Nick Cannon Monetizes Ownership and Youth Brands into $1.3 Billion IP

Nick Cannon: How I ACCIDENTALLY Built A $1.3 Billion Business! — The Diary Of A CEO

The Diary Of A CEO

Cannon attributes his long-term financial success to retaining early intellectual property rights and scaling youth-focused entertainment ecosystems like Wild 'N Out.

AI-assisted summary of Nick Cannon: How I ACCIDENTALLY Built A $1.3 Billion Business! — original source. Check the original for full context.

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## Background This interview was published by The Diary Of A CEO with Steven Bartlett on YouTube on September 21, 2023. According to the page description, the episode features entertainer and entrepreneur Nick Cannon sharing the story of his journey in show business, how he accidentally built a $1.3 billion empire around the Wild 'N Out brand, and lessons learned on money, health, and resilience.

## TL;DR Nick Cannon reflects on his multi-decade career, tracing his journey from an 11-year-old stand-up comedian and youngest-ever television writer at Nickelodeon to a major entertainment mogul. He breaks down how mentorship from Jamie Foxx and Will Smith shaped his work ethic and financial discipline, and how self-funding the original Wild 'N Out pilot evolved into a $1.3 billion intellectual property encompassing television, live tours, restaurants, and digital platforms. Beyond business, Cannon opens up about his health battles with lupus nephritis, the tragic loss of his five-month-old son Zen to brain cancer, and how navigating deep grief and fatherhood redefined his ultimate purpose and legacy.

## Atmosphere & style The conversation carries an intimate, highly candid, and introspective mood that balances lighthearted humor with deep vulnerability. Steven Bartlett acts as an empathetic, deeply curious host, creating a safe space that allows Cannon to transition seamlessly from hilarious industry anecdotes to profound reflections on mortality and loss. Watching the interview feels like listening to a seasoned veteran step away from the Hollywood spotlight to offer an unvarnished, emotionally resonant masterclass on resilience, ambition, and personal growth.

## Key takeaways - [00:14](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=14s) Nick Cannon started his entrepreneurial journey early, developing a work ethic based on the idea that hard work can outshine raw talent. - [01:57](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=117s) Growing up in a disenfranchised community, Cannon utilized optimism, imagination, and a strong sense of purpose to navigate challenges. - [18:10](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1090s) Mentors like Jamie Foxx and Will Smith shaped Cannon's storytelling ability, work ethic, and early financial literacy. - [23:14](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1394s) A early setback with an unaired pilot and financial missteps taught Cannon the importance of preserving capital and building long-term security. - [30:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1800s) At age 17, Cannon became the youngest staff writer in TV history at Nickelodeon, eventually leveraging his experience into creating and executive producing his own shows. - [35:08](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2108s) Stand-up comedy served as the foundational training ground for Cannon to master writing, directing, performing, and brand management simultaneously. - [41:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2460s) Cannon emphasizes pursuing passion over money, asserting that long-term mastery and joy are what ultimately build wealth. - [49:03](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2943s) By self-funding the initial pilot for Wild 'N Out, Cannon retained the intellectual property rights that turned the show into a multi-billion dollar multi-platform brand. - [01:00:39](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3639s) Through Incredible Entertainment, Cannon scaled operations across TV, live tours, consumer hardware, and restaurant franchises, generating over $100M in headphone sales alone. - [01:08:43](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4123s) Cannon actively rejects predatory music industry contracts, favoring models that allow artists to maintain master ownership, publishing, and independent creative control. - [01:21:13](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4873s) A lupus diagnosis in 2012 shifted Cannon's daily priorities toward health, time management, and meaningful impact over hollow networking and social positioning. - [01:28:27](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5307s) Regular visits to children's hospitals provided crucial perspective, anchoring Cannon's practice of leading with gratitude during difficult personal trials. - [01:31:08](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5468s) The tragic loss of his son Zen taught Cannon to view grief as an ongoing companion while turning personal pain into empathy and purposeful living. - [01:38:51](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5931s) Cannon views fatherhood as a stewardship role, focusing on problem-solving, emotional support, and helping his children discover their own paths. - [01:42:36](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=6156s) Redefining his legacy, Cannon aims to be remembered not for material success, but for making the world a better place through art, humor, and compassion.

## Detailed walkthrough ### [00:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=0s) Intro: Building a Billion-Dollar Empire

Nick Cannon sets the tone for his entrepreneurial journey by reflecting on the origins of *Wild 'N Out*. What grew into a billion-dollar brand began very modestly—he simply created a platform to help fellow comedians like Kevin Hart make enough money to pay their rent. Host Steven Bartlett introduces Cannon as a comedian, host, and true superstar, highlighting his status as a pioneer in business whose ventures span across diverse industries.

Cannon reveals the massive scope of his business operations, which go far beyond his on-screen presence. From making over $100 million in a single headphones sale to running multi-million-dollar live tours, a cruise line, and restaurant franchises, his success stems from an unmatched work ethic rather than relying solely on raw talent.

* **Key Business Ventures:** Wild 'N Out brand, Ncredible Headphones sale ($100M+ revenue), national tours, cruise line, and restaurant ventures. * **Early Breakthrough:** Became the youngest staff writer in TV history at age 17, writing for Nickelodeon's *All That* and *Kenan & Kel*. * **Core Philosophy:** "I may not be the most talented person in the room, but I'll be the hardest worker in the world."

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[01:57](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=117s) Youthful Optimism and Superpower Imagination

Reflecting on what shaped his mindset as a child, Cannon describes a profound "youthful optimism" and imagination. Growing up in a small, disenfranchised community with limited upward mobility, he never felt constrained by his physical environment. Instead, he carried an internal conviction that he possessed a unique ability to manifest anything he desired.

This mindset was less about chasing fame or fortune and more about enjoying life and finding a silver lining in difficult or tumultuous times. Even when facing adversity, Cannon entered spaces with gratitude and optimism, a trait that continues to keep him level-headed amidst an extraordinary career.

> "I lived this life to where as small as the community was... I had this big imagination and in my mind a superpower that I could be, do, or whatever I wanted."

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[03:07](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=187s) Unorthodox Upbringing and Making Something Out of Nothing

Cannon discusses his non-traditional family dynamic, noting that his parents had him when they were just teenagers—joking that "my parents had sex once, just one time, and then I showed up." He even attended his father's high school graduation as a child. While his mother worked constantly and his father went off to college, his paternal grandparents stepped in as primary caregivers to raise them all.

Despite the financial struggles of putting food on the table, his home was filled with love and togetherness. Watching his family navigate these hardships instilled in him a resilient drive to "make something out of nothing."

* **Family Structure:** Raised by teenage parents alongside his paternal grandparents, who provided a central family infrastructure. * **Siblings:** Eldest of five brothers on his father's side; an only child on his mother's side.

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[06:36](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=396s) His Father’s Transformation and Escaping Destruction

Cannon details how his father managed to completely turn his life around after a troubled youth. In the 1980s, when substance abuse and crime were devastating local communities, his father faced incarceration and dark paths. However, he broke free from those influences, pursued a college degree, and dedicated his life to ministry and helping others.

This transformation served as a powerful model of redemption and personal growth for Cannon during his formative years.

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[07:51](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=471s) Rebellious Streak and the Magnetism of Street Culture

Admitting to an innate rebellious and anti-authoritarian streak, Cannon notes that he was always the type of kid who had to touch the hot stove himself to learn a lesson. Growing up in Southern California during an era where gang violence was glorified through music, entertainment, and street culture, he felt a pull toward the dark, unknown paths to prove he wasn't just a "goody two-shoes."

While many of his childhood friends and associates became permanently caught up in street violence or the justice system, Cannon's inherent creativity, optimism, and passion for performance served as his escape hatch.

> "I definitely have a rebellious nature... I'm definitely the kid that has to feel that the pot is hot to know what getting burned feels like."

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[09:11](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=551s) The 10-Year-Old Rapper and Class Clown

Between the ages of 10 and 14, Cannon was hyper-focused on hip-hop. Possessing a loud, energetic, "ADHD-ish" personality, he was well known throughout his neighborhood, always distributing demo tapes and making noise. His church background combined with his role as the school class clown helped him realize that his creative energy could be channeled into a legitimate career.

He looked up to charismatic multi-hyphenates who bridged music and comedy—such as Eddie Murphy and The Fresh Prince (Will Smith)—while simultaneously absorbing the raw street energy of West Coast hip-hop icons like Ice Cube and Too $hort.

* **Early Inspirations:** Eddie Murphy, Will Smith (The Fresh Prince), Ice Cube, and Too $hort. * **Early Performances:** Church talent shows, local neighborhood rap demos, and school comedy.

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[11:25](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=685s) Starting Stand-Up at 11 and Finding Mentors in Hollywood

Cannon began doing stand-up comedy officially at just 11 years old, initially performing at church events before stepping onto real comedy club stages. By age 15, he was frequenting the world-famous Comedy Store in Hollywood. Coming from a neighborhood miles away both geographically and culturally, he often had to sleep in his car or seek shelter on friends' couches.

Comedians like Jamie Foxx and Guy Torry (founder of the iconic *Fat Tuesday* comedy nights at The Comedy Store) took the young teenage comedian under their wings. Torry let 15-year-old Cannon open the show and warm up the crowd as high-profile celebrities like Kobe Bryant, Shaquille O'Neal, and Snoop Dogg walked into the room.

* **Key Early Supporters:** Jamie Foxx (provided a place to sleep and mentorship) and Guy Torry (gave him opening performance slots at *Fat Tuesday*). * **Comedic Contemporaries on Stage:** Chris Tucker, Damon Wayans, and Eddie Griffin.

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[14:37](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=877s) Intentionality, Hustle, and the "Nick Cannon" Brand

Rejecting the idea that his early break was sheer luck, Cannon emphasizes the power of intent and alignment. Ever since he was four years old, he intentionally introduced himself by his full name, "Nick Cannon," developing an early sense of personal branding inspired by his grandfather ("Daddy Cannon").

He navigated rooms by carefully studying the environment, creating deliberate action plans, and using his outward attention-seeking energy to build real industry relationships.

> "I don't believe in luck; I believe in alignment... You got to put yourself in those positions. Some people say luck is preparation meets opportunity."

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[18:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1080s) Discovering Opportunities via Jamie Foxx's Laughapalooza

Cannon recounts how his relationship with Jamie Foxx indirectly led to his biggest career breakthrough. Jamie Foxx hosted a comedy festival called *Laughapalooza*, where talent executives from Will Smith's production company, Overbrook Entertainment, spotted 15-year-old Cannon performing on stage.

Impressed by his stage presence and comedic timing, Overbrook signed him to a holding deal in Atlanta, which directly set up his first formal meeting with Will Smith a few months later.

<ElicitationsGroup message="To explore more of Nick Cannon's story in the next parts:"> <Elicitation label="Read Part 2: Lessons from Will Smith & Early Financial Choices" query="Summarize Part 2 of Nick Cannon's interview covering his learnings from Will Smith and early financial management."/> <Elicitation label="Read Part 3: Building the Wild 'N Out Brand" query="Summarize the part of the transcript detailing how Nick Cannon built Wild 'N Out into a multi-million dollar business."/> </ElicitationsGroup>

[18:57](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1137s) Studying under Mentors: Jamie Foxx and Will Smith

Nick Cannon reflects on how his career trajectory was fundamentally shaped by meeting Jamie Foxx at age 15 and Will Smith at age 16. Describing both as exceptionally kind and naturally magnetic figures, he notes that walking into a room with them meant watching everyone instantly gravitate toward their booming energy. In contrast to their outgoing natures, Cannon describes himself as naturally quiet, observant, and reserved—qualities he frequently discusses with his friend Kevin Hart, who shares that same room-captivating presence. Despite his quieter default, observing Jamie Foxx allowed Cannon to study the exact mechanics of storytelling and impromptu charm, from mastering how to hold court at a table to sitting at a piano to sing and win over a room.

Beyond comedic timing, Foxx taught Cannon the depth of the "thespian muscle"—how to fully embody characters with subtle nuance whether playing a broad, silly persona or a deeply serious role. Shortly after, Will Smith stepped into Cannon’s life as a central mentor, instilling an relentless work ethic. Smith’s famous mantra—that he might not be the most talented person in the room, but he will outwork everyone—became Cannon’s guiding principle. Watching Smith put in an extra ten hours when everyone else went to sleep inspired teenage Cannon to operate with total dedication, pulling all-nighters in the studio before early morning set calls.

- **Key Mentors:** Jamie Foxx (met at age 15) and Will Smith (met at age 16). - **Core Lesson from Jamie Foxx:** Mastery of storytelling, room-captivating piano improvisation, and character embodiment. - **Core Lesson from Will Smith:** Outworking the competition by pushing through fatigue and sacrificing sleep to perfect a craft.

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[23:14](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1394s) Financial Lessons, Broken Promises, and Hard Truths

When Will Smith took Cannon under his wing, he provided crucial structural guidance—teaching him how to structure rap music into standard 16-bar verses and 8-bar choruses rather than unstructured lines. However, the most profound lesson came when Smith cut Cannon his first major check for around $150,000 to $200,000. Ignoring Smith's explicit warnings against frivolous spending, Cannon immediately went out and bought the exact same Range Rover model that Smith owned. Smith called out the reckless purchase, reminding him that a young artist needs to preserve capital rather than mimic the spending habits of a global movie star. Cannon’s decision backfired drastically: he totaled the vehicle within six months and was forced to move back in with his mother a year later.

The financial strain was exacerbated by a crushing career setback at age 18. Cannon had created, written, and starred in a television pilot titled *Loose Cannon*, centered around a teenager in military school. With Will Smith and Quincy Jones executive producing, Stan Lathan directing, and Bentley Kyle Evans (creator of *The Jamie Foxx Show*) writing, the show had secured a six-episode commitment on The WB. Cannon felt his success was sealed, especially with his show scheduled to air directly after *The Jamie Foxx Show*. However, a sudden executive shift at the network resulted in the show being dropped. Devastated, 19-year-old Cannon wept for days as the illusion of overnight stardom evaporated, forcing him to learn how to pick himself up when the industry moved on.

- **First Major Paycheck:** ~$150,000 to $200,000 from Will Smith. - **Financial Mistake:** Bought a Range Rover matching Will Smith's, totaled it within six months, and went broke. - **The Un-Aired Pilot:** *Loose Cannon* (The WB), produced by Will Smith and Quincy Jones, directed by Stan Lathan. - **Career Impact:** The show was canceled during network restructuring when Cannon was 19, forcing him to move back home.

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[27:13](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1633s) Esoteric Synchronicity and Operating Frequencies

Looking back at his career trajectory, Cannon offers an esoteric explanation for how high-achieving figures continually cross paths. He points to the law of synchronicity and the concept of the Akashic records, proposing that individuals operating at similar energetic frequencies are naturally drawn together. This explains why he, Will Smith, Jamie Foxx, and Kevin Hart remain perpetually interconnected—collaborating on projects or independently pursuing parallel ventures like hosting car shows or opening restaurants without direct competition. Cannon dismisses the idea of secretive Hollywood cabals, clarifying that "secret societies" are simply like-minded people functioning on the same high-frequency wave without needing explicit rules.

Conversely, Cannon describes the lower-frequency spectrum as a heavy, slow, and toxic state marked by victimization, anger, jealousy, and constant blame. He observes that individuals trapped in this low frequency often feel the need to use angst to assert themselves, failing to realize that their mindset actively sabotages their progress while higher-frequency individuals move past them unbothered.

> "People who operate on the same frequency... there doesn't have to be this written rulebook. It's just like, 'Oh no, we intuitively move like this, we gravitate towards certain things.'"

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[30:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1800s) Breaking Records at Nickelodeon

At just 17 years old, Cannon became the youngest staff writer in television history after landing a role on Nickelodeon's hit series *Keenan & Kel*. His entry point came through doing audience warm-ups on set—entertaining crowd members between takes while production reset the cameras. His natural charisma caught the attention of production executives and manager Michael Goldman (who still manages both Cannon and Kenan Thompson). Recognizing his potential, the team gave him the opportunity to write for the show.

Capitalizing on Kenan Thompson's real-life crush on R&B singer Tamia, 16-year-old Cannon co-wrote an episode specifically crafted around her making a guest appearance. When the production team successfully booked Tamia for the episode, Cannon realized the magic of writing ideas into reality. This breakthrough led to a full-time staff writer position across multiple Nickelodeon shows at age 17, giving him the structural foundation to write his next pitch.

- **Record:** Youngest television staff writer at age 17. - **Breakthrough Gig:** Audience warm-up comic for *Kenan & Kel*. - **First Major Writing Win:** Wrote the *Kenan & Kel* episode featuring R&B singer Tamia. - **Key Industry Connection:** Manager Michael Goldman.

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[33:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1980s) The Birth of *The Nick Cannon Show*

Following the cancellation of *Loose Cannon*, 19-year-old Cannon felt he had exhausted his one shot at mainstream superstardom. Feeling humbled and desperate to avoid returning to street hustling or taking a regular job, he swallowed his pride and pivoted back to children's media. Although he initially viewed Nickelodeon as a step down from becoming "the next Will Smith," he channeled his energy into creating, producing, and starring in *The Nick Cannon Show*.

This decision proved to be a masterclass in brand-building. Through *The Nick Cannon Show*, he developed a massive youth demographic that grew with him over decades. More importantly, the experience taught him the immense economic power of family entertainment—a sector dominated by billion-dollar conglomerates like Nickelodeon and Disney. Operating as an executive producer at age 22 sharpened his business instincts, turning what felt like a career compromise into the foundation of his modern media empire.

- **Pivotal Venture:** *The Nick Cannon Show* on Nickelodeon (created at age 19, launched while early 20s). - **Core Realization:** Family and youth entertainment is a multi-billion dollar engine that builds long-term audience loyalty.

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[35:08](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2108s) Stand-Up Comedy as the Ultimate Training Ground

When asked how he possessed the technical mastery to write network television shows before turning 18, Cannon attributes his abilities entirely to stand-up comedy. Having performed and written his own material since age 11, he spent his early teens studying comedy specials like *Def Comedy Jam* and *BET's Comic View*. He realized early on that stand-up comedians are complete one-person entertainment operations who must handle writing, directing, performing, marketing, and self-promotion without a safety net.

By spending countless hours in public libraries studying language, analyzing story structures, and honing his timing on stage, Cannon built up his "10,000 hours" of repetitions before he even reached adulthood. This rigorous self-directed training gave him the confidence and speed required to excel in professional writers' rooms alongside veteran comedy writers.

- **Early Start:** Began writing jokes at age 11; studying comedy specials (*Def Comedy Jam*, *Comic View*) by ages 12–13. - **Key Takeaway:** Stand-up comedy forces an artist to master writing, directing, marketing, and performing simultaneously.

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[36:45](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2205s) Mastering a Craft Through Decade-Long Repetitions

Reflecting on Nick Cannon's career timeline, Steven Bartlett points out that starting in entertainment at age 11 and writing his own show by 22 represents more than a decade of constant repetitions in the gym. Cannon agrees, noting that even when *The Nick Cannon Show* wrapped up when he turned 22, he felt like he was still just getting started. He had started that show at 19, looking like a 15-year-old, right before his movie career with *Drumline* and his music career took off. Sitting in the interview today, he feels he still has countless movies to make, music to produce, and television shows to write.

When asked what advice he would give his children—or anyone—on how to reach the absolute top of an industry, Cannon keeps it strikingly simple: "Do it." He stresses that there is a world of difference between "trying" something and actually "doing" it. Trying is just sticking a foot in the water, whereas doing it means embodying every single aspect of the craft as if no other option exists. He compares it to the distinction between someone who merely plays basketball for fun versus a true "basketball player," or someone who takes a class versus a dedicated "boxer."

- Cannon notes he started hosting *The Nick Cannon Show* at 19 and wrapped it up at 22. - He emphasizes that reaching mastery requires embodying a discipline so completely that there is no backup plan.

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[39:36](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2376s) Nurturing Natural Passion: "Happy Makes You Money"

When observing his own children, Cannon looks for what they naturally gravitate toward and what brings them genuine joy. Some of his kids are natural athletes, while others instinctively pull themselves up to the piano. His strategy as a parent is to water and cultivate those specific seeds because "fun" acts as the ultimate battery. If an artist or creator loses the fun in what they do, the work suffers—and pursuing something solely for money or external validation is a trap.

Bartlett agrees, reiterating his belief that the venture that makes someone the most money is ultimately the thing they can master, which requires staying with it for over a decade. Cannon summarizes this philosophy with a succinct motto: "Money doesn't make you happy; happy makes you money." He contrasts this with the concept of "sad money" and "bad money," which he sees frequently among ultra-wealthy entertainers who isolate themselves in giant glass castles, paranoid that everyone only values them for transactions.

- Cannon views personal joy and "fun" as the core fuel or battery behind sustained success. - "Sad money" describes wealthy individuals who end up miserable, lonely, and paranoid in "glass towers." - "Bad money" refers to dishonest, manipulative financial practices that dominate industries like music publishing.

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[42:24](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2544s) The Manipulative Music Business and the Spectrum of Narcissism

Cannon pulls no punches when describing the traditional music industry, calling it a system engineered around manipulation and theft, where non-creative executives latch onto talented artists to exploit their intellectual property. Because the music itself brings immense joy to the world, Cannon argues the industry surrounding it should operate at a high frequency where everyone thrives. Instead, middle-men operate on a lower frequency, making millions off pure creative work while leaving the original creators empty-handed.

This dynamic leads into a discussion about the delicate balance between generosity and the "narcissism" required to succeed at the highest levels. Cannon openly embraces being a self-aware narcissist, arguing that a healthy balance of self-love and supreme confidence is essential. While extreme narcissism becomes sociopathic or dangerous, a baseline level of conviction—believing "I am him" or "I am her"—is what separates generational icons from the crowd. Without visionary self-belief, society wouldn't have groundbreaking inventions, iconic films, or legendary music.

- Cannon candidly identifies himself as having a healthy "balance of narcissism." - He lists generational icons who embodied the "I am him/her" mindset: LeBron James, Kobe Bryant, Michael Jordan, Michael Jackson, Mike Tyson, Will Smith, Chris Rock, Jamie Foxx, Mariah Carey, Mary J. Blige, and Beyoncé. - "Self" is the common thread: self-love, self-promotion, and self-dedication without looking down on others.

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[46:48](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2808s) Fighting Spirit and Bet-On-Yourself Vision

Reflecting on his early days as a teenager in Hollywood, Cannon notes that while people tried to hustle him or sign him to predatory contracts, no one was ever able to extinguish his internal flame. He compares his career trajectory to that of a prizefighter: in the beginning, an entertainer might be a raw puncher, but over time they adapt, bobbing and weaving to become a defensive strategist and thinker. At his core, however, the desire to win against the odds remains identical to when he first stepped into the ring.

That rebellious, anti-authoritarian drive was the exact spark behind *Wild 'N Out*. At around age 23 in 2004, fresh off the success of *Drumline*, Cannon was under an overall deal with Viacom/MTV. When he pitched the concept of bringing his comedian and rapper friends together to play improv games, network executives admitted they didn't understand it. Rather than abandoning the idea, Cannon took $100,000 of his own money, rented out a comedy club, hired camera crews, brought in talent, and shot the pilot independently.

- Shot the original self-funded *Wild 'N Out* pilot in 2004 for approximately $100,000. - Because he owned the intellectual property, copyright, and trademarks before showing the finished pilot to MTV, Cannon held total leverage at the negotiating table. - He draws parallels between his early self-funding strategy and modern YouTube creators like MrBeast, admitting he wishes platforms like YouTube existed when he was burning pilots onto VHS tapes in the early 2000s.

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[52:34](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3154s) Building the Billion-Dollar *Wild 'N Out* Empire

Two decades later, the brand Cannon created in a rented comedy club has grown into a massive enterprise. Having filmed through Season 21 and preparing for Seasons 22 and 23, Cannon has developed a streamlined production model that shoots two full seasons at once. His goal is to reach 25 seasons—marking 20 years on television—at which point he considers whether he might gracefully hand off the hosting duties to a younger generation as he approaches age 50.

The dynamic of the show has evolved dramatically over time. In the beginning, Cannon was a 23-year-old kid giving directions to veteran comedians he looked up to, such as Katt Williams, Chris Spencer, and Daryl Heath. Today, Cannon is the elder statesman watching young talent like DC Young Fly explode on his platform. What began as a selfless effort to give his broke friends jobs—recalling how Kevin Hart literally needed rent money at the time—accidentally transformed into a multi-faceted, billion-dollar brand.

- *Wild 'N Out* has produced 21 seasons, aiming for 25 seasons to mark its 20th anniversary. - Early cast members and veterans included Katt Williams, Chris Spencer, and Daryl Heath; modern stars include DC Young Fly. - The original motivation for creating the show was simply to put his talented friends on television so they could pay their bills.

[55:02](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3302s) Nurturing Talent and Building the "Wild 'N Out" Ecosystem

Nick Cannon reflects on how he built a business around identifying, incubating, and cultivating raw talent. He admits that many of the comedians and performers who pass through *Wild 'N Out* are vastly more talented than he is, but his gift lies in giving them a platform to hone their skills. He compares the show's intense stage to an elite athletic evaluation: "This is the NFL Combine... the best of the best in the grimiest of this." The environment tests every performer's anxieties, insecurities, and ability to think on their feet under extreme pressure.

Survival on *Wild 'N Out* serves as an industry trial by fire. Performers face ruthless jokes about their personal lives, past scandals, and physical appearance, all while having to freestyle rap or execute instant comedy. Once an artist survives that high-stakes atmosphere and earns the respect of their peers, they are hardened for any obstacle in Hollywood. Cannon highlights several legendary talents whose careers exploded after gaining momentum on the show:

* **Pete Davidson:** Transitioned from *Wild 'N Out* to become a breakout star on *Saturday Night Live* and a leading film actor. * **Mikey Day, Taran Killam, and Chris D'Elia:** Hones their improvisational comedic timing on the show before moving on to major television, writing, and sketch roles. * **Katt Williams and Kevin Hart:** Elevated their stand-up careers to tour arenas worldwide after refining their skills on the show's stage.

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[57:11](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3431s) The $1.3 Billion IP: Merchandise, Restaurants, and Digital Domination

Cannon confesses that he never intentionally set out to build a multi-billion-dollar empire; he was simply in the trenches trying to make a cool television show and design a stylish t-shirt. It was only after corporate valuation experts analyzed the total intellectual property (IP) footprint that he realized the staggering scale of what he created. The IP spans over 500 television episodes, continuous live arena tours generating millions annually, a themed cruise line ("Wild 'N Wet"), and a rapidly expanding franchise of *Wild 'N Out* sports bars and restaurants—including their flagship expansion on Ocean Drive in South Beach, Miami.

``` ┌────────────────────────────────────────┐ │ Wild 'N Out Intellectual Property │ └───────────────────┬────────────────────┘ │ ┌──────────────────┬───────────────┼───────────────┬──────────────────┐ │ │ │ │ │ ┌──┴────────────┐ ┌──┴──────────┐ ┌─┴──────────┐ ┌──┴───────────┐ ┌──┴────────────┐ │ 500+ TV Ep. │ │ Live Tours │ │ Franchises │ │ Consumer Goods│ │ Digital Reach │ │ Library │ │ & Cruises │ │ & Lounges │ │ & Apparel │ │ (30M+ Subs) │ └───────────────┘ └─────────────┘ └────────────┘ └───────────────┘ └───────────────┘ ```

The brand's merchandise presence represents one of Paramount/Viacom's top-selling retail properties. The iconic *Wild 'N Out* logo appears on everything from apparel and swimwear to coffee mugs and novelty toys. Digitally, the show commands a massive cross-platform audience that dwarfs standard broadcast metrics:

* **YouTube:** Over 12 million subscribers. * **TikTok:** Over 12 million followers. * **Instagram:** Over 7 million followers on the show's primary account alone.

When valuation research initially cited a **$1.3 billion** figure years prior, Cannon chose not to fixate on the massive valuation. He jokes about the mental trap of knowing that number: "One, I start gloating... and the second thing, I'm like, 'Hey, where's my billion dollars? Somebody owes me some money!'" Instead, he stays focused on discovering the next generation of comedic and musical talent.

---

[01:00:39](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3639s) Incredible Entertainment and the $100M Headphone Business

In 2009, Cannon consolidated his various business efforts under a single parent company, **NCredible Entertainment** (often referred to as Incredible Entertainment). He designed NCredible as an all-in-one conglomerate to handle music labels, film production, television ventures, and consumer hardware in-house.

Around that time, NCredible partnered with Monster Cable—the original manufacturing partner behind Beats by Dre—to create a line of consumer electronics. While Beats focused on the $300 high-end market, NCredible launched a high-quality alternative priced at $100. By partnering with mass-market retailers like Walmart and RadioShack, NCredible quietly generated over **$100 million in revenue** in consumer electronics alone, proving Cannon's ability to capitalize on value-driven consumer hardware alongside his media projects.

---

[01:02:19](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3739s) Spotting Kehlani on *America's Got Talent*

Cannon recounts discovering R&B singer Kehlani when he was hosting *America's Got Talent*. Kehlani originally performed as the 15-year-old lead vocalist of the group PopLyfe, formed by Dwayne Wiggins of Tony! Toni! Toné!. Cannon recalls judge Piers Morgan pressuring the young singer to abandon her bandmates, refusing to vote them through unless she went solo. Despite the intense pressure on live television, Kehlani stood her ground, refusing to abandon her bandmates.

PopLyfe ultimately made it to the show's finale, performing alongside Stevie Wonder. However, after the show ended without a win, Kehlani returned home to Oakland, California, facing severe financial hardship and homelessness. Her father had been murdered during her childhood, her mother struggled with addiction, and she was navigating life as a homeless teenager.

When Cannon learned of her situation through mutual industry connections, he stepped in to provide direct support:

> "I'll move you to LA, but first we got to finish high school... Finish school, I'll take care of everything else."

Cannon provided a home, food, and full access to recording studios without asking for contracts or management fees. Just one year after finishing high school, Kehlani produced a mixtape that earned a Grammy nomination. Cannon introduced her to Craig Kallman at Atlantic Records, launching her global solo career.

---

[01:05:28](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3928s) Challenging Industry Exploitation: "I Don't Like Signing People"

Cannon expresses deep disgust toward traditional music industry practices, particularly predator contracts that force young, vulnerable artists to sign away their publishing and master rights "in perpetuity." He shares his own childhood scar: as a teenager, he signed away his valuable publishing rights for a mere **$10,000** advance—a mistake that became one of his greatest financial lessons.

