Tech Roast Show核心团队7人实现百万美元营收

吐槽大厂,做成七位数生意|The Tech Roast Show访谈 — 课代表立正

课代表立正

大厂员工离职创业做科技吐槽秀并非纯靠勇气,而是依赖房产租金、政府补贴、父母资助等经济安全网与对平庸生活的恐惧。

AI-assisted summary of 吐槽大厂,做成七位数生意|The Tech Roast Show访谈 — original source. Check the original for full context.

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## Background 本文源自“课代表立正”于2026年8月17日在YouTube发布的视频《吐槽大厂,做成七位数生意|The Tech Roast Show访谈》。视频简介指出,三位走出硅谷科技大厂的喜剧主创Austin、Jesse与Nikita在此摊开账本,分享了他们如何将对大厂文化的吐槽打造为“七个人、七位数”的喜剧生意,并诚实地拆解了辞职背后的经济特权与真实动力。

## TL;DR 《The Tech Roast Show》主创团队分享了其“4位合伙人+3名全职员工”及数十名各地协作者构成的商业模式,营收已达到百万美元级别。主创们坦言,从大厂高薪岗位跳槽离不开房产租金、政府补贴、住父母家压缩开支以及家庭经济支持等“特权”安全网。而真正驱使他们跳出大厂的,是对平庸生活的恐惧、脱口秀社群的归属感、舞台上的即时反馈,以及将编程技术融入线下演出互动软件的成功尝试。

## Atmosphere & style 整场访谈氛围幽默风趣且极具硅谷式的毒舌自嘲,主创们在欢声笑语间将大厂荒谬现象与真实创业心酸娓娓道来。谈话风格坦诚而接地气,既有关于离职与Meta的默契调侃,也有对特权背景和经济现实的不避讳揭露。整体叙事节奏明快,从犀利吐槽逐渐过渡到对人生选择与自我实现的深刻思考,给听众带来既解气又真实动人的听觉体验。

## Key takeaways - [00:00](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=0s) 三个从科技行业走出来的主创将吐槽大厂文化的喜剧秀《The Tech Roast Show》做成了一门百万美元级(七位数)的生意。 - [02:12](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=132s) 公司核心团队由 4 位平等合伙人及 3 名全职员工构成,对应着七位数的年营收规模。 - [03:56](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=236s) 团队依托 10 到 20 名长期合作的各地协作者,支撑起线下巡演、长短视频内容以及演出软件开发。 - [05:31](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=331s) Austin 在微软工作期间就通过投资房产、经营 Airbnb 等副业收入铺路,以抵消日常开支。 - [05:57](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=357s) 疫情期间获得了政府发放的约 4 万美元免还纾困补助,加上短视频变现,帮助他们扩张演出规模。 - [06:37](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=397s) Jesse 辞职后选择搬回父母家居住七年极力压缩开销,等待喜剧商业模式跑通。 - [06:37](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=397s) Nikita 作为非英语母语移民,从自学 VR 游戏开发转型,并在妻子鼓励下用非母语上台演出脱口秀。 - [07:37](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=457s) 主创们坦言辞去高薪大厂工作离不开自身“特权”与安全网,如家庭经济支持、免费住宿及学历背景。 - [08:34](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=514s) 跳出科技圈的动力之一是对继续在大厂熬日子、生活被工作细节耗尽的深刻恐惧。 - [08:34](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=514s) 喜剧社群的归属感以及舞台上即时的观众反馈,提供了科技行业所缺乏的情感连接与满足感。 - [08:34](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=514s) 主创团队将曾经的科技技能转化为优势,为线下演出定制开发了互动软件与游戏。

## Detailed walkthrough ### [00:00](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=0s) 把对科技行业的吐槽做成七位数生意

主持人在开场中提到,整个科技行业一直沉迷于追逐“独角兽”与高额薪酬包,而从科技圈走出来的 Austin、Jesse 和 Nikita 三位主创,却通过撕开并吐槽这种大厂文化,成功打造出一家七位数的生意。作为硅谷最毒舌的科技吐槽秀《The Tech Roast Show》的创始人,他们不仅聊到了创业的成功历程,也深入剖析了科技圈现存的荒谬现象,以及如何将对喜剧的热情转化为揭露这种荒谬的商业模式。

