your father [39:23] told you not to be so it's interesting [39:25] that there's a correlation there and [39:28] um well if I asked you [39:30] know because I was looking at this and [39:31] you start acting super young I'm [39:33] wondering how it's possible that at 15 [39:35] years old you are not only joining one [39:38] of the most successful groups at the [39:41] time in so solid crew but you're also [39:43] acting on the BBC 15 16 7 17 years old [39:48] you're doing two things that most people [39:50] never I mean if if one person had just [39:53] been in so solid crew that would be a [39:55] success they would be a success but for [39:58] you to be doing both things at the same [39:59] time what have I missed here like what [40:02] is it about you that [40:05] um your character traits your philosophy [40:07] your mindset that you think has really [40:09] guided you through that process I'm [40:11] gonna I'm gonna struggle to really to [40:13] answer this Stephen if in all honesty [40:15] because [40:18] kind of involves [40:20] like um [40:26] it kind of involves digging myself up [40:28] a bit more than I'm comfortable with if [40:32] I'm honest [40:34] um [40:34] but [40:37] since we're here yeah another joke [40:40] um now I think it's more [40:43] look I don't I don't [40:47] I believe there's that some of that [40:49] charm that we spoke about that I saw in [40:51] my dad [40:51] I I know I have in me right so I have [40:55] the I had that ability I know how to [40:58] talk to people right I know if I kind of [41:01] if I get into a situation like this with [41:03] me and you like I can make people like [41:06] me you know what I mean [41:08] it's a little thing that I've got [41:11] um [41:12] and I try and [41:14] bring that out in the characters that I [41:16] play on the screen [41:18] um I think I always bring a bit of [41:19] myself [41:21] to the roles I play so as much as I'm [41:23] hiding behind these characters or [41:25] whatever [41:26] the engine room is Ashley [41:29] and if I can find ways [41:31] to [41:33] use my trauma to portray this I do [41:37] I think [41:39] outside of the ring when I say ring I'm [41:42] in the acting space [41:46] I'm humble you know I don't brag [41:51] keep it simple [41:54] and I treat people as good as I can you [41:56] know what I mean and I give back a lot [41:58] you know I'm always about like [42:02] trying to help other people [42:05] it's always been a part of me so I think [42:09] that's helped move me forward and I [42:11] think especially in in like within the [42:14] black community [42:16] you know where I was one of the first to [42:19] kind of break through when there was [42:20] only a few black faces on screens and a [42:23] lot of black people that are you know [42:24] maybe in their 40s now have grown up [42:26] watching me [42:29] um that's the Ashley that they know [42:32] you know I think I'm never [42:35] I've always been quite accessible [42:39] um [42:40] I've never like turned my back [42:42] on [42:44] you know where I came from you know for [42:47] some reason in some way I've managed to [42:50] stay in that place where it's like [42:53] oh it's Ash yeah yeah you know what I [42:55] mean I'm like [42:57] um you ever lost sight of yourself yes [42:59] like [43:00] people are comfortable around me this is [43:02] why I like still to this day you know a [43:04] lot of people are like [43:05] bro why are you just walking down the [43:07] street or why are you just on the train [43:09] or why are you just sitting in this like [43:11] because I can because people don't [43:14] really [43:15] you know they don't really want to like [43:18] I don't have the [43:21] you know I mean the Justin Bieber effect [43:23] on people like you don't have to shut [43:25] down stores or whatever when I come in [43:28] like people look and stuff like that but [43:29] it's like I just feel like they've got [43:31] they used to me yeah yeah you know what [43:34] I mean and I think like I mean I'll [43:35] straighten off point a bit but I think [43:37] like all of this [43:39] as part of my character as part of my [43:40] personality ties into what I've been [43:43] working for so long you know why I've [43:45] managed to maintain relationships in the [43:47] industry and [43:49] um why I have a solid [43:52] like fan base you know solid base of [43:55] supporters that will show up [43:57] to my shows to watch my films or watch [44:01] do you know what I mean why it makes us [44:02] to invest in me yeah it makes it and we [44:04] often don't think about the role that [44:06] people skills will play over a long [44:08] period of time but it's like a force [44:10] that's either it's like an invisible [44:11] force like your reputation in terms of [44:14] how you've shown up for people that will [44:17] um when you zoom out [44:19] we'll catch up with you either way For [44:21] Better or For Worse you know what I mean [44:23] yeah that's it let's call it like [44:24] invisible PR it's like what how you've [44:26] treated people along the way well and [44:29] people don't often focus on that because [44:30] there's other things they might try and [44:31] focus on but that Force that's kind of [44:33] just [44:35] making sure people call you when there's [44:37] the opportunity or they recommend you in [44:38] a room you're not in and that all comes [44:40] down to everything you've just said [44:41] there if I'm honest reviews help me so [44:44] much in the sense of I've made mistakes [44:46] along the way [44:48] you know I've made mistakes [44:50] that I've not necessarily been public [44:52] mistakes I'm I've never say that I'm a [44:55] perfect person [44:57] but when I have made those mistakes [45:01] people that have known me have supported [45:03] me [45:04] you know what I mean so because [45:08] you know I've been good I've been good [45:10] to people like so [45:13] um [45:14] you know when we live in a world today [45:16] where [45:17] you know any minute people can turn [45:19] their back on you any minute people can [45:21] you know cancel you or whatever they [45:23] want to call it and and that happens day [45:25] in and day out [45:27] um [45:30] so you know I feel like I feel really [45:31] proud of the fact that [45:34] I've been as genuine [45:36] as I can be [45:38] coming up if I was one of your kids then [45:40] and I come to you and I say Dad listen I [45:42] want to be an actor [45:43] no [45:44] well no I couldn't I couldn't I mean I [45:46] couldn't tell them no but I I would be [45:49] worried why [45:51] it's just hard it's it's a hard [45:54] industry to crack yeah but you did it [45:56] Dad yeah I did it but I don't know how [46:02] I'm yet to know what the blueprint is [46:05] it's tough you know my students at [46:07] Kingdom asked me this all is all the [46:09] time and I'm like all I can teach you is [46:12] like how to prepare [46:14] how it's going to happen when it's gonna [46:15] happen or whatever that is like it's an [46:17] anomaly man that's like it comes when it [46:20] comes right and you just got to be kind [46:22] of ready for it at the time but yeah I [46:24] mean my kids [46:26] and the worst thing about it is like [46:28] most of them probably are going to do [46:30] something [46:31] in entertainment I can see that [46:35] um so it's going to be tough it's going [46:37] to be tough for them it's going to be [46:38] tough for me [46:39] um but is it is a um [46:43] is a rocky road and it's a it's a tough [46:45] life and [46:47] but I will support them on the way what [46:49] is that so if I go if I was like that [46:51] what do you mean Rocky Road [46:53] Rocky Road meaning [46:56] you know for years I'd say only in the [46:58] last [46:59] 10 years I've been financially stable [47:02] I've been acting all of my life [47:05] so not knowing sometimes how I was going [47:09] to feed my children [47:11] you know [47:12] what was going to happen next you