``` Traditional Label Model Nick Cannon's NCredible Model ─────────────────────── ────────────────────────────── • Owns masters in perpetuity • Artist retains ownership & publishing • Predatory low cash advances • Direct funding ($5k–$10k) with no debt • Locks artists into long contracts • Collaborative splits & studio access ```

To counter this cycle, Cannon uses his television show *Future Superstars* as a platform to pay it forward:

* **Direct Funding:** In every city he visits, Cannon gives local independent artists **$5,000 to $10,000** out of his own pocket with no strings attached. * **No Predatory Ownership:** He refuses to force artists into predatory contracts or demand long-term percentages of their income. * **Collaborative Publishing:** If artists choose to work with NCredible, he operates on fair, split-publishing terms or standard studio cost-reimbursements.

Cannon argues that the rise of social media and direct-to-fan distribution platforms has stripped power from traditional record label middlemen. With artists holding direct access to their audiences, the old model of predatory ownership is rapidly dying—replaced by a new generation of empathetic, creator-first partnerships.

---

[01:10:20](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4220s) Why Strategic Networking Is Overrated

The conversation turns to career growth and industry networking. Host Steven Bartlett shares that he frequently argues with his assistant over networking, preferring to focus entirely on building great products rather than attending small-talk events. Cannon strongly agrees with Bartlett's philosophy:

> "Networking is stupid... If you're focused on being the best you, they'll come find you. You become a peacock or a magnet versus me having to small-talk in a room for three hours."

Cannon reflects on how his perspective has evolved after decades in the entertainment industry. While he used to attend high-profile industry gatherings and "white parties" wearing expensive watches to show off, he now views those events as exhausting work. Today, he prefers spending his time creating in the studio, being with his children, and working on meaningful projects over hollow social positioning.

[01:12:26](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4346s) Introversion, Networking, and Managing Energy

Nick Cannon and host Steven Bartlett reflect on the hidden demands of high-stakes networking in the entertainment industry. Bartlett admits that he low-key envies people who thrive in networking environments and can effortlessly introduce people to one another, acknowledging that as an introvert, he simply lacks the energy muscle to small-talk his way through endless industry lunches. Nick identifies himself as an "outgoing introvert" and mentions how he frequently debates this topic with his good friend Kevin Hart. While Kevin has the natural gift of walking into a room and instantly lighting it up, Nick looks at that level of socializing and finds it completely exhausting.

For Nick, managing his personal and spiritual bandwidth is a necessary act of self-preservation. Though his calendar and workload are constantly overloaded, he guards his spiritual energy fiercely rather than spreading it thin across every social event or industry gathering. He explains that he avoids going out just to "turn it on" for a crowd, preferring environments where he can remain his true, authentic self. While he knows how to navigate red carpets and award shows with the best of them when duty calls, his natural state is much more subdued and peaceful.

[01:13:59](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4439s) Podcast Sponsor Messages: Whoop and Huel

Steven Bartlett takes a brief break to share personal endorsements for two podcast sponsors: Whoop and Huel. As someone who is on the go 90% of the time, Bartlett discusses how prioritizing rest and recovery alongside his rigorous workout schedule transformed his daily energy. He credits the Whoop health tracker for providing actionable insights into sleep, recovery, stress, and training, making it vastly easier to keep his body in peak condition without burning out.

Transitioning to Huel, Bartlett highlights their Best Seller Bundle, curated for newcomers to sample various meals and bars. He praises the convenience of the products and jokingly emphasizes the phenomenal fit of the free Huel t-shirt, noting that integrating these meals into his busy schedule in boardrooms and laboratories has been a complete game-changer.

[01:16:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4560s) The Aspen Collapse and Lupus Nephritis Diagnosis

At age 32 in 2012, Nick Cannon faced a life-altering medical emergency while at the peak of his career and personal happiness. He was in Aspen with his then-wife Mariah Carey and their newborn twins, feeling like he was living his ultimate dream. Coming from the projects, Nick felt surreal being in Aspen, training hard at his home gym and boxing three times a week. Suddenly, he felt a sharp, unusual pain in his right side. Believing he could simply "work it off" like a Rocky movie montage, he went jogging up a mountain through high altitude and deep snow, only to collapse the moment he made it back to the house.

Mariah found Nick passed out on the floor and rushed him to the local emergency room in Aspen. Initially, doctors assumed he was suffering from extreme dehydration or altitude sickness, a common occurrence for tourists on the ski slopes. However, as fluid IVs failed to resolve the issue, doctors suspected kidney stones, then a severe kidney infection, and ultimately performed a kidney biopsy. The results revealed acute kidney failure caused by lupus nephritis—an autoimmune condition where the body's immune system mistakenly attacks its own organs.

- **Medical Complications:** The lupus flare-ups triggered life-threatening complications, including pulmonary embolisms and blood clots in his lungs and heart. - **Root Causes:** Doctors explained that severe physical and emotional stress can throw the immune system out of balance, triggering self-destructive autoimmune responses. - **Daily Discipline:** Nick views his lupus as a daily "alarm clock" that forces him to prioritize his health by drinking a gallon of water daily, taking supplements, and strictly limiting sodium and processed foods.

[01:20:53](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4853s) Perspective Shift, Mortality, and Mariah Carey's Support

The diagnosis completely altered Nick's mindset and forced him to re-evaluate how he spent his remaining time on Earth. He developed an acute awareness of a "ticking clock," prompting him to cut out superficial relationships that wasted his time and focus intensely on making a lasting impact for his children. Nick credits Mariah Carey with saving his life during this tumultuous period, describing her as his absolute rock who fought tirelessly alongside him through doctor consultations and hospital stays, all while managing her own massive global career.

Staring up at hospital ceilings during late-night isolations forced Nick to confront his higher power and wrestle with ultimate questions about life, death, and his legacy. Remarkably, he discovered that he felt content rather than afraid when contemplating his own mortality. That lack of fear shifted his focus entirely toward living life to the absolute fullest, maintaining that when his time finally comes, people will say he "rode that to the wheels fell off" while loving hard and smiling big.

- **Hospitalization Cycles:** Between 2012 and 2016, Nick was hospitalized multiple times per year, often for three weeks to a month at a time due to severe flare-ups. - **Chemotherapy-Like Treatments:** To control the autoimmune attacks, Nick had to undergo medication infusions similar to chemotherapy, which caused his hair to fall out. - **Unwavering Loyalty:** Nick emphasizes that he would willingly lay down his life for Mariah today, describing her as the ultimate matriarch and partner during his health crisis.

[01:28:27](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5307s) Finding Perspective through Compassion

Long before his own diagnosis, Nick routinely sought out grounded perspectives to keep his ego and daily stresses in check. He reveals that every month—and later once a quarter—he would quietly visit St. Mary's Healthcare System for Children without any media coverage or publicity. He would spend hours reading books, giving out toys, and simply hanging out with young patients battling chronic, life-altering, and terminal illnesses.

Observing the incredible resilience and bright smiles of these children dealing with extreme physical adversity served as a vital "reset button" for Nick. It forced him to reframe his own complaints and maintain deep gratitude for his blessings, proving that true perspective often stems from quiet acts of compassion and service.

<FollowUp label="Want to hear how Nick turned grief into purpose after losing his son Zen?" query="Walk me through part 6 of the transcript where Nick Cannon discusses losing his son Zen to brain cancer and turning grief into purpose."/>

[01:29:30](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5370s) Perspective, Compassion, and Life's Fragility

Nick Cannon reflects on his long-standing commitment to charitable work, recalling how visiting pediatric wards provided a profound reality check. He shares how seeing sick children in high spirits despite being hooked up to hospital tubes completely dismantled his own complaints. Cannon notes that he joined the board of St. Mary's Healthcare System for Children and began working with the Children's Miracle Network back in his mid-20s. In hindsight, he believes these early experiences prepared his mindset for his own severe health battles and the tragic loss of his son years later, instilling in him a deep practice of entering difficult spaces with empathy and compassion.

The conversation turns to the necessity of living fully in the present moment. Cannon stresses that life can change instantaneously—whether losing your health overnight or losing someone you expected to outlive you. Reflecting on his late son Zen, Cannon discusses how fast-paced living often leads to immediate regret if one fails to appreciate moments as they happen. He emphasizes that daily perspective and perception are essential tools for navigating life's unpredictability.

- **Board Service & Charity**: Cannon joined the board of St. Mary's Children's Hospital and worked with Children's Miracle Network starting in his mid-20s. - **Key Insight**: Seeing sick children happy on hospital wards taught Cannon to leave with gratitude for good health and zero personal complaints.

---

[01:31:08](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5468s) Processing Grief and the Loss of Zen

Host Steven Bartlett brings up the tragic loss of Cannon's five-month-old son, Zen, who passed away from brain cancer. Bartlett admits that losing a child belongs to an "awful club" that no parent ever conceives of joining. Cannon reflects on the nuance of grief, noting that he has learned never to say "I understand" when others go through tragedy, because everyone's pain is distinct. He candidly shares the internal torment, guilt, and existential questions that plague a parent after such a loss—wondering about the milestones the child was robbed of, whether reaching 5 or 25 years of age.

Cannon describes creating a mental "fog" as a temporary self-defense mechanism to survive the acute pain. However, he rejects the notion that time completely heals all wounds; instead, he views grief as a permanent fixture that one learns to walk alongside. For an naturally jovial and optimistic person, the pain never leaves, but he chooses to continue pushing forward, smiling, and staying appreciative.

When asked if he had space to grieve, Cannon responds directly: "Grieving is forever. It's not a time period... that's something you're going to grieve daily."

---

[01:33:31](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5611s) Turning Pain into Purpose and Family Dynamics in Mourning

Cannon explains his philosophy of transmuting sorrow into a constructive force rather than letting it curdle into bitterness. While the initial reaction to loss is often anger or sadness, he believes grief can be reshaped into a "badge of honor" and a source of profound empathy. For Cannon, losing his mother and grandmother deepened his respect and compassion for women, missing his father fueled his drive to be an extraordinary father, and losing Zen magnified his devotion to all children.

Bartlett asks what a "fly on the wall" would have observed inside Cannon's household during that devastating period. Cannon reveals that he copes with heavy trauma through intense silence and isolation. As someone normally loud and vibrant in his own home, his retreat into quiet created an almost eerie silence that made the entire house feel uncomfortable. Yet beneath that uncomfortable quiet, he notes there was an abundance of underlying love, deep internal processing, and mutual support.

- **Core Mindset**: Transforming personal tragedy into strength fills the empty emotional spaces and clarifies one's core purpose. - **Coping Style**: Cannon retreats into absolute silence when processing heavy grief, contrasting sharply with his energetic public persona.

---

[01:35:16](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5716s) The Diary Question: Over-Analyzing vs. Letting Go

Bartlett introduces the podcast's signature closing tradition, opening a secret question written in the diary by the previous guest. The question asks: *"This thing you're upset about, you're hanging on to, that you've been ruminating about, resenting—what would happen if you just let it go? If you just never thought about it again and let it go?"* Surprised by the relevance, Cannon jokes, "Did you interview my therapist?"

Cannon breaks down his dual personality: he is a perfectionist who over-analyzes certain areas, yet simultaneously a carefree, "fly by the seat of my pants" individual. In therapy, he works on compartmentalizing his issues. The things he over-analyzes almost exclusively center on his children and personal relationships, where he strives to be his best self. Conversely, financial losses or business setbacks don't keep him up at night. He answers the guest's question by stating that if he let go of those over-analyzed worries, "nothing would happen"—the ultimate outcome would be virtually identical to when he handles things with a carefree attitude. He adds that he no longer wastes energy caring about public opinion or holding long-term grudges.

---

[01:38:51](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5931s) Fatherhood, 12 Kids, and the Emergency Vet Story

The conversation shifts to fatherhood, with Cannon warning Bartlett—who mentions he and his partner are settling down and preparing to have children—that "their problems become your problems" instantly. Cannon humorously illustrates that a child's issue immediately hijacks a parent's life, whether it's sleeplessness, school anxiety, or illness. When Bartlett points out that managing problems across 12 children must mean handling an overwhelming volume of issues, Cannon laughs and wholeheartedly agrees.

To illustrate the everyday chaos, Cannon shares a comedic anecdote about one of his oldest children (his 12-year-old twins) rushing to him in a panic: *"Dad, my chameleon has an eye infection, we have to rush to the vet now!"* Cannon recalls thinking, *"It's a lizard!"* yet having to treat it as an absolute life-or-death emergency because his child cared so deeply.

> "They don't care about their siblings' problems. You got to deal with this one right now... 'Dad, my chameleon has an eye infection, we have to rush to the vet now!'... It's a lizard! All right... and it's life or death, the chameleon can't die!"

Despite the constant demands, Cannon views parenting as the ultimate joy and an ongoing lesson in problem-solving. He advises Bartlett to embrace every challenge, find the narrative within the struggles, and realize that every day can have a "happily ever after" if you choose to find the lesson in the journey.

---

[01:42:36](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=6156s) Redefining Legacy and Final Reflections

When asked if he cares about his legacy, Cannon admits his perspective has evolved significantly. He rejects the traditional idea that his 12 children represent his legacy, explaining that children are independent beings given to parents on "stewardship" for 18 to 25 years. Instead, Cannon defines his true legacy as his intangible qualities: his compassion, gratitude, humility, and humor, which flow into his comedy, music, movies, and art. His goal is simple: to leave behind work and actions that continue to make people smile long after he is gone.

Bartlett expresses his deep appreciation for Cannon, highlighting how watching *Wild 'N Out* on MTV served as his gateway into hip-hop culture while growing up in Plymouth. Bartlett praises Cannon as a pioneer who has launched countless careers behind the scenes without demanding public credit, calling his journey the model of a "life worthwhile." Cannon warmly accepts the compliment, joking that "A Life Worthwhile" sounds like the title of his next book.

- **Children as Stewardship**: Cannon views parenting as a temporary mentorship role rather than an extension of his own ego or legacy. - **Core Legacy**: "He made the world a better place by making people smile." - **Host's Tribute**: Bartlett credits *Wild 'N Out* for shaping his cultural perspective as a youth in Plymouth and praises Cannon's continuous mentorship of rising talent.

## Notable quotes > [00:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=0s) I may not be the most talented person in the room, but I'll be the hardest worker in the world. — Nick Cannon

> [01:57](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=117s) I lived this life to where as small as the community was... I had this big imagination and in my mind a superpower that I could be, do, or whatever I wanted. — Nick Cannon

> [07:51](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=471s) I definitely have a rebellious nature... I'm definitely the kid that has to feel that the pot is hot to know what getting burned feels like. — Nick Cannon

> [14:37](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=877s) I don't believe in luck; I believe in alignment... You got to put yourself in those positions. Some people say luck is preparation meets opportunity. — Nick Cannon

> [27:13](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1633s) People who operate on the same frequency... there doesn't have to be this written rulebook. It's just like, 'Oh no, we intuitively move like this, we gravitate towards certain things.' — Nick Cannon

> [39:36](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2376s) Money doesn't make you happy; happy makes you money. — Nick Cannon

> [55:02](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3302s) This is the NFL Combine... the best of the best in the grimiest of this. — Nick Cannon

> [57:11](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3431s) One, I start gloating... and the second thing, I'm like, 'Hey, where's my billion dollars? Somebody owes me some money!' — Nick Cannon

> [01:02:19](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3739s) I'll move you to LA, but first we got to finish high school... Finish school, I'll take care of everything else. — Nick Cannon

> [01:10:20](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4220s) Networking is stupid... If you're focused on being the best you, they'll come find you. You become a peacock or a magnet versus me having to small-talk in a room for three hours. — Nick Cannon

> [01:31:08](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5468s) Grieving is forever. It's not a time period... that's something you're going to grieve daily. — Nick Cannon

> [01:38:51](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5931s) They don't care about their siblings' problems. You got to deal with this one right now... 'Dad, my chameleon has an eye infection, we have to rush to the vet now!'... It's a lizard! All right... and it's life or death, the chameleon can't die! — Nick Cannon

## Mentioned Nick Cannon, Steven Bartlett, The Diary Of A CEO, Wild 'N Out, NCredible Entertainment, Jamie Foxx, Will Smith, The Fresh Prince, Eddie Murphy, Ice Cube, Too $hort, Guy Torry, Kobe Bryant, Shaquille O'Neal, Snoop Dogg, Chris Tucker, Damon Wayans, Eddie Griffin, Overbrook Entertainment, Quincy Jones, Stan Lathan, Bentley Kyle Evans, Loose Cannon, The WB, The Jamie Foxx Show, Kenan & Kel, All That, Tamia, Kenan Thompson, Michael Goldman, Nickelodeon, The Nick Cannon Show, Drumline, LeBron James, Michael Jordan, Michael Jackson, Mike Tyson, Chris Rock, Mariah Carey, Mary J. Blige, Beyoncé, Viacom, MTV, Paramount, MrBeast, YouTube, Katt Williams, Chris Spencer, Daryl Heath, DC Young Fly, Kevin Hart, Pete Davidson, Saturday Night Live, Mikey Day, Taran Killam, Chris D'Elia, Wild 'N Wet, TikTok, Instagram, Monster Cable, Beats by Dre, Walmart, RadioShack, America's Got Talent, Kehlani, PopLyfe, Dwayne Wiggins, Tony! Toni! Toné!, Piers Morgan, Stevie Wonder, Craig Kallman, Atlantic Records, Future Superstars, Whoop, Huel, St. Mary's Healthcare System for Children, Children's Miracle Network, Zen

[Source](https://www.youtube.com/watch?v=YY7Jeh_jCww)

中文简报

Nick Cannon将自主版权与青年品牌变现为13亿美元IP Cannon将自己的长期财务成功归因于早期保留知识产权,并拓展了如《Wild 'N Out》等面向年轻受众的娱乐生态圈。 Nick Cannon回顾了他数十年的职业生涯,追溯了自己从11岁的单口喜剧演员及Nickelodeon史上最年轻电视编剧,成长为知名娱乐大亨的历程。他深入剖析了Jamie Foxx和Will Smith的指导如何塑造了他的职业道德与财务纪律,以及自费拍摄《Wild 'N Out》最初试播集的经历如何逐步发展为涵盖电视、现场巡演、餐饮和数字平台、价值13亿美元的知识产权。商业之外,Cannon还坦陈了自己与狼疮性肾炎抗争的经历、五个月大的儿子Zen因脑癌夭折的悲痛遭遇,以及直面深切悲痛与履行为父职责如何重新定义了他的人生终极目标与传承。 Nick Cannon 从小在贫困社区长大,凭借早期的乐观心态、充沛想象力和极强的工作伦理开启了创业之路,深信勤奋能够战胜纯粹的天赋。 (0:14) 在 Jamie Foxx 与 Will Smith 等导师的指导下,Cannon 磨炼了讲故事与舞台表演技巧,并在遭遇试播集被砍与早期财务受挫后,深刻领悟到资本保全与长远规划的重要性。 (18:10) 17岁时,Cannon 成为电视史上最年轻的专职编剧(Nickelodeon),单口喜剧的长期训练让他同时掌握了编剧、导演、表演与个人品牌运营的能力。 (30:00) Cannon 自掏10万美元独立出资拍摄《Wild 'N Out》试播集,从而牢牢掌控了IP所有权,最终将该品牌打造成涵盖巡演、餐厅和周边产品、估值达13亿美元的商业帝国。 (49:03) 他创立的母公司 NCredible Entertainment 跨界多个领域,不仅自主孵化新秀人才,还曾通过耳机等消费电子产品创造了超1亿美元的营收。 (60:39)

Reading summary

Nick Cannon attributes his commercial success—anchored by the estimated $1.3 billion Wild 'N Out franchise—not to raw talent or corporate calculation, but to extreme work ethic, intellectual property ownership, and an operational model centered on empowering fellow performers. He argues that weathering early financial collapse, industry exploitation, and life-threatening medical crises ultimately refocused his career toward creative autonomy and stewardship. Apprenticeship, Repetitions, and Outworking the Competition (18:57) Cannon credits his business longevity to accumulating extensive performance repetitions before adulthood. Starting stand-up comedy at age 11, he studied television specials and performed at Hollywood clubs by 15 under the mentorship of Jamie Foxx. At 17, he became the youngest staff writer in television history on Nickelodeon's Kenan & Kel, adopting Will Smith's philosophy that any deficit in raw talent can be overcome by outworking everyone in the room. His early career also included severe setbacks. After receiving an initial six-figure check from Smith, Cannon spent it recklessly on a matching Range Rover and totaled it within six months. When his pilot Loose Cannon—executive produced by Smith and Quincy Jones—was dropped by The WB during executive turnover at age 19, Cannon went broke and moved back home. Rather than abandoning entertainment, he pivoted to children's media to create and produce The Nick Cannon Show, learning the enduring economic power of youth programming. Independent IP Ownership and Scaled Franchising (46:48) The foundation of Cannon's business model relies on retaining copyright and trademark rights before seeking distribution. In 2004, at age 23, MTV executives rejected his pitch for an improv comedy show. Rather than abandoning the concept, Cannon spent approximately $100,000 of his own money to produce the pilot in a rented comedy club. Holding full intellectual property rights allowed him to negotiate with Viacom from a position of total leverage. Over two decades, Wild 'N Out expanded across 21 seasons into an enterprise valued by corporate analysts at $1.3 billion. The franchise encompasses more than 500 television episodes, arena tours, a branded cruise line, sports bars, retail apparel, and over 30 million cross-platform digital followers. Cannon replicated this model through NCredible Entertainment, partnering with Monster Cable to sell $100 headphones through mass-market retailers, generating over $100 million in consumer electronics revenue. Talent Incubation Versus Industry Exploitation (65:28) Having signed away his own music publishing for a $10,000 advance as a teenager, Cannon criticizes legacy entertainment models that extract rights from young artists in perpetuity. Instead, he treats his platforms as incubation engines. Wild 'N Out originally served as a vehicle to employ broke comedians, ultimately providing a launchpad for talents like Pete Davidson, Kevin Hart, and Katt Williams. Cannon applies this non-extractive approach across his ventures. When R&B singer Kehlani faced homelessness after competing on America's Got Talent, Cannon provided housing and studio access without demanding management contracts or fees until she secured a major-label deal. Through his series Future Superstars, Cannon regularly distributes $5,000 to $10,000 grants to local independent artists with no strings attached, asserting that modern digital distribution makes predatory label middlemen obsolete. Autoimmune Illness, Grief, and Reframing Legacy (76:00) Personal crises reshaped Cannon's priorities away from status and social posturing. In 2012, at age 32, he suffered acute kidney failure that led to a lupus nephritis diagnosis, requiring chemotherapy-style infusions and multiple hospitalizations. The realization of his physical fragility prompted Cannon to abandon routine industry networking—which he considers unproductive small talk—in favor of focused studio production, family time, and quiet service at children's hospitals. The death of his five-month-old son Zen from brain cancer permanently altered his perspective on grief and purpose. Cannon rejects the idea that time completely heals deep loss, choosing instead to transmute ongoing sorrow into empathy. He also reframes fatherhood across his 12 children as a temporary stewardship rather than an extension of his own ego, defining his ultimate legacy by personal compassion and making others smile rather than accumulated assets. Cannon asserts that his multi-billion-dollar operational footprint was built accidentally through creative independence, problem-solving for peers, and retaining IP ownership. The central tension in his narrative remains balancing an obsessive, non-stop work ethic and extensive family responsibilities across 12 children against the physical constraints of a chronic autoimmune illness.

精炼阅读摘要

Nick Cannon在访谈中阐述了其从11岁脱口秀学徒到打造估值约13亿美元娱乐IP的创业历程,主张通过极度勤奋、全方位技能训练与自主产权掌控来构建商业壁垒。他结合个人经历指出,将舞台影响力转化为多产业链矩阵,同时打破传统娱乐业的剥削模式,是在行业大潮与个人健康危机中保持立足的关键。 早期学徒历程与职业挫折 (18:57) Cannon自11岁起投身单口喜剧,将其视为涵盖编剧、导演、表演与营销的全方位训练。15岁时,他在好莱坞The Comedy Store为Jamie Foxx等人暖场,深入观察并学习即兴演出与角色塑造技巧;16岁时,Will Smith成为其核心导师,为其传授严苛的工作伦理与说唱曲目结构。17岁时,Cannon因在Nickelodeon儿童频道《Kenan & Kel》节目现场暖场表现优异,被破格提拔参与编写剧集,成为电视史上最年轻的专职编剧。 然而,突如其来的早期名利也带来了严重的财务教训与职业挫折。在获得Smith提供的首笔约15万至20万美元收入后,Cannon无视告诫购置了同款Range Rover豪车,该车在半年内全损报废。19岁时,他编剧并主演、由Smith和Quincy Jones担任执行监制的电视剧试播集《Loose Cannon》因播出平台高层人事变动被突然取消。这一打击使他财务归零并搬回母亲家中,但也促使他抛弃速成幻象,转向儿童媒体领域创办《The Nick Cannon Show》,意识到家庭娱乐领域的长周期经济价值与用户黏性。 自筹资金与《Wild 'N Out》的崛起 (46:48) 2004年,23岁的Cannon在手握电视网合约的情况下提出了融合说唱与即兴喜剧对决的概念。因电视台管理层无法理解该模式,Cannon自掏腰包约10万美元独立租用场地并录制了《Wild 'N Out》试播集。由于在展示给平台前就已锁定版权与商标所有权,他在后续合作谈判中占据了充分的主动权。该项目最初的出发点仅是为Kevin Hart和Katt Williams等经济拮据的喜剧同行提供工作机会,却最终演化为一个庞大的商业矩阵。 截至访谈时,《Wild 'N Out》已录制21季,累计集数超过500集,并计划拍摄至25季以庆祝开播20周年。根据企业估值专家当时的测算,该IP综合估值达13亿美元,旗下业务覆盖年入数百万美元的全国巡演、主题游轮(“Wild 'N Wet”)、在迈阿密南海滩等地落地的餐饮酒廊特许经营权,以及由Viacom主导的高销售额衍生品零售网络。Cannon将该节目视作高强度的喜剧竞技场,并借助这一平台先后助推了Pete Davidson、Mikey Day等明星的早期职业发展。 硬件拓展与反剥削赋能模式 (60:39) 2009年,Cannon创立母公司NCredible Entertainment,将影视制作、音乐厂牌与消费硬件整合在同一体系下运作。在硬件领域,NCredible与Monster Cable合作开发平价耳机,避开Beats by Dre主打的300美元高端区间,推出售价100美元的高性价比产品,依托沃尔玛(Walmart)和RadioShack等大众零售渠道铺货,累计斩获超过1亿美元的销售额。 在音乐业务方面,Cannon对传统唱片工业剥削新人版权的做法提出尖锐批评,透露自己年轻时曾因缺乏经验以1万美元极低预付款出让了核心版权。这一教训促使其采取扶持型商业策略:例如他在发掘歌手Kehlani后,为其提供食宿与录音室资源并资助其读完高中,全程未绑定任何强制抽成合约;此外,他通过电视项目《Future Superstars》在各巡演城市向独立音乐人无偿发放5000至1万美元资助,倡导以平等的合作分成取代传统的终身版权掠夺。 重疾考验与“管家式”育儿观 (76:00) 2012年,32岁的Cannon在阿斯彭度假期间突发急性肾功能衰竭并伴发肺栓塞,最终确诊为狼疮性肾炎(Lupus Nephritis)。在2012至2016年间,他频繁住院接受类似化疗的药物输注,在前妻Mariah Carey的支持下逐步走出病痛危机。这场大病迫使他建立了每日饮水一加仑、低钠和去加工食品的严格自律作息,并剔除无效社交,将有限的精力聚焦于家庭与高质量创作。 面对5个月大幼子Zen因脑癌离世的悲剧,Cannon选择将剧烈创伤转化为服务公益与关怀他人的动力,认定悲痛无法随时间消除,只能作为常态化的生活印记促使自己保持感恩。对于抚养12名子女的家庭责任,Cannon提出了“管家式”(Stewardship)理念,强调子女是独立的个体,父母只是其成年前的阶段性导师,而非个人虚荣或遗产的附属物。他将自身的终极遗产界定为通过喜剧、艺术与善举持续带给公众的积极影响,而非单纯的资产积累。 Cannon的阐述展示了娱乐从业者如何通过全流程技能储备、自筹资金掌握底层IP所有权以及反周期的多元商业布局来构筑防御壁垒。与此同时,他将直觉决策部分归结为超越常规经验的“能量共振”,并在极端工作负荷与庞大家庭结构之间寻求平衡,这为外界评估其高密度商业模式在普通创业情境下的可复制性留下了空间。