在讨论中,主持人和嘉宾打趣道,现在软件行业的就业市场甚至比脱口秀演员的职业生涯还要不稳定。主创们笑称,虽然事实未必完全如此,但在大厂裁员潮爆发时,这种对比显得格外形象。不过,真正能支撑他们将吐槽变成稳定生意的,是公司背后正在逐渐完善的商业运作与团队架构。

- **团队规模**:公司目前由 4 位平等的合伙人(包括 3 位主创以及另一位负责长视频内容与制作的联合创始人)和 3 名全职员工组成,团队核心共 7 人。 - **协作者网络**:除了 7 名全职人员外,他们在各个城市还拥有 10 到 20 名长期合作的协作者,包括摄影师、摄像师、场务引导员以及负责物流和海外巡演(如印度巡演)的当地对接人。 - **营收规模**:主创团队自豪地表示,他们是一家标准的“七位数(百万美元级)”公司,恰好对应着 7 名核心成员。他们还幽默地补充道:“等我们达到八位数营收时,就会再招第 8 个人。”

---

[04:23](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=263s) 为什么非要成立一家公司(以及那个关于 Meta 的段子)

当被问及何时决定正式成立公司并将喜剧作为长期事业时,主创们开起了标志性的硅谷玩笑。他们调侃称,自己以前都在 Meta 担任高管,发现 Meta 内部有个部门本质上完全是在做“科技吐槽(Tech Roast)”,于是他们干脆把这个部门“剥离”出来,直接做成了自己的赚钱机器。 Jesse 甚至搞笑地比喻道:“我一手拉着 Austin,一手拉着 Nikita,抬脚就跑出了 Meta 大门,等我们清醒过来时,就已经变成了一家全新的公司。”

玩笑过后,主创们分享了从大厂辞职跳槽、全职创业的真实心路历程。Austin 回忆道,在《The Tech Roast Show》刚起步的前三年里,演出几乎不怎么赚钱。他当时还在微软工作,为了能“安全着陆”,他在辞职前就开始精心铺垫副业收入,包括投资房产、经营 Airbnb 和收取房屋租金,以此来抵消日常的生活开销。

在疫情期间,团队还迎来了意料之外的转机。由于联邦政府为因疫情无法营业的娱乐公司提供了纾困补助金,他们顺利拿到了约 4 万美元且无需偿还的政府补贴。加上 TikTok 上开始带来收益,以及房产租金对开销的对冲,他们终于拥有了足够的资金去租赁场地、扩张演出规模。

---

[06:37](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=397s) 住父母家的七年,与移民用非母语上台

与 Austin 提前规划副业不同,Jesse 的辞职路线则更加“粗暴”。他坦言自己当时没有那么细致的理财规划,辞职后完全没有收入,于是选择搬回父母家住了整整七年。在这期间他极力压缩生活开支,硬生生等到了这个商业模式彻底跑通。

Nikita 则分享了他作为一名非英语母语移民的独特经历。在俄罗斯长大的他表示,当地过去根本没有 Stand-up(单口喜剧)这门行当。他最初完全靠自己摸索,花了两年时间开发 VR 游戏并自学编程。后来在妻子的不断鼓励下,他才克服语言障碍上台演出。此外,他还提到自己在 GameStop 股票暴涨潮中赚到了约 40 万美元,这帮他付清了现在所住房产的部分首付。

主创们坦言,在诚实回答“你怎么敢辞掉高薪工作”这个问题时,绝对不能避谈自身所拥有的“特权”与安全网: - **家庭支持**:Nikita 在 Seattle 做脱口秀的前四年里,绝大部分时间都依赖父母和家庭的经济资助,仅靠演出赚取极少量的零花钱,如果没有这层保障,他根本无法坚持练习喜剧。 - **平台与背景**:拥有美国大学学历、高薪大厂的工作经历以及父母提供的免费住宿或资金垫底,都是支撑他们能够承担风险的客观条件。

---

[08:34](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=514s) 恐惧、社群和即时反馈:真正让人跳出去的东西

谈到究竟是什么把对喜剧的热情转化为实际行动时,Austin 坦言,很大一部分动力来自于对“照这样过下去”的恐惧。当他在微软工作时,看到周围的中层管理者每天住在 Sammamish,按时接送小孩去上游泳课,一辈子所有的激情都消耗在讨论 feature flags(功能开关)等工作细节上时,他感到了深深的绝望与恐惧,绝不希望自己的终局也是如此。