know [47:15] just whether I was coming or going it [47:16] was just unstable [47:19] it's just unstable [47:21] um [47:21] and [47:23] the rejection is immense man like you [47:26] have to be really [47:28] tough in places when it comes to [47:32] 80 of it is people just telling you no [47:35] this ain't gonna happen [47:37] you're not going to be able to do it [47:39] that's probably not going to work sorry [47:41] we don't want you not this time you were [47:43] great but you know what I'm saying it's [47:46] like that a lot of the time what people [47:48] get to see is it is that little ten [47:51] percent that works why don't you listen [47:53] to them [47:55] because I you know I spoke to someone [47:56] close to you and they told me they said [47:57] it's funny because earlier on un I'm not [48:00] gonna you weren't good at saying no to [48:01] people right because you said you have [48:03] these people please attendancies when I [48:05] spoke to people close to you they said [48:06] you're not good at hearing though either [48:08] as in someone says no to you it turns [48:12] into driving motivation [48:14] yeah well so why don't you listen to [48:16] them when all these people rejected you [48:18] and said no it's not going to work [48:19] you're not going to be in this movie or [48:20] this thing [48:26] it's kind of phone me a bit that is now [48:29] I'm thinking about who you spoke to [48:32] our team they say that you know you're [48:34] when you when someone says no to you [48:36] like you can't direct Ashley yeah you [48:39] know yeah yeah I I mean I mean [48:42] I have that but I'm not like I don't [48:45] have it in a way of like not in a rude [48:47] way but it's a motivation it does it [48:49] does yeah it does you know I stay when [48:53] I'm silent that's when people should [48:55] worry about me [48:56] because you know that's when I'm that's [48:58] what I'm thinking how to get around you [48:59] or how to do that thing that you [49:03] you said I can't do but [49:06] when someone says you can't do something [49:09] Ashley Walters you can't do that um how [49:12] does that feel [49:13] I don't like to I mean it doesn't feel [49:16] good it doesn't feel good [49:18] um especially when I know there's a way [49:20] especially when I know that I can [49:22] you know or I believe that okay [49:26] um I just prefer people to let me try [49:29] and if it fails then we can both agree [49:32] ah maybe it wasn't gonna work the way I [49:35] said it was and it would try a different [49:37] way or we don't revisit it [49:39] um [49:40] but I need the opportunity to [49:43] to bring how I feel to to the table and [49:46] yeah there have been times where I have [49:49] accepted [49:50] like it's not going to work or whatever [49:52] and I've regretted it after because [49:54] someone else has come and done it [49:58] um so I've I think I've become I've got [50:01] tougher with that over the years [50:04] and like the directing thing was one of [50:08] those things because I was told like you [50:09] know you can't direct it was my own show [50:13] that I created it was like now you [50:16] haven't got enough experience [50:18] like yeah I've watched some of the [50:21] directors you bought on here [50:23] that would be [50:25] I've got more experience than them I've [50:27] been I've been filming since I was like [50:29] seven [50:31] um [50:32] and to hear that is like you know it's a [50:35] kick in the teeth but [50:37] I went to you know I went to my business [50:39] partner after that I was like how do we [50:42] change this [50:44] and he was like well if you're serious [50:46] about it let's make a short film so [50:48] we're making a short film we might have [50:50] made a short film [50:51] got some money from Skye made this short [50:54] film [50:55] now that came out but I think actually [50:57] what happened in that process was [51:00] I liked it [51:01] I wasn't expecting to like directing so [51:04] much at that point it was about [51:07] you want experience I'm gonna get your [51:09] experience the best experience that you [51:11] could possibly have [51:13] um but actually throughout the process I [51:15] was like nah I like this man I enjoy [51:18] this process [51:20] um [51:20] and that's spiraled into me [51:23] do more yeah you said you talked about [51:27] Kingdom there um those students that [51:29] come to you that you Mentor that ask you [51:30] you know you said okay you can't [51:32] help them figure out how and when it's [51:34] going to happen but you can get them [51:35] prepared what is preparation for the [51:37] life you've lived [51:39] uh boy [51:41] um [51:42] well I make a I make a make a point of [51:45] always saying to them that if you've [51:47] come here trying to [51:51] um have my journey [51:54] you're gonna have to go to prison [51:56] you know lose your dad this that [51:58] whatever I told them all the negative [52:00] things that's happened because that's [52:00] what's made me so I was speaking to [52:02] Laura about this I was like look I can't [52:05] sit there and regret things that have [52:06] gone wrong because the truth is [52:09] if they had if those series of events [52:12] hadn't happened in the way they happened [52:13] on the days they happened I wouldn't be [52:15] sitting here now and I wouldn't have all [52:17] the great things that I have the kids [52:18] and this and that any little thing that [52:21] was different might have changed the [52:23] whole course of my life so I have to [52:25] accept that would you erase it would you [52:27] erase your dad passing going to prison [52:29] if there was a button in front of you [52:30] now no I couldn't no really I couldn't [52:32] well if I erased that then I might have [52:34] you know you know like that picture in [52:36] um in Back to the Future where he's like [52:39] he when he's not getting home or [52:42] something like and his brother starts to [52:44] fade away his sister starts to food it's [52:47] like if I raised that and brought my dad [52:49] back I might erase like four of my [52:53] children you know what I mean [52:57] actually Six Degrees of Separation you [53:00] might not be here [53:03] you never know right so [53:06] um no I couldn't I couldn't you have to [53:08] you have to live with it and I say this [53:10] to students it's like [53:12] so it's not about the journey it's about [53:15] how you use your journey and more [53:18] importantly [53:20] enjoying the journey [53:22] because I tell you now Stephen [53:26] it's not that enjoyable [53:28] where I am the the [53:31] best parts [53:33] of what I've achieved has been along the [53:36] way do you know what I mean the people [53:38] I've met the fun I've had doing things [53:40] the filming the memories this and that [53:42] or whatever actually the looking back [53:44] the challenges the people saying no so [53:46] what I had to do to get around that to [53:48] to get there and whatever it's actually [53:50] like I think when you clock the game [53:52] it's like oh [53:54] I'm not saying I've clocked it but I'm [53:56] saying I can see with the people that I [53:58] know that are like in that space where [54:01] they've kind of like there's not much [54:03] more to do [54:04] I think it's pretty boring [54:06] like I don't envy them [54:09] you know I don't envy them I may want [54:11] that Lambo but I don't envy where [54:15] they're at yeah yeah like you know that [54:17] space that they're in because there's [54:18] nothing much more to achieve it feels [54:21] like and I'm always like I have to have [54:23] a fix like I have to there has to be [54:26] something else like I'm very [54:30] can be very fickle like that like I can [54:32] be very focused and determined and [54:34] whatever and now like I'm doing this [54:35] Disney show and it's like I've shot the [54:37] Disney show and you know I'm editing but [54:40] I want it to end now [54:42] because I