Detailed notes — zh

## Background 本期内容由知名播客频道 The Diary Of A CEO 于 2023 年 9 月 21 日发布在 YouTube 平台上。视频简介指出,本期节目专访了兼具多重身份的娱乐大亨尼克·卡农(Nick Cannon),深入探讨了他如何从街头少年白手起家,经历早期的乐观主义、导师威尔·史密斯(Will Smith)的指引、自费打造价值超 10 亿美元的《Wild 'N Out》商业帝国,以及在遭遇红斑狼疮和痛失幼子后,如何重塑对财富、健康、父职与生命遗产的认知。 ## TL;DR 尼克·卡农回顾了自己从 11 岁涉足单口喜剧、17 岁成为电视编剧,到自费 10 万美元制作样片并将《Wild 'N Out》打造成估值超 13 亿美元文化超级 IP 的全过程,深入剖析了娱乐工业的掠夺本质与他坚持赋能新人的利他合作模式。同时,他坦诚分享了 2012 年确诊红斑狼疮性肾炎的濒死体验,以及年仅 5 个月大的幼子因脑癌夭折带来的持久创伤与心智蜕变。整场对话不仅涵盖商业构筑、精力管理与情绪隔离,更探讨了他作为 12 个孩子的父亲,如何将痛苦转化为使命,最终将人生的终极遗产定义为用欢笑与慈悲让世界变得更美好。 ## Atmosphere & style 整场对谈兼具街头打拼者的锋芒、商业实战家的从容与直面生死的深沉厚重。主持人史蒂芬·巴特利特(Steven Bartlett)以真诚而克制的提问,逐步引导尼克卸下公众名利场的浮华防备,在幽默风趣的段子与令人动容的静默反思间自如切换。从谈及商业狂飙时的意气风发,到回忆病痛折磨与痛失爱子时的压抑沉静,整个情感弧线极具感染力,听众仿佛置身于一场剥离了世俗伪装的深夜长谈,深刻感受到历经烈火淬炼后的豁达与生命韧性。 ## Bulletin - [57:13](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3433s) Nick Cannon 自筹 10 万美元打造的即兴喜剧 IP《Wild 'N Out》历经近 20 年发展,通过全美巡演、主题游轮、连锁餐饮及衍生品矩阵,资产估值已突破 13 亿美元。 - [01:00:26](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3626s) 其旗下综合娱乐企业 Ncredible Entertainment 早在 2009 年营业收入即突破 1 亿美元,其中与魔声合作推出的 100 美元平价耳机通过沃尔玛等零售渠道斩获过亿营收。 - [01:05:34](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3934s) Nick Cannon 倡导颠覆传统音乐工业的永久版权(In Perpetuity)掠夺模式,坚持不锁定年轻创作者版权,并通过对等合作平分版税以赋能艺术家。 - [01:16:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4560s) 2012 年确诊系统性红斑狼疮性肾炎险些丧命以及年仅 5 个月大幼子因脑癌夭折的经历,促使他彻底消除对死亡的恐惧,将人生重心转向同理心、活在当下与创造精神遗产。 ## Key takeaways - [01:37](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=97s) 少年乐观主义与自我显化:成长于贫民窟廉租房但从不感到匮乏,凭借天马行空的想象力与极度自信坚信自己能“显化”万事并突破阶层困境。 - [03:07](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=187s) 非传统家庭生态与绝境韧性:年轻父母与祖辈共同抚养的成长背景,赋予了他“无中生有”(make something out of nothing)的生存野心与极强抗压能力。 - [35:08](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2108s) 单口喜剧是终极的全流程训练营:11 岁起登台讲段子,经历了超过十年的“万小时定律”高强度重复,逼迫他独自扛起编剧、导演、表演、宣发与销售全流程。 - [17:58](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1078s) 从导师身上汲取的立足基石:向 Jamie Foxx 学习控场与角色深度,向 Will Smith 学习“做全场最拼命那个人”的工作狂哲学以及作品架构意识。 - [22:25](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1345s) 早期财务与事业惨痛教训:拿到首笔近 20 万美元巨款后效仿巨星买豪车并在半年后撞毁,加之 19 岁首部情景喜剧试播集夭折,令其深刻意识到必须学会自力更生。 - [27:13](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1633s) 能量共振与避免低频内耗:高频个体之间会自然吸引并自发同频协作,而深陷指责、受害者心态与嫉妒的低频能量只会持续消耗并遮蔽人生。 - [37:51](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2271s) 快乐驱动精通,而非为钱追逐:金钱不会带来快乐,唯有做原生乐趣所在的事才能持续投入数十年达到极致精通,而极致精通自会顺理成章带来优质财富。 - [43:56](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2636s) 健康的自恋与自我笃定:顶尖成就者往往拥有深度的自爱与不可替代的“舍我其谁”信念,在不贬低他人的前提下成为驱动创新与愿景落地的引擎。 - [48:49](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2929s) 自费掌握知识产权(IP)控制权:2004 年自掏 10 万美元制作样片并提前注册商标,使他在面对传媒巨头时拥有绝对议价权,成功保留了核心资产权益。 - [55:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3300s) 《Wild 'N Out》搭建全美喜剧新秀试炼场:通过高压即兴竞技撕开艺人伪装,培养出 Pete Davidson、Kevin Hart 等巨星,成为好莱坞顶级人才孵化飞轮。 - [01:05:34](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3934s) 颠覆传统唱片工业的掠夺逻辑:痛批唱片巨头掠夺永久版权的恶习,资助 Kehlani 等新人却不签垄断合约,坚持通过合作分享版税促成共赢。 - [01:10:10](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4210s) 去中心化时代的社交哲学:反对无效社交与名利场应酬,坚信把自身能力打磨到极致即是最好的社交磁铁,极度保护个人的“精神带宽”。 - [01:16:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4560s) 红斑狼疮与健康是人生的第一硬通货:阿斯彭度假时的急性发作与随后的肺栓塞敲响生命警钟,促使他建立极度严格的日常健康作息管理以对抗疾病。 - [01:22:04](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4924s) 直面死亡后的生活哲学蜕变:在重症病房经历生死边缘后彻底消除对死亡的恐惧,将全部专注力投向当下,以饱满热情体验生命的每分每秒。 - [01:31:08](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5468s) 痛失幼子与化悲痛为使命:年仅 5 个月大儿子因脑癌夭折带来终身无法消除的哀悼,选择将苦难锻造成性格中的荣誉勋章,以更深沉的同理心关爱世间儿童。 - [01:35:16](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5716s) 学会情绪隔离与放下执念:对外界评价与不可控的变故建立模块化隔离机制,认识到很多内耗本质上只是自己跟自己较劲,彻底放下并不会带来实质伤害。 - [01:38:51](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5931s) 抚养 12 个孩子的育儿哲学:孩子的难题就是父母必须解决的问题,不必把责任视为沉重枷锁,而是在解决具体危机与陪伴成长中感受生命真谛。 - [01:42:38](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=6158s) 重新定义生命遗产:孩子并非父母的私有财产与遗产载体,真正的遗产在于经由慈悲、感恩与幽默,给世界留下欢笑与善意。 ## Detailed walkthrough ### [00:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=0s) 商业帝国的起点与直面生死的考验 Nick Cannon 在节目开篇回顾了自己创立商业帝国的荒诞初衷——如今估值高达十亿美元的商业 IP《Wild 'N Out》,当初仅仅是因为“凯文·哈特(Kevin Hart)交不起房租,我想帮他搞点钱付房租才做的一个节目”。然而,正是这种看似偶然的起点,催生了一个横跨巡演、邮轮航线、连锁餐厅并仅凭耳机销售额就突破一亿美元的庞大商业版图。Nick 坦言,自己从小就意识到自己或许不是房间里最富有天赋的人,但他立志成为“全世界最拼命工作的人”。在青少年时期,他就带着破釜沉舟的决绝全情投入,年仅 17 岁便受聘成为尼克儿童频道喜剧《Kenan & Kel》的编剧,一举创下电视史上最年轻专职编剧(staff writer)的纪录,随后更被威尔·史密斯(Will Smith)看中并签约。 然而,在事业如日中天之际,命运的丧钟也开始在他耳边倒计时。2012 年 Nick 确诊患有红斑狼疮(Lupus),这种危及生命的自身免疫性疾病让他切身体会到了生命的脆弱,甚至坦言“如果没有玛丽亚·凯莉(Mariah Carey),我可能早就没命了”。直面死亡让他彻底扭转了人生的底层逻辑:当一个人不再恐惧死亡时,所有的专注力都会转移到如何真正活着、如何在这颗星球上留下有意义的影响。而生命中更沉重的打击接踵而至,他年仅五个月大的幼子因脑癌不幸夭折,这种极致的创伤让他领悟到:“唯有当坚强成为你唯一的选择时,你才会知道自己究竟有多坚强。” - **早期商业与演艺成就**: - 单耳机品类销售额便突破 1 亿美元,旗下资产拓展至巡演、餐饮与邮轮。 - 17 岁成为电视史上最年轻的签约编剧(参与《Kenan & Kel》)。 - 早期即被威尔·史密斯(Will Smith)发掘并签约。 - **健康与个人危机**: - 确诊系统性红斑狼疮(Lupus),险些丧命。 - 年仅 5 个月大的儿子因小儿脑癌不幸离世。 --- ### [01:37](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=97s) 贫民窟里的“显化魔法”与少年乐观主义 当被问及若要理解今天的他、必须先理解他幼年时期的什么特质时,Nick 毫不犹豫地选择了“少年时期的乐观主义”(youthful optimism),或者说是天马行空的想象力。尽管他所成长的社区在外界看来贫困闭塞、缺乏阶层跃升的流动性,但在幼年 Nick 的眼中,整个世界虽然广阔无垠,却仿佛触手可及。他甚至深信自己拥有一种能够“显化”(manifest)万事的超能力,“无论好事坏事,在我的心智里这就像是一种超能力,只要我想成为什么、想做什么,一切都尽在我的掌握之中”。他从小就带着一种无畏的信念:无论走进哪个房间,他都能得到自己想要的东西。 令人称奇的是,这种庞大的自信与丰盈感并非建立在物质财富之上。即便生活在政府廉租房公屋(the projects)这种资源极度匮乏的环境里,Nick 也从未觉得自己“匮乏”过。他从不执着于成名或暴富,而是专注于纯粹的快乐,“我喜欢我的人生,我要尽情玩乐,享受美好时光”。这种笑对苦难的心态贯穿了他的一生,哪怕在最动荡艰难的至暗时刻,他也总能去发掘背后的“一线生机”(silver lining),用微笑穿越伤痛。正是这种植根于痛苦中的感恩与乐观,成为他在经历后来极度非凡且非常规的人生风浪时,始终保持头脑清醒与谦卑的锚。 --- ### [03:07](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=187s) 非传统的家庭温情与绝境求生的驱动力 回望自己的童年家庭,Nick 直言那绝非任何传统意义上的标准家庭,但其中却流动着极其真挚浓郁的爱意。他的父母孕育他时都还是不谙世事的少年,Nick 甚至开玩笑说“我感觉我爸妈大概就只发生过一次关系,然后我就蹦出来了”。由于父母极其年轻,Nick 幼年时甚至去参加了父亲的高中毕业典礼。生下他不久后父母便分道扬镳,但双方并没有变成仇人,而是由祖父母一辈撑起了这个破碎家庭的重担。 在这个家庭里,Nick 的成长轨迹几乎是和年轻的父母“一同长大”。当母亲忙于工读求学、父亲前往大学深造并试图在外地建立新的家庭基建时,祖父母(尤其是父亲的母亲)承担起了大家长与定海神针的角色,协助母亲度过重重难关。即便餐桌上的食物常常需要全家上下竭尽全力才能勉强凑齐,这种非常规但充满爱的环境却赋予了 Nick 一种极为独特的内在野心与韧性——“我们必须学会无中生有(make something out of nothing)”。与此同时,他的父亲早期曾一度误入歧途、经历过牢狱之灾以及 80 年代席卷街区的毒品泛滥浪潮,但最终父亲成功洗心革面,走出深渊投身神职事工,以传教助人重塑了人生,这也为 Nick 树立了一个关于救赎与转折的深刻范本。 ```mermaid flowchart TD accTitle: Nick Cannon's Early Family Ecosystem accDescr: Diagram showing Nick Cannon's unconventional teen-parent family structure supported by grandparents. subgraph GrandparentsGeneration["祖辈支撑体系"] GP["父系祖父母<br/>(坚固的大家长纽带 / 照料核心)"] end subgraph TeenParents["年轻的父母一代 (十几岁得子)"] Father["父亲<br/>(读大学 / 早期曾入狱受挫 / 后转向神职拯救人生)"] Mother["母亲<br/>(一边上学一边拼命工作打拼)"] end subgraph NickSelf["Nick Cannon 的成长根基"] Nick["Nick Cannon<br/>('与父母共同长大' / 塑造出'无中生有'的生存韧劲)"] end GP -->|"协助抚养与物质救济"| Mother GP -->|"维系家庭凝聚力"| Nick Father -.->|"去外地求学发展"| GP Mother -->|"倾注心血与陪伴"| Nick ``` --- ### [07:11](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=431s) 街头重力的拉扯与逆反少年的创作突围 步入青春期后,Nick 体内潜藏的叛逆因子开始剧烈反弹。他承认自己骨子里有着天然的反权威倾向,是那种“必须亲手摸一下热锅才知道烫”的孩子。在南加州长大的岁月里,街区文化对黑帮暴力的浪漫化包装无处不在,无论是说唱音乐还是街头社群,混迹底层的狠角色总能收获极高的江湖威望与尊崇。出于想要证明自己“绝不是个乖乖牌(Goody Two-Shoes)”的少年虚荣心,Nick 曾数度游走在黑暗边缘,尝试踏足街头帮派生活。 幸运的是,他敏锐地察觉到了危险并在深陷泥潭前果断掉头,没有像周围许多朋友那样被街头彻底吞噬。真正把他从深渊边缘拉回来的,是他内在澎湃的创造力与少年乐观天性。他将探索未知的冲动全部导向了艺术表达与娱乐表演,创造力成为了他最坚固的救生圈。 --- ### [09:21](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=561s) 从十岁街头说唱到十一岁的脱口秀舞台 如果回到十岁到十四岁之间问 Nick Cannon 将来 42 岁时想成为什么样的人,他的回答会毫不犹豫且高度统一:“成为一名说唱歌手”。十岁那年,Nick 对 Hip-Hop 痴迷至极,凭借自己录制的分发小样和独特的街头嗓音,他早在自己的街区小有名气,被大家视作街头的一号人物。艺术创作赋予了他被同侪尊重的资本,而他那极具 ADHD(多动症)特质的爆棚能量,也在说唱与表演中找到了出口。 在教会背景与“班级活宝”(Class Clown)特质的交织下,Nick 敏锐地察觉到逗人发笑本身就能成为一种职业。他的偶像光谱既包含了极具个人魅力的喜剧大师埃迪·墨菲(Eddie Murphy)以及当年以幽默说唱歌手形象风靡全美的“新鲜王子”(The Fresh Prince,即威尔·史密斯),同时也融合了来自 Ice Cube 和 Too $hort 的纯正西海岸硬核能量。 年仅 11 岁时,Nick 便正式登上了商业脱口秀的现场舞台,完成了从教会即兴逗乐到专业单口喜剧演员的蜕变。由于自小由祖父母一手带大、常年沉浸在老一辈的长辈圈子里,年幼的 Nick 常常被身边人评价为一个拥有超越年龄阅历的“早熟老灵魂”(old soul),这种超越同龄人的心理成熟度,也为他极速驶入残酷而专业的娱乐工业铺平了道路。 ### [11:58](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=718s) 少年老成与15岁闯入喜剧殿堂 尼克·卡农(Nick Cannon)回顾了自己异于常人的成长经历。由于父亲在十几岁时就生下了他,两人的关系比起传统父子,更像是一对并肩同行的“大兄弟”。在母亲身边,尼克是独生子;但在父亲这边,他是五个儿子里的老大哥。因为年龄与父亲极为接近,尼克自幼在举手投足与谈吐间便透着一股远超同龄人的老练与早熟,父亲对待他的管教方式也与弟弟们截然不同。 主持人惊叹于尼克居然从11岁就开始涉足单口喜剧(Stand-up Comedy),这需要异于常人的胆识与自信。到了15岁,尼克就已经摸索进了好莱坞著名的“喜剧工坊”(The Comedy Store)。那时,好莱坞无论在地理距离还是阶层生活上,都离他成长的贫民街区无比遥远。尼克经常四处蹭车,后来即便有了自己的破车,也常常无处容身、只能蜷缩在车里过夜。许多圈内前辈得知这个十五岁少年的窘境后纷纷施以援手,其中杰米·福克斯(Jamie Foxx)更是展现了极大的善意与慷慨,大方地让无家可归的尼克睡在自己家的沙发上。 --- ### [13:43](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=823s) “肥美星期二”开场:与巨星同台与自我显化 在非裔喜剧史著名的专场“肥美星期二”(Fat Tuesday,由喜剧演员盖伊·托里 Guy Torry 发起于 Comedy Store)舞台上,盖伊·托里给了少年尼克绝佳的机会。在观众陆续入场时,尼克负责在台上暖场热身,一边饶舌一边讲段子,将现场气氛烘托起来。随后登台的都是克里斯·塔克(Chris Tucker)、达蒙·韦恩斯(Damon Wayans)和埃迪·格里芬(Eddie Griffin)这样的顶级喜剧大咖,而台下坐着的观众甚至包括了沙奎尔·奥尼尔(Shaquille O'Neal)、科比·布莱恩特(Kobe Bryant)和史努普·道格(Snoop Dogg)。当时的尼克并未盘算未来能借此获得什么,只是单纯觉得置身于美梦之中。 面对外界可能将其归结为“年少走运”的看法,尼克坚决否认了单纯的运气论。他表示自己骨子里就是一个拼命三郎(Hustler):"我不相信运气,我相信同频契合(I don't believe in luck, I believe in alignment)。" 他坚信所谓的运气不过是“充分的准备遇上了恰当的契机”。他一直在通过言行将自己“显化”(Speaking myself into existence)到现实中: * **直呼全名的自我确立**:从4岁开始,尼克向任何人打招呼都是主动报上全名——"我是尼克·卡农(Nick Cannon)",甚至连后来走向杰米·福克斯也是自信地打招呼。他为自己的家族姓氏“卡农”感到骄傲,如今他也这样教导自己的孩子们(如 Monroe Cannon、Powerful Cannon)。 * **注意力缺陷多动障碍(ADD)的转化**:他自认不内向也不过分外向,但 ADD 驱使他一刻不停地折腾、探索,这种躁动虽常引来非议,但也迫使他在人群中获得关注。 * **街头生存智慧与破局思维**:在街头拼搏者环绕的环境中长大,尼克坚信“只要那里有一扇门,我就一定要想办法钻进去”。进入名流名利场后,他不仅靠直觉行事,更会默默观察全场,制定周密的行动计划去突围。 --- ### [17:58](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1078s) 导师的启蒙:从杰米·福克斯与威尔·史密斯身上学到的生存之道 在主持人短暂互动后,话题转向了塑造尼克早期职业生涯的两位殿堂级导师——杰米·福克斯与威尔·史密斯(Will Smith)。尼克结识威尔·史密斯并非由杰米直接引荐,而是因为杰米创办了名为“笑声嘉年华”(Laffapalooza)的喜剧节;当时威尔·史密斯旗下的 Overbrook 制作公司在亚特兰大的喜剧节上相中了尼克的表演,随即为16岁的尼克开出了一份保留合作协议(Holding Deal)。没过几个月,尼克便正式见到了威尔·史密斯,开启了长期的师徒缘分。 尼克分析了两位导师与自己在性格上的鲜明反差。杰米·福克斯与威尔·史密斯是演艺界罕见的全能巨星,且性格极具感染力、极富热情,一走进房间就能瞬间成为所有人瞩目的核心。尼克自认性格更偏向静默观察者(他常与凯文·哈特谈及此事),比起在聚光灯中心喧闹,他更喜欢坐在角落冷眼洞察局势,伺机而动。尽管性格不同,他却从两位前辈身上汲取了立足行业的核心养分: * **向杰米·福克斯学习控场与表演深度**:尼克细致观察并“偷学”了杰米聚拢全场听众的所有说故事技巧,包括随时坐在钢琴旁即兴弹唱、以轻松愉快的方式掌控全场注意力的能力;同时,杰米强大的演员基本功(Thespian muscle)无论是诠释滑稽角色还是深沉角色,其对微妙细节的把握与完全化身角色的能力,都深深影响了尼克。 * **向威尔·史密斯学习极致的工作狂哲学**:从16岁起,威尔教给尼克最重要的就是近乎残酷的刻苦与职业操守。威尔曾多次提到:"我也许不是房间里最有天赋的人,但我保证我是工作最拼命的那一个(I'll be the hardest worker in the room)。" 当同行收工睡觉时,威尔往往会再花10个小时打磨技艺或筹备下一项事务。少年尼克迅速内化了这种执念——通宵泡在录音棚,清晨紧接着赶赴片场开工,以毫无保留的拼搏回报来之不易的机遇。 ### [22:25](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1345s) 威尔·史密斯的音乐与人生指导:从 16 小节到挥霍教训 在进入音乐领域初期,Nick Cannon 甚至不知道如何写出一段标准说唱。他懂音乐节拍,但不知道一段 Rap verse 规范上必须是 16 小节(16 bars)。在 1980 年代,嘻哈音乐并没有固定规范,有的歌一连唱七个 verse;到了 1990 年代,歌曲创作的架构才逐渐成形——副歌(hook / chorus)大约 8 小节,而说唱主歌则是其双倍的 16 小节。Will Smith 听了他随兴写出的词后直接指出问题:"你这里面有些好东西,但你得给它搭好结构(infrastructure)。" 这教会了 Nick 如何真正搭建专业作品。 比起音乐技巧,Will Smith 教给 Nick 更多的是关于为人处世、诚信、品格与坚毅的道理,甚至包括 Will 年少时亲身经历的惨痛教训。Will 曾向他坦白,自己 19 岁时拿下格莱美奖、发了白金唱片,但随即因为挥霍无度、疯狂买车而彻底破产。然而,初出茅庐的 Nick 并没有听进去: ```mermaid flowchart TD accTitle: 早期财务跌入谷底的过程 accDescr: Nick Cannon 拿到首张大额支票后挥霍导致破产并被迫重返原点的闭环流程。 subgraph 财务冲动与后果 A["拿到首笔支票<br/>15万至20万美元"] --> B["效仿巨星生活<br/>购买同款路虎揽胜"] B --> C["半年内发生车祸<br/>车辆彻底全损"] C --> D["后续项目告吹<br/>一年内被迫搬回母亲家"] end ``` Nick 拿到 Will 发给他的第一笔约 15 万至 20 万美元的支票后,立刻买下了与 Will 一模一样的路虎揽胜(Range Rover)。当时 Will 严肃劝阻他:"老弟,千万别这么干,我是全世界最大的电影巨星,坐拥数百万,你手里就 15 万,这笔钱你应该留着用作生存基金。" 但 Nick 没能按捺住冲动。仅仅六个月后,他把这辆路虎撞得彻底报废;大约一年之后,由于资金耗尽且事业遇阻,他被迫搬回了母亲家中。 ### [24:51](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1491s) 首部情景喜剧《Loose Cannon》夭折与 19 岁的心碎 Nick Cannon 在十几岁时曾自编并创作了一部名为《Loose Cannon》的情景喜剧试播集,讲述一名少年在军校里的故事。当时整个项目阵容空前豪华,不仅获得了 6 集的制作承诺,还有豪华班底坐镇:Will Smith 担任执行制片人,Quincy Jones 亲临现场,Stan Lathan 执导试播集,联合编剧兼制片则是《The Jamie Foxx Show》的创作者 Bentley Kyle Evans。该剧原定档在 WB 电视网,紧接在 Jamie Foxx 的节目之后播出。 Nick 当时深信自己已经走上人生巅峰,未曾料到 WB 电视网高层突然进行战略转型,决定不再推进该剧。年仅 19 岁的 Nick 迎来了人生中最惨重的一次心碎,整整痛哭了数日。彼时的他刚刚开着路虎在华纳兄弟(Warner Bros.)片场意气风发,自认即将成为全球最耀眼的年轻巨星,转眼间所有人各奔前程,周围空无一人。即便身边有人安慰"一切都会好起来",他也完全听不进去。这个跌入谷底的经历让他深刻领悟到,在娱乐行业里,没有人会替你收拾残局,你必须自己找到重新站起来的路。 - 项目名称:《Loose Cannon》(情景喜剧试播集,背景设在军校) - 核心班底:Will Smith(执行制片)、Quincy Jones(现场督导)、Stan Lathan(导演)、Bentley Kyle Evans(联合编剧/制片) - 播出平台与档期预定:WB 电视网,原定接档《The Jamie Foxx Show》 - 结果:网络策略调整导致砍剧,年仅 19 岁的 Nick Cannon 事业与财务双双跌回起点 ### [27:13](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1633s) 同频共振定律:吸引力法则与低频能量的陷阱 回顾一路走来的经历,Nick Cannon 谈到了带有形而上学色彩的感受——阿卡西记录(Akashic Records)与能量共振法则。他认为在宇宙中,同频的人会自然被彼此吸引。正因如此,Will Smith、Jamie Foxx 这类巨星贯穿了他的整个职业生涯;即便平日里未必天天通电话,但始终在底层逻辑上深度相连。 Nick 与好兄弟兼宿敌(frenemy)Kevin Hart 的关系也是如此。两人从始至终同频运作:当一个人构思一档汽车节目时,另一个人恰好也在做类似策划;一个人开餐厅,另一个人也开餐厅。外界常把这解读为针锋相对的竞争,但本质上只是因为两人的思维与行为步调完全处于同一频率。Nick 澄清,许多人臆测成功人士有某种操纵一切的"秘密结社",其实那根本不是什么秘密集会,纯粹是高能量、同频个体之间自发的直觉契合。 相反,处在"低频"状态的人也会陷入恶性循环: - **低频能量的表现**:反应迟缓、滞重、充斥着指责、受害者心态、愤怒与嫉妒。 - **陷阱与代价**:深陷低频的人往往浑然不觉,甚至误以为必须依靠愤怒和焦虑才能表达自我,结果不断把矛头指向完全处于不同频段的人;而高频的人根本听不见这些噪音,低频者最终只是在消耗并遮蔽自己的人生。 ### [30:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1800s) 17 岁成为电视编剧:从暖场主持到用文字创造现实 Nick Cannon 在 17 岁时便打破纪录,成为电视史上最年轻的正式编剧(staff writer)。这段历程始于热播情景喜剧《Keenan & Kel》。当时主演 Kenan Thompson(现为《周六夜现场》常驻元老)与 Nick 结下了深厚的兄弟情谊,两人的母亲也成了挚友。Nick 最初从脱口秀俱乐部转战片场,担任录制现场的暖场主持(warm-up comic),在剧组调整机位时负责调动现场观众情绪。他的表现甚至比舞台上的正戏还要逗乐,迅速引起了制作团队的注意。 Kenan 的经纪人 Michael Goldman(至今仍是 Nick 与 Kenan 的经纪人)在 Melrose 大道的 The Improv 看了 Nick 的脱口秀表演后,为他推开了大门。进入剧组后,Nick 主动找 Kenan 提议一起写剧本。他注意到 Kenan 当时特别迷恋 R&B 女歌手 Tamia,于是提议:"咱们专门写一集讲你暗恋 Tamia,然后把她本尊请来客串!" 剧本写出来后,剧组真的将 Tamia 邀请到了现场完成拍摄。这个时刻彻底颠覆了 Nick 的世界观,他感到自己就像手握魔杖的哈利·波特——只要脑海中有想法并落实到纸面上,它就能真切地在现实中具象化。这种创造现实的震撼促使他疯狂投入创作,接连为 Nickelodeon 多部节目撰稿,在 17 岁便拿到了正式编剧席位,为他后来向 Will Smith 提案《Loose Cannon》以及打造日后的《The Nick Cannon Show》奠定了扎实基石。 ### [33:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1980s) 19岁的低谷与《尼克·卡农秀》的诞生 在自己的试播集未被电视网相中后,尼克·卡农(Nick Cannon)陷入了职业生涯的巨大低潮。当时年仅19岁的他心灰意冷,甚至产生了一种被行业无情抛弃的幻灭感:“我那时签在威尔·史密斯(Will Smith)旗下,是众多顶尖喜剧大师的门徒,手握电视网几十万美元的保留合约(holding deals)。但在这个行业里,这种机会通常只有一次,我当时心想:‘完了,我19岁就把底牌全打光了,我得去打一份普通工,或者重回街头混日子了。’”正是在这种“反正也无事可做”的绝境与放手一搏的心态下,他利用此前在尼克儿童频道(Nickelodeon)积累的人脉,决定自编自导自演一部属于自己的儿童节目——《尼克·卡农秀》(The Nick Cannon Show)。 ```mermaid flowchart TD accTitle: 逆境突围与儿童娱乐力量的认知转变 accDescr: 展现尼克·卡农从19岁低谷到开创个人秀并意识到儿童娱乐巨大商业价值的过程 subgraph Crisis ["职业危机与低谷"] A["试播集未获采纳"] --> B["自认19岁耗尽机会<br/>面临被好莱坞淘汰"] end subgraph Action ["被动突围与创作"] B --> C["借用Nickelodeon既有人脉"] C --> D["自编自导自演<br/>《The Nick Cannon Show》"] end subgraph Realization ["认知跃升与商业帝国"] D --> E["积累海量年轻粉丝群体"] E --> F["领悟家庭娱乐的造血能力与护城河"] end ``` 卡农坦承,当初做少儿节目并非出于骄傲或远见,因为在当时的自我期许中,自己是要成为下一个威尔·史密斯或杰米·福克斯(Jamie Foxx)的巨星,而少儿电视看似只是一场“退而求其次”的妥协,甚至觉得 Nickelodeon 就像是“幼儿园”。然而,正是这段经历全方位锻炼了他作为编剧和监制的专业肌肉。直到后来他才恍然大悟,家庭与儿童娱乐是整个商业版图中最具统治力的核心支柱,而 Nickelodeon 与迪士尼是价值数十亿美元的内容巨擘。这部播出于他19岁至22岁期间的剧集不仅帮他聚拢了庞大的青年粉丝群体,更成为他日后横跨电影《鼓浪青春》(Drumline)、流行音乐乃至庞大商业帝国的重要跳板。 --- ### [35:08](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2108s) 单口喜剧带来的万小时锤炼与技能全流程打通 主持人史蒂芬·巴特利特(Steven Bartlett)提出疑问:一个少年究竟是如何在17岁就能为知名情景喜剧《基南与凯尔》(Kenan & Kel)撰写剧本,并在22岁前独立扛起整部电视剧的?这背后庞大的技能训练与重复积累究竟从何而来?卡农毫不犹豫地将这一切归功于单口喜剧(Stand-up Comedy)。从11岁开始在地下撰写自己的段子,到12、13岁时如饥似渴地观看《Def Comedy Jam》和《ComicView》,卡农早早目睹了喜剧演员如何把自己打造成独立的知识产权(IP)、独立品牌以及掌控全局的制作人。 在卡农看来,单口喜剧是世界上最严苛的“一人军团”训练营:一个人必须独自完成剧本创作、导演把控、现场表演、自我推广乃至全流程市场营销。15、16岁时,为了打磨一个包袱,他常常在图书馆里一坐就是数小时,研究遣词造句与叙事结构。这恰好印证了所谓“一万小时定律”——从11岁登台到22岁个人秀收官,他已经在创作的健身房里经历了超过十年的高强度重复训练。卡农感慨道,正因起步极早,即使自己在20出头取得突破时,外表看起来依然像个15岁的孩子,而那种自幼培养出的创作心流(flow),让他至今仍觉得“自己才刚刚上路”,还有无数电影、音乐与剧集等待去谱写。 - **全流程自驱能力**:单口喜剧迫使演员同时扮演编剧、导演、演员、宣发与销售五重角色,消除了分工依赖。 - **万小时训练基石**:11岁起笔写段子,至22岁时已连续实战操盘超过10年,完成了超负荷的肌肉记忆训练。 - **心流与天命**:早期大量试错使其早早确认了内容创作是自身的核心天赋,从而能在高压下专注于自身赛道。 --- ### [37:51](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2271s) 成为顶尖大师的法则:“真正去做”与将快乐作为能量源 当被问及如果自己的孩子请教“如何成为行业顶尖大师”时会给出什么建议,卡农给出了极其直接的答案:“去做(Do it)。”他强调,在如今这个时代,最致命的误区就是“试一试(Try it)”或者仅仅停留在“相信自己(Believe it)”。“尝试”意味着你只是把脚尖探进水里,随时准备撤退;而“真正去做”则意味着全面沉浸、完全内化并身体力行,彻底断绝其他退路。“就像球场上有些人只是在打篮球,而另一些人‘本身就是篮球运动员’;有些人尝试练习拳击,而有些人‘天生就是拳击手’——他们把这项事业活成了自己的一部分。” ```mermaid flowchart LR accTitle: 顶尖精通与快乐能量循环 accDescr: 阐述热爱与快乐如何作为核心能量,驱动十年如一日的刻意练习并最终带来精通与财富 Fun["寻找原生乐趣与天赋<br/>(Fun / The Battery)"] --> Grind["全身心投入践行<br/>(Do it, Don't try)"] Grind --> Mastery["持续精通并坚持10年以上<br/>(Mastery through Repetition)"] Mastery --> Wealth["长效回报与优质财富<br/>(Happy Money)"] Wealth -.->|反哺滋养| Fun ``` 在家庭教育中,卡农同样践行这一哲学。他会敏锐观察每个孩子天然展现的特质:有些孩子拥有天然的运动体格与对抗倾向,他便集中资源灌溉其体育才能;有些孩子天生被钢琴吸引,能在黑白键上自得其乐,他便全力支持其音乐探索。他将“乐趣(Fun)”比作驱动整个人生的“电池”: - 乐趣是抵御枯燥漫长训练的唯一能量源泉;一旦乐趣荡然无存,一切努力都会沦为毫无生气的机械应付。 - 绝不能仅仅为了金钱而盲目跟风,因为唯有能让人持续沉浸十余年的事情,才有可能被精通;而唯有极致的精通,才会顺理成章地创造出巨大的财富。 --- ### [41:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2460s) 悲伤的钱、肮脏的钱与音乐工业的残酷真相 围绕金钱与幸福的关系,卡农提出了一个极具颠覆性的论断:“金钱不会带来快乐,唯有快乐能为你带来财富(Money doesn't make you happy, happy makes you money)。”基于自身在好莱坞名利场多年的近距离观察,他深入剖析了财富的两极状态,将那些缺乏灵魂寄托的财富定义为“悲伤的钱(Sad money)”与“肮脏的钱(Bad money)”: > “我见过太多人困在‘悲伤的钱’的低频震动里。他们活得极度吝啬,整天疑神疑鬼,害怕身边所有人接近自己都只是为了图钱。他们把自己关在巨大透明的‘玻璃城堡’里,所有人都能看见他们,而他们却痛恨这种注视,内心孤独至极。他们坐拥全世界最大的游艇,戴着镶满钻石的顶级名表,生活中的一切都蜕变成了冰冷的商业交易,整个人却痛苦不堪。” 卡农进一步揭露,这种“悲伤的钱”往往伴随着掠夺性的“肮脏的钱”,而传统音乐工业正是这类黑幕的重灾区。音乐行业充斥着层层盘剥与欺诈性合约,其商业模式本质上建立在“一个人掠夺另一个人、再被下一个人掠夺”的恶性循环之上。这也是卡农在看清内幕后拒绝深陷传统唱片高管体系的核心原因:“我不想在欺骗与操控的泥潭里打滚。”他痛心疾首地指出,音乐本是带给全人类至高喜悦与能量的艺术形式,但在现实中,大量毫无音乐才华、对音乐本身毫无热爱之情投机者,却凭借严苛的法律条款死死锁住创作者的知识产权,坐享远超艺术家本人的巨额暴利,让本该属于高频创造力的音乐生态沉沦在低频压榨的阴影之中。 ### [43:56](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2636s) 自恋的平衡:伟大成就者的自我笃定 主持人提出,要在名利场中立足并获得应有的回报,同时又能长久维持良好的人际关系,似乎需要在“自私争取利益”与“慷慨善良”之间取得一种精妙的平衡。Nick Cannon 毫不避讳地承认自己拥有自恋特质,但他强调存在一种“自恋的平衡”。走向极端的自恋是危险且病态的,会演变成没有同理心的精神病态(Psychopath)或反社会人格(Sociopath);但适度的自恋本质上是一种强大的自信与自爱,是一种坚信“舍我其谁”的笃定信念。 ```mermaid flowchart LR accTitle: 自恋特质的双刃剑光谱 accDescr: 展示自恋从健康的自我笃定到极端的病态反社会的光谱演变 subgraph Healthy["健康平衡:顶尖者的底气"] A["自爱与自信<br/>Self-Love & Confidence"] --> B["独一无二的信念<br/>'I Am Him / Her'"] B --> C["驱动创新与愿景实现<br/>创造伟大作品与改变世界"] end subgraph Extreme["极端失衡:病态人格"] D["丧失同理心与尊重"] --> E["反社会与病态控制<br/>Psychopath / Sociopath"] end ``` Nick 罗列了体坛与乐坛的顶尖偶像:LeBron James、Kobe Bryant、Michael Jordan、Michael Jackson、Mike Tyson,以及 Will Smith、Chris Rock、Jamie Foxx、Mariah Carey、Mary J. Blige 和 Beyoncé。这些名人的共同特质是内心深知“在这个星球上绝不会再有第二个我”,而这种不可替代性本身就价值连城。他解释,这并不是要鄙视别人或觉得自己高人一等,而是纯粹关注于做自己,并建立自己的阵地——“这是我的派对,这是我的舞台,这是我的街区”。世界上之所以能有电灯、iPhone、伟大的音乐和电影,正是因为有那些坚信自己愿景并要求他人向其看齐的“自恋者”和掌舵人。 - 关键核心词:自爱(self-love)、自我推销(self-promotion)、自我奉献(self-dedication)。 - 态度分界线:在坚持“自我”的同时,绝不以伤害他人或贬低他人为代价,依然需要同理心与感恩之心。 --- ### [46:47](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2807s) 拳手的本色:对抗质疑与拒绝的燃料 谈及是否曾为了获得应得的报酬而改变自己的处事方式,Nick 回应自己从未根本改变。尽管从 15 岁进入行业起经历过签署糟糕的合约、被人骗走钱财等各种弯路,也听过许多前辈的告诫,但他始终保持着内心那团不灭的火焰。他将人生比作拳击擂台,无论早期是个靠重拳出击的愣头青,还是随着阅历增加学会了像防守型选手一样“闪转腾挪(Bob and weave)”与深度思考,骨子里永远都是个战士。 促使他一路冲破阻碍的核心动力,源于他从小到大的逆反心理与注意缺陷障碍(ADD)。“当有人告诉我做不到,或者对我说‘不’的时候,那反而是我的燃料。”面对社会的规训与权威的否定,他的本能反应就是迎难而上、绝不服输。 --- ### [48:49](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2929s) 自费十万美元打造《Wild 'N Out》:掌握IP所有权 大约在 2004 年,二十三四岁、刚凭借电影《Drumline》(街浪鼓舞)和个人音乐专辑小有名气的 Nick Cannon,正在与传媒巨头 Viacom 旗下的 MTV 洽谈新项目。当时 MTV 希望他从 Nickelodeon 顺理成章地转型,但高层完全无法理解他构思的概念——把一群喜剧演员和说唱歌手聚在一起进行即兴表演和游戏对决。面对资方的困惑,Nick 决定不再费口舌解释,而是自掏腰包约 10 万美元制作样片。 他租下了一家平时与伙伴们常去的喜剧俱乐部,聘请了摄像团队,邀请好友们到场,并请来模特充实观众氛围,独立完成录制和后期剪辑,甚至提前将节目的 Logo 和名称《Wild 'N Out》进行了商标与版权专利注册。当 MTV 看到完成度极高的成片后立刻心领神会,而此时的 Nick Cannon 已经掌握了谈判桌上的绝对主动权。他意识到,自己出资开发、牢牢持有知识产权(IP),是确保自身劳动获得应有商业回报的最佳路径。 - 制作时代背景:在 2004 年拍摄样片需耗资 10 万美元租赁专业摄影机与团队,Nick 感叹如今创作者在 YouTube 时代凭借轻便设备就能低成本完成制作。 - 对新生代博主的评价:对 MrBeast 等年轻创作者能在 24、25 岁搭建起庞大的独立媒体帝国感到佩服与些许“嫉妒”,而当年自己只能靠 VHS 录像带来推销创意。 --- ### [52:24](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3144s) 从小老弟到老大哥:二十季常青品牌的代际交接与初衷 《Wild 'N Out》从 2004 年诞生至今横跨近二十载,成为 Nick Cannon 商业帝国中最核心的旗舰资产。到对谈时为止,节目刚录完第 21 季,并已摸索出单次制作周期套拍两季的高效模式,正向第 22 与 23 季迈进。Nick 的最终目标是做到第 25 季(届时恰好是节目开播 20 周年)。到了那个节点,逼近 50 岁的他打算优雅谢幕,把接力棒交由年轻一代,因为自己“不可能永远 Wild 'N Out 下去”。 回溯创立初期,全场所有的模特、演员甚至摄像幕后人员都比他年长,像 Katt Williams、Chris Spencer、Daryl Heath 等他仰慕的资深喜剧前辈都出现在台上听从他这个“毛头小子”的调度;而如今,他已成为资深领路人,为 DC Young Fly 等一大批年轻喜剧新星提供平台。谈到背后庞大的娱乐帝国,Nick 坦言这一切最初甚至不是为了商业野心,纯粹是为了在自己小有成就时给兄弟们一口饭吃——“因为当时 Kevin Hart 需要钱交房租,我们只是想给身边有才华的朋友们创造工作机会”。 ### [55:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3300s) 《Wild 'N Out》:喜剧界的新秀试炼场与巨星孵化器 Nick Cannon 坦言,自己身旁围绕着许多比他更幽默、更有才华的人,而他真正建立起来的核心能力,是搭建一个孵化与培养年轻才华的体系。像 Pete Davidson 后来成长为《周六夜现场》(SNL)的顶级台柱与电影明星,Mikey Day 和 Taran Killam 展露头角,以及 Katt Williams 和 Kevin Hart 等巨星在成为全球巡回脱口秀大师前,都是在《Wild 'N Out》这个全美最严酷的舞台上磨砺出来的。Nick 将这个舞台比作喜剧界的“NFL 新秀联合试训”(Combine),聚集了最顶尖也是最底层草根的狠角色,直面并考验演员内心最深处的焦虑与不安全感。 在这个舞台上,艺人们必须撕开伪装:对手会当众拿你的母亲开涮、曝光你最近的丑闻公案,或是逼你现场即兴饶舌(Freestyle Rap)。许多成名艺人甚至畏惧登台,生怕接不住包袱丢了面子。因此,任何一个年轻人在经历这种残酷洗礼后生存下来并获得观众与同行认可,就等于“赢得了自己的徽章”。Nick 感慨自己最初完全无法预料节目的演变,“如果我说这是我一开始就精心设计好的,那我是在撒谎”,但这片战壕式的试炼场最终成了行业敲门砖,只要能在此站稳脚跟,艺人们便能昂首跨进好莱坞的任何一间会议室,转型成为电影明星、饶舌歌手或顶流巨星。 ```mermaid flowchart TD accTitle: Wild 'N Out 艺人孵化飞轮 accDescr: 阐述喜剧演员从残酷赛场淬炼走向全栖巨星的晋升路径 subgraph Stage1 ["试炼阶段:残酷竞技"] A["草根才华引入"] --> B["即兴 Rap 与当面互嘲"] B --> C["直面焦虑与公众心理测试"] end subgraph Stage2 ["淬炼与破圈"] C --> D["同行尊重与行业认可"] D --> E["全美舞台信任背书"] end subgraph Stage3 ["巨星辐射"] E --> F["SNL 台柱 / 巡回单口喜剧大师"] E --> G["好莱坞电影明星 / 签约说唱歌手"] end ``` ### [57:13](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3433s) 从一档电视秀到估值超 13 亿美元的商业帝国 当主持人提及“十亿美元”(Billion)这个词时,Nick Cannon 谈到了《Wild 'N Out》作为顶级知识产权(IP)所爆发出的恐怖商业价值。Nick 透露,起初是专业机构对其进行深入研究与资产评估后,得出了 13 亿美元的估值,而且这一估值还是数年前的数据。