Nikita 则从个人心理角度解释了他转向喜剧的原因。他此前独自开发 VR 游戏的过程非常孤独,尽管富有创造力,却难以与他人产生真实的连接。而脱口秀不仅带来了极具凝聚力的喜剧圈子社群,还提供了舞台上最即时、最直接的观众反馈,这种情感连接与满足感是科技行业无法比拟的。

有趣的是,科技行业的背景并没有被完全抛弃。如今 Nikita 依然在为《The Tech Roast Show》发挥他的技术专长——他们为线下演出量身开发了定制化的互动软件和互动游戏,将曾经的科技技能以全新的形式融进了现在的喜剧事业当中。

## Notable quotes > [00:00](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=0s) a proud seven-figure business

> [00:00](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=0s) 七个人,七位数,一人一位

> [00:00](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=0s) 等我们达到八位数营收时,就会再招第 8 个人 — 主创团队

> [04:23](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=263s) 我一手拉着 Austin,一手拉着 Nikita,抬脚就跑出了 Meta 大门,等我们清醒过来时,就已经变成了一家全新的公司 — Jesse

> [07:37](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=457s) 你怎么敢辞掉高薪工作

> [08:34](https://www.youtube.com/watch?v=XoyE0eQZYh0&t=514s) 照这样过下去 — Austin

## Mentioned The Tech Roast Show, Austin, Jesse, Nikita, 微软, Meta, TikTok, GameStop, Sammamish, Airbnb, VR, Stand-up

[Source](https://www.youtube.com/watch?v=XoyE0eQZYh0)

中文简报

Tech Roast Show核心团队7人实现百万美元营收 大厂员工离职创业做科技吐槽秀并非纯靠勇气,而是依赖房产租金、政府补贴、父母资助等经济安全网与对平庸生活的恐惧。 《The Tech Roast Show》主创团队分享了其“4位合伙人+3名全职员工”及数十名各地协作者构成的商业模式,营收已达到百万美元级别。主创们坦言,从大厂高薪岗位跳槽离不开房产租金、政府补贴、住父母家压缩开支以及家庭经济支持等“特权”安全网。而真正驱使他们跳出大厂的,是对平庸生活的恐惧、脱口秀社群的归属感、舞台上的即时反馈,以及将编程技术融入线下演出互动软件的成功尝试。 三个从科技行业走出来的主创将吐槽大厂文化的喜剧秀《The Tech Roast Show》做成了一门百万美元级(七位数)的生意。 (0:00) 公司核心团队由 4 位平等合伙人及 3 名全职员工构成,对应着七位数的年营收规模。 (2:12) 团队依托 10 到 20 名长期合作的各地协作者,支撑起线下巡演、长短视频内容以及演出软件开发。 (3:56) Austin 在微软工作期间就通过投资房产、经营 Airbnb 等副业收入铺路,以抵消日常开支。 (5:31) 疫情期间获得了政府发放的约 4 万美元免还纾困补助,加上短视频变现,帮助他们扩张演出规模。 (5:57)