want to do another show so let [54:45] me play out this the scenario then [54:46] actually oh it's funny because as you [54:47] were saying that I was imagining someone [54:49] coming into your life and saying Ashley [54:50] you can't work for another two years you [54:53] just gotta sit at home but then I [54:55] remembered we we had that oh yeah the [54:57] pandemic yeah [54:59] how did you respond to that not well [55:02] sitting down is not not good for me [55:06] and I met my wife and I we can't [55:08] we can really go on holiday together [55:11] because what she wants to do is [55:14] read books she didn't get to read and [55:17] lie on sun lounges as a staff and I'm [55:19] like [55:20] I can't I can't live like that you know [55:23] I need to be doing something Something's [55:25] Gotta happen or be happening what if it [55:29] doesn't [55:31] for me it's uncomfortable it's [55:33] uncomfortable [55:35] what was the pandemic like in the first [55:37] couple of weeks sat at home alone [55:39] nothing can't go to the gym can't move [55:41] that was tough man that was tough like [55:44] taking away [55:46] my work from me and you know all of [55:49] those [55:49] all of that talk of me being that hard [55:52] love to be there more with the kids and [55:54] love to speak with my wife a lot more [55:57] whatever I realized now I didn't I I [55:59] weren't ready for it I weren't ready for [56:03] 24 hours [56:05] with my family I wasn't used to it [56:08] I was always used to having a a release [56:11] or knowing that all right I'm gonna have [56:13] this week full-on at home but then next [56:16] week I'm going there I'm doing this I'm [56:18] doing that so there was always something [56:19] coming [56:20] um but [56:21] yeah it was a it was a struggle it it [56:25] opened up a lot of [56:27] um [56:28] a lot of things in our relationship [56:30] definitely I mean me and the missus you [56:33] know [56:34] um [56:36] we dealt with a lot [56:37] yeah we argued a lot throughout that [56:39] period of time it was like it was tough [56:41] it was a lot of things I didn't realize [56:44] irritated me [56:46] you know maybe about her and vice versa [56:49] you know she realized there's a lot of [56:50] things that [56:52] irritated her about me [56:54] um I guess because we're spending so [56:56] much time together [56:58] um if I was to fly on the wall in your [57:00] household at that time what would I what [57:02] Ashley would I have seen [57:05] um in that first couple of weeks yeah I [57:07] mean them depressed no they were sad [57:11] depressed yeah slightly yeah not worried [57:15] about I mean worried about the state of [57:16] the game worried about where we was I [57:18] mean I was one of those people that was [57:19] worriedless if I was am I gonna die do [57:23] you know what I mean that was like one [57:24] of my first thoughts like [57:27] did you have a breakdown [57:28] no I don't think I had a breakdown I [57:31] don't think I had a breakdown [57:33] I kind of know where you're yeah I mean [57:36] there was I had a moment I did have a [57:39] moment because I think [57:43] I think the pressure [57:45] the pressure of not it was it was hard [57:49] for me not to [57:51] not to have the choice to work [57:55] like it was hard for me not to have the [57:57] choice to do [57:58] certain things with my life [58:00] um [58:03] you know and um [58:05] yeah it took it it took its toll on me I [58:07] think I don't know I don't know if I'll [58:09] go as far as saying I had a breakdown [58:10] but I was very depressed I was very I [58:13] was very low [58:14] that's very low the reason I asked the [58:16] question is because someone who I think [58:19] you remind me of myself in many ways [58:20] where I think at some level I'm getting [58:22] some of myself esteem and some of my [58:24] self-worth from my work like by by being [58:29] successful in my work I think I feel [58:31] like I'm good in myself to some degree [58:33] it's probably an illusion but it makes [58:36] me feel that way it's probably the same [58:37] reason people buy Lamborghinis like it [58:39] is an illusion it's not going to fill [58:40] the void but it keeps me stable the [58:44] chaos keeps me stable [58:46] um and that's why I ask the questions [58:47] because it's one of those moments in our [58:49] lives where for someone like you where [58:51] your work is requires you to be on sets [58:53] mine I could still do for my laptop [58:55] right but for you you have to you have [58:57] to be on sets and all that stuff shut [58:58] down [58:59] we lock down [59:01] um so how does one because I'm guessing [59:04] here that you have a the same [59:06] relationship with your work on some [59:07] level where it makes you feel like [59:09] you're you're good yeah yeah like you're [59:12] enough yeah yeah I mean yeah [59:14] you're right you're hitting in the head [59:16] I mean I can't I can't [59:18] articulate it any better I guess that's [59:20] what happened it stripped a bit of me [59:24] away and I became [59:27] a civilian do you know what I mean it [59:30] was like [59:31] the the little part of me that made me [59:33] slightly different to to the people [59:36] around me had been taken away and I just [59:38] had to be Ashley [59:41] and just and actually sit with my [59:44] thoughts and deal with my flaws you know [59:50] you'd spend a long time distracting [59:51] yourself yeah 100 but it became evident [59:54] you know I was drinking a little bit too [59:56] much I smoked a lot [59:59] um you know I was biting my nails [60:02] I know this thing sounds stupid but to [60:05] me they were like [60:06] things I'd never been able to conquer [60:11] um and [60:13] became more apparent and evident where I [60:17] had nothing else to do sitting with [60:20] yourself and sitting with your thoughts [60:21] um [60:23] how's that for you it wasn't great [60:26] wasn't great at the time [60:28] um it's not I mean it's not always great [60:30] now [60:31] I'm a strong believer in that [60:35] um that voice in my head [60:39] is a mug [60:43] is not the right person for me to be [60:45] listening to really I don't believe [60:47] anyone should listen to voices in there [60:49] if I'm honest review [60:51] your head is [60:53] an extension of you right it's going to [60:55] be trying to like it's bias it's gonna [60:58] be telling you majority of the time [60:59] telling you the you want to hear [61:01] you know telling you stuff that's not [61:03] really happening but [61:05] you know trying to justify I I just [61:09] think you know why is he a mug that [61:12] voice in your head because um he's made [61:14] me make some terrible [61:16] decisions in my opinion [61:19] um [61:21] nowadays I try to uh [61:24] try to quiet and [61:26] the voice as much as possible Right [61:30] um [61:31] and connect [61:33] I think that's the most important thing [61:35] to do like if I can [61:37] if I'm sitting there thinking something [61:42] and I'm [61:44] no I don't know the answer something [61:46] maybe emotional something [61:49] it's like it makes more sense [61:53] to call my mom [61:55] want to call someone else you know I [61:57] mean or to speak to open up to my wife [61:59] about it and go what do you think about [62:00] this [62:01] and get someone else's perspective and [62:03] then make [62:05] decisions but I feel like [62:07] you know as emotional creatures as we [62:10] are as humans and we know a lot of a lot [62:13] of our the moves that we made that make [62:16] are based on [62:18] you know emotion anger fear you know [62:21] jealousy this that whatever [62:25] I just think you don't you should never [62:26] be making decisions [62:28] in that in that frame of mind you know [62:30] you should always [62:32] have someone to bounce something off but [62:34] I just don't think the voice in your [62:36] head I mean look in my in my opinion [62:40] um not my life the voice in my