单看电视制作本身,节目就已累计录制了 500 多集;然而真正的利润源泉在于围绕该 IP 延展出的庞大商业矩阵: - **巡回演出与沉浸式体验**:每年举办的《Wild 'N Out》全美巡演能够斩获数百万美元的收入,后续更拓展出以水上狂欢为主题的游轮体验“Wild 'N Wet”。 - **连锁餐饮版图**:在全美范围内开展加盟特许经营,其中包括位于迈阿密南海滩海洋大道(Ocean Drive in South Beach)标志性地段的旗舰餐饮门市。 - **衍生品销售神话**:该节目的经典标志成为派拉蒙(Paramount)旗下销量第一的 T 恤与衍生周边,涵盖泳装、内衣、马克杯乃至玩具等各类商品。Nick 笑称自己当年只是想做一件“看起来很酷的 T 恤”,完全没想到这件衣服一卖就是二十多年。 - **跨平台数字巨兽**:在 YouTube 诞生前就已创办的节目,如今与《每日秀》(The Daily Show)并列为派拉蒙及维亚康姆(Viacom)旗下数字体量最大的品牌,在 YouTube 拥有超 1200 万订阅者,TikTok 粉丝超 1200 万,Instagram 关注者超 700 万(这还不包括常驻艺人个人的社交账号)。 谈到 13 亿美元这个天文数字时,Nick 幽默地表示自己尽量不去纠结具体账目,否则心理容易失衡:“一方面我会忍不住吹嘘说自己建了个十亿美元的商业帝国,但紧接着我就会琢磨:‘等等,我的十亿美金分红在哪呢?有人是不是欠我钱了?’”他选择将注意力集中在挖掘下一位喜剧超级巨星和饶舌新秀的纯粹热爱上。 --- ### [01:00:26](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3626s) 创立 Ncredible Entertainment:从百万元耳机到全方位商业版图 当被问及公众鲜少了解的幕后商业版图时,Nick Cannon 详细讲述了他在 2009 年创立的综合性企业 Ncredible Entertainment。当时,他已拥有自己的唱片公司和影视制作团队,但他渴望将电视制作、电影孵化、音乐制作与周边商品全部打通,实现真正的全产业链自研自产(In-house)。 令许多人意外的是,Ncredible Entertainment 在 2009 年便创造了超过 1 亿美元的营业收入,而这笔巨资很大一部分并非来自传统演艺片酬,而是来自消费类电子产品: - 当时 Beats by Dre 正联合魔声公司(Monster Cable)掀起高端耳机风潮,官方售价定在 300 美元左右。 - Nick 敏锐察觉到下沉市场的巨大空白,同样与魔声公司合作,打造了属于自己的耳机品牌 NCredible,但将零售价定为极其亲民的 100 美元。 - 在 Beats 依靠高调营销横扫市场时,NCredible 依靠高性价比在沃尔玛(Walmart)和 RadioShack 等大型实体零售网络中悄然热卖,狂揽过亿美元营收。 这一跨界战役让 Nick 验证了“一站式孵化器”的商业模型:他不仅仅是一名演艺人员,更是擅长捕捉大众消费心理的策展人与产品经理。 --- ### [01:02:19](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3739s) 伯乐之眼:在《美国达人秀》发掘 Kehlani 并助其逆风翻盘 在行业角色上,有人将 Nick Cannon 比作选秀教父 Simon Cowell,但 Nick 认为自己有着截然不同的视角。他以格莱美提名歌手 Kehlani 为例,分享了当年在《美国达人秀》(America's Got Talent)后台发生的一段鲜为人知的往事。 当时年仅 15 岁、略带婴儿肥的 Kehlani 作为乐队 Poplyfe(由 Tony! Toni! Toné! 乐队的 D'Wayne Wiggins 组建)的主唱登台。彼时的 Simon 正在忙于 One Direction 等其他项目,并未留意到她。评审席上的 Piers Morgan 一如既往地展现刻薄作风,当场逼迫这个 15 岁的小女孩单飞,放话称“只有离开你的乐队,我才不会按淘汰铃,因为你才是唯一的亮点”。面对重压,Kehlani 坚决拒绝背叛同伴:“我绝不离开我的兄弟们。”这一骨气打动了其余评委,护送乐队一路杀入总决赛,甚至在决战之夜与 Stevie Wonder 同台献唱。 选秀结束后热度散去,乐队未能夺冠,Kehlani 只能回到故乡奥克兰。不久后,一位熟悉湾区音乐圈的朋友致电 Nick 求助,透露 Kehlani 已经流落街头、无家可归。Nick 这才得知她令人唏嘘的身世:父亲在她幼年时遇害身亡,母亲长期受药物滥用困扰,整个家庭深陷困境。Nick 立即要来监护人的联系方式,亲自介入并向她提出了一个承诺: > “我可以出资把你接到洛杉矶生活,帮你解决所有的吃住开销,但你必须先答应我一件事:必须读完高中拿到文凭。只要完成学业,剩下的事情全部包在我身上。” Kehlani 兑现了承诺,而仅仅一年后,她的个人混音带(Mixtape)便斩获了格莱美奖提名。Nick 得意地表示,自己后来常常打趣 Simon Cowell:“你确实押中过无数爆款,但这一次,你可是彻底走眼了。”这番经历也顺势引出了 Nick Cannon 对于传统唱片工业“签约艺人”机制的深刻反思。 ### [01:05:34](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3934s) 颠覆传统音乐工业:为什么我不签约艺人 Nick Cannon 直言不讳地表达了自己对传统唱片工业“签约”模式的反感。身边所有人都在劝他:“这就是这行的规矩,你必须签约艺人。”但他把自己定位为一个“演出推手与支持者(impresario)”。以歌手 Kehlani 为例,Nick 在她尚未成名时全额资助她的生活与创作,确保她有住处、有温饱、有随心所欲的录音室制作时间,随后将她引荐给了 Atlantic Records 的高层 Craig Kallman。按行业惯例,Nick 完全可以把 Kehlani 终身绑定在自己的厂牌名下,抽走她每一首歌的版税,但他分文未取。Nick 的理念非常简单:“无论你成名与否,我的生活依旧富足,我不需要从你身上索取什么,我只想看你赢。” 在筹备选秀节目《Future Superstar》期间,Nick 坦言自己内心经历了巨大的挣扎——他非常抵触去“签约”这些年轻孩子。每巡演到一个城市,Nick 都会自掏腰包给当地的年轻音乐人发 5,000 到 10,000 美元的资助金。之所以是这个数字,是因为 Nick 自己在青少年时期,就曾为了区区 10,000 美元把一辈子的音乐版权(publishing)给卖了,那是他人生中犯过最大的错误、也是最痛的一课。现在他以赠与的方式把这笔钱发出去,只为“纠正这个行业长期以来对创作者的盘剥与伤害”。 ```mermaid flowchart TD accTitle: 传统唱片工业 vs Nick Cannon 的合作模式 accDescr: 对比传统唱片工业长期掠夺版权与Nick倡导的共赢合作模式 subgraph Traditional["传统唱片工业模式"] A["低额预付款 ($5k-$10k)"] --> B["剥夺艺人永久版权 (Perpetuity)"] B --> C["终身抽成,掌握绝对控制权"] end subgraph CannonModel["Nick Cannon 扶持与合作模式"] D["无偿资金支持 / 录音室资源"] --> E["保留艺人完全独立所有权"] E --> F["对等合作 / 共同创作平分版税"] end ``` - **对“永久版权(In Perpetuity)”的批判**:Nick 痛批传统行业合同里充斥着“永久所有权”等掠夺性霸王条款,创作者产出了惊艳的艺术品,而毫无创造贡献的中间人却能永远占有它。 - **合作而非占有**:Nick 的公司 Incredible 虽然也欢迎艺人自愿加入,但他从不强求拥有艺人的个人品牌所有权。双方可以协作写歌并五五分账,艺人可以使用他的录音室并在未来盈利后报销电费与成本,但他绝不巧取豪夺。 - **时代与代际演进**:Nick 坚信随着技术普及以及新一代年轻人更具同理心与利他精神,过去那种野蛮残暴(savage/animalistic)的掠夺式商业模式必将被彻底淘汰。 --- ### [01:10:10](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4210s) 去中心化时代与“无效社交”之辩 主持人 Steven Bartlett 对 Nick 的观点表示认同,并指出由于现代社交平台与数字分发渠道的兴起,唱片巨头等中间人的权力已被严重削弱。现在的创作者只要有才华、有作品,就能在网络上迅速爆红,直接触达粉丝群体,而且账号密码就在艺人自己手里。这种权力转移让以往“我可以引荐你认识某某大人物”的价值主张变得不再灵验。 谈到人际交往,Nick 旗帜鲜明地宣称“盲目社交(networking)是愚蠢的”。他认为,如果一个人把全部精力用来把自身做到极致,资源和人脉自然会主动找上门来。Steven 也深有感触地分享,自己的助理总是催促他多去社交,但他始终坚持“做好自己的事就是最好的社交”——努力让自己成为一块孔雀般耀眼的磁铁,而不是耗费三个小时在派对上讲毫无意义的闲话。 - **两种处事哲学**:Nick 调侃某些人热衷于“人脉就是财富”,但他不在乎自己认识谁,更在乎“谁认识我”。他宁愿躲在录音室创作、陪伴孩子,也不想穿一身白衣服、戴着价值不菲的名表去参加富豪名流扎堆的白色派对(White Party),“那感觉纯粹是在上班打卡”。 - **外向的内向者(Outgoing Introvert)**:Nick 把自己归类为“外向的内向型人格”。他经常就此与好友 Kevin Hart 探讨——Kevin 拥有只要走进房间就能瞬间点亮全场的天赋,认识所有人且精力充沛,而 Nick 看着都觉得精疲力竭。 - **能量带宽的管理**:Nick 解释说,自己的日常事务带宽经常处于过载状态,因此他极度保护自己的“精神带宽”,绝不随意向外倾倒能量。虽然在颁奖季等特定名利场场合他完全懂得如何应酬,但他更享受内心的宁静与真实的自我。 --- ### [01:13:59](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4439s) 播客赞助:Whoop 与 Huel 在访谈间歇,主持人 Steven Bartlett 插入了节目赞助商的分享: - **Whoop 健康手环**:作为公司股东和高强度工作者,Steven 强调自己 90% 的时间都在奔波,运动健身是他不可妥协的日常,但如今他越来越重视休息与身体恢复。Whoop 能精准追踪睡眠、体能恢复、训练强度、压力指数及全面健康数据,帮助他根据身体反馈调整状态,避免长期高压导致身体崩溃。 - **Huel 代餐营养品**:针对忙碌日程,Steven 介绍了代餐品牌 Huel 推出的畅销组合包(best seller bundle),方便用户体验其多样化的营养产品。 ### [01:16:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4560s) 阿斯彭的噩耗:红斑狼疮性肾炎的确诊 2012 年,年仅 32 岁的尼克·卡农迎来了彻底逆转他人生的沉重打击。当时的他正处于人生最春风得意的巅峰期:不仅事业如日中天,还迎娶了自己梦寐以求的超级巨星玛丽亚·凯莉(Mariah Carey),两人膝下一对双胞胎,正携手在滑雪胜地阿斯彭(Aspen)度假。对于在贫民窟廉租房长大的尼克来说,能在阿斯彭置办带私人健身房的豪宅简直到达了梦想的彼岸。彼时的他每周练三次拳击,自认处于一生中最强健的体魄巅峰。然而毫无征兆地,他的右侧身体突然传来剧烈异样的剧痛。 尼克误以为那只是普通的肌肉抽筋,凭着一股盲目的毅力,他试图在高原严寒的雪地中慢跑,想象着像电影《洛奇》那样“把不适生生跑掉”。可当他好不容易拖着身体回到住处时,整个人瞬间虚脱倒地昏迷过去。玛丽亚发现倒在地上不省人事的尼克后,火速将他送往阿斯彭当地的急诊室。起初,周围人都以为他只是在雪山盲目跑步导致了脱水或急性高原反应,认为输几瓶生理盐水就能出院。但随后的检查发现情况远比想象中险恶:排除肾结石后,医生怀疑是严重的肾脏感染,并在活检后确诊为急性肾衰竭——他的自身免疫系统发生紊乱,正疯狂攻击自己的肾脏,最终确诊为系统性红斑狼疮性肾炎(Lupus Nephritis)。 - **生活反差**:从街头廉租房奋斗到阿斯彭豪华度假屋、娶到心目中的女神,却在体能巅峰时突遭病魔重击。 - **最初误判**:以为只是抽筋与高原脱水,企图用高海拔雪地慢跑“硬扛”,险些彻底丧命。 - **确诊疾病**:自身免疫疾病导致的红斑狼疮及红斑狼疮性肾炎,早期发现避免了双肾彻底衰竭。 ```mermaid flowchart TD accTitle: Lupus Diagnosis Process accDescr: 记录尼克·卡农从突然剧痛到确诊红斑狼疮性肾炎的医疗过程 subgraph Trigger["突发病症与误判"] A["右侧身体剧烈疼痛"] --> B["高海拔雪地慢跑尝试硬扛"] B --> C["家中虚脱倒地昏迷"] end subgraph MedicalExam["医院排查"] C --> D["急诊误判为高原反应/脱水"] D --> E["补液无效,排除肾结石"] E --> F["肾脏穿刺活检 (Biopsy)"] end subgraph Diagnosis["最终确诊"] F --> G["急性肾功能衰竭"] G --> H["免疫系统自体攻击:红斑狼疮性肾炎"] end ``` ### [01:19:47](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4787s) 重新认识健康与身体的“每日闹钟” 确诊仅仅是噩梦的开端。红斑狼疮发作不仅摧毁肾脏,随后还引发了致命的肺栓塞(Pulmonary Embolisms)等一系列严重并发症。医学界普遍认为红斑狼疮的发病机制极其复杂,许多时候并非遗传所致,而心理压力与身体过度透支往往是触发自身免疫系统反噬的关键诱因。尼克坦言,自己过去从未觉得自己承受着过载的压力,但身体深层承受的生理与情绪重负早已让免疫系统彻底失控并开启“自毁模式”。 这场大病彻底颠覆了尼克的价值观,让他刻骨铭心地体会到“健康即是财富,健康是仅次于时间的硬通货”。世人无法控制生命的长度与时间的流逝,但唯一能全权掌控的就是自己的健康和摄入体内的物质。如今,红斑狼疮就像尼克每天早晨准时响起的生命闹钟,时时刻刻提醒他保持极度的自律:每天必须喝足一加仑的水、按时服用各种膳食补充剂、严格限制钠盐与深加工食品的摄入,将其作为延续生命的恒久度量衡。 - **并发危机**:红斑狼疮急性发作诱发肺栓塞,若未及时救治极易致命。 - **健康新准则**:将日常饮食与作息严密管控,将不可控的时间转化为对自身身体的绝对掌控。 ### [01:20:53](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4853s) 倒计时与人际关系的重塑 这次大病直接打碎了尼克原有的生活轨迹,使他在生理与心智上脱胎换骨。那些原本看似至关重要的名利纠葛瞬间变得无足轻重,而他曾忽略的真正价值却被无限放大。他开始极度珍视真正深厚的人际连接与有限的时间,这促使他狠下心肠,彻底清理掉社交圈中那些无意义消耗他生命和精力的酒肉关系。 尼克透露,自己从小心中就隐隐有一种“生命时钟在滴答作响”的紧迫感,而 2012 年的确诊让这个倒计时变得震耳欲聋。他深知生命没有对明天的承诺,唯一能做的就是在今天活出极致。这场危机迫使他深刻反思自己与所有孩子的关系,重新审视自己活在世界上的目的:“你打算用留在这个星球上的有限时间做些什么?你究竟要留下怎样的影响力?” ### [01:22:04](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4924s) 玛丽亚·凯莉的支撑与直面死亡的释然 在尼克最虚弱、最迷茫的至暗时刻,妻子玛丽亚·凯莉成为了他坚不可摧的中流砥柱。尼克坦白地承认,如果不是玛丽亚顶住所有压力跟医生据理力争,并强势压制住他自身的盲目与固执,他甚至可能活不到今天。玛丽亚不仅要背负身为全球天后的巨大公众压力,还在家庭危难时刻展现了极致的爱与担当,堪称完美的贤内助与母亲。尽管尼克在内心深处与死神拉锯所经历的精神挣扎不可避免地给两人的婚姻带来了重压,但那段共患难的岁月在精神上将他们紧紧系在了一起。 ```mermaid flowchart LR accTitle: Impact of Near-Death Experience accDescr: 展现濒死体验如何消除对死亡的恐惧并转化为专注活在当下的心态 A["重症病房独自凝视天花板"] --> B["与至高信仰对话:直面自身渺小与死期"] B --> C["内心释怀:'我度过了精彩充实的一生'"] C --> D["彻底消除对死亡的恐惧"] D --> E["全神贯注活在当下:把生命活到车轮飞转脱落"] ``` 在医院的重症病房里,每当探视时间结束、所有亲友离去,尼克独自躺在病床上凝视天花板时,内心的剧变便悄然发生。在万籁俱寂中与至高信仰面对面,他曾无数次质问自己:“我的人生就这么结束了吗?我是否虚度了过往的时光?如果再给我一次机会,我该给孩子们、给这个世界留下什么?”然而令人惊异的是,当真正走到这一步时,恐惧反而彻底消散了。他平静而知足地回望自己的一生,由衷觉得“自己已经打过漂亮的一仗”。这种濒死体验让他获得了一种全新的生活哲学:“当你不再惧怕死亡时,你才会真正聚焦于如何活着。”尼克平静地总结道,死亡是所有生命必然的归宿,而正是对死亡的全然接纳让他倍加珍惜呼吸的每一刻——他决心把人生的油门踩到底,直到生命的“车轮彻底飞脱掉落”为止。 ### [01:25:49](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5149s) 玛丽亚·凯莉的挽救与红斑狼疮的长期抗争 谈到生命的意义时,Nick Cannon 希望自己能被人们记住是一个“笑得灿烂、爱得热烈”且活得尽兴的人。主持人提到了他过去曾说过的话:“如果没有玛丽亚·凯莉(Mariah Carey)全力以赴地支撑,我今天可能根本无法站在这里”,并询问他是否真心认为前妻拯救了他的生命。Nick 毫不犹豫地回答:“绝对是这样。”他动情地解释道,当你步入婚姻并找到人生的伴侣时,为对方拼尽全力是理所应当的;当年他全心对待她,即便如今分开,他仍然愿意随时为她献出生命,因为“这就是家人”。 但与病痛和死神的博弈并未停留在过去的某一刻,而是一场持久战。就在受访前不久的去年12月,Nick 依然因病入院。患上系统性红斑狼疮(Lupus)意味着必须随时面对病情恶化(flare-ups),这种复发受季节变迁和压力影响极深。Nick 回忆起在2012年至2016年刚确诊的摸索阶段,他每年要进出医院数次,每次住院时间长达三周到一个月: - **严重并发症**:复发导致过血栓、肺栓塞(pulmonary embolisms)、全身剧烈炎症导致无法行走,甚至引发肾衰竭和器官停摆; - **化疗类治疗**:由于心脏和肺部出现致命血栓,医生甚至惊叹他如何死里逃生;治疗期间他不得不接受类似化疗的静脉输液,饱受脱发和极度虚弱的折磨; - **心境体悟**:Nick 总结道,唯有当身处逆境且“坚强成为唯一的选择”时,你才会知道自己究竟有多顽强。 ```mermaid flowchart TD accTitle: Nick Cannon 红斑狼疮管理与心境演变 accDescr: 展示 Nick Cannon 从确诊红斑狼疮面临的身体危机到心态调整的演变历程 subgraph HealthCrisis ["身体危机 (2012–2016)"] A["红斑狼疮发作 (Flare-ups)"] --> B["血栓 / 肺栓塞 / 肾衰竭"] B --> C["类化疗输液与脱发"] end subgraph MindsetShift ["应对与转化"] C --> D["坚强成为唯一选择"] D --> E["定期复查与严谨医学管理"] E --> F["对生命与时间产生全新视角"] end ``` --- ### [01:28:27](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5307s) 探访儿童医院与重塑生命视角 主持人坦言自己刚满30岁,从未经历过如此险境,渴望了解这种经历带来的视角转变,却又不愿以承受相同苦难为代价。Nick 随即分享了一个鲜为人知的故事:早在二十多岁确诊狼疮之前,他就开始每月定期前往圣玛丽儿童医院(St. Mary's Children's Hospital)陪伴患儿,后来转为每季度一次。他去医院给孩子们读书、送玩具,纯粹是去陪伴,从不为了公关或媒体曝光。 对他来说,那是人生的“重置按钮(reset button)”。在医院里,他目睹许多幼童插着各种管子,承受着足以改变人生甚至终身无法治愈的绝症,但脸上却洋溢着最灿烂的笑容。看到他们还能过得如此快乐,Nick 心中所有的抱怨便烟消云散,提醒自己能健康地走出大门是多么幸福。正是这段长期担任医院理事以及与儿童奇迹网络(Children's Miracle Network)合作的经历,在无形中为他后来面对自己的重病、乃至失去亲生骨肉构筑了强大的心理韧性。这让他明白,必须怀揣同理心与慈悲去度过每一天,因为没有人能保证明天还能站立,也没有人能确保所爱之人永远不会先自己一步离去。 --- ### [01:31:08](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5468s) 痛失五月大幼子:在悲痛中寻找人生的使命 当谈到年仅5个月大便因脑癌夭折的儿子禅恩(Zen)时,Nick 的语气转为沉重。他坦言失去孩子是“任何父母都未曾预想过的噩梦”,成为这个“残酷俱乐部的成员”让他彻底明白了一个道理:当面对别人的苦难时,永远不要轻率地说“我懂你(I understand)”,因为旁人永远不可能真正感同身受。 在失去 Zen 之后的时光里,痛苦、内疚与巨大的心理困惑反复折磨着他:孩子原本可能活到5岁或25岁,人生原本充满无数可能。为了生存,他不得不为自己构筑一层心理上的迷雾来自我保护。Nick 驳斥了“时间可以治愈一切伤口”的陈词滥调: - **悲伤没有终点**:“哀悼是一辈子的事(Grieving is forever),不是一个有期限的过程,而是每天都必须面对的课题”; - **化悲痛为使命**:悲伤的本能虽然是愤怒和沮丧,但成熟的应对方式是学会将悲痛转化为使命(turning grief into purpose),将其锻造成性格中的荣誉勋章; - **以失去填补空缺**:失去了祖母和母亲,使他对女性更加体恤包容;失去了 Zen,让他对天底下所有的孩子更加疼惜;童年缺失父爱,则驱使他努力成为一个更优秀的父亲。痛苦反而填补了心底原有的空虚,塑造了内心的强大。 谈到那段最艰难的时期家中的景象,Nick 表示屋里常常是死一般的寂静。因为平时性格开朗喧闹的他一旦陷入痛苦,就会变得极其沉默寡言,将一切情绪深埋心底独自消化,使得整个屋子都弥漫着令人不安的压抑氛围,但在这片沉寂中依然流动着深沉的爱与关怀。 --- ### [01:35:16](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5716s) 日记盲盒提问:放下执念与心理疗愈 节目进入尾声的标志性传统环节:由上一位未公开的嘉宾在日记本中留下一个提问,转交给下一位嘉宾作答。主持人翻开日记本,念出了针对 Nick 的问题: > “那件让你心烦意乱、执迷不悟、反复反刍并心生怨恨的事情——如果你彻底放下它,如果从今往后你再也不去想它,究竟会发生什么?” 听到这个问题,Nick 忍不住苦笑反问:“你是在我做心理咨询时偷录了我心理医生的提问吗?”他坦言自己内在具有强烈的分裂特质:一方面是个追求极致的完美主义者,习惯过度分析与内化情绪;另一方面又是个随遇而安、听天由命(fly by the seat of my pants)的乐天派。 在心理咨询中,他必须学会将生活中的问题分类归档: - **过度纠结的范畴**:主要围绕着他的孩子们以及亲密关系,源于他渴望在这些领域做到最好,因而承受巨大心理压力; - **完全放手的范畴**:对于那些无法掌控的变故,哪怕是赔掉几百万美元,他也能一笑置之,完全不影响睡眠。 面对那个直击灵魂的提问,Nick 给出了坦率的答案:“如果彻底放下,其实什么糟糕的事情都不会发生。”他正在深刻意识到,那些让自己长期陷入内耗与焦虑的执念,本质上往往只是自己在跟自己较劲。 ### [01:37:22](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5842s) 学会放下与情绪隔离:不在意他人评价的人生哲学 当被问及生活中是否有任何可以放下、并能对自身产生积极影响的事物时,尼克·卡农(Nick Cannon)坦言自己并不是那种习惯把怨恨、成见或执念挂在心上的人。他表示自己已经完成了许多内心的修行与功课,对自我有着清醒的认知。在某种程度上,他从不把生活看得过于严肃,甚至有时这种“不较真”的心态还会带来负面影响——比如在面对健康问题或某些特定人际关系时,理应给予更多重视。 在瞬息万变的娱乐行业中,卡农过去也曾非常在意外界对自己的看法,毕竟身处名利场,完全声称不在乎往往是在自欺欺人。虽然现在他依然会留意大众的言论,但他已经彻底切断了外界言论对自身决策的操控力。他掌握了高效的情绪“隔离模块化”(compartmentalize)能力,即使是生活中的各种琐碎杂事,在投入了足够的时间处理后,就会立刻翻篇继续前进,绝不深陷内耗。 ### [01:38:51](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5931s) 拥有12个孩子的父亲哲学:孩子的难题就是你的难题 卡农谈到作为父亲,他深知未来的育儿之路上还有无数课题等待他去学习。他的每个孩子个性迥异,应对世界的方式也截然不同,作为父母,最本能的慈悲与同理心就在于孩子的痛楚往往会转化为自己的痛楚。当主持人史蒂芬·巴特利特(Steven Bartlett)提到自己目前已与伴侣定居、正计划要孩子并询问建议时,卡农毫不犹豫地回答:“生吧,这就是生命的真谛所在。” 谈起自己抚养的12个孩子(最大的为12岁双胞胎),卡农风趣而又深情地描绘了这种独特的“混乱与甜蜜”。他指出,孩子从来不会关心其他兄弟姐妹的烦恼,他们的危机永远需要父亲当下立刻解决。他生动地举例道: > “哪怕是孩子跑过来说:‘爸爸,我的变色龙眼睛感染了,我们现在必须立刻赶去宠物医院!’你心里可能会想:‘搞什么,那只是一只蜥蜴啊!’但在孩子眼里,那是关乎生死的大事,变色龙绝对不能死。” 这种看似诙谐的琐事,与他此前经历失去幼子泽恩(Zen)的沉重悲痛形成了深刻的对照。无论是陪着五个月大的婴儿面对世界,还是处理生活中的鸡飞狗跳,卡农体会到为人父母就是成为一个每天醒来主动解决难题、战胜眼前障碍的人。只要全家人能共同承担风浪,在平静无事的片刻感知恩典,生活便充满了力量与趣味。 - **育儿法则**:卡农总结道,孩子腹泻你就像跟着腹泻,孩子失眠你也无法入眠,父母的命运在孩子降生的那一刻便紧密交织。 - **面对挑战的心态**:不必把责任当成难以承受的重担,而是要学会在困境中寻找乐趣、提炼故事与经验,“即使是反派故事也拥有幸福的结局,关键在于你如何在历经烈火淬炼后找到属于自己的圆满”。 ### [01:42:38](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=6158s) 重新定义“遗产”:孩子不属于你,留下微笑才是归宿 谈到关于人生“遗产”(Legacy)的话题,卡农坦言自己曾以为很清楚它的含义,但如今仍在重新审视。他深刻地认识到,孩子们并不是他的遗产。 ```mermaid flowchart TD accTitle: 尼克·卡农关于生命遗产的递进逻辑 accDescr: 展现从慈悲与感恩出发,经由谦逊与幽默,最终凝结为给世界留下笑容的人生遗产路径图。 subgraph Mindset["内心基石"] A["慈悲心与同理心<br/>(Compassion)"] --> B["终怀感恩<br/>(Gratitude)"] B --> C["谦逊从容<br/>(Humility)"] end subgraph Expression["外在表达"] C --> D["幽默风趣<br/>(Humor)"] D --> E["喜剧与多元艺术<br/>(Comedy & Art)"] end subgraph TrueLegacy["真正的遗产"] E --> F["给世界带来欢笑与希望<br/>(Making People Smile)"] end ``` 卡农指出,孩子并不是父母的私有财产,他们是独立的个体;上天只是赋予了父母一段长达18至25年的监护权与特权,去尽己所能引导他们成长,孩子们最终走的是自己的人生道路。真正的遗产,在于家庭共同建立的精神财富,以及留给世界的善意。 卡农将自己的遗产层层剖析:核心是慈悲与感恩,继而转化为谦逊与幽默,再通过喜剧、音乐、电影以及商业慈善等载体具象化。他希望在自己离开这个世界后,人们回忆起他时会由衷地感叹:“他通过让人们展露笑容,把世界变成了一个更好的地方。” ### [01:44:04](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=6244s) 彼此致敬与展望:何谓真正值得活的人生 史蒂芬·巴特利特对卡农的表达深表共鸣,并向卡农表达了由衷的敬意。史蒂芬回忆起自己在英国普利茅斯长大的少年时代,MTV台几乎是家中电视机常年播放的频道,而卡农创办的《Wild 'N Out》不仅是他童年了解嘻哈文化与喜剧艺术的窗口,更长久地陪伴了他的成长。 史蒂芬特别强调,卡农作为多个艺术领域的先驱,不仅自己取得了耀眼的成就,更无私地为无数新人搭建了走向成功的跳板与舞台——即便外界从未给予卡农应得的赞誉,卡农也从不计较这些功名。史蒂芬坦言,能够像卡农那样发掘并成就他人的潜能,才是衡量生命价值的至高标准,这才是“值得活的人生”(a life worthwhile)。卡农对这个评价极为欣喜,甚至打趣说“值得活的人生”听起来像一本新书的书名,应该赶紧注册版权。两人在温暖的笑声与真诚的道谢中结束了这场跨越创业、艺术、家庭与生死的人生对谈。 ### [01:45:10](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=6310s) 播客赞助与结尾播报 在访谈收尾后,主持人史蒂芬·巴特利特分享了播客赞助商 Zoe 的个人体验。作为该公司的早期投资者与深度用户,史蒂芬谈到自己在高强度的投资会议与播客录制之间奔波,必须保证身体机能的高效运转。在与 Zoe 的科学联合创始人蒂姆·斯佩克特教授(Professor Tim Spector)交流后,他加入了这项个性化营养计划。通过科学定制的饮食选择,他彻底摆脱了午后能量断崖式下跌的疲惫状态。史蒂芬在节目中为听众提供了专属折扣码,并鼓励正在使用该产品的听众与他互动交流。 ## Notable quotes > [00:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=0s) 唯有当坚强成为你唯一的选择时,你才会知道自己究竟有多坚强。 — Nick Cannon > [01:37](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=97s) 无论好事坏事,在我的心智里这就像是一种超能力,只要我想成为什么、想做什么,一切都尽在我的掌握之中 — Nick Cannon > [13:43](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=823s) 我不相信运气,我相信同频契合(I don't believe in luck, I believe in alignment)。 — Nick Cannon > [17:58](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1078s) 我也许不是房间里最有天赋的人,但我保证我是工作最拼命的那一个(I'll be the hardest worker in the room)。 — Will Smith > [22:25](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=1345s) 老弟,千万别这么干,我是全世界最大的电影巨星,坐拥数百万,你手里就 15 万,这笔钱你应该留着用作生存基金。 — Will Smith > [41:00](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2460s) 金钱不会带来快乐,唯有快乐能为你带来财富(Money doesn't make you happy, happy makes you money)。 — Nick Cannon > [46:47](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=2807s) 当有人告诉我做不到,或者对我说‘不’的时候,那反而是我的燃料。 — Nick Cannon > [01:02:19](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3739s) 我可以出资把你接到洛杉矶生活,帮你解决所有的吃住开销,但你必须先答应我一件事:必须读完高中拿到文凭。只要完成学业,剩下的事情全部包在我身上。 — Nick Cannon > [01:05:34](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=3934s) 无论你成名与否,我的生活依旧富足,我不需要从你身上索取什么,我只想看你赢。 — Nick Cannon > [01:22:04](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=4924s) 当你不再惧怕死亡时,你才会真正聚焦于如何活着。 — Nick Cannon > [01:31:08](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5468s) 哀悼是一辈子的事(Grieving is forever),不是一个有期限的过程,而是每天都必须面对的课题 — Nick Cannon > [01:35:16](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=5716s) 如果彻底放下,其实什么糟糕的事情都不会发生。 — Nick Cannon > [01:42:38](https://www.youtube.com/watch?v=YY7Jeh_jCww&t=6158s) 他通过让人们展露笑容,把世界变成了一个更好的地方。 — Nick Cannon ## Mentioned Nick Cannon, Steven Bartlett, Kevin Hart, Will Smith, Jamie Foxx, Mariah Carey, Zen Cannon, Kenan Thompson, Kehlani, Simon Cowell, Piers Morgan, Pete Davidson, Mikey Day, Taran Killam, Katt Williams, Guy Torry, Chris Tucker, Damon Wayans, Eddie Griffin, Shaquille O'Neal, Kobe Bryant, Snoop Dogg, Quincy Jones, Stan Lathan, Bentley Kyle Evans, Tamia, Michael Goldman, Craig Kallman, Tim Spector, Wild 'N Out, Kenan & Kel, The Nick Cannon Show, Loose Cannon, Drumline, America's Got Talent, Future Superstar, Nickelodeon, MTV, Viacom, Paramount, WB Network, Ncredible Entertainment, Beats by Dre, Monster Cable, The Comedy Store, Whoop, Huel, Zoe, St. Mary's Children's Hospital, Children's Miracle Network ## Video description If you enjoy hearing about multi-talented celebrities, I recommend you watch my interview with will.i.am next: https://www.youtube.com/watch?v=1m-2QhqdlfI  00:00 Intro 00:14 🚀 Nick Cannon started his entrepreneurial journey early, making millions from various ventures like headphones, tours, and restaurants. 01:57 🌟 Nick Cannon's early optimism, imagination, and determination led him to believe that he could achieve anything, even when facing challenges and growing up in a less privileged environment. 03:07 🏡 Nick Cannon's upbringing, although not traditional, was filled with love and shaped his resilience and drive to make something out of nothing. 07:51 🔥 Nick Cannon had a rebellious streak during his youth, but his creativity and desire to explore helped him avoid going down the wrong path. 18:10 🎭 Nick Cannon learned storytelling and captivating a room from Jamie Foxx, and the importance of hard work and dedication from Will Smith during his formative years in the entertainment industry. 23:14 📚 Learnings from Will Smith: Nick Cannon gained valuable lessons from Will Smith, including the importance of infrastructure for creative work, integrity, character, and perseverance. 24:09 💰 Financial Lessons: Nick Cannon shared a lesson he learned from Will Smith about managing money wisely, advising against frivolous spending and impulsive purchases. 26:57 🌟 Synchronicity and Like-Minded Individuals: Nick Cannon discussed how he believes like-minded individuals are naturally drawn to each other, leading to collaborations and shared experiences in their careers. 35:40 🎭 Developing Skills: Nick Cannon attributed his skill development in writing and entertainment to his early start in stand-up comedy, emphasising the importance of mastery through practice. 41:00 💡 Pursuing Your Passion: Nick Cannon stressed the significance of pursuing a career with genuine passion and joy, as it leads to mastery and long-term success, as opposed to solely chasing money. 45:27 💡 Self-love, self-promotion, and self-dedication are crucial for success. 48:21 💪 Overcoming challenges and persevering fuels the desire to win. 49:03 🎬 Self-funding a pilot for a TV show can lead to creative control and success. 52:34 🌟 "Wild 'N Out" has become a billion-dollar brand with various business ventures. 01:02:10 🚀 Nick Cannon's company, Incredible Entertainment, generated over $100 million in revenue, with diverse ventures beyond entertainment. 01:07:17 🎶 Nick Cannon supports local artists by giving them $5,000 to $10,000 in each city he visits, paying it forward and correcting industry practices. 01:08:00 📝 Nick Cannon prefers not to sign artists to his label but instead collaborate and share publishing to empower them and challenge the traditional music industry model. 01:09:23 💼 Nick Cannon criticises the traditional music industry for owning artists' work in perpetuity and believes that changing technology and a more empathetic generation will drive change. 01:10:20 🌐 Nick Cannon emphasises that technology and social media platforms empower artists to go viral and connect directly with their audience, reducing the need for traditional networking. 01:21:13 💔 Nick Cannon reflects on how his lupus diagnosis in 2012 changed his perspective on life, relationships, and the importance of health, making him focus on living fully and valuing time. 01:28:27 🪙 Nick Cannon emphasises the importance of gaining perspective through acts of compassion, like volunteering at a children's hospital, to reset and appreciate life's blessings. 01:31:08 💔 Nick Cannon reflects on the loss of his son to brain cancer, highlighting the complex and ongoing nature of grief and how it changes one's perspective on life. 01:33:31 🤔 Nick Cannon discusses the transformational power of turning grief into purpose, using personal loss to build empathy and character. 01:39:21 🧒 Nick Cannon shares his experience as a father and how his children's problems become his own, emphasising the importance of finding joy and lessons in life's challenges. 01:43:00 🌟 Nick Cannon redefines legacy as not just his own accomplishments but the collective impact of his family's compassion, humour, and contributions to make the world a better place. The 20th season of Wild ’N Out’ premiered on VH1 on the 6th July.  Follow Nick: Instagram: https://bit.ly/3t1p7ts Twitter: https://bit.ly/3LryOrB TikTok: https://bit.ly/3LwA2lv My new book! 'The 33 Laws Of Business & Life' is out now: https://smarturl.it/DOACbook Join this channel to get access to perks: https://www.youtube.com/channel/UCGq-a57w-aPwyi3pW7XLiHw/join Follow me:  Instagram: http://bit.ly/3nIkGAZ Twitter: http://bit.ly/3ztHuHm Linkedin: https://bit.ly/41Fl95Q Telegram: http://bit.ly/3nJYxST Sponsors: Huel: https://g2ul0.app.link/G4RjcdKNKsb Whoop: https://join.whoop.com/CEO Zoe: http://joinzoe.com with an exclusive code CEO10 for 10% off [Source](https://www.youtube.com/watch?v=YY7Jeh_jCww)