Reading summary

脱口秀节目《The Tech Roast Show》主创团队通过解构科技大厂文化,将其发展为年营收达百万美元的商业化演出业务;其转型并非仅凭冲动,而是依托于团队协作模式、前期财务安全网以及技术能力的再应用。 轻量核心团队与分布式协作网络 (0:00) 该项目目前维持着精简的核心团队结构,由 4 位地位平等的合伙人(涵盖 3 位出镜主创及 1 位主导长视频制作的联合创始人)与 3 名全职员工组成,团队核心共 7 人。主创团队透露,公司的年营业额已进入七位数(百万美元级)区间。 在核心人员之外,团队在各巡演城市建立了包含 10 至 20 名长期合作者的外包与协作网络,负责摄影、摄像、场务引导,以及海外巡演(如印度巡演)的落地物流与资源对接,借此支撑跨区域甚至跨国的巡回演出规模。 全职创业的财务缓冲与阶层安全网 (4:23) 在节目起步的前三年,脱口秀演出本身的盈利能力极弱。主创们强调,辞去高薪大厂工作需要正视各自拥有的财务安全网与阶层条件:Austin 在离开微软前便通过购房、经营 Airbnb 与出租物业获取被动收入以覆盖日常开销;Jesse 则在辞职后搬回父母家居住长达七年,以此将生活成本压缩至极限。 此外,Nikita 在西雅图练习脱口秀的前四年主要依靠家庭资助,且随后在 GameStop 股票交易中获得约 40 万美元收益,缓解了房产首付压力;团队在疫情期间亦申请到约 4 万美元免还的联邦娱乐业纾困补助,配合短视频平台收益与租金支持,才得以完成早期场地的租赁与扩张。 反抗可预测性与技术能力的内容化 (8:34) 从科技业转向全职喜剧的内驱力,部分源于对大厂既定生活轨道的规避。Austin 表示,微软中层管理者日复一日讨论功能开关(feature flags)以及高度程式化的郊区育儿生活,让他产生了深层的倦怠与焦虑;Nikita 则希望打破独立开发虚拟现实(VR)游戏时的长期孤立,通过单口喜剧获得同行社群与舞台观众的即时反馈。 科技从业背景并未被完全割裂,而是转化为了演出产品的竞争壁垒。具备编程能力的 Nikita 为线下演出定制了互动软件与游戏程序,使科技工程技能直接服务于现场表演与观众互动环节。 主创团队的经历表明,将针对特定行业的文化吐槽转化为可持续的文化商业项目,不仅需要对大厂职场心理的洞察,更依赖长期的成本耐受力、多重资金兜底手段,以及将既有技术资产向新领域复用的能力。

Source quotes

[0:00] a proud seven-figure business [0:00] 七个人,七位数,一人一位 [0:00] 主创团队: 等我们达到八位数营收时,就会再招第 8 个人 [4:23] Jesse: 我一手拉着 Austin,一手拉着 Nikita,抬脚就跑出了 Meta 大门,等我们清醒过来时,就已经变成了一家全新的公司 [7:37] 你怎么敢辞掉高薪工作 [8:34] Austin: 照这样过下去