head has [62:42] never been [62:43] the best voices I've done some [62:46] some of the most stupid things [62:49] because I [62:50] said to myself it's the right thing to [62:52] do the personality of that voice [62:55] angry you said [62:58] yeah at times [63:00] look there's a there's there's a bit [63:02] there's a very vengeful [63:05] person somewhere inside of me I believe [63:07] we've all got that part of us you know [63:10] um [63:11] some of the things that go through my [63:12] head sometimes scare me [63:16] um [63:17] because I've been hurt [63:19] and I've been hurt and sometimes it [63:21] feels like the easiest thing to do is [63:22] hurt other people [63:24] but I'm just glad that I have the [63:26] ability [63:28] to control [63:30] those feelings and to and to think about [63:34] things and to kind of always [63:37] in in any how I can do it move forward [63:40] with with love and I have a clear [63:43] understanding that [63:47] you know I hurt people hurt people so if [63:49] you can if you can [63:52] if you can forgive [63:55] you know you're not you're doing [63:56] yourself a great favor first and [63:59] foremost if you can forgive if I can [64:01] forgive the people that hurt me right do [64:04] you forgive [64:05] everybody in your life I don't think [64:08] I've got around to forgiving everyone I [64:10] think I do carry a lot of a lot of [64:12] baggage but I'm working on it and I'm [64:14] working on it [64:16] um [64:17] and I'm working on making amends with [64:19] other people as well that [64:21] maybe don't forgive me [64:23] you know [64:25] um but what I do know is the people that [64:27] maybe I don't forgive they probably [64:29] forgotten who I am [64:32] you know but I'm sitting there thinking [64:33] about them [64:34] all the time and it's like so who's [64:36] really hurt [64:39] you're hurting yourself yeah that's the [64:41] nature isn't it of holding The Grudges [64:42] which we will do but it just it does not [64:44] no damage to the other person does it I [64:46] remember reading that quote one day and [64:48] it was like forgiving someone is like [64:50] letting a prisoner go and realizing and [64:52] doing so that you were the prisoner the [64:53] whole time like you can imagine opening [64:56] the gates to the jail and seeing [64:57] yourself run out yeah yeah [65:02] you said something quite curious there [65:04] which gave me a train of thought which [65:05] is sometimes I just want to speak to my [65:07] my wife [65:08] Danielle about it now speaking to your [65:11] wife [65:12] about it when I think about the other [65:14] points you've given me about not being [65:16] like grown up the way you did you've [65:19] emotion not coming naturally to you [65:21] I'm guessing you like me in some [65:23] respects where because I having [65:26] the kind of conversations that you need [65:27] to have to keep a woman in your life [65:29] don't come naturally to me either I [65:32] don't I still don't even call my parents [65:33] but I'd never call my parents mum or Dad [65:35] I just don't I didn't have that [65:37] affection growing up so if you don't [65:40] build the ability to communicate in a [65:42] certain way and to listen in a certain [65:44] way and show emotion in a certain way [65:45] you have no chance of being in a loving [65:48] committed relationship and getting all [65:49] the benefits of that what Journey have [65:51] you been on with like because it's funny [65:53] because I was thinking about that moment [65:55] where you look down together and the war [65:56] and much of the war is like [65:59] either one person or two people that [66:01] don't know how to communicate properly [66:02] yeah that was that was the war the war [66:04] was because Dan is like [66:09] she's the most loving [66:12] caring [66:13] tactile [66:16] to a person I've ever met in my life [66:19] like [66:20] to the point that when I first met her [66:24] um when I first met her no when we first [66:26] started dating I met her a long time [66:27] before we started dating right when we [66:28] first started dating [66:30] and I met her family [66:32] and I saw how a family [66:35] are together like [66:37] it made me sick [66:40] and I know now that was it was jealousy [66:44] because I just never [66:47] I love my mum and I know my mom loves me [66:50] but [66:51] we can go without talking for two weeks [66:54] we're not all over each other hugging do [66:57] you know what I mean like we just have [66:58] that really clean [67:01] relationship yeah yeah yeah yeah it's [67:04] like that like [67:06] um whereas Dan's family was completely [67:09] different I'd come home [67:11] you know to the to to the flat and [67:15] they'll all be lying on the sofa [67:17] together like lying in each other's laps [67:19] her her brothers her mum or whatever [67:21] then her dad would come out the kitchen [67:22] oh you were right Ash whatever it's just [67:24] like this whole about and in the [67:26] beginning I was like oh this is great [67:28] and on me like I I can't [67:31] I can't deal with this [67:32] this is weird you know that was my first [67:35] reaction this is weird [67:37] but um [67:39] I've learned to love it I become a part [67:42] of that family and I've learned to [67:43] realize that I want some of that [67:46] I wanted some of that you know I wanted [67:50] some of that doesn't make me love my [67:51] like family any less [67:54] but it's nice to get [67:58] some of that loving like some of that [68:01] you know physical [68:04] stuff [68:05] um so yeah that's where Dan comes from [68:07] so her side of the street is always like [68:10] I'm like [68:12] strap your boots up [68:14] something's gone wrong how do we solve [68:16] it [68:17] it's getting cracking and she wants to [68:19] be like [68:20] I want to talk about what went wrong [68:26] and I just can't understand like [68:28] sometimes we're like chocolate cheese [68:30] I'm just like [68:32] you want to sit there for an hour [68:34] telling me [68:35] how you feel how you feel and I don't [68:37] get that and I do have to like I need to [68:40] understand that more slowly but surely [68:43] like I'm getting there slowly but surely [68:46] I will [68:47] I'll come a step closer but I'm quite [68:49] you know I can be quite cold [68:51] as a husband and it doesn't that doesn't [68:56] work with her and she's a feisty woman [68:58] as well so she's not scared to tell you [69:02] it reminds me of myself and my [69:03] relationship but at the same time I know [69:05] that that's exactly what I need [69:07] because imagine if I was in a [69:09] relationship with someone like me [69:12] it would be all too one way so it's it's [69:14] almost like the other person is a [69:15] counterbalance and they're pulling aside [69:17] out of me that's actually beneficial for [69:20] me and I've seen it's beneficial for me [69:22] but I've given it willingly yeah yeah [69:25] you know yeah I'm kicking and screaming [69:27] okay I'll kick it and scream it she's [69:29] gonna be cracking up at this because I [69:32] don't even know whether she understands [69:33] that I know yeah yeah and so you know [69:37] but I do I get it and I struggle I [69:40] struggle with it but it's something that [69:42] I like you know on a daily basis I'm [69:44] just trying to [69:47] to give it more and you're right you're [69:49] completely right it's like [69:51] it helps me [69:53] and everything else that I'm doing kind [69:55] of bringing that side of me out do you [69:58] have any ideas why where that came from [70:01] I guess in one respect I think about it [70:03] in my own context I go I never learn [70:05] that no one ever told me that so it's [70:08] like alien Behavior but there is a part [70:09] of me that at a deep level I feel [70:12] uncomfortable with it like there's [70:14] something about when my girlfriend wants [70:16] to sit down for an hour and talk about [70:18] how