Source quotes

[0:00] Nick Cannon: 唯有当坚强成为你唯一的选择时,你才会知道自己究竟有多坚强。 [1:37] Nick Cannon: 无论好事坏事,在我的心智里这就像是一种超能力,只要我想成为什么、想做什么,一切都尽在我的掌握之中 [13:43] Nick Cannon: 我不相信运气,我相信同频契合(I don't believe in luck, I believe in alignment)。 [17:58] Will Smith: 我也许不是房间里最有天赋的人,但我保证我是工作最拼命的那一个(I'll be the hardest worker in the room)。 [22:25] Will Smith: 老弟,千万别这么干,我是全世界最大的电影巨星,坐拥数百万,你手里就 15 万,这笔钱你应该留着用作生存基金。 [41:00] Nick Cannon: 金钱不会带来快乐,唯有快乐能为你带来财富(Money doesn't make you happy, happy makes you money)。 [46:47] Nick Cannon: 当有人告诉我做不到,或者对我说‘不’的时候,那反而是我的燃料。 [62:19] Nick Cannon: 我可以出资把你接到洛杉矶生活,帮你解决所有的吃住开销,但你必须先答应我一件事:必须读完高中拿到文凭。只要完成学业,剩下的事情全部包在我身上。 [65:34] Nick Cannon: 无论你成名与否,我的生活依旧富足,我不需要从你身上索取什么,我只想看你赢。 [82:04] Nick Cannon: 当你不再惧怕死亡时,你才会真正聚焦于如何活着。 [91:08] Nick Cannon: 哀悼是一辈子的事(Grieving is forever),不是一个有期限的过程,而是每天都必须面对的课题 [95:16] Nick Cannon: 如果彻底放下,其实什么糟糕的事情都不会发生。 [102:38] Nick Cannon: 他通过让人们展露笑容,把世界变成了一个更好的地方。

Source quotes

[0:00] Nick Cannon: I may not be the most talented person in the room, but I'll be the hardest worker in the world. [1:57] Nick Cannon: I lived this life to where as small as the community was... I had this big imagination and in my mind a superpower that I could be, do, or whatever I wanted. [7:51] Nick Cannon: I definitely have a rebellious nature... I'm definitely the kid that has to feel that the pot is hot to know what getting burned feels like. [14:37] Nick Cannon: I don't believe in luck; I believe in alignment... You got to put yourself in those positions. Some people say luck is preparation meets opportunity. [27:13] Nick Cannon: People who operate on the same frequency... there doesn't have to be this written rulebook. It's just like, 'Oh no, we intuitively move like this, we gravitate towards certain things.' [39:36] Nick Cannon: Money doesn't make you happy; happy makes you money. [55:02] Nick Cannon: This is the NFL Combine... the best of the best in the grimiest of this. [57:11] Nick Cannon: One, I start gloating... and the second thing, I'm like, 'Hey, where's my billion dollars? Somebody owes me some money!' [62:19] Nick Cannon: I'll move you to LA, but first we got to finish high school... Finish school, I'll take care of everything else. [70:20] Nick Cannon: Networking is stupid... If you're focused on being the best you, they'll come find you. You become a peacock or a magnet versus me having to small-talk in a room for three hours. [91:08] Nick Cannon: Grieving is forever. It's not a time period... that's something you're going to grieve daily. [98:51] Nick Cannon: They don't care about their siblings' problems. You got to deal with this one right now... 'Dad, my chameleon has an eye infection, we have to rush to the vet now!'... It's a lizard! All right... and it's life or death, the chameleon can't die!