Original transcript

[0:00] Our industry is obsessed with chasing unicorns and getting high compositions. But how did three tech veterans defy this trend and successfully built a seven-figure business based entirely by burning this culture down? What's up guys, I'm YZ. Today, I'm with Austin, Jesse, and Nikita. The three founders of the most satirical show in Silicon Valley. This is good technology. The Tech Roast Show. We are here to discuss not only their success and journey, but the absurdity they find in today's tech environment. How they blend their passion for comedy with calling out that absurdity. There was a department in Meta that was essentially entirely tech roast. They had a whole tech roast division. So we just took that, carved it out, and turned it to our own. And turning it into a money-making machine. We also have a deeper conversation about the safety net that allowed them to start their own thing and chase their dream. I was supported by my parents and my family for the first like four years of doing stand-up. And they allowed me to mostly financially depend on them. I was making a tiny bit of money, but I was not making a living. And without that, I would not have been able to practice comedy the way I did. Here is the food conversation. Thank you. So I want to ask you the question you posted just a story. Ironically, software is now more unstable than a comedian. Ironically, the software job market is less stable than comedy? Yes, yes, yes. I think I thought of that. I see. I think there was a point when it certainly felt that way. I don't know if it was factually true. My guess is when one of the big waves of layoffs was happening, you made the joke that comedy is more stable. Yeah, but I think the other piece is, You must have grown your business so well that this feels like a legit business and feels stable. And I don't think many people have that perspective. It does not feel like a legit business. It is a legit business, but it rarely feels that way. I think... Because what we do is so fundamentally absurd. We are trying to build a company that has employees and real responsibility in the world. So as of right now, we have three full-time employees. Brendan does production and a lot of the logistics and He is sort of building out our long-form content branch of the company. And to clarify, that's three full-time employees that are not part of the four... equal owners of the company. So there's seven in total. There's another producer who's a part of the company who's not here right now who is uh... he's an equal partner of them three and he's my most direct boss because he's the other producer. They're the talent, the pretty faces of the company. The structure of the company is sort of a board of four co-owners, directors, and we started the company together. And we've been doing, I mean, I joined a year into the company's existence. They started it together. We did the show for a few years, and finally, I think, One year ago or so, we were finally in a position to hire some people full-time to scale the show up and to make more content and to just streamline what we're doing. Brendan is... the first person we hired who is currently with the company, and since then we hired two more people. So it's a total of seven people working in the company full time. a various chain of vendors and people we work with in part-time capacity. - Oh yeah, how much is that? - Oh, there's probably like-- - How much expense is going to the vendors? - I don't know how much expense is, but we probably have like 10, to 20 people we work with. There's videographers, photographers, there's ushers in different cities, there's people who help us with logistics. It's a lot of people, depending on the needs, a friend of ours is helping with the India tour to navigate the whole thing. There's a lot of people we regularly work with. All I can say is we are a proud seven-figure business. It's a seven-figure business with seven people on the permanent. So once we get to eight figures, we're going to hire one more person. Nice. Canadians can be a real career. That was new to me. Was that a passion or you want to pursue the career? And when did you realize, okay, we need to start a company and to do this more regularly? So we were all pretty high up at Meta. And what we found was that the tools that we're using internally at Meta are going to sell for a pretty penny on the open market. There was a department in Meta that was essentially entirely tech roast. They had a whole tech roast division. So we just took that, carved it out, and turned it to our own. And then we very quickly start and scale a company, just selling them to whoever wants to buy them. [5:00] I took Austin under this arm, Nikita under this arm, and I went like this. And I ran out the door. Well, you know what was happening. But then when we came to, we were a completely different company. I mean, we had a different name, same product, different name though. Many people do not like their job, but they're afraid to take a leap. When you start a company, you must have taken a leap of faith. Yeah. So in terms of like leaving a big tech job and making a jump like that, I think at the time of TechRoad Show starting, well, none of us actually did it then. But I think my experience is pretty close to that because I was working at Microsoft. I left a We were doing it for-- - At least three years. - Three years. - Actually three years. - Before a killer. - We really weren't making much money. But I started building up like side income streams to like cushion my fall from grace when I leave. Like what? Real estate, Airbnb and rental property. Had some income offsetting my expenses and then – It was actually a really interesting time for Tech Row Show because it was a year after COVID when this happened. and we weren't able to do any shows. But there was a... Silver lining. in that the government was offering grants to entertainment companies that couldn't operate during COVID. And we got about $40,000 from the federal government that we did not have to pay back So that... in addition to some of, like, making some money on TikTok and then offsetting my my expenses with rental income, I was like, oh, this is the best time ever to... to do this because we actually had a good amount of money to invest in rents for shows. I wasn't as diligent with my savings. Back then, I just quit my job, made no money, lived with my parents for seven years, didn't spend any money. And I just waited for this to work. You know, my story is I don't pretend to have gone through some unusual amount of struggle. But as an immigrant and non-native speaker of English, it wasn't easy to like get into comedy and to like even consider the possibility of going on stage and performing in a language that's not my own. So I think that I hope that to the immigrants in our audience, at least that's something. - I like talking Chinese, I'm much more fluent, but when in English I feel... - I feel so mean now. - What the hell? I was in an extremely privileged position of having gone to a US college, and I got to learn the language that way. That helped a huge amount. My wife just pushed me to do comedy for months and months, because we grew up in Russia where there was no stand-up. Stand-up did not exist, didn't make... $400,000 for GameStop. - Wow. - And that paid for the portion of the apartment that I own. and I don't own the full thing, so yeah. Answering that question without acknowledging the privilege that allows that is bad, but I think it's a relevant part of how we were able to- Sure, I was just answering the question for me. Same, all I'm saying is I lived with my parents for seven years, and if- - Totally get that that's a luxury, not everybody can live with their parents for seven years. - Not everyone can have an Airbnb. - Right, my parents had an extra room. - I was supported by my parents and my family. - Yeah, I don't know how we thought. - For the first like four years of doing stand-up, I lived in Seattle and they allowed me to mostly financially depend on them. I was making a tiny bit of money, but I was not making a living. And without that, I would not have been able to Practice comedy the way I did. I think the privilege is important because your audience, especially, especially those people who get to work in tech, we all have privilege. We all have a high paying job. Still, like, ask the question of why. Like what made your passion into action? Like insecurity and fear of the life that I would have if I just did. When I joined Microsoft, I had this fear in my head because I didn't want to go to Seattle. I thought it was really depressing. And when I got this job at Microsoft, I had this fear of