she's feeling and the situation [70:20] we're in and stuff where I kind of get a [70:22] bit of an allergic reaction to it for um [70:24] and I kind of want to run and I kind of [70:26] just want to like what can I do to fix [70:28] it now like do you know I mean what can [70:29] I [70:30] press by say just to end it to fix it [70:34] because something about me feels [70:36] uncomfortable sharing my emotions [70:39] is it a defense thing in me you know I'm [70:42] saying like is it [70:43] or did I just not learn how to do it [70:46] or is it both I think it's I think [70:49] It's a combination of both like I I know [70:51] for me I definitely haven't learned [70:55] how how to to do that [70:58] um I don't know how to [71:01] I'll send it to a friend yesterday I was [71:03] like because he was like he was talking [71:05] about his wife and stuff and like she [71:07] she's working now and he's not working [71:10] and her job finishes at like two in the [71:14] morning she gets home about three and [71:16] then she wants to tell him [71:17] about her day whilst they're in bed [71:22] and he's like [71:26] he doesn't want to hear it because it [71:28] makes him feel like [71:31] he wants to go and beat up her boss [71:33] because you know the stuff that she's [71:34] telling him is like so he gets angry [71:36] about it and it's like starts to hold [71:37] resentments or whatever [71:39] but he keeps his mouth shut and I said [71:43] I can't do that [71:46] because what happens with me is I [71:48] I cannot just listen [71:53] you know I mean I've worked that out now [71:54] like I [71:55] it burns me to keep my mouth shut [71:58] because [71:59] I want to solve it for you [72:02] you're a fixer yeah I'm I'm a fixer I [72:05] feel like [72:06] that's what I need to do there's no [72:09] world [72:10] where I feel like you're telling me [72:12] something just for me to listen to it [72:14] like that's so crazy to me so I feel [72:17] like when you're telling me something [72:18] it's like all right so you want me to [72:20] you know you could be just saying I walk [72:22] down the street I fell over or whatever [72:24] and [72:25] you know that happened like last week or [72:28] whatever I'm like so should we book an [72:30] appointment do you need to should we [72:32] x-ray or like I need to do something and [72:35] I think the the key to [72:39] you know but that's my mum was has been [72:41] like that you know my mum was [72:44] shut up [72:46] how are you going to fix it uh so you [72:49] leave be quiet what you know what I mean [72:51] what's your next steps how are you going [72:54] to make this what you want to go there [72:56] write me a business plan [72:58] you know that's what I went through so [73:00] my life communication was for the [73:03] precursor to take some action yeah it [73:05] wasn't as a way to connect yeah it went [73:08] but let's sit down and just talk about [73:10] each other's days I was like [73:13] God that must be difficult for in terms [73:15] of like if I'm Danny your partner [73:18] she comes from that background she must [73:21] have taken her a lot of work to [73:22] understand you that it's not that you [73:24] don't love her [73:25] it's none of that because that's how [73:28] that must feel that coldness [73:30] um shall I be honest with you please [73:33] she's it feels like that to her now [73:37] yeah I I don't think she's [73:39] understands yeah I mean I'm I'm hoping [73:43] somewhere deep down she does because [73:46] she still [73:47] working with me have you told her though [73:50] have you told her this because I feel [73:52] like you probably find it easier to talk [73:53] to me than about the sort of person that [73:55] I am yeah all of the stuff you said like [73:57] you said today [73:58] yeah I mean we've done a lot of we do a [74:00] lot of work on it we're in counseling [74:02] you know we're in counseling [74:04] um every weekend [74:06] that we discuss it you know we talk [74:08] about it I don't think I think the issue [74:11] has been up until that point being in a [74:14] room where someone's slightly mediating [74:16] and helping to pull things out of you I [74:19] haven't felt comfortable enough to be [74:21] honest with her you know personally [74:24] um [74:25] but I think that's happening more now [74:27] and there's ways you know we're learning [74:29] ways to kind of [74:30] talk about issues that we have with each [74:33] other and you're a dad now so you've got [74:35] kids so you must think about how that [74:38] generational cycle you talked about with [74:40] your father then you is then gonna play [74:42] out in the Next Generation 100 yeah I [74:45] mean you know I carry a lot of fear for [74:47] that because [74:51] it hasn't gone great with all of my [74:53] children you know I don't have the [74:55] greatest relationship with all of my [74:57] kids especially my older ones [75:00] um you had you had those when you were [75:01] 17 those kids at 17 18 years old yeah [75:06] um you went to jail at 19 years old so [75:09] you were absent for much of that period [75:11] yeah a lot of the first bits of their [75:14] life and then when I wasn't I was out [75:16] you know I was touring I was me doing [75:19] music and then I was acting and then [75:22] and then uh I mean if I'm honest with [75:25] you like the other other times like I [75:27] didn't I didn't care enough I didn't [75:30] you know I cared about them I loved my [75:32] children but [75:34] I didn't want [75:37] their [75:39] the adult responsibilities that came [75:41] with it and I didn't want to sacrifice [75:44] you know what I needed to do [75:47] um in order to give to them so for a [75:49] long period of time I was like [75:53] I was not I was not there in the way [75:55] that I should be and I know that I felt [75:58] I pay I'm slightly paying the price for [76:00] that now what is the price for them [76:02] is [76:06] I feel like there's a slight distance [76:07] between me and my older kids you know [76:09] there's a lack of trust [76:11] there [76:14] um [76:15] in feeling sometimes like [76:19] you know why didn't they come to me yeah [76:21] about that [76:23] yeah yeah you know yeah as for me to [76:25] that's a dad thing to it's a dad [76:27] conversations I have [76:30] um and as well I think I passed on my [76:35] my distant kind of [76:39] ways to them so [76:42] you know as much as like [76:44] when we're together we have an amazing [76:46] time and whatever but they don't call me [76:49] that much [76:50] you know [76:52] um I think it's the same with me and my [76:53] dad um I think uh we never really had a [76:56] close relationship [76:58] I think he probably had the same with [77:00] his father and I have the same with him [77:01] and my fear is how that translates [77:05] downwards to the Next Generation [77:07] Um but me and my father I wouldn't say [77:09] we're like he knows what's going on in [77:10] my life other than him listening to this [77:12] um there isn't like the phone call to [77:15] update him or anything so [77:18] I can relate [77:20] we've got an exciting new sponsor on [77:22] this podcast and I couldn't be more [77:23] excited to announce that we're now [77:24] working with Shopify and if there's one [77:27] tool that I use pretty much every single [77:28] day in my businesses that is certainly [77:30] Shopify I'm sure you've all heard about [77:32] Shopify but for some reason if you [77:34] haven't then Shopify is the Commerce [77:36] platform that is revolutionizing [77:38] millions of businesses worldwide whether [77:40] you're starting a side hustle a new [77:42] project with a friend or a global [77:43] business Shopify has you covered you [77:45] guys may know that we recently sold a [77:47] product on this platform called the [77:48] directio conversation cards which [77:49] featured questions from the guests in [77:51] these episodes and from start to finish [77:53] from