Original transcript

[0:00] I didn't think wild and out would be the [0:02] billion dollar conglomerate I was just [0:03] creating a show because Kevin Hart [0:05] needed money to pay his rent please [0:07] welcome [0:08] [Music] [0:11] Mr host comedian true Superstar who's in [0:14] Nick Cannon I'm me [0:16] Nick you've been a Pioneer I read that [0:19] one of your companies has generated more [0:21] than a hundred million dollars that was [0:23] just in our headphones sale we have a [0:25] tour that makes millions a cruise line [0:27] restaurants as a kid I learned that I [0:30] may not be the most talented person in [0:31] the room but I'll be the hardest worker [0:32] in the world that's how you get it some [0:34] people play basketball and that's a [0:36] basketball players don't try it if you [0:39] try it it's not gonna do it as if [0:40] there's no other option so by the time I [0:43] was 17 I started writing for Keenan and [0:45] kale the youngest staff writer in TV [0:47] history yeah I was like Harry Potter [0:48] with the pig and then Will Smith signed [0:51] to me I was living my dream life but I [0:54] always felt like I had a ticking clock [0:55] the latest on the health scare from Nick [0:57] Cannon Nick Cannon has lupus if you [1:01] don't catch it and control it it you can [1:03] lose your life pretty quickly you said [1:04] that you wouldn't be alive right now if [1:06] it wasn't for Mariah Carey yeah it makes [1:09] you question what are you going to do [1:10] with the time that you you have on this [1:11] planet what impact are you going to make [1:13] when you're not afraid of dying you [1:16] focus on living and then you dealt with [1:19] the loss of your son at just five months [1:21] old due to brain cancer [1:26] you never know how strong you are to the [1:28] only option [1:30] [Music] [1:37] Nick what do I have to understand about [1:40] your earliest years to understand the [1:42] man that you are today [1:44] I'm gonna steal that question [1:46] uh [1:51] I'd have to say that uh [1:54] optimism [1:55] youthful optimism [1:57] you know some call it imagination [2:00] but I the world was just [2:04] so big but yet so tangible for me you [2:07] know uh I felt even as you I felt like I [2:10] had this magic that I could just [2:13] manifest anything [2:14] uh good or bad you know what I mean it [2:18] was a [2:19] I I lived this life to where as small as [2:23] the community was [2:25] disenfranchised and maybe [2:27] not as upwardly mobile as as uh one [2:31] would see from the household I had this [2:32] big imagination and in my mind is [2:35] superpower that I could be do or [2:38] whatever whatever I wanted I it was all [2:42] in my grasp and I could I don't know [2:45] where I got it from but I was just as a [2:48] kid as a teenager [2:50] I always felt like I had this ability to [2:52] to walk in a room and get whatever I [2:54] wanted [2:56] but the environment that you were raised [2:57] in wasn't one of yeah great abundance [3:00] yeah that's what was so crazy about it [3:02] like I would you know even growing up in [3:05] the projects growing up in scenarios [3:07] that we didn't have a lot but I felt [3:10] like I had a lot I felt like [3:13] I was always destined for to and it [3:16] wasn't even like about Fame it wasn't [3:19] about [3:21] um money it was just about [3:24] I like my life I'm gonna have fun I'm [3:26] gonna have a good time I was always that [3:29] you know you know let's [3:31] let's smile about it you know what I [3:33] mean uh even in some [3:37] difficult and he had tumultuous times I [3:41] would still find you know a silver [3:43] lining I would still find a way to smile [3:46] through pain and [3:48] uh it's it's worked you know it's always [3:52] kept me [3:53] level-headed you know [3:55] um even in the midst of having a [3:59] a a abnormal and extraordinary life it's [4:02] like [4:03] even the thing that humbles me is the [4:05] fact that I'll just enter spaces with [4:07] gratitude and optimism [4:11] even in pain [4:13] what was your family home like [4:17] see that's the thing like probably [4:19] looking back at it [4:22] one would be like it definitely wasn't [4:23] Orthodox you know and we didn't come [4:26] from much but [4:28] it was joyous it was filled with love [4:30] you know my parents had me you know as [4:32] teenagers they were young I went to my [4:35] dad's High School graduation like uh [4:38] but [4:40] you know his parents helped raise me my [4:42] mom was constantly working you know [4:45] school work my dad went off to college [4:48] uh [4:50] and then you know I kind of felt like I [4:52] grew up with my parents uh and their [4:54] parents assisted in raising us all so [4:58] but it was households filled with love [5:01] um but you know wasn't traditional by [5:05] any means so there there were the [5:07] obstacles of you know trying to figure [5:09] it out and [5:11] parents and grandparents putting food on [5:14] the table uh but that I think that also [5:17] gave me a different type of drive to say [5:21] all right we're gonna we're gonna have [5:23] to make something out of nothing [5:25] your parents separated when you were [5:27] very young obviously I feel like my [5:28] parents had sex once [5:30] just one time [5:33] and then I showed up uh because they [5:34] were kids man you know like I don't [5:36] really know [5:38] the intricate details of the [5:39] relationship but I definitely knew they [5:41] weren't together [5:43] um it was a [5:45] but not not enemies by any means you [5:48] know what I mean they were they were [5:50] just teenagers they were kids so uh [5:54] after you know I was born they kind of [5:57] went their separate ways but [5:59] my dad's parents kind of kept kept [6:02] everyone together and it was a [6:03] close-knit thing and you know when when [6:06] my mother needed assistance and uh my [6:09] grandmother would would be there to help [6:11] her out my father's mother and even [6:13] though my father necessarily wasn't [6:15] physically present for you know he was [6:18] you know actually doing [6:21] good things for himself where you know [6:23] getting a college degree and trying to [6:26] figure it out and have a family [6:28] infrastructure elsewhere uh [6:31] his mom would help my mom kind of keep [6:34] me afloat he turned his life around [6:36] quite significantly didn't he yeah yeah [6:38] yeah my dad was definitely headed down a [6:40] path uh of Destruction early on and then [6:44] it clicked for him you know [6:46] through some experiences of you know [6:48] incarceration [6:50] you know being able to kind of leave [6:53] some of those [6:54] substances out there that were you know [6:57] kind of the downfall of you know the [7:00] community in the 80s he was he was able [7:03] to escape and get put his life on the [7:05] right path and you know dedicated his [7:07] life to his ministry and helping others [7:10] it worked [7:11] when you were you were a young man you [7:13] nearly went down the wrong path yeah I [7:16] went down there figured like it made a [7:18] u-turn went back you know what I mean [7:20] like uh [7:21] I I think human nature we all kind of [7:25] gravitate towards the unknowing [7:27] sometimes and that usually is the past [7:30] header are sometimes the darkest [7:33] sometimes like you just want to [7:37] you don't want to do the responsible [7:39] thing you don't want to do what your [7:41] parents may suggest so I I definitely [7:44] have a rebellious nature I'm definitely [7:45] an anti-authoritarian I'm definitely the [7:48] kid that has to feel that the pot is hot [7:51] you know they're like okay I'm not gonna [7:53] I know what getting burned feels like so [7:57] um I think it's probably just my [7:59] you know nature of exploring and wanting [8:02] to understand things [8:05] it's cool it's cool to be a bad boy when [8:07] you're young uh and especially when for [8:10] me the mold wasn't necessarily presented [8:13] that way so [8:15] I I definitely went through a stage of I [8:17] want to prove to people that you know [8:19] I'm I'm not a Goody Two Shoe all the [8:22] time and I would that took so much [8:25] touring to do [8:26] um but then it's also a lot of it is [8:27] environment when you grow up in [8:30] especially Southern California you know [8:33] there's times where [8:35] uh the life of gang violence was [8:38] glorified and you know whether it's [8:40] through music through entertainment [8:41] through our culture you know [8:44] uh when you come from the trenches you [8:47] get a certain level of respect you get a [8:49] certain level of uh [8:53] reverence [8:54] so I I grew up admiring a lot of that [8:59] and therefore kind of took that path a [9:01] few times but you know luckily I didn't [9:03] get caught up you know like [9:06] some of my my other friends and [9:08] Associates did what saved you from that [9:11] puff creativity like I said that [9:14] optimism which then obviously was [9:18] transmuted into entertainment [9:21] when you're a young man say you're like [9:23] between the age of 10 and 14. if I'd [9:27] asked you what you wanted to be and what [9:30] you thought you'd be when you were [9:34] 42. yeah yeah what would you have told [9:36] me [9:37] uh same thing a rapper you know probably [9:42] that if it was just as simple as like at [9:45] 10 years old what I was focused on I [9:48] loved hip-hop [9:50] I loved I knew I was in my mind I was [9:53] famous in the hood like I just wanted to [9:55] eat because I was already doing stuff [9:58] there you know what I mean I always had [10:00] demo tapes and I was already connected [10:02] to our [10:04] to our streets and our blocks just as [10:07] being in the community somebody with a [10:09] voice not always a positive voice I was [10:12] you know I was considered a uh [10:14] [Music] [10:16] I try to think I wasn't a bad kid but I [10:18] was a kid that everybody knew about you [10:21] know but luckily [10:23] my art my creativity allowed people to [10:26] appreciate me [10:28] um even at 10 years old like within my [10:31] family within my community what did your [10:33] art and creativity look like at that [10:34] stage rap music yeah it was loud it was [10:37] adhd-ish it was the kid who could do it [10:39] all you know kind of also had a church [10:42] background so I was you know I was [10:44] always I was a Class Clown at school [10:46] trying to be funny starting to just [10:48] figure out oh there's careers in that [10:51] space so I started to look up to a lot [10:53] of people like the Eddie Murphy's [10:55] uh even the you know at the time The [10:59] Fresh Prince as we know is Will Smith [11:02] but he was just he was just charismatic [11:05] funny rapper at the time so those were [11:08] you know but at the same time I was [11:10] looking up to the ice cubes and two [11:13] shorts and you know which was a whole [11:16] different energy [11:18] um so that was kind of like my makeup of [11:21] like well I want to be like these guys [11:23] and you start doing stand-up comedy at [11:25] 11 years old I had 11. that's TV [11:27] officially doing it at 11. I have been [11:30] you know doing stuff in church and stuff [11:32] you know trying to make people laugh but [11:33] like first stand-up stage I got home was [11:36] I was 11 years old strikes me as someone [11:38] that grew up very quickly yeah [11:41] because I I was always caught an old [11:43] soul [11:44] uh and I think it was because I grew up [11:46] around [11:47] older people with uh my grandparents [11:50] kind of being you know [11:53] Patriarchs for me [11:55] um [11:56] their children were my siblings my [11:58] father who was you know a teenager was [12:01] somewhat more of like a big brother type [12:04] of uh thing so like even the way he [12:07] dealt with me and even the people that I [12:09] dealt with in my community I just I kind [12:12] of had mannerisms and a jargon that was [12:16] a little little wise beyond my years [12:19] you're a big brother as well right yeah [12:21] and then you know ultimately my dad had [12:24] a my mother's only child but my dad had [12:26] five five boys in total so you know I [12:30] was the and I was the oldest and he and [12:33] I's connection was different than you [12:35] know the connection with my younger [12:37] brothers because I was almost someone [12:39] you know [12:40] I was closer to my father [12:43] then you know his parenting style was [12:45] different with me than it was with you [12:47] know his younger children it boggles my [12:50] mind that someone at 11 years old starts [12:51] doing stand-up comedy yeah because it [12:53] takes takes some guts and some [12:55] confidence to do that but I guess that [12:56] speaks to who you were at 11 years old [12:57] yeah by 15 years old you're at The [13:00] Comedy Store [13:01] yeah I mean I met so many comedians but [13:04] Jamie was definitely one of the ones [13:05] that kind of just because it's such a [13:07] giving [13:08] and loving individual kind of saw this [13:10] kid and and was like I love it like come [13:14] hang out like and because you know [13:16] Hollywood was [13:18] miles away from my neighborhood so uh [13:22] figuratively and literally like it was [13:24] just like I needed a place to stay a lot [13:26] of times so you know catching [13:30] catching car rides or even once I got my [13:33] own vehicle I had nowhere to sleep so [13:36] people would know that I was sleeping in [13:37] my car [13:38] or wouldn't have a place to sleep so [13:40] people like Jamie Foxx would let me [13:42] sleep on that couch [13:43] Brothers like guy Tori if you've seen [13:46] the Fat Tuesday documentary about you [13:49] know the the black Side Of The Comedy [13:51] Store he had a night that you know he [13:54] would let me open up and as people were [13:56] coming in I'd be entertaining the [13:58] audience at like as a teenager you know [14:01] and the guys like Chris Tucker and Damon [14:04] Wayans and Eddie Griffin all these guys [14:07] will be going on later on in the night [14:09] but I was the guy I was the kid that was [14:11] welcoming you know everybody into their [14:13] seats and it'd be like Shaquille O'Neal [14:15] and Kobe Bryant and Snoop Dogg and like [14:18] all of these people in the audience and [14:20] there's this 15 year old on stage you [14:22] know rapping and telling jokes and you [14:25] know everybody else saw something that I [14:27] was just I was just having a blast I was [14:29] I didn't think about what the future was [14:31] going to uh to offer up I was just like [14:33] yo this is this is a dream come true [14:36] right now [14:37] people might hear that and go oh he got [14:40] lucky 15 years old whatever you know [14:42] what was then talk to me about the [14:44] intentionality behind that like if [14:46] there's a 15 year old listen to [14:47] listening to this right now yeah [14:50] what did you do to put yourself there in [14:52] hindsight it's not always easy to know [14:54] in the moment yeah I was definitely a [14:56] hustler like it what I don't think you [14:58] know I don't believe in luck I believe [14:59] in alignment you know what I mean like [15:02] and you got to put yourself in those [15:04] positions it's like you know some people [15:06] say luck is preparation meets [15:08] opportunity [15:09] um [15:10] I was always speaking [15:13] myself into existence I would put myself [15:17] in those environments like I I met Jamie [15:22] Foxx because I walked up to him like yo [15:24] what's up Jamie Foxx I'm Nick Cannon [15:26] like ever since I was four years old I [15:28] introduced myself as my full name like [15:31] everybody used to think it was so funny [15:33] like as a four-year-old I'm Nick Cannon [15:36] like I just thought my name was cool I [15:38] thought you everybody else you know you [15:40] teach a kid to say their first name and [15:42] it's funny I teach my children the same [15:43] way like nah you got your full name your [15:46] your your Monroe Cannon you're you know [15:49] your powerful Canon you know what I mean [15:52] like and I think maybe I got that from [15:54] such a cool last name like I think my [15:57] dad probably did that his dad probably [16:00] did that like it's just like they called [16:02] you know my grandfather they called him [16:04] Cannon or daddy Cannon it was just like [16:07] it's such a cool name so and that's why [16:09] I was like I believe it's so much in the [16:11] name but so even as I think those steps [16:15] kind of ordered [16:16] the personality so then when I would [16:19] find myself in scenarios that I would [16:23] take advantage of them I wasn't a shy [16:25] kid wasn't overly outgoing kid either I [16:28] wasn't like I I kind of my 80d kind of [16:32] maybe [16:33] shifted like made me always [16:36] seeking attention or like I don't say I [16:38] was seeking it I got attention because I [16:40] was always doing something I was always [16:43] in some because I was just trying [16:45] to figure it out therefore I got a lot [16:47] of attention and a lot of it probably [16:48] wasn't positive attention but it was [16:50] just attention [16:52] um [16:52] and then from there you know that [16:55] shifted you know I grew up around [16:57] Hustler so I was like all right we're [16:58] gonna try to we're going to figure it [16:59] out if it was a door over there I'm [17:02] gonna figure out how to get in that door [17:03] uh and that's how I was able to rub [17:06] shoulders and you know I I studied rooms [17:10] and I'm like all right I if I'm a if I'm [17:13] a maneuver in here I gotta do it in a [17:16] way that [17:17] not just based off of instinct I gotta I [17:20] gotta put a plan together and I I move [17:22] like that you know since [17:23] since again I think this is fascinating [17:27] I looked at the back end of our YouTube [17:28] channel and it says that since this [17:30] channel started [17:32] 69.9 percent of you that watch it [17:34] frequently haven't yet hit the Subscribe [17:36] button so I have a favor to ask you if [17:39] you've ever watched this Channel and [17:40] enjoyed the content if you're enjoying [17:41] this episode right now please can I ask [17:43] a small favor please hit the Subscribe [17:44] button helps this channel more than I [17:46] can explain and I promise if you do that [17:49] to return the favor we will make the [17:51] show better and better and better and [17:54] better and better that's the promise I'm [17:55] willing to make you if you hit the [17:56] Subscribe button do we have a deal what [17:58] did you learn from Jamie Foxx What What [18:00] In lasting influence has he had on you [18:02] the way you are your career your [18:03] perspective it's so interesting man I [18:05] have so many great mentors coming up [18:08] um I feel like a lot of my first part of [18:10] my career [18:11] I always acknowledge and bigged up Will [18:14] Smith yeah because he was so influential [18:16] to me uh you met him from Jake by [18:19] through Jamie not well yeah yeah I guess [18:22] yeah yeah but it wasn't directly like [18:24] Jamie didn't introduce me to will but [18:27] Jamie had a Comedy Festival called [18:31] laughapalooza that uh Will Smith's [18:35] company Overbrook saw me at that Comedy [18:40] Festival and gave me a holding deal at [18:42] the time what they were called and kind [18:44] of signed me to Will's company which [18:46] then I got to meet will you know a few [18:49] months later after getting that [18:51] opportunity in Atlanta at La for palooza [18:54] um [18:55] and then that's when will and I's [18:57] relationship uh began when I was about [18:59] 16 years old so it's like I met Jamie [19:02] when I was 15 and then I met will when I [19:05] was 16. it's hard to think of many more [19:07] greater multifaceted entertainers than [19:09] Will Smith and Jamie Foxx man that's [19:11] what I'm saying like they they trained [19:13] me like and it's it's so crazy because [19:15] two of the nicest human beings you would [19:17] ever want to meet like never seen like [19:20] it's what you see on camera is that's [19:23] who they are you know what I mean like [19:25] like walking a room everyone [19:28] gravitates towards them they they're [19:31] they're loud they they know how to have [19:34] a good time like that's just who those [19:36] guys are so I don't think I'm naturally [19:39] like that like I I I talked to Kevin [19:42] about that a lot like when I come in a [19:43] room I'm quiet Kevin Hart like like uh [19:46] he's one of those guys that like [19:49] they they're loud they're like everyone [19:51] loves them like I'm more like I'm in the [19:54] corner I'm watching I'm observing I know [19:56] how to be that I can you know I can joke [19:58] with the best of them and get as much [20:00] attention and stuff but I'm I'm a little [20:02] more reserved uh and that's like to [20:07] finally answer your question in a very [20:08] long-winded way like the things I [20:10] probably learned from Jamie is [20:12] I observed him so much that [20:16] he's such a great Storyteller I've [20:18] stolen all of the tricks of when he can [20:21] get everybody around the table and tell [20:22] the story he's he's such a great [20:25] impromptu type of guy I could sit down [20:27] at a piano and you know sing a song and [20:30] get everybody like I know all of those [20:32] tricks and I'll probably learn that from [20:34] him you know what I mean just watching [20:36] how to you know Captivate a room in a [20:39] very jovial manner uh no matter what's [20:42] going on but uh man yeah he's and just [20:46] his his his thespian muscle is so strong [20:50] you know what I mean and I think from [20:52] whether he's being a silly character [20:54] he's being something that's so tuned in [20:56] uh and understanding the subtleties and [20:59] really embodying you know all of his [21:02] characters I learned a lot of that from [21:03] him as well too and will so you describe [21:05] Willis you're mentoring you from 16 [21:08] years old yeah the thing I learned from [21:10] him is hard work and and really like [21:13] obviously I've heard he said this quote [21:16] so many times like I may not be the most [21:18] talented person in the room but I [21:20] guarantee you I work the most challenges [21:23] in the room or or have also heard him [21:25] say I'm you know I may not be the most [21:27] talented person in the room but I'll be [21:28] the hardest worker in the room uh and he [21:31] just [21:32] if you want something [21:34] he's not gonna stop until he figures it [21:36] out you know and he dedicates himself in [21:40] that manner [21:41] you know when this job is done he's [21:43] gonna [21:44] stop where everybody else is going to go [21:45] to sleep he's gonna go work 10 more [21:47] hours to either perfect that craft or on [21:50] to the next thing and I saw that at you [21:54] know as a teenager I'm like okay that's [21:56] how you get it that's what I'm gonna do [21:58] I'm if you're not sleeping I'm not [22:00] sleeping you know and it'd be times like [22:02] up in the studio all night and then [22:04] being on set early in the morning and [22:06] you just you're so grateful and [22:09] appreciative of the opportunity that you [22:11] want to be the best you could possibly [22:13] be [22:15] correct any of the errors in your ways [22:17] when you're a young man you're 16 years [22:18] old you've got a perspective yeah [22:20] he thought I mean every I mean before I [22:23] met will I didn't know how to [22:25] even musically I know how to rap 16 bars [22:28] I didn't know what that was like I knew [22:31] I knew music counting you know what I [22:33] mean but I didn't know a verse [22:35] specifically a rap verse was supposed to [22:38] be 16 bars and I think that culture [22:40] might have had just started to happen [22:41] because everybody wasn't writing 16 bars [22:44] and 80s you know what I mean sometimes a [22:47] song would be seven verses or sometimes [22:50] you know like people would just but I [22:51] feel like they were there in the 90s [22:53] they're beginning this uh infrastructure [22:57] of songwriting uh obviously most [23:00] choruses and hooks are about eight bars [23:03] uh and then therefore [23:06] you had to have a hot 16 double that was [23:09] your verse and will taught me how to [23:11] write because I was just writing he [23:13] would give me a beat or I get a track [23:14] and I would just write and just memorize [23:17] it and then be like oh well let me spit [23:19] this for you and he's like you need some [23:21] infrastructure around that he's like you [23:23] got some good stuff there so even as you [23:27] know simple as something like that is [23:29] but then he also just life ways man I [23:31] learned a lot about [23:34] Integrity character [23:36] um obviously perseverance from him and [23:39] then stuff that he went through as a [23:41] teenager he passed on to me and even I [23:44] didn't listen but I learned you know he [23:46] went broke you know at 19. [23:50] um after winning a Grammy and having a [23:53] platinum album [23:55] just spending it all on cars and living [23:58] fast he did I think my first check was [24:01] somewhere from him like 150 200 000 and [24:04] I went and bought uh the exact same [24:07] Range Rover he had and he's like I'm the [24:09] biggest movie star in the world like I'm [24:12] he's got millions I got a hundred and [24:15] fifty thousand dollars and I went and [24:17] bought a Ranger he told me don't do it [24:19] he's like man he's like I don't do that [24:22] like you gotta there's other things to [24:24] do with that money and this is from the [24:26] person who gave it to me [24:28] um [24:29] and he was right I totaled that Range [24:32] Rover six months within having it and [24:35] ended up having to move back to my mom's [24:37] house probably a year later because [24:39] thinking that you know all I'm signed to [24:42] Will Smith the opportunities but you [24:44] don't like that's money that you're [24:45] supposed to survive on those everything [24:48] that you know uh that was a time I I [24:51] wrote uh and created a television sitcom [24:54] three wheels company called Loose Cannon [24:57] and it was like me in a military school [24:59] a teenager in a military school thinking [25:00] they was going to get picked up we got a [25:02] six episode commitment Will Smith the [25:04] executive producer Quincy Jones is on [25:07] set like everything Stan Lathan is the [25:10] director of the pilot like everything [25:12] I'm like oh I'm set [25:14] the entire network of the WB makes a [25:16] shift and they don't pick up the show so [25:19] it's like I thought I was I was and it's [25:22] so funny I didn't ever even think about [25:23] these correlations the one of the [25:26] executive producers and writers was [25:28] Bentley Kyle Evans who's a writer and [25:31] creator of Jamie Foxx at our my time [25:34] slot was scheduled to come on my show [25:36] was gonna air right after the Jamie Foxx [25:39] Show so I was like it was all together [25:43] and it didn't happen and you howled at [25:46] that point 19. same age will was when he [25:49] had to refigure it out I think we shot [25:51] it when I was 18. uh but 19 is when they [25:57] let me know that it wasn't it wasn't [25:59] gonna move forward probably one of the [26:01] biggest heartbreaks in my life I [26:02] probably I cried for days [26:05] uh because I didn't you know that's the [26:08] thing when you you think you're you've [26:10] arrived [26:11] uh and then it snaps from under you and [26:14] there's no plan [26:16] I had nobody there even the people that [26:18] is going to be all right I didn't [26:19] believe them like I was like I was just [26:22] on the Warner Brothers lot but you know [26:25] in my Range Rover and you know like I I [26:29] saw the millions I saw me being the [26:32] biggest young star in the world [26:34] everybody was rocking with me into [26:37] everybody's gone like that [26:40] and it was just uh and it wasn't like [26:42] they abandoned me it was more like [26:43] everybody had to move on to their next [26:46] thing I had to be the one to figure it [26:48] out so that was uh that was probably one [26:51] of my greatest life lessons that will [26:53] even taught me in directly I mean [26:55] because he was warning me the whole time [26:57] uh and he held me down you know [27:01] time and time again since then you know [27:03] I mean it was uh [27:04] it you know I wouldn't have got Drumline [27:07] if it wasn't for him it was wasn't it [27:09] like I said it wouldn't have my first [27:10] record deal if it wasn't for him so it [27:13] was I I truly it's funny [27:16] I can get a little esoteric real quick [27:19] but I I have this when it comes to like [27:22] akashic records and and you know energy [27:25] I feel like you're placed in certain [27:29] it's it's the the law of synchronicity [27:31] like I feel like certain things just [27:34] happen [27:35] uh because they are constantly happening [27:38] there's certain energies that just are [27:40] attracted to each other [27:41] and I for whatever reason [27:43] people like Will Smith [27:46] Jamie Foxx like they're throughout my [27:49] career [27:50] they're always there they're always even [27:53] when they're not like we may not speak [27:55] every day we make but they we always [27:58] connected like even the same thing like [27:59] you know I call Kevin Hart my best [28:01] friend of me like it's just like we've [28:03] all since day one even when we're not [28:06] trying to be connected we're connected [28:08] like we're doing projects together we're [28:10] we're thinking of like he might he might [28:12] create a car show and I would create a [28:14] car show he has a restaurant I have a [28:16] restaurant like it's not like it looks [28:18] like competition but it's like oh no [28:20] like we just we're on the same frequency [28:22] like we're just we just operate the same [28:25] and those people kind of attract each [28:26] other they attract each other like and I [28:28] think that's like when people talk about [28:29] like secret societies and I think it's [28:32] like it's not it's not like this formed [28:34] meeting it's just like like-minded [28:36] individuals like people who operate on [28:38] the same frequency they they there [28:40] doesn't have to be this written rule [28:43] book it's just like oh no we intuitively [28:45] this is we we move like this we [28:48] gravitate towards certain things and [28:50] it's it's unfortunate because people who [28:52] operate in low frequency that it's the [28:55] same way and it's like you know you you [28:59] I was like damn that person not can't [29:00] can't catch a break it's like Ah that's [29:02] because they're living in that frequency [29:04] that well does that frequency look and [29:06] feel like it's slow it's thick it's [29:09] heavy blame yeah yeah victimization is [29:14] anger it's it's it's you know what I [29:17] mean it's like one of those things where [29:19] jealousy yeah all of that said like it [29:22] and it's unfortunate because of people [29:24] who operate in it they don't know that [29:25] they're in it [29:27] and it's almost like they they almost [29:29] desire that and they feel like they have [29:32] to have angst and anger to to get their [29:35] point across like man you know you're [29:36] doing so much more damage to yourself [29:39] uh and you're digging yourself Deeper by [29:44] pointing fingers at people who were on a [29:48] completely different frequency and they [29:49] don't even hear you and you're you're [29:52] clouding up your existence [29:56] instead of just like [29:58] stepping out of that frequency [30:00] you were the youngest ever staff writer [30:02] right 17 years old yeah I think I mean [30:04] unless somebody's beat it before like I [30:06] think TV history yeah I think [30:08] because working on Keenan and kelbridge [30:12] by the way was massive in the UK yeah [30:13] yeah I mean again [30:15] two of the most beautiful people I've [30:17] ever experienced uh specifically Keenan [30:21] Keenan is like my brother like my our [30:24] mothers are like best friends yeah like [30:29] um [30:30] he they they gave me the opportunity [30:32] because they were kids too and I started [30:35] off doing warm-up in the you know kind [30:37] of entertaining the the studio audience [30:40] when you know they're moving the cameras [30:42] around and stuff and people are like yo [30:43] that kid is something more entertaining [30:46] than what's going on on stage so they're [30:48] like he has a voice so do my management [30:51] you know Michael Goldman is still my [30:52] manager to this day he's still Keenan's [30:54] manager like Keenan actually I feel like [30:56] I don't know if Keenan introduced me to [30:58] because Keenan would hang out in the [31:00] comedy clubs [31:01] and I was in awe of him because he's [31:03] Keenan from Kenan and kale and we're in [31:05] some he's a few years older than me but [31:07] I'm like he's doing what I want to do so [31:09] we were kind of you know catch each [31:11] other and I would you know I wouldn't [31:14] jock him too much but I'd be like ask [31:16] him questions and stuff so one night his [31:19] manager came to um [31:21] to The Improv on Melrose with and I was [31:25] doing stand-up and you know they [31:28] produced Keenan and Kel and all that and [31:30] all that stuff so they gave they allowed [31:32] me to do the warm-up job and then from [31:34] there I'm in so I'm like you know I was [31:37] like yo we should write something so I [31:38] went to Keenan wrote a couple episodes [31:40] and he you know he was like yeah let's [31:43] do it I remember we wrote one episode [31:44] with uh [31:45] Keenan had a crush on Tamiya at the time [31:48] like like he was like well if we all had [31:51] a crush on Tamia but he really liked you [31:53] know the singer to me and I was like yo [31:55] let's write an episode about your crush [31:57] out to me and when you get to me on the [31:59] episode and it worked you're like like [32:02] we got to Mia she was in the show I was [32:04] like this is amazing like you mean I can [32:06] write something that actually happens [32:08] like I was literally like I was like [32:10] Harry Potter with the pin like like I [32:13] couldn't um I couldn't believe that I [32:15] could write something in my mind and it [32:17] would actually come into fruition uh in [32:19] that beginning so I just began writing [32:21] everything and I figured it out and they [32:23] hired me as a staff writer for a bunch [32:25] of different Nickelodeon shows uh 17 18 [32:28] years after 17 yeah Jesus because I [32:30] think I wrote we wrote the Tamia thing [32:32] probably when I was like 16. and then so [32:34] by the time I was 17 I had like an [32:36] official job and then I started writing [32:38] my own stuff and then hence I wrote my [32:40] own television show that I would later [32:42] then pitch to Will Smith you know in [32:44] that same time when you're 22 years old [32:46] which is the the Nick Cannon show right [32:48] well no remember I said the the Loose [32:51] Cannon shows that didn't get the big [32:53] lesson I learned that I was still a [32:55] teenager then so but it's the way I got [32:58] back on my feet after Loose Cannon [33:00] didn't get picked up I then wrote my own [33:02] show for Nickelodeon which is [33:04] interesting because I was so I did that [33:07] out of [33:08] to be honest I wasn't even [33:11] proud or even I kind of did that out of [33:13] just like [33:15] I don't have nothing else to do [33:17] so let me create and produce my own show [33:21] because I felt I was at a low point I [33:24] was 19 and you know how this game [33:26] sometimes if it doesn't work they'll [33:29] spit you out like that was my shot like [33:32] I was like oh [33:34] I had [33:35] I was signed to Will Smith I had it was [33:38] the Protege of all of these big [33:40] comedians I had you know hundreds of [33:42] thousands of dollars worth of holding [33:44] deals with Networks usually that you [33:47] only get that shot once so I was like [33:49] damn I blew my wad at 19. like I gotta [33:53] go get a regular job now like that's [33:55] like that's what I was thinking like I [33:58] was gonna go back to hustling in the [33:59] streets and but it was [34:02] I was like all right well maybe it's [34:04] nickel I I was doing Nickelodeon so I [34:06] still got the relationships maybe I'll [34:08] just ride a kids show you know but I was [34:11] thinking I was about to be the next Will [34:13] Smith the next Jamie Foxx [34:15] all right I gotta go do children's [34:17] television and [34:19] through that I exercise these muscles as [34:22] a writer as an executive producer and [34:25] even like now like [34:27] I didn't I didn't have you know the [34:29] foresight to know how powerful you know [34:33] Children's Entertainment is how it's one [34:36] of the most dominating forces to be able [34:37] to entertain families that you know I [34:40] utilize in every aspect of my business [34:43] now I used to look at Nickelodeon as [34:46] like [34:47] preschool you know what I mean but I [34:49] didn't know that they were the billion [34:50] dollar conglomerate of you know [34:52] Nickelodeon Disney like I didn't [34:55] understand that then because I was in it [34:58] um so yeah I created the Nick Cannon [35:00] show for Nickelodeon [35:01] you know garnered a massive youth fan [35:05] base through through that when I look at [35:08] you being 22 years old writing this then [35:10] it Cannon show you being 17 writing for [35:12] Keenan and Kel I go like where did you [35:15] get the repetitions like where did you [35:16] get the skill from and if I was to if [35:18] you if I had like a a baby Nick Cannon [35:21] here yeah and I had to do something to [35:23] give him the skills that you had at 17 [35:25] where you're writing hilarious things [35:27] where did where does that skill come [35:30] from [35:31] I think stand up to be honest stand up [35:33] because [35:34] writing my own jokes from 11 years old [35:37] and then by the time I'm 12 13 I'm [35:40] seeing deaf Comedy Jam Comic View I'm [35:44] seeing all of these things happen [35:46] and I'm watching these individuals [35:48] become their own intellectual properties [35:51] becoming their own business becoming [35:53] their own producers one thing about [35:54] stand up you have to write direct [35:58] perform promote Market all by yourself [36:01] it's a one-man show so I think by the [36:05] time I had whole no skills at like 15 [36:07] 16. [36:09] I knew how to do it I knew how to write [36:10] a script I knew how to write a great [36:12] joke I knew how to you know hours of [36:15] sitting in libraries and figuring out [36:17] words hearing stories like all of that [36:19] stuff was starting to pay off uh and I [36:23] knew like I just zoned in like you kind [36:25] of like again like when you know this is [36:28] my space this is my flow [36:31] you operate in your gift so I think just [36:35] you know trial and error as well too but [36:37] like I just figured it out you know what [36:39] I mean like this is what [36:41] is a gift that I have so I'm gonna [36:43] continue to operate in it they say [36:44] you're gonna put in 10 000 hours to [36:45] become a master or something yeah and [36:47] actually when I run the numbers I go [36:48] listen you started at 11 yeah and then [36:50] you wrote your own show at 22. that's [36:52] more than a decade yeah of repetitions [36:55] in the gym yep and then even and to me [36:57] then even then I was still just getting [36:59] started you know what I mean like again [37:01] the beauty of like even Nickelodeon like [37:04] even I I mean it was because I think the [37:06] Nick Cannon show was I was from I did it [37:09] from like age I started 19 and it ended [37:12] right when I turned 22. [37:14] um [37:15] I was a baby I looked like I was 15 like [37:18] everybody thought I was much younger [37:20] than how I even was so you know that's [37:23] when everything else from like Drumline [37:25] and my music career began and I was a [37:28] baby then too and then so [37:31] it just like I said I lived so many [37:34] lives and learned so many lessons early [37:36] on that even as I said here before you [37:39] today I'm like I'm still just getting [37:40] started like I still got still got so [37:43] many more movies that I got to do I [37:45] still got so much more music I got to [37:46] produce I still got so many more [37:48] television shows I gotta write so like [37:51] uh a few kids come to you there and they [37:54] say Dad how do I become [37:57] the master of my craft how do I become [37:58] the top of my industry not only have you [38:00] become the top of your industry in many [38:01] facets but you've been around people [38:03] that have got to the top of the industry [38:05] so the things you point out and the [38:07] similarities and the people that get [38:08] there what are those similarities if I'm [38:10] your kid and I come to you and say Dad I [38:12] wanna I wanna get to the top of the [38:13] industry what's the advice you give to [38:15] them [38:16] do it I think especially now it's as [38:19] simple as that sounds [38:22] that's what it is today like [38:25] do it and stick to it like don't give up [38:29] like do it efficiently do it because [38:31] this is don't try it if you try it [38:35] it's not gonna work if you do it [38:38] like that's even like even when people [38:40] always talk to me about acting like how [38:43] do you know or become a great actor [38:46] do it like it's not like it's not [38:50] believe it it's not uh acted you gotta [38:55] actually every embody every aspect of it [38:59] like do it as if there's no other option [39:01] like if you try something that's you [39:03] sticking your foot in uh if you believe [39:06] it you're kind of like I think I yeah [39:08] like okay but when you do it when you [39:11] live it when you operate in it where [39:13] there's no other option of like like you [39:16] know it's like it's some people who like [39:18] you know they play basketball and then [39:22] somebody's like oh no they they're a [39:23] basketball player you know what I mean [39:26] like there's some people who who [39:28] train or tried a box you're like no [39:30] that's a boxer you know what I mean like [39:33] they embody it they live it you gotta [39:36] and that's what my and even with my own [39:38] kids I'm like all right what do you just [39:40] naturally do we're just swag naturally [39:43] at why naturally [39:44] because it's like some of my kids are [39:47] just natural athletes they're physical [39:49] build [39:50] their what they gravitate towards and [39:53] then all right I'm gonna water that I [39:54] must I'm a I'm gonna cultivate that seed [39:57] and that's what because they have fun at [40:00] it then there's something on my kids [40:01] that are just like natural musicians [40:03] that just gravitate towards the piano [40:06] like they just they have fun on it yeah [40:09] and then it's like okay I'm gonna I'm [40:11] gonna help you with that what is the fun [40:13] Mata well I mean that's that's the [40:16] that's the battery like that's and [40:18] that's what if they ever lose the fun at [40:20] least for me like when it's no longer be [40:22] fun becomes fun and why are we doing it [40:25] you know are you doing it for money are [40:28] you doing it for like no you got to do [40:29] it because you enjoy it I find that fun [40:31] part so important but a lot of the time [40:34] people don't appreciate it and I love [40:35] your your reference of the battery [40:37] because a lot of people will be [40:39] orientated because they come from tough [40:40] upbringings to go what's going to make [40:42] the most money yeah and what I love [40:44] about what you said about the fun thing [40:45] is ultimately well it's my belief that [40:48] the thing that'll actually make you the [40:49] most money is the thing that you can [40:50] Master anything that you can Master is [40:52] the thing that you can do for 11 years [40:53] exactly which is the fun thing exactly [40:55] it's like I always say uh [40:58] money doesn't make you happy happy makes [41:00] you money [41:01] and then it goes to the concept of happy [41:04] money or good money because there's [41:08] definitely [41:10] the opposite of there's bad money in [41:13] their sad money [41:15] be and I've seen so many people live in [41:19] that frequency [41:21] sad money [41:23] like [41:24] like stingy [41:26] fear that people only want you for your [41:30] money loneliness loneliness in this big [41:34] Glass Castle by yourself [41:36] you got all the money in the world like [41:39] we we know those entertainers you know [41:41] what I mean like man they they put [41:43] themselves in this this Glass Tower [41:46] and everybody could see him [41:48] and they hate that everybody could see [41:49] them [41:50] and they're so lonely [41:52] and it's like [41:54] they got more money than they know what [41:56] to do with and then everything becomes [41:58] about a transaction hmm like [42:01] and you can see they have the biggest [42:04] yacht in the world [42:06] most Diamond studded watch ever and [42:09] they're miserable [42:12] and it's like that's sad money that's [42:13] and it becomes bad money you know what I [42:16] mean like they're making and it's it's [42:18] vindictive they're they're not honest [42:21] they get it in a way they're like man [42:23] how do you sleep at night like the music [42:25] industry is filled with bad money [42:28] and I've I've seen people they take [42:30] advantage like it's literally designed [42:33] in these contracts that's why I never [42:35] really wanted to be I didn't want to [42:38] thrive in it once I saw it I'm like oh [42:40] it's so manipulative it's about is one [42:43] person robbing another Robin another [42:44] Robin another and it's like that's not a [42:47] fun industry to be in like clearly [42:50] there's some people who figure it out [42:51] but even as a as a music executive I'm [42:54] like I don't I don't want to operate in [42:57] dishonesty I don't want to operate in [42:59] manipulation and it's just like that [43:01] entire industry is designed off of that [43:04] and but it's it's ways to you know Farm [43:10] few between but you can operate with [43:12] happy money and good money because the [43:14] crazy thing specifically about music it [43:16] brings so much joy to the world [43:19] that the industry shouldn't be in a low [43:23] frequency place like everybody should be [43:25] able to thrive and win and provide for [43:27] their families but there's a lot of [43:29] people who aren't musically inclined who [43:31] aren't musically talented who don't know [43:33] how to have happy uhness with music that [43:36] latch on [43:39] and control the artists and then [43:41] therefore they run the industry and they [43:46] operate on a lower frequency of like [43:48] you know I'm going to control your your [43:51] intellectual property and I'll make more [43:54] money off of it than you did even though [43:56] you made it from such a pure and happy [43:58] place there's a balance [44:00] it was a balance act or or a I don't [44:02] know a conflict between being selfish [44:05] enough that you you get on and you get [44:07] what you deserve but being generous and [44:10] kind enough so that you can stick around [44:12] and yeah [44:14] do you think about that the beauty of [44:16] narcissism [44:17] I I am uh that balance I am a narcissist [44:21] I I believe there's the balance of [44:24] narcissism [44:26] um [44:27] because you can go to you can go to an [44:29] extreme of narcissism and becomes [44:31] dangerous it becomes [44:33] uh maniacal becomes uh uh where you can [44:39] be a psychopath way or you're an a [44:42] sociopath where you have no empathy [44:45] that level of narcissism is unhealthy [44:47] that's to the extreme of these the [44:49] Spectrum but uh the balance of [44:53] confidence [44:54] of self-love of there's no other option [44:58] but me I am the I'm him you know like [45:02] LeBron James is him you know Kobe Bryant [45:07] him Michael Jordan him Michael Jackson [45:09] him you know Mike Tyson him you know [45:13] like all the mics you know the uh Will [45:16] Smith is him Chris Rock is him Jamie [45:20] Foxx is him you know and he uh Mariah [45:23] Carey is her Mary J Blige is her Beyonce [45:27] is her you know like all of those people [45:30] know that there is there will never be [45:32] another them [45:34] on the planet [45:36] and that is worth its weight in gold so [45:40] you have to have a level of self-love [45:43] self-promotion self-dedication all the [45:47] self is the key word the common word and [45:49] all of these things you have to love [45:51] self you have to know self not so much [45:53] that you hurt others or you think less [45:56] of others it's not because that's people [45:58] like oh you think you're better than [45:59] everybody else I don't care about [46:01] everybody else like it's not I don't [46:03] think I'm better than y'all I'm me like [46:06] in that to to a point it's it's a fine [46:09] line because you don't want to [46:11] disrespect anyone you still want to have [46:12] compassion you still want to have [46:14] empathy you still want to enter the [46:16] space of gratitude but this is my show [46:18] this is my party this is my this is my [46:21] block [46:22] that you you have to that's where that [46:26] success lies because without these [46:28] narcissists we wouldn't have you know [46:30] electricity we wouldn't have iPhones we [46:33] wouldn't have great music we wouldn't [46:36] have great like the director of the [46:39] movie is the director for the reason [46:40] he's the boss he knows he's the he [46:43] knows his vision is the one that [46:45] everyone else has to align with to make [46:47] a great film was there a point in your [46:49] career where you realized that you [46:50] needed to change in some way to get what [46:52] you deserved and to get what you're [46:53] worth [46:54] ah nah I don't think so really I had to [46:56] learn lessons because you're 15 I see [46:59] you coming up I go He's Got Talent yeah [47:01] I could you know get him to sign a bad [47:03] contract yeah I can take his money yeah [47:05] that's like I've learned I've learned [47:07] all of those lessons [47:09] um and people have tried to forewarn me [47:11] and stuff like that but uh [47:13] the thing I think the beauty that you [47:16] know the the aura that everybody's seen [47:18] is that's been consistent it's what you [47:21] do with it you know I've never let no [47:23] one put out my Flame you know it's it's [47:25] constantly burned for [47:28] the type of individual that I want to be [47:30] that I [47:31] you know the my purpose [47:34] um [47:35] so you know we all have trials and [47:37] tribulations [47:39] uh I you know you got to learn how to [47:42] Bob and weave but you're still the the [47:45] fighter in which you're supposed to be [47:47] you know like the whatever made you jump [47:49] in the ring from that day one [47:52] you're going to cultivate those skills [47:54] you know I mean you may be a defensive [47:56] fighter and that's how you win your [47:57] fight sometimes then you know uh you but [48:00] early on in your career you know you are [48:02] a puncher you know then you had to be [48:05] more of a thinker you know but at the [48:07] end of the day you're still a fighter so [48:09] I think guys whatever I I am I still [48:11] have this desire in me to to be a winner [48:15] I have this desire in me to to beat the [48:19] odds to some there's something about [48:21] like when someone tells me I can't do [48:24] something or tells me no I'm that fuels [48:28] me and it's been that way since [48:31] day one since you know my my 80d since [48:34] my anti-authoritarian behavior like it's [48:37] just like I'm gonna push through I'm [48:39] gonna persevere I'm gonna do what I want [48:42] and I'm not gonna let Society or [48:45] individuals tell me I can't [48:49] 22 years old you start writing well done [48:52] out yeah you start writing at that point [48:54] I think it you you then self-fund the [48:57] pilot yeah at 25 years old yeah probably [49:00] before that because I self-funded in [49:03] 2004. [49:05] so that might have been I might have [49:07] been 23 uh and again I had just seen [49:10] some success with film and music and [49:14] um I just started I was kind of one of [49:17] those guys that Drumline was out and [49:20] I had you know my album and stuff so [49:22] people but I was still doing stand-up [49:24] and I was like everybody's like oh he [49:26] does so many things and he hosts it and [49:28] I had a a deal with [49:31] you know Viacom at the time obviously [49:33] they had Nickelodeon and then you kind [49:36] of like graduated from Nickelodeon go to [49:37] MTV so I was in that stage of developing [49:40] things for MTV uh and they didn't [49:43] understand what I wanted to do when I [49:44] was saying that I want to get all my [49:45] comedian friends together and all my [49:47] rapper friends together and we just like [49:49] do improv and play games and they're [49:52] like we don't get it so I was like all [49:54] right so I rented out one of the comedy [49:57] clubs that me and my guys would normally [49:58] frequent uh got some cameras together [50:02] uh I think I man I want to say it was [50:05] somewhere around like a hundred thousand [50:06] dollars that I put into like that night [50:08] uh promoted it had everybody come out [50:11] you know got some beautiful people to [50:14] stand around and look beautiful and you [50:17] put a hundred thousand dollars of your [50:18] own money into the pilot yeah to show [50:20] MTV yeah and then uh once we put it all [50:24] together you know edited creating logos [50:26] showed it to them and they're like oh we [50:28] get it now but you know I had by then I [50:31] created the intellectual property had [50:34] you know copyright and patented the name [50:38] of wilding out uh the logo so when it [50:41] was time to negotiate when I knew that [50:43] they wanted the show [50:44] we we had the you know the the strong [50:47] side of the table because we knew they [50:49] wanted it and we had already created it [50:51] and that instantly was like oh this is [50:53] the business model that I want to [50:55] continue to operate under most people [50:57] don't figure that out until much later [50:58] in life if at all by owning their IP is [51:03] key to getting the value that they [51:04] deserve for their work yeah well now I [51:07] feel like everybody knows the Secret's [51:09] out you know I mean when you look at [51:11] YouTube and yeah you know the ability of [51:14] that we could create great content you [51:16] know for a very cost effective amount [51:19] like you know wilding out that probably [51:21] wouldn't cost me a hundred thousand [51:23] today yeah you know because everything [51:26] back then to get a cameraman yeah that [51:30] was a couple thousand dollars you know [51:32] what I mean and you know doing my own [51:33] thing now yeah like exactly [51:36] um yeah everybody knows now to if they [51:39] create it and they'll come and then you [51:41] build your fan base on your own and then [51:42] you can sell it to a larger corporate so [51:45] I feel like that model is being you know [51:47] kind of a little bit look at Mr Beast [51:49] you know I mean like I'm so I'm so [51:51] jealous so all like everything that he's [51:55] doing at 24 25 like I was trying to do [51:57] back there but there was no there was no [51:59] YouTube I got I was doing this you know [52:02] on VHS you know yeah but uh [52:06] I love it you know what I mean I love [52:08] watching what even I mean the beauty of [52:12] my brand now is what I started in 2004 [52:16] is still going strong and probably more [52:19] popular today going into 2024. it's [52:22] crazy you know what I mean you're about [52:24] to film series 21. we just filmed 21 so [52:27] we're going into 22 and 23. I figured [52:30] out a model now how to do two seasons in [52:32] one so [52:34] um most shows don't last for a season [52:36] let alone 21 Seasons yeah I think my [52:39] goal is 25. [52:41] so [52:42] what happens at 25 it'll be the 20th [52:45] year [52:46] 25. do I gracefully bow out is 25 25 [52:50] Seasons like do I hand it off to [52:52] somebody else to like I'll probably be [52:55] getting close to 50 by then like [52:59] I can't while out forever no no I gotta [53:03] stop at some point I think I'm probably [53:05] too long in the tooth now I mean that's [53:07] why I even created the old school new [53:08] school it's funny [53:10] everybody when I first created it all [53:12] little while and out girls all of the [53:14] cast members all of the crew were older [53:18] than me and it was weird that everybody [53:19] was listening to this kid [53:22] tell them what to do and like even the [53:24] my OG's like you know Katt Williams and [53:28] you know a lot of the guys who are on [53:30] the show and right Chris Spencer and [53:31] Daryl Heath like these guys were guys [53:33] that I looked up to uh that were on my [53:37] show [53:38] uh and now I'm the overhead and I got [53:42] all of these other young kids like the [53:44] DC Young flies and everyone I'm like [53:47] it's so crazy to have the same brand and [53:50] I literally grow up on you know like I [53:53] remember being a kid trying to get these [53:55] comedians to listen to me and like what [53:58] do you know and now I'm the guy telling [54:00] with the platform yeah so [54:03] give me a few into into that platform [54:05] that you have and that you've built the [54:07] entertainment company that sits behind [54:08] it the talent that you have because it's [54:10] not so obvious to people yeah you know [54:12] people kind of probably think okay while [54:13] they're now he's he does this whatever [54:14] he's the host whatever but when I did [54:16] the research on the company that you've [54:18] built behind it it's a pretty it's a [54:20] huge business behind all of that and [54:22] you're involved in a lot of things yeah [54:24] I mean there's so many aspects of it I [54:26] mean I I truly look at it as a blessing [54:28] I'm so grateful for it because it was on [54:30] a job job training I didn't say I didn't [54:33] think wild and out would be the billion [54:35] dollar conglomerate that it is because I [54:38] was just creating a show to give my [54:40] friends jobs because Kevin Hart needed [54:42] money to pay his rent [54:44] like because he's being like it's just [54:47] real you know like we were trying to [54:49] create something because I was the only [54:51] one that was you know seeing some [54:54] success out of our you know our [54:56] generation at the time and I was like oh [54:58] let's Let Me Shine a Light on these [55:00] dudes that are way funnier than me that [55:02] are way more talented than me you know [55:04] like uh and then I built a business out [55:07] of it of incubating of [55:10] uh cultivating young Talent so much so [55:13] that when they're ready we we see Pete [55:16] Davidson go on to become one of the [55:18] biggest stars in SNL in a movie star we [55:20] we see same thing with like Mikey day [55:23] and Tara and kill him and you know uh [55:27] the Katt Williams and Kevin's to become [55:29] some of the biggest stand-up comedians [55:31] to ever tour the world like they they [55:35] got they you know they they feet wet [55:39] they they skills honed on one of the [55:41] toughest stages like if you look at what [55:43] wild and out is if you if you Excel and [55:46] survive there [55:47] you're going to be a star yeah because [55:49] you're in a this is The Godly this is [55:52] the combine this is the best of the best [55:54] in the grimiest of of this we're going [55:58] to test your insecurities we're gonna [55:59] test your anxiety and then [56:02] you succeed and you get the love from [56:05] people that you respect and then once [56:08] the industry sees that do whatever you [56:10] want so I I didn't [56:14] I couldn't have designed that but it [56:16] happened and I was like wow I didn't [56:18] know I was literally right I did we were [56:21] just in the trenches but it's like it's [56:23] so much so like we create an environment [56:25] that most entertainers are scared to [56:27] come to they're like man I don't want to [56:29] go a while now they're going to talk [56:30] about my mama are they going to talk [56:31] about my last Scandal or I don't know [56:33] how to rap her I'm not that funny off [56:35] the top of the head and it's like it's [56:37] intimidating so when you throw a kid in [56:40] there or whoever is in it and they Excel [56:44] they they've earned their stripes so now [56:47] they can walk into any room and like [56:49] yeah I was the man on wild and out and [56:51] now because it is a platform to propel [56:54] now you can go become a movie star now [56:56] you can go become a rapper or a singer [57:00] like so so that was really if I could [57:04] I'd be lying if I say I designed that [57:06] but yeah it became that and that's like [57:09] the blessing of God but then the [57:11] business behind it [57:13] you used to use the b word billion yeah [57:16] yeah I mean if you and it's I it's funny [57:19] I didn't even that was told to me after [57:21] they did all of the research and of you [57:25] know obviously what the IP is worth [57:28] because one I mean we're looking at 500 [57:30] episodes of Television that alone [57:33] when you just do the math charge however [57:36] much you want to charge per episode what [57:39] that what you know and then [57:42] the [57:44] the careers that it's launched [57:47] and you know then go to where the money [57:51] really is in the actual intellectual [57:54] property so we have a tour that makes [57:58] millions [57:59] every year [58:01] um now even turning into a cruise line [58:05] you know the wild and wet like we have [58:07] restaurants that are being franchised [58:10] you know all over the country you know [58:12] we just expanded our our South Beach [58:14] location and on on Ocean Drive in Miami [58:19] um the the logo in itself the amount of [58:22] t-shirts where then we're probably uh [58:24] Paramount's number one uh selling yeah [58:29] Merchant uh t-shirt merchandise is that [58:31] everybody knows that wild and out logo [58:33] and it's it's on everything from [58:35] t-shirts to bikinis to underwears to [58:37] coffee mugs uh to toys uh it's things [58:41] like that that I was just trying to make [58:43] a cool t-shirt like I didn't think you [58:45] know for 20 something years people would [58:48] be buying wild and out t-shirts so stuff [58:50] like that that when and then even stuff [58:53] I never even thought of you know [58:55] we created wild and out before there was [58:58] a YouTube it's probably uh one of Viacom [59:03] if not V I think maybe The Daily Show is [59:05] probably right there but the biggest [59:07] digital brand that Paramount has [59:11] through Tick Tock YouTube you know I [59:14] feel like I think we might we're [59:15] somewhere north of 12 million YouTube [59:17] subscribers on the Wild and out page uh [59:21] 12 million something subscribers on Tick [59:25] Tock seven million on Instagram and [59:28] that's just that's a TV show you know [59:31] what I mean when you think about it like [59:32] not the individuals who are on the TV [59:34] show yeah have even more followers this [59:37] is just the shows page so what you think [59:39] the brand is worth [59:40] I've heard different things I I mean [59:43] like I said when I initially when the [59:44] research back there was like a 1.3 [59:46] billion but then that was years ago so [59:49] like I'm pretty sure it's grown because [59:51] now it's even more popular now so it's a [59:54] it's you know I try not to get caught up [59:57] in that because then I'm two things [59:59] happen like one I get in I start [60:02] gloating I'm like built this billion [60:04] dollar business and then the second [60:06] thing I was like Hey where's my billion [60:08] dollars like somebody owes me some money [60:10] like so I try not to get caught up in [60:13] that so like I I know I just know it's [60:15] very successful and I'm grateful that [60:17] it's still going I mean I can't wait to [60:19] find the next comedic Superstar can't [60:21] wait to find the next big rapper that [60:23] Grace is The Wild on stage what are the [60:26] other businesses or the business [60:27] ventures that aren't obvious that people [60:28] might not know about so you talked about [60:29] restaurants you sign Talent yeah [60:32] obviously wild and out brand is there [60:34] anything else going on that from the [60:36] business side of things that are isn't [60:37] obvious [60:39] specifically and wild out of everything [60:40] else everything [60:41] well I mean I've created incredible [60:43] entertainment uh in 2009 it was more of [60:47] a conglomerate where because I had [60:49] always had a record label but it was [60:50] separate from my television company uh [60:53] film a film I would produce the films [60:56] that I was in and stuff so I was like I [60:58] want everything [60:59] in-house I read that incredible [61:01] entertainment generated over 100 million [61:04] dollars in Revenue in 2009 and that was [61:07] I think that was just in our headphone [61:08] sales like because we did I had you I [61:11] did a headphone brand very similar to [61:12] Beats by Dre monster was the parent [61:15] company they did Beats for 300 and they [61:18] did Incredibles for a hundred dollars so [61:20] we were the more cost effective [61:22] headphones while Beats by Dre was [61:24] making all the noise we were quietly [61:27] making noise in Walmarts and the Radio [61:29] Shacks for selling an affordable product [61:31] that was pretty much the same product [61:32] except for we made ours uh affordable so [61:35] yeah just so that alone that was just in [61:38] consumer electronics that I would never [61:40] thought I was going to be uh you know [61:42] selling Electronics [61:44] um [61:45] so but yeah incredible and ultimately I [61:47] created a One-Stop shop that could be [61:50] everything from consumer products to [61:52] entertainment to so and it's been [61:57] thriving man it's been uh and it's kind [62:00] of I I guess my brand is somewhat known [62:02] of giving people opportunities uh and [62:05] finding that next [62:07] big things of where we're cultivators [62:10] we're curators we're uh incubators uh [62:14] and so a lot of the the content that [62:16] I've created [62:19] I found my niche I was going to say you [62:22] have a Simon kind of the entertainment [62:24] world but you're in fact just the Nick [62:25] Cannon of them yeah it's funny man [62:28] keilani is a um [62:30] me and Simon talk about that often [62:33] because I found her on America's Got [62:35] Talent on his show my show our show but [62:39] he wasn't paying attention you know what [62:42] I mean and it was like you know he was [62:44] focused on One Direction or whatever on [62:46] one of his other shows and I was like [62:47] you know kehlani came in [62:50] um and it was she was an amazing talent [62:53] she was and like I hate to say found [62:55] because she was already talented once [62:56] you get to America's Got Talent you're [62:58] already [63:00] proven you know uh and she was the the [63:04] lead singer for a group called Pop Life [63:07] which was put together I Believe by [63:09] Dwayne Wiggins from Tony Tony his sons [63:12] were in there too but she was clearly [63:15] the the star of this group and I [63:17] remember Piers Morgan uh was being an [63:20] as he does so very well [63:23] and he was he was telling a 15 year old [63:26] little chubby keilani uh to that she [63:31] should leave the group and the only way [63:33] that he would put her through and not [63:35] Buzz her off is if she left her band [63:38] because she was the talent clearly he [63:40] was right but like how do you put a 15 [63:42] year old in that scenario and she stuck [63:44] to her guns and she said I'm not leaving [63:46] my brothers and everybody else on the [63:48] panel was like [63:50] we're gonna you know we we love that you [63:53] stuck to your gun so even though Piers [63:54] was being an ass [63:55] they put through they went all the way [63:57] through to uh [63:59] to the finale I think they performed [64:01] with Stevie Wonder on the finale as Pop [64:04] Life and then unfortunately you know [64:06] when you don't win life goes on she had [64:08] to go back home to Oakland and probably [64:11] met some hard times and I remember it's [64:14] funny [64:15] uh the father of her you know as we know [64:19] I knew as Gabby uh who also grew up in [64:22] that same music over and he called me [64:25] and said hey man you know that girl that [64:29] was on America's Got Talent she's [64:30] homeless now she's not doing so well I [64:33] was like what it's like yeah she's [64:35] you know not doing she's being a [64:38] teenager but like she needs help like I [64:41] didn't really know her background of you [64:43] know her father you know being murdered [64:45] when she was a child and a mother you [64:48] know uh dealing with substance abuse and [64:50] a lot of she has a very compelling story [64:53] of just the resilience of her and her [64:54] family and he they were explaining all [64:57] that and I was like yo give me your [64:58] information find who's our guardian and [65:00] kind of went and talked to the family [65:02] and say yo I'll move you to LA but first [65:05] we got to finish High School like the [65:06] one promise finish school I'll take care [65:08] of everything else a year later her [65:10] mixtape was nominated for a Grammy [65:12] so it's just like [65:14] just and you know so it's stuff like [65:17] that to where you know I was like [65:19] I put in the work to you know help her [65:21] out or tell Simon yeah you missed that [65:23] one you got a lot of other ones right [65:25] but you missed you you know you missed [65:26] that one and uh did you sign her uh see [65:29] that's the thing how I feel about [65:30] signing I don't I'm weird about that [65:34] I don't like signing people uh and [65:37] people everybody in my life is like [65:39] that's what you have to do I I would say [65:42] I didn't ask for anything I I [65:45] I was the uh impresario you know what I [65:49] mean I I funded scenarios because I [65:52] could so she didn't have to worry about [65:54] anything you know what I mean she had [65:57] uh roof overhead food on the table [66:00] anything she wanted studio time you know [66:03] we we figured it out I I introduced her [66:06] to you know the good people over at [66:09] Atlantic Records [66:10] uh and the rest is history [66:13] so hindsight's a wonderful thing yeah [66:16] yeah I didn't want no money from it you [66:18] know what I mean I do I do that for a [66:20] lot of people uh and it's created you [66:22] know me and Craig Coleman over at [66:24] Atlantic that's my man you know uh but [66:27] where a lot of people would [66:29] be you know kehlani would be signed to [66:32] them forever [66:34] I don't want that you know I mean I want [66:37] her to be able to provide [66:39] and do like I always tell everybody I [66:41] work with from the beginning [66:42] whether you make it or you don't make it [66:44] my life is still going to be the same [66:46] so I don't want anything from you but to [66:49] see you win I just want to see like I [66:51] don't but you could have I could there's [66:53] a lot of people and that that is their [66:55] business so where like I need my [66:58] percentage of every song that you write [66:59] from here on out because I found you I [67:02] discovered you I signed you my spirit I [67:05] don't sit well with my spirit [67:07] I uh [67:08] and that's this future Superstar show my [67:12] inner struggle when you watch it because [67:13] I'm on the show as well [67:15] I struggle with [67:17] signing these kids it's funny because we [67:19] go from City to City and I give [67:22] a local artist anywhere from five to ten [67:25] thousand dollars a city [67:27] and a lot of times that's what these [67:30] record labels are signing these kids up [67:32] for someone signed my publishing [67:36] away [67:37] when I was a teenager for ten thousand [67:39] dollars one of the biggest mistakes one [67:42] of the biggest lessons I've ever learned [67:45] so now I'm giving that ten thousand [67:47] dollars away to these kids and I don't [67:49] want nothing from you but to see you win [67:52] and that's me paying it forward that's [67:55] me correcting what this industry has [67:58] done to people [68:00] so [68:01] for so long so [68:03] I don't want if you want to sign with [68:05] Incredible that's your choice [68:08] that's I get you I you can sign to me if [68:10] you want to but I'm good like I almost [68:14] still be rich so I don't need anything [68:16] from you if you want to join the gang [68:18] let's go like you know there's benefits [68:22] and parts to be an incredible but [68:26] um [68:27] I don't I I it's a lot of people even [68:29] you know from my attorneys and people in [68:32] my my circle like man you gotta sign [68:34] these people how are you going How You [68:35] Gonna function how you going [68:37] allow your business to thrive if you [68:39] don't sign [68:40] well it's been working thus far so I [68:44] don't I don't wanna I don't like signing [68:46] people I don't like having ownership in [68:48] someone else's brand now we could be [68:50] collaborative we can write a song [68:52] together and we just split the [68:53] publishing we can you know [68:56] yeah it costs money to keep the lights [68:58] on you can use my studio yeah like and [69:01] you I get reimbursed you know down the [69:03] line when it's time but I'm not gonna [69:07] take something from you I'm not gonna [69:08] charge the artist like I said that's a [69:11] up concept that we just been [69:13] operating in and no one's ever corrected [69:16] it like why should we this is this is an [69:20] artist who's making brilliant art [69:23] and someone