launching that product we used [77:55] Shopify a total Game Changer makes life [77:57] incredibly incredibly smooth when it [77:59] relates to business and a tool that my [78:00] team have absolutely loved using which [78:03] is not always the case with technology [78:04] we couldn't have launched those [78:05] conversation cards without it and if you [78:07] guys haven't tried Shopify out for [78:09] yourself then I highly suggest you do [78:11] head to shopify.com Bartlett to take [78:14] your business to the next level today [78:15] and let me know how you get on that [78:17] shopify.com Bartlett let me know how you [78:20] get on thank you [78:21] top boy [78:22] yeah [78:24] crazy [78:25] it's crazy how that all played out [78:27] yeah yeah it's um [78:30] it's been an amazing journey you know [78:33] um [78:35] never never thought it would actually [78:39] when we're shooting the first season [78:43] I remember Kane looking at me and going [78:46] are they gonna put this [78:48] are they gonna put this on TV [78:51] because the subject matter you know some [78:52] of the things we was in the process it [78:54] was in we're shooting that scene where [78:57] we cut off um sway's finger in the [79:00] market in summer house and we was [79:03] literally looking at each other like a [79:04] channel four when I put this on TV [79:06] because we've never seen anything [79:09] on TV like it at the time but [79:12] you know cut from that to to where we [79:14] are today one of the biggest shows on [79:17] Netflix one of our biggest kind of [79:19] exports from the UK globally [79:23] and um [79:26] and you know people walking down the [79:28] street and people just [79:30] just hearing the Shane from every [79:32] angle of London [79:35] um it's crazy you know it changed my [79:37] life [79:38] changed my life [79:41] in hindsight you see what how big of an [79:43] opportunity it was but when someone [79:45] approached you with that [79:46] and that you saw the script and you saw [79:48] the role you'd be playing [79:50] in it you must not have had an idea that [79:53] it was gonna how did you think I didn't [79:55] do you know do you want to know why I [79:57] did it right because [79:58] because like literally months before I'd [80:01] said to my agent I said look [80:05] sick of just being a bad boy or just [80:07] like I can't keep on playing these same [80:09] roles like [80:11] so all I'm getting is after I've done [80:13] bullet boy I was just getting the same [80:15] scripts over and over again [80:17] you've been typecasting Typecast yeah [80:19] and I was like I'm not you know I've [80:21] done a bit of research I'd watched like [80:24] videos of other actors like black [80:26] American actors had been in the same [80:28] position and other people and I just [80:31] said look I have to be willing not to [80:34] work but I wanna be seen for other roles [80:38] like I want to be um and she she made me [80:41] know she was like look you may not get [80:43] any work for a while that means like no [80:45] money no this and that and I was like [80:48] so be it so that kind of that situation [80:51] came about but then the top boy script [80:53] came I remember not too long after [80:55] having that conversation [80:57] and for the first time for me reading [81:00] that script I was like wow [81:03] it felt like [81:07] like Good Fellas Scarface like all of [81:11] those shows those films that I've grown [81:13] up on that were very violent don't get [81:17] me wrong but behind it all there was [81:20] some structure and hierarchy it was the [81:23] first time that I'd seen black [81:26] organized crime not looking like a bunch [81:30] of [81:31] crazy [81:33] kids with hoodies just doing crazy [81:35] and not having no [81:37] you know with no sense it was like I [81:39] read characters that were human [81:42] that I finally was like I saw the people [81:45] behind the hood [81:47] I understood why they was doing what [81:49] they was doing or what their motivation [81:51] was for whether I agree to agreed with [81:53] it or not [81:54] um and I saw a character in The Shane [81:57] that was like aspired [81:59] for greater like he wanted [82:03] he wanted to change the face of the game [82:05] you know his initial intention was that [82:08] I can do this I'm gonna be the best at [82:11] it right but along the way I'm not gonna [82:12] hurt people [82:14] and I'm gonna feed everyone you know and [82:16] he wasn't like you know that [82:18] entrepreneurial kind of [82:21] it was like there within the script and [82:23] within the character and that was like [82:24] it that turned me so like literally [82:26] months after going I ain't doing no more [82:28] of these roles or whatever that script [82:30] coming I was like yeah I'm doing this [82:31] one though [82:33] um and that's what made me that's what [82:34] made me do it and there was no [82:36] hesitation [82:37] once I've read it no once I read I never [82:40] read any anything like it and you gotta [82:42] imagine I was reading loads of like when [82:44] I say everything I read was about [82:47] a black boy from inner city London that [82:51] was a drug dealer or was stabbing [82:53] someone or was shooting someone or [82:55] whatever is like loads of different like [82:57] iterations of the same character right [82:59] and when I read that [83:01] just stood out for me it was something [83:03] different I knew that there was [83:05] something different about it but I had [83:07] no idea that it would cut through the [83:10] way it did [83:11] Channel 4 just [83:13] didn't do a third series [83:15] all right they stopped um [83:17] at two series why was that I couldn't [83:20] figure I couldn't figure that out from [83:22] rummaging and reading [83:24] yeah I mean you're not the only one who [83:25] can't figure it out I mean I I think [83:28] over the years because I've been asked [83:29] that so much right [83:31] I've [83:33] learned or created scenarios that could [83:38] have happened oh okay right that I so I [83:40] don't know but [83:42] um [83:45] I do think there was a change of God [83:47] around the time that it was [83:49] the the third season should have been [83:52] commissioned yeah and I feel like when [83:54] that happens [83:56] um [83:58] ideas need to change in order for the [84:01] new person to feel like they're not [84:03] living off the coattails of what the [84:06] last person created that was successful [84:07] and usually it's the most successful [84:09] thing [84:10] that gets the ax then because there's [84:13] nothing that you know I can't take the [84:15] credit for this success [84:18] um so I feel like that might have been a [84:21] reason why or [84:23] maybe there just wasn't the [84:26] the space there at the time for them to [84:29] take it where it needed to go to the [84:32] next level but either way like we [84:34] discussed before [84:35] so good that it happened that way right [84:37] and it had that it's space to just not [84:41] be around and for people to want it back [84:44] for so many years before we got into the [84:47] new situation why did it come back in [84:50] your view [84:52] um [84:53] I think it timing wise when it was on [84:56] channel 4 it landed at such a pivotal [84:59] time just in London and for culture [85:03] and [85:06] you know coincided with [85:09] like your you know the real kind of [85:12] social media kind of push and all of [85:16] that stuff so [85:17] I think it was kind of cemented in [85:19] people's minds and I think it was like [85:22] the first of its kind really to you know [85:24] to do what it did so I think that that [85:27] having that fan base that key kind of [85:29] Niche sort of fan base cult fan base [85:33] kept it alive and then I think it [85:35] translated as well didn't it really [85:37] interestingly because a lot of the the [85:39] work at that time that was [85:42] one on the surface might think was [85:43] similar those stories of you know like [85:46] um of London and young black men and and [85:50] crime and all of that stuff they didn't [85:52] translate well globally [85:54] um they didn't cross over to like [85:55] different audiences and in the same way [85:58] that for some reason top boy just [85:59] crossed over and maybe it's because of [86:01] that complexity and that how thought [86:03] through the the plots and storylines and [86:05] characters are and it wasn't just [86:07] surface level like yeah a lot of [86:09] the other stuff was like stereotypical [86:11] surface level yeah it was it was there [86:15] were humans on the page yeah what [86:16] happened you walk away from the that you [86:19] root for these characters no matter what [86:21] they're doing like and that's because [86:23] they're 3D so you understand kind of [86:27] what's going on in their heads I think [86:28] we from the beginning we've always [86:31] Incorporated [86:34] um [86:36] what's going on outside of [86:39] that world like you know like the you [86:42] know I think in like season one on [86:44] channel four it was like Mental Health [86:46] you know there's a lot of other issues [86:48] that we were throwing in there like [86:50] um [86:52] you know with the little kid gem Soul [86:54] just kind of his family structure and [86:57] neglect from his parents and stuff like [86:59] that there was other things that kind of [87:03] we we talked about [87:06] um that you just didn't get in the other [87:08] shows and then we had I mean a big big a [87:11] big part of this puzzle was Yan [87:14] and demands [87:16] um [87:17] because he's a filmmaker right he's a [87:20] very cinematic [87:23] well-versed kind of filmmaker [87:26] um that knows how to get brilliant [87:29] performances out of people [87:32] um and remember [87:33] you know maybe nine percent of our cost [87:36] in that first season had never acted [87:39] before it's crazy so you needed someone [87:42] at the helm driving that [87:44] that had a clear understanding of how to [87:47] get great performances out of people [87:48] that hadn't had that much experience and [87:51] also shoot a beautiful TV show what do [87:54] you have to do to get the best [87:55] performance out of yourself do you have [87:57] any rituals or anything when you know [87:58] you're you're going on set is there [88:00] anything that you do to make to embody [88:02] the character [88:04] and to also just like get yourself in [88:06] the right frame of mind I have I have no [88:10] set of rules but [88:14] um I'm open to [88:17] being willing to do what it takes for [88:20] any given it's different every time you [88:22] know I've had characters where I've gone [88:25] into to play that I'm like I don't even [88:28] know if I can do this so I'm scared [88:31] so I would do everything like I'm not [88:34] eating [88:35] um [88:36] uh a mover don't speak to people that I [88:40] love like you know this was for a role [88:42] where I played like um an alcoholic like [88:45] crack addicted [88:47] like character [88:49] I stopped eating food you know I needed [88:52] to lose the weight I needed to feel [88:55] homeless so I kind of put myself in a [88:58] situation where I left my household and [89:02] I slept on a mattress in a one bedroom [89:04] kind of apartment thing and [89:07] like really pushed myself to the limits [89:10] because sometimes I like [89:12] I don't know how else I'm gonna do [89:13] something like just being able to act [89:15] isn't enough like I I need to feel it [89:18] like I need to you know and then there's [89:21] other times where I'm like actually I [89:23] don't need to do that much like I know [89:25] this [89:26] person like quite well [89:29] you know I need to be well versed on on [89:32] who that character is what their [89:34] backstory is so I can be free like when [89:38] I'm in the moment but [89:40] you know I I'm just I'm not one of these [89:42] guys that have like a set of rules and a [89:46] lot of the time I believe [89:47] less is more [89:49] you know I don't want to be over [89:51] prepared because then I feel like [89:55] there's no vulnerability you know [90:00] so it gets picked up by Netflix yeah and [90:03] it becomes a mega mega show one of their [90:05] their biggest shows of all time [90:08] um life changes for you hugely you go on [90:11] this journey for another two seasons on [90:13] Netflix and then you have one final [90:16] season on its way [90:19] how do you feel about that [90:22] it's a bittersweet [90:24] what's the bitter and what's this way [90:27] um [90:30] it's bitter that [90:35] some of the people on that show [90:40] that I've worked with the whole time [90:42] I've been doing it a lot of my family [90:45] you know [90:46] um [90:47] and actually I know [90:51] we've discussed this the type of person [90:52] that I am [90:54] I'm not going to see them that much [90:56] after right [90:58] it was our reason for [91:01] connection [91:03] um [91:04] and so what happens in this world you [91:06] move on you make other families you [91:07] develop other relationships so [91:10] I worry about like losing those [91:13] connections a bit [91:16] um you look sad as you say it I can see [91:19] the emotion in your face yeah it's [91:20] that's a bit of a thing for me it's like [91:24] remember you spend more time with these [91:26] people than you do with your actual [91:28] family you know you invest so much into [91:31] them and [91:32] so it's tough I mean and and I mean if [91:35] I'm honest with you the last [91:38] film in the last season [91:41] brought me and Kane probably even closer [91:44] than we've ever been kind of doing that [91:46] show because [91:49] we don't have the greatest time you know [91:51] fighting for what we we believed in [91:55] um and making it the best show that we [91:57] could make it be you know the best last [92:00] season for the fans like people don't [92:02] understand like we go hard [92:05] for that show we go hard to make sure [92:07] the scripts are right we go hard to make [92:10] sure other characters are being [92:11] represented in the way they should be [92:13] and storylines make sense on whatever [92:15] and [92:17] the truth is we faced a lot of [92:18] resistance this time around you know we [92:22] wasn't given the creative [92:24] input all the time that we desired and [92:28] this is like a common thing you know [92:30] this happens behind the scenes so this [92:31] is not me being a [92:32] in a grass or anything it's just like [92:34] it's the reality and sometimes you know [92:36] when there's seven execs eight execs not [92:39] everyone agrees and you've got a you [92:42] know you have to it's business you've [92:43] been there right [92:44] yeah so it was it was tough we went for [92:48] a tough experience we haven't been [92:50] through before [92:52] and that brought us closer together so [92:54] it's even harder knowing that this is [92:56] the last time because we developed [92:57] another level to our relationship where [92:59] I was like ah like as businessmen like [93:02] routine we're a team as well you know [93:04] what I mean [93:06] um [93:06] you know but the sweet thing about it if [93:09] you want to make you know end on a [93:11] positive is that [93:13] I've got my life back [93:15] you know it's I mean [93:18] to a certain extent the Shane is a very [93:22] popular character [93:24] um but when I say life back meaning I [93:27] can pursue other avenues [93:29] um you know [93:31] contractually I was tied down to that [93:33] show for for a long time you know that's [93:36] how it works and it'd be nice to to see [93:38] what else [93:40] is out there what else I can do where I [93:42] can take my career um [93:45] you scared a little bit I was just gonna [93:46] say that yeah so it's also scary because [93:49] that was um [93:53] is to get that stability in [93:56] in the acting game is very rare you know [93:59] usually if you want that sort of [94:01] stability with a show or whatever then [94:03] you have to you have to go and do a soap [94:05] hmm you know [94:08] um don't really get it from like drama [94:10] like that [94:12] um so [94:13] yeah it's been nice it's been good for [94:16] the family it's been good for me to [94:19] focus on [94:21] just being an artist [94:23] and enjoying what I do rather than [94:25] worrying about [94:27] mortgages and you know other stuff but [94:30] um [94:31] but yeah been a brilliant time did you [94:33] win the fight when I say the fight [94:35] you're in um [94:37] YouTuber fighting to have the show be [94:38] the way you want it to be [94:41] are you happy with how it's ended up [94:43] this final season [94:44] yeah [94:46] yeah I mean look [94:50] I wouldn't say necessarily that we won [94:55] um but I think the process of pushing [94:57] back [94:58] and fighting for what you're believing [95:03] always [95:06] without doing that I don't think we [95:09] would have got to where we got to I [95:11] think that you the push and pull that [95:13] happens within that process is what [95:17] makes the show [95:19] as good as it is you'll never be able to [95:21] see the impact it's had on young [95:22] people's lives all around the world and [95:24] perceptions shifting and all of these [95:26] things but [95:28] if you were to try and Define that what [95:31] is the impact you think the show has had [95:32] on culture on the world exactly that I [95:36] think [95:36] um [95:38] if I can Define it it will be [95:43] I had him I had a I had a meeting today [95:48] um [95:49] with like a Nigerian [95:53] um [95:55] a ligerian man that owns like a record [95:57] label a very famous record label right [95:59] and and production company [96:02] um and we sat down today and we was [96:03] talking and he was like [96:07] thank you [96:08] because it's made his job [96:12] a lot easier you know I had the same [96:14] conversation with Giggs who spends a lot [96:17] of time in the states and he was like [96:20] I don't have to explain myself anymore [96:23] when I go out there like around the [96:25] world they now because of the show they [96:27] kind of know where I come from you know [96:31] so [96:32] when it comes to marketing or whatever [96:34] you don't mean like announcing yourself [96:36] when you go somewhere into a new [96:38] territory or whatever [96:39] it's like there is an association for [96:42] them to to have and I think that's what [96:45] the show has done it's kind of taken us [96:47] from [96:50] cups of tea and biscuits and period [96:52] drama and maybe not in hill or whatever [96:55] you know stuff like that to [96:59] the rest of the world kind of [97:00] understanding that you know and there's [97:03] another side to what we we have and I [97:05] think [97:06] as a foundation as a way of opening the [97:09] door into the international market [97:12] accepting what we export [97:16] I think is really good I think now from [97:19] here we should push on into [97:22] telling black [97:23] stories [97:26] um [97:27] that don't necessarily have to be from [97:29] the same world as top boy you know they [97:31] should be black detectives there should [97:33] be black superheroes they should be [97:34] black you know we can the boundaries are [97:37] you know they're endless but I think [97:40] that it's open it's really opened the [97:42] door internationally for like people [97:45] trusting in in what we give them [97:48] um we have a closing tradition on this [97:49] podcast where the last guest leaves a [97:50] question in my diary for the next guest [97:53] not knowing who they're gonna leave it [97:54] for sick [97:55] the question in the diary left for you [97:57] is you've got one phone call left [97:59] to your children [98:02] what do you say to them [98:04] oh [98:09] [Music] [98:09] um [98:17] probably [98:18] [Laughter] [98:23] what I always say to my kids when I [98:26] leave the house don't eat my chicken [98:28] wings [98:29] [Laughter] [98:33] no I know on a real note it would be [98:36] it's I know it's cliche but it would be [98:38] that I love you you know and I think [98:41] that's [98:44] I didn't tell my dad that before he left [98:47] and [98:52] yeah we didn't you know we didn't have [98:54] those conversations and he didn't tell [98:57] me [98:58] that not in not using those words [99:01] and um [99:03] I'm assuming that this last conversation [99:06] would probably be the last time that I [99:08] see them so [99:10] I'd want them to know that [99:12] um [99:14] yeah [99:15] Yeah Ashley yes sir I can't wait I can't [99:18] wait for to see this last season [99:20] um I share that excitement with [99:21] everybody else that's listening right [99:22] now and thank you for creating a piece [99:24] of art over the years and fighting for [99:26] that piece of art with um to hope to [99:28] keep its integrity and to keep the [99:30] resonance that it's had with everybody [99:32] that's consumed it [99:34] um even when it's easier not to and I [99:36] can I understanding you I understand why [99:38] that fight was so important for you and [99:40] I'm exceptionally excited because of [99:42] your experiences and because of that [99:45] um that take on your art form that [99:47] you've developed over the last two three [99:49] decades [99:51] to watch your at your directing career [99:53] continue to play out I know you're [99:55] working on some incredible things at the [99:56] moment I know you've been working very [99:58] very hard on those things [99:59] um that's a conversation for another [100:00] time [100:02] but if it's anything like a lot of the [100:03] art you've created in your life and it [100:04] has that perspective that integrity and [100:06] that personality I think it's going to [100:08] have equal impact on the world that top [100:10] boy and all of the other projects you've [100:12] been involved in over the last two and a [100:13] half decades have had on people that is [100:16] a really really special thing and as I [100:17] say I'm I'm I couldn't it couldn't have [100:19] happened to a to a more deserving [100:21] individual in my opinion I I think it's [100:24] weird to have this feeling that I'm so [100:25] happy this you've had this in your life [100:27] and I'm so excited to see what plays out [100:29] for you I know it's going to be [100:30] something special because although you [100:32] talk about Talent I'm not quite [100:34] convinced that it's just [100:36] a a god-given talent alone I think [100:39] there's a ton of hard work dedication [100:41] perfectionism love craft dedication [100:44] kindness people skills I think there's a [100:47] lot of perspective I think there's a lot [100:48] of hardship there's a lot of rebounding [100:50] there's a lot of rejection that you've [100:52] had to overcome to get here um and [100:54] that's a very um a very admirable thing [100:56] that we can all be inspired by and that [100:57] we are so thank you Ashley thank you for [100:59] taking the time and thank you for your [101:00] generosity oh thank you man thank you [101:02] for having me being so good to be here [101:06] quick one you guys know that for years [101:09] now my office is quite literally been [101:11] everywhere on a plane in the back of my [101:13] car in a terminal in an airport or on a [101:16] train you name it I've probably worked [101:18] there ever since I started my first [101:19] business at 19 years old I've been [101:21] working on the move all I need is Wi-Fi [101:24] a desk and my headphones and I'm set and [101:27] one of the places that has always had my [101:29] back when I'm struggling to find an [101:30] office is wework I've been using wework [101:33] for years now whether it's in Manchester [101:35] London Manhattan or La wework is easy it [101:38] 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