who had nothing to do with [69:25] it gets to own it forever in perpetuity [69:28] the this perpetuity [69:30] like like there's these terms and these [69:34] words that we just signed up for that is [69:37] just it's wrong but it's made a lot of [69:40] people a lot of money so they don't want [69:42] it to change but it has to change like [69:44] technology is making a change these next [69:47] Generations of people who have more [69:49] empathy and giving Spirits are gonna [69:51] allow it to change because I don't p i [69:53] don't believe people are are as [69:56] animalistic or are they're not they [69:59] don't have a Savage mentality like [70:01] and what's used to require I believe [70:04] we're more empathetic we're more [70:06] compassionate and it's starting to show [70:08] even in business I think you're right [70:10] though I think because of platforms [70:13] that middle man has less power than ever [70:15] so you say like oh maybe they're [70:16] becoming more empathetic maybe they have [70:18] no choice yeah because a Kalani or a you [70:20] or whatever now has all these platforms [70:22] where if you've got art and You've Got [70:23] Talent that's just gonna go viral yeah [70:25] and you're gonna have the followers yeah [70:27] on your account with and you own the [70:29] password exactly so they're going to [70:30] come with a different value proposition [70:32] is like oh I can introduce you to that [70:34] person I was telling people like [70:36] networking is stupid like like if you're [70:39] like focused on being the best you [70:42] they'll come find you like but there are [70:46] some people who made a lot of money [70:48] by networking that concept is like oh [70:51] this I know this person I can introduce [70:53] you to this [70:55] God bless you you know what I mean like [70:57] if that's how you like connecting I'll [71:01] get it but if we're really trying to get [71:04] the artist or the IP or the the genius [71:08] to the people [71:10] now [71:11] technology is doing it for us I have [71:13] this debate with my assistant all the [71:15] time because she tells me to network [71:17] more and I say to I say like my [71:19] networking is doing my thing yeah and [71:22] then you become a peacock or a magnet [71:23] versus me having to small talk in a room [71:25] for three hours exactly which I can't do [71:27] that I hate small talk in that maybe [71:29] we're just different type of individuals [71:30] yeah yeah yeah because there are other [71:32] people to be like your network is your [71:34] network yeah yeah I don't care who who I [71:38] know it's more about who knows me it's [71:40] it's I'm I'm gonna go over here and [71:44] figure it out and you're welcome to the [71:46] party like but I don't want to go to [71:48] your party like I don't want to hang out [71:51] with everybody dressed in white and got [71:53] on billion dollar watches I don't that's [71:55] not fun to me yeah like to each his own [71:58] but some people can do that yeah and I [72:01] and like I maybe because I've been in it [72:04] so long I've been to the white parties [72:07] before and wanted to show off and and [72:10] they were fun but like I'm at this point [72:13] like I don't I don't want to do that [72:14] that feels that feels like work to me [72:16] I'd rather be in a studio I'd rather be [72:19] with my children I'd rather be riding [72:21] somewhere uh and not to say that those [72:23] people don't do that as well I just like [72:26] that world is I I don't have a place in [72:31] it that's not where I could be my best [72:32] self I low-key though do Envy the people [72:35] that can do it and enjoy it and that can [72:37] be that Network and connect this person [72:39] to that one and just because it's an [72:41] energy that I just don't have I think as [72:43] an introvert I don't have that muscle to [72:45] like show up small talk my way to a [72:47] lunch with someone and yeah yeah [72:50] I'll tell everybody I'm an outgoing [72:52] introvert like like I am and that's what [72:56] me and Kevin Hart go back and forth [72:58] about all the time because he has that [73:00] gift [73:01] he walks in a room and lights it up you [73:05] know what I mean he know he knows this [73:07] person and this person and I'm like yo [73:09] that looks exhausting and this um that's [73:12] coming from a person who like my my [73:15] personal bandwidth is overloaded [73:17] constantly but my spiritual bandwidth I [73:20] keep like I don't I don't give everybody [73:22] my energy like and that's probably why I [73:26] am a little bit more subdued in rooms [73:27] that's why I may not go to every event [73:31] and most of the time if somebody asked [73:33] me to come something it's like nah I'm [73:34] good and it's not because [73:37] I just like my piece I just like being [73:40] with where I can be my authentic self [73:43] where I can be my best so I don't like [73:45] having to turn it on but I understand [73:48] when it's time to like I and it it's [73:51] award season you got you got to go do [73:53] this so you gotta like all right and I I [73:55] know how to do it with the best of them [73:57] but that's not who I naturally am [73:59] as you guys may know we are a sponsor of [74:01] this podcast and I'm a shareholder in [74:02] the company as someone that is on the go [74:04] pretty much 90 of the time I always [74:06] prioritize getting my workout in and for [74:07] me it's a non-negotiable working out [74:09] staying healthy and trying to optimize [74:11] my body so I can achieve the results [74:12] that I want but a new addition to my [74:14] lifestyle which complements my busy work [74:16] schedule and my tough workout schedule 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you I've [75:42] tried every single heel product in the [75:45] boardroom in the development [75:46] Laboratories and in my home and there's [75:48] a couple of products which have just [75:50] revolutionized my life because they meet [75:51] the requirements that I'm looking for so [75:53] if you're looking to try heal for the [75:54] first time and to get into it to join [75:56] the hooligan family I'd highly recommend [75:58] you try this out [76:00] he is old Nick and at [76:03] 32 years old you got a diagnosis that [76:05] changed your life yeah [76:08] tell me for a super Loop like literally [76:11] pardon the plan with lupus [76:13] yeah man lupus nephritis specifically uh [76:17] in 2012 and here live in my dream life [76:21] you know married to [76:25] the most gorgeous beautiful super [76:28] talented person to ever step on the [76:30] planet literally my dream girl we got [76:31] two kids we're in Aspen I never like I'm [76:35] from from the hood I'm from the projects [76:37] you don't go to Aspen who are you [76:38] married to Mariah Carey [76:40] but it's like I'm in Aspen with my with [76:43] my wife uh and thinking I mean probably [76:48] some of the best shape of my life [76:50] go to boxing three times a week you know [76:55] what I mean got my own home gym in Aspen [76:59] yeah I mean like uh and I had the [77:02] weirdest pain in my uh in my right side [77:06] I'm like I'm thinking like a muscle [77:08] cramp or like like I'm gonna just jog [77:11] through it here I'm in high out uh you [77:14] know altitude [77:15] jogging in the snow thinking I'm gonna [77:18] do like it's my Rocky moment I don't [77:20] know what I was thinking uh and by the [77:22] time I got back to the house [77:24] passed out like and I didn't know like [77:27] like literally Mariah came in and found [77:29] me uh they called her you know rushed me [77:32] to [77:33] the ER in Aspen how did she find you I [77:36] was I don't know I was laid out like and [77:39] I I think everybody because you know I [77:41] think it was that bad because I had just [77:43] came from jogging in Aspen after like oh [77:46] he probably got altitude sickness you [77:47] know what I mean like I was just [77:49] dehydrated so that's what the narrative [77:51] we were going with so once I got to the [77:53] hospital like I just need some fluid IV [77:55] I'll be all right you know because that [77:57] happens because it happens on the ski [77:58] slopes people like my dumb ass was [78:01] jogging and up a mountain I'm probably [78:04] gonna pass out [78:05] um and I was only doing it to try to rid [78:08] this crap that I had I thought I could [78:11] like work it off [78:12] uh and then the longer I was in the [78:15] hospital they were like oh well maybe [78:17] you have a kidney stone [78:19] because there's something going on back [78:21] there and I was like no it wasn't a [78:22] kidney stone and you got the fluid [78:24] you're no longer dehydrated [78:26] all right well you know maybe we got a [78:29] kidney infection and then they wanted to [78:31] do a biopsy [78:32] and then through the biopsy [78:35] I think at the time it's kind of like [78:37] acute [78:38] kidney failure like it wasn't full like [78:41] I was I had caught it early enough to [78:44] where my kidneys didn't completely fail [78:47] and then they were and they found out [78:49] the reason why is that my immune system [78:52] was attacking my kidneys therefore the [78:55] my autoimmune condition Lupus and lupus [78:58] nephritis to where you know where your [79:01] immune system can get out of whack based [79:04] off of whether it's levels of stress uh [79:07] things that you're putting into your [79:08] body you know a lot of times it's not [79:11] hereditary they don't really know what [79:12] the cause of it is uh it's definitely [79:15] related to stress which I didn't think I [79:18] was stressed out but it's like obviously [79:19] there's various types of stress or [79:21] physical stress emotional stress but [79:23] this just can send your immune system uh [79:27] out of whack and therefore your immune [79:30] system then starts to [79:32] you know [79:34] self-destroy you know it starts to [79:36] attack the [79:38] whatever organs different people's lupus [79:41] attack different things mind uh [79:43] specifically where my kidneys uh which [79:47] then created a bunch of other stuff like [79:48] pulmonary embolisms and so like the [79:51] lupus started I started having these [79:52] flare-ups and it was doing a bunch of [79:54] stuff to my body and that if you don't [79:56] catch it you know in in control you [80:00] could lose your life pretty quickly so [80:02] it was a scary time I didn't understand [80:05] it uh but we got it in order you know [80:08] and even [80:09] I feel like I got a good hold on it now [80:10] but every once in a while it's a great [80:13] reminder that [80:15] health is wealth [80:17] health is currency health is the most [80:20] important thing uh next to time [80:23] that we possess and we we don't we can't [80:27] control the time we can control our [80:28] health we can control what you put in [80:30] your body you can control what you how [80:32] well you take care of yourself so [80:35] um my little pissed is my alarm clock [80:36] every morning [80:38] letting me know [80:39] you better do the right thing you better [80:41] drink your gallon of water you better [80:42] take your supplements you better you [80:44] know not eat too much sodium or process [80:46] they're like [80:48] just a a constant measuring stick to [80:51] keep me alive [80:53] how did that diagnosis change your your [80:55] life so if I was if I was in your life [80:56] at that moment yeah before that moment [80:59] and then during that moment you're [81:00] married you're you're still contending [81:02] with work and it changes it so much I [81:05] became a different person [81:08] both [81:09] you know um [81:13] certain things didn't matter anymore [81:15] other things matter too much you know uh [81:18] I started to overly value relationships [81:22] in time but then I that made me get rid [81:24] of relationships that were taking up [81:26] time and wasting my time [81:28] um [81:29] but it all became [81:32] I always felt like I had a ticking clock [81:35] but the ticking clock became more [81:36] apparent in 2012. uh that I gotta make [81:41] the most out of today because tomorrow [81:42] isn't promised my relationship with my [81:44] children [81:45] all of my children you know what I mean [81:47] like a lot of that all comes into play [81:50] to where like what are you going to do [81:52] with the time that you have on this [81:54] planet [81:55] what impact are you gonna make [81:57] so that's kind of that that's where in a [82:00] nutshell what it did [82:02] emotionally [82:04] if I'm if I'm Mariah at that time and [82:06] I'm dealing with a Nick that's [82:07] contending with this new diagnosis and [82:09] an uncertain future [82:11] yeah [82:13] yeah she was my rock man she was [82:15] um [82:16] she went hard you know probably probably [82:20] wouldn't even be honest probably [82:21] wouldn't be alive if it wasn't for how [82:24] hard she went you know [82:25] with the doctors with me my stubbornness [82:29] you know um she was the the perfect help [82:33] mate the perfect matriarch the perfect [82:35] mom the perfect wife in those scenarios [82:38] because granted she's who she is in [82:41] dealing with all the pressures of being [82:43] Mariah Carey but then uh being [82:46] loving enough to take on all of my stuff [82:50] uh and you know we it probably took a [82:54] toll [82:56] on us just because of the person I was [82:58] in my head and the struggles that I was [83:01] dealing with uh so I probably took a [83:03] toll on our relationship but it [83:05] definitely brought us closer together [83:06] the struggles you were dealing with [83:09] man just like was I gonna live [83:11] uh what was life all about [83:14] had I wasted my time up until this point [83:16] and if I get another shot what am I [83:19] gonna do [83:20] what type of am I going to be able to be [83:22] here for my children am I not going to [83:24] be able to be here for my children so [83:25] therefore what am I leaving them [83:27] uh what am I leaving the world when I [83:29] when I exit you know staring up at that [83:32] hospital bed or from the hospital bed [83:34] standing at the ceiling all alone when [83:36] everybody else is kicked out and you [83:39] gotta [83:39] you gotta just [83:41] you know be be face to face with your [83:45] higher power [83:46] asking all those tough questions [83:48] am I done you know uh a lot of people we [83:52] we don't do that because we get [83:57] caught up in the constant race of just [83:59] living day to day but it slowed down for [84:02] me on many occasions of like [84:05] it's just a rap he's almost out of here [84:09] um and I wasn't scared that's the crazy [84:12] thing when you get to that point where [84:13] you're like oh okay [84:15] I had a good run [84:16] were you happy I was in that moment when [84:19] you're looking up at the ceiling I was [84:21] content I wasn't scared [84:24] and it happened you know more than once [84:26] and even you know [84:28] it continues to like I'm probably [84:31] reminded of [84:32] my physical mortality [84:35] all the time [84:37] uh and when you're when you're not [84:39] afraid of dying [84:42] you focus on living [84:44] you know it's a it's a [84:48] anyone who's ever had a near-death [84:49] experience or anyone who've been in [84:51] those quiet places of [84:54] dealing with thoughts of afterlife and [84:57] what this current life was for you [85:00] uh you live the rest of your days [85:03] differently and [85:07] at least for you know a certain amount [85:08] of time until you're reminded again [85:11] um [85:11] but yeah man I I [85:14] would say I want that life [85:17] I've had I've lived several lives and I [85:19] won them all you know so it's like [85:22] I'm not a I'm not afraid to go like and [85:25] even all of the things that I I study uh [85:29] and have prepared myself for [85:32] it's you know one thing it's inevitable [85:34] we all got it's gonna happen to all of [85:36] us at some point and I think others just [85:38] deal with it better and it makes you [85:40] appreciate this life like I'm wanna when [85:43] it's all said and done I guarantee you [85:46] they're gonna be like yo he wrote that [85:47] to the wheels fell off like [85:49] like he got he got the most out of life [85:53] um and you know I'll be known for [85:56] smiling big uh loving hard you know and [86:02] you know what more can you ask for you [86:04] said you don't think you'd be here if it [86:05] wasn't for Mariah going hard do you [86:07] really believe she saved your life oh [86:09] absolutely [86:10] absolutely but I think that's what you [86:12] do uh [86:14] when you when you find a help mate when [86:16] you find [86:17] uh someone that you're in matrimony with [86:20] you know [86:21] you you go hard for him I feel like I [86:24] went hard for her and we'll still go [86:25] hard I lay down my life for her today [86:27] you know it's just that's what you do [86:30] it's just it's family it wasn't and I [86:32] just want to make it clear it wasn't [86:33] just that moment where you had to [86:35] contend with health and mortality it's [86:36] an ongoing conversation I was in and out [86:38] of the hospital I mean I was in the [86:40] hospital this past December you know uh [86:44] is not as frequent you know but and it's [86:47] just because I have the right doctors [86:49] and I'm hopefully doing the right things [86:51] now that it doesn't find me but you they [86:54] lupus you have what they call flare-ups [86:56] and it happens when [86:58] certain times of the year Seasons stress [87:01] uh and [87:04] some can be worse than others uh so [87:06] early on when I was trying to understand [87:08] it between like 2012 and 2016. I was in [87:11] the hospital like a couple of times a [87:14] year for instance of like three weeks to [87:16] a month just trying to figure it out [87:18] so those and like I said the flare-ups [87:21] would cause things from everywhere from [87:23] like blood clots pulmonary embolisms [87:26] inflammation and not have the ability to [87:29] walk to [87:30] kidney failure organs not doing what you [87:33] know they're supposed to do so you know [87:36] I had blood clots in my lungs and my [87:38] heart like things that would have [87:40] normally killed other people you know [87:43] the doctors would be like man I don't [87:45] understand how you didn't get affected [87:46] by that you know [87:48] having to do you know infusions that are [87:51] you know similar to chemotherapy and you [87:55] know my hair falling out stuff like that [87:57] like uh it's been quite the journey but [88:00] you know you gotta you gotta you never [88:03] know how strong you are just being [88:05] strong is the only option you just got [88:07] to push through [88:09] crazy how that changes perspective [88:11] and you as you say all of that having [88:13] not been through that myself yeah I'm so [88:16] hungry to understand the perspective [88:18] that it's given you because I don't want [88:19] to have to go through that to get the [88:21] person I don't wish it on anyone yeah [88:22] yeah I mean it's funny you say that [88:25] sitting there 30 years old yeah and this [88:27] is why it's ah but man you know what I [88:29] used to do even before [88:31] I was diagnosed with lupus it's funny um [88:34] and I don't even just put on my heart [88:36] but I [88:37] I knew it helped my perspective [88:40] every month uh [88:43] started off every month and it started [88:45] to be like once a quarter but I would go [88:49] to Saint Mary's Children's Hospital [88:52] and read books give toys [88:57] uh and really just hang out [89:00] um [89:01] and I wouldn't do it for publicity or [89:05] it was just it was a reset button for me [89:09] to put everything in perspective because [89:10] you would see these children [89:12] who [89:14] were [89:16] dealing with life altering sometimes [89:20] just chronic and detrimental disease [89:24] and they would have these Smiles on [89:26] their faces and they would just [89:30] be so happy [89:31] and like hooked up the tubes and I'm [89:34] like man if they're having a good day [89:37] I have no complaints I can I'm gonna [89:41] walk out of here [89:43] in good health and this I would I you [89:45] know I was still on the board of St [89:47] Mary's children's hospital and I did a [89:49] lot of work with like the Children's [89:50] Miracle Network and stuff I probably [89:51] started that in like [89:53] I was in my mid-20s [89:56] um [89:56] and it just [89:59] I almost want to say help prepare me for [90:01] the mindset of when I have my own [90:04] diagnosis I mean ultimately ended up [90:06] losing my own child you know even a [90:08] decade later after that it was like [90:11] you got to enter these spaces with [90:14] empathy with compassion [90:17] because then that reminds you that we're [90:20] all human that and make the most out of [90:23] this day because you might not be able [90:25] to walk tomorrow you might not you might [90:28] take a loss of [90:30] someone that you thought was going to be [90:32] there forever that you thought was going [90:33] to outlive you and [90:36] you're talking you're talking about Zen [90:37] yeah yeah and it's like and moving so [90:41] fast [90:42] if you you start to regret like man I [90:45] didn't [90:46] I didn't do what I should have done in [90:48] that moment so [90:51] it's a constant reminder you know what I [90:53] mean and I think perspective perception [90:55] a lot of those things help us daily [90:58] you dealt with the loss of your your son [91:04] at just five months old due to brain [91:07] cancer yeah [91:08] something that no parent ever conceives [91:11] yeah as a possibility [91:14] and so I it's [91:17] it's a [91:18] it's an awful Club to be a member of uh [91:21] but I I can understand [91:25] where [91:27] it's um [91:31] it's hard to relate [91:33] it's I've learned a lesson in that to [91:36] where when other people are going [91:37] through stuff never use the word I [91:39] understand [91:40] because you don't you know [91:43] um [91:44] it's [91:46] it's just [91:48] it's so many things that go through your [91:50] mind of [91:51] you know even in even in a short period [91:54] of time [91:55] of five months [91:58] the the level of pain the level of guilt [92:01] the level you know like that one [92:03] struggles with because [92:07] you know you think like oh well [92:09] that child would have got to Crow this [92:12] see five years or 25 years or you know [92:16] you start asking all of these questions [92:19] that of Concepts you just you struggle [92:22] to understand so when you go through it [92:26] you kind of have to just [92:28] create this [92:30] fog that protects you but at the end of [92:35] time like again you just got to keep [92:36] pushing through and then you know [92:38] they do say Time Heals all wounds I [92:40] think you know you feel [92:43] it's just something that you you'll [92:45] never completely heal from but you live [92:48] in in your you learn to operate and you [92:50] you learn to smile you learn to be [92:54] appreciative if you're a jovial and [92:56] optimistic person like I am you know you [92:59] push through but you know that pain [93:00] never leaves you did you have space and [93:02] time to grieve his his loss [93:04] grieving is forever [93:07] it's not a time period like that's what [93:09] I was talking about like it's not about [93:11] times like that's something you're going [93:13] to grieve daily [93:15] and grieve it daily oh absolutely and I [93:17] think we all and then any loss you know [93:20] what I mean and it's learning how to [93:23] turn your grief into [93:25] purpose learning how to turn your grief [93:28] into [93:31] a badge of honor in your character [93:35] um because we all experience it we all [93:37] it's [93:38] instead of because sometimes grief can [93:41] turn into anger and sadness I don't [93:43] think that's what it's meant for uh I [93:45] think that may be the innate feeling but [93:49] when you can turn [93:50] oh man I lost my grandmother I lost my [93:52] mother so therefore it makes me more [93:54] compassionate to women [93:56] uh I lost my child so that makes me [93:58] appreciate other children [94:00] um I lost my father I never knew my [94:02] father so that makes me want to be a [94:04] greater father you know like when you [94:07] learn that that pain or that grief can [94:10] actually turn and make you [94:13] uh fulfill you in in with strength in [94:17] those spaces that once were empty [94:19] I think that then allows you to figure [94:22] out why [94:24] we're here in the first place if I was [94:26] to fly on the wall in your household [94:28] during that period what would I have [94:29] seen [94:31] a lot of Silence from me at least [94:35] uh when I'm dealing with stuff I get [94:37] real quiet [94:39] I don't talk [94:40] I keep to myself [94:42] therefore that makes the whole room [94:44] uncomfortable because everybody else has [94:45] to be quiet especially someone like me [94:47] who is loud you know especially in my [94:52] own home [94:53] when it becomes Eerie silence [94:57] so and you know it's internalizing it's [95:00] thinking it's taking the time it's being [95:03] appreciative of [95:05] of the time of the of the energy [95:09] but uh you see a lot of love a lot of [95:12] compassion but a lot of Silence [95:16] we have a closing tradition on this [95:17] podcast where the last guest leaves a [95:19] question for the next guest not knowing [95:20] who they're going to leave the question [95:21] for and they write it into the diary I [95:24] don't get to read it beforehand Jack [95:25] does he just checks it's not completely [95:26] crazy so okay here we go [95:30] okay I'm gonna have a guess [95:32] okay so I've got this thing then what's [95:36] the next word [95:38] okay this thing you're upset about [95:41] you're hanging on to [95:44] that you've been [95:46] ruminating about [95:48] resenting [95:51] what would happen if you just let it go [95:57] if you just never thought about it again [96:00] and let it go did you did you interview [96:03] my therapist [96:06] as much as I may like internalize things [96:08] and like [96:09] over analyze because I I would say I'm a [96:13] perfectionist on one and I'm also [96:18] fly by the seat of my pants Carefree [96:21] whatever happens happens type of person [96:24] so in therapy [96:27] I have to figure out which box I'm gonna [96:28] put my issues in [96:30] because there are the ones like over [96:33] analyze about and you know those usually [96:36] have to deal with like my children and [96:37] you know [96:39] relationships based off of like wanting [96:42] to be the best me in that space uh [96:47] and then there's the stuff that was like [96:48] I can't control that like whatever like [96:51] and those are the things that keep [96:52] people up at night and you just lost how [96:55] many millions of dollars or like I don't [96:57] care like like uh so to answer that very [97:02] uh [97:04] insightful question [97:06] um [97:07] nothing would happen like like I I it [97:11] would be very similar to [97:14] and that's what I've learned like the [97:16] the things that I over analyze [97:20] stress about [97:22] uh [97:24] usually the same result happens when I'm [97:27] carefree and [97:30] don't really put too much emphasis on [97:32] the issue but is there anything that you [97:34] could let go of that you think would [97:35] have a positive impact on your life [97:39] just let it go hmm [97:41] not really I mean because I'm kind of [97:44] that type of person like I don't let [97:46] things there's not an idea or a [97:49] resentment or a grudge or a maybe maybe [97:52] before you know I think I've I'm kind of [97:55] doing the work so I kind of know that [97:58] about myself but I'm also I've never [98:02] been one to take life seriously like [98:04] that and it's almost to my detriment you [98:07] know sometimes or like I need to take [98:09] something seriously like my health or [98:11] you know even some certain relationships [98:14] but [98:15] um I used to care what people think [98:16] thought about me you know because we're [98:19] in an industry of that we'd be lying if [98:21] like I still pay attention to what [98:23] people say about me but I don't I don't [98:25] allow it to [98:28] you know make decisions for me so I [98:31] don't deal with that anymore [98:33] um [98:35] and that's why I said now I'm probably [98:37] at this space to where even if it's the [98:39] small things [98:41] you know I kind of [98:44] know how to compartmentalize even for [98:46] the moment like I spent enough time on [98:47] that you know we got to move off it as a [98:51] father I mean I'm pretty sure I'm gonna [98:53] learn so many more lessons uh [98:57] with all of my children having to [99:00] they're all gonna deal with things in a [99:03] completely different fashion so [99:05] hopefully whatever their Hang-Ups are [99:08] don't necessarily become my Hang-Ups [99:10] because I know as a parent we do that [99:13] you know that's that's the compassion of [99:16] parenting uh [99:18] you got any kids no yeah yeah that's the [99:21] thing they don't tell you that their [99:24] problems become your problems how'd you [99:26] mean immediate whatever they have an [99:28] issue is now your issue from the spot if [99:30] they got diarrhea you got diarrhea like [99:34] like if they're crying you're crying if [99:37] they can't sleep you can't sleep and it [99:40] happens forever if they have a problem [99:43] getting in if they're stressing about [99:44] school you're stressing about their [99:46] school I'm right there and I'm about to [99:48] have kids yeah I imagine I've got a [99:50] partner we're settle down we've got a [99:52] place together we're talking about it [99:53] what advice have you got for me do it [99:56] yeah [99:58] I mean but that it's because it's what [100:01] life is all about like it's like [100:04] um you're gonna do it the way you want [100:05] to do it like I said the one other thing [100:07] I never and me having so many kids I'm [100:09] like man so many 12 12 kids yeah yeah so [100:14] I'm the artist is 12. yeah the oldest 12 [100:17] year old twins [100:20] yeah and every all of their problems [100:23] they come they're my problem that's a [100:25] lot of problems yeah like it's not and [100:27] they're not they don't care about their [100:29] siblings problems you got to deal with [100:31] this one right now dad my chameleon has [100:34] an eye infection we have to rush to the [100:38] vet now like what it's a lizard all [100:44] right like other things and it's life or [100:47] death the chameleon can't die like or to [100:51] you know [100:52] you know that's is that one's fun and [100:54] silly but you know taking us back to Zen [100:56] and what we were talking about like [100:58] those were my issues those are my [101:00] problems those brought out things that I [101:02] never thought I would ever have to deal [101:04] with because as I watch my [101:06] five-month-old sit here and deal with [101:09] life [101:10] so it's like their problems become your [101:13] and what you think about [101:16] um [101:16] for me and I was thinking about this [101:18] this morning you're just grateful for [101:20] always like wow [101:23] it's quiet everybody's good let's [101:26] Embrace this moment uh and then you know [101:30] when problems are issues challenges [101:32] obstacles arise we all deal with it as a [101:35] family [101:36] and that you know so that's you you you [101:38] appreciate life for you become a problem [101:41] solver you become an individual who [101:45] every day wakes up and overcomes [101:47] whatever challenges in front of them [101:50] sounds like a lot of a big weight to [101:52] carry it's but it's life it's fun it's [101:56] have fun with it [101:57] whatever that challenge is whatever [102:00] issue that that child brings [102:03] have fun with it [102:04] find the story in it find the lesson [102:07] what's this what's the happily ever [102:09] after to this because it's the happily [102:11] ever after every day you just gotta [102:14] focus on it don't don't you know eat [102:17] even the villains have happy ever [102:18] afterwards like it's like you just got [102:20] to figure out at the end of the day how [102:22] am I going to say I learned this or I [102:25] got this out of this even though I went [102:28] through the fire to get there I'm go or [102:31] I'm still going through it it's you [102:33] gotta find the enjoyment and the journey [102:36] do you care about Legacy [102:38] I thought I did [102:40] I had to Define what it was I'm still [102:42] defining what it is [102:44] I I've realized that my children aren't [102:46] my legacy [102:47] um [102:48] my children are my children my children [102:50] aren't necessarily mine they're their [102:52] own [102:53] uh I've been giving the stewardship and [102:57] uh the privilege for [103:00] a certain amount of time [103:02] to be able to guide them to the best of [103:06] my ability for 18 to 25 years but [103:10] they're their own people uh so I've [103:13] learned that that's not my legacy [103:15] um [103:16] what we can build together as a family [103:18] can become a legacy so what's your [103:20] legacy [103:22] my compassion [103:24] my uh [103:25] my gratitude which then probably then [103:27] turns into [103:29] my humility that's then turns into my [103:31] humor which then turns into my comedy [103:33] which attaches to my art form I mean [103:36] that's built into the compassion and [103:37] stuff as well too so [103:40] to be able people say man [103:43] he made the world a better place by [103:45] making people smile [103:48] and if I could do that through [103:51] my humor my music my art my movies my [103:55] finances I want to make people smile so [103:58] hopefully even when I'm gone [104:00] the things that I left behind make [104:02] people smile [104:04] I certainly believe that's the case [104:06] um you've made me smile over the years I [104:08] started watching uh wilding out on MTV [104:10] and then on YouTube throughout my entire [104:12] life I mean MTV was the only felt like [104:14] the only show on in my household growing [104:16] up in Plymouth and seeing it was kind of [104:18] my window into hip-hop culture and [104:19] commenting all those things and in every [104:21] respect of the word not only have you [104:23] put countless people on that you'll [104:24] never get credit for nor do you really [104:26] care about the credit clear but um [104:28] you've been a Pioneer [104:30] um in so many different art forms and [104:33] created this wonderful platform to put [104:35] other people on and that's something [104:36] that I look at and I really aspire to do [104:38] with my life as well like if I if I'm [104:40] able to help people reach their full [104:42] potential in the way you have for so [104:43] many people that people have no idea [104:45] about across comedy and entertainment [104:47] and music then I think that's a life [104:49] worth living and a life [104:52] worthwhile yeah that's exactly what you [104:55] have yeah so thank you thank you for [104:57] doing that that's another title um life [104:59] worthwhile sounds like a book let's get [105:02] that trading [105:03] let's keep that open thank you [105:05] appreciate it man this has been [105:06] beautiful thank you for the experience [105:07] pleasure to meet you thank you Nick [105:10] [Music] [105:13] Zoe you're a sponsor of this podcast and [105:15] I'm a big investor in the company you [105:17] guys know I'm really sitting still [105:18] because that's just the nature of my [105:19] life so whether I'm in a business [105:21] meeting with my investments or I'm [105:22] recording this podcast I'm always [105:24] running from A to B but the one promise [105:26] that I made to myself is to fuel my body [105:28] sufficiently and Zoe has been really the [105:31] key part of me succeeding in that [105:33] mission for those of you that don't know [105:34] I've been a Zoe member for about a few [105:36] months now ever since I had Zoe's [105:38] scientific co-founder Professor Tim [105:39] Spector on this podcast Zoe helps me to [105:42] understand how to make better food [105:43] choices for my long-term health and it's [105:46] all personalized to me eating the right [105:48] food is essential for me to keep me [105:49] going because some of my meetings are [105:50] often later in the day and so I need to [105:52] ensure that I keep my energy levels up [105:54] and Zoe allows me to understand which [105:55] foods work for me and which foods don't [105:57] eating the Zoe way I don't get that [106:00] dreaded afternoon crash and I feel great [106:02] so to get started with Zoe go to zoe.com [106:04] Steven and use my exclusive code [106:08] ceo10 for 10 off so many of you've been [106:11] asking me for a discount code here it is [106:13] CE 010 go to zoe.com [106:16] Steven and use my exclusive code ceo10 [106:20] for 10 off and if you already use Zoe [106:22] send me a DM and let me know how you're [106:23] getting on [106:24] [Music] [106:27] foreign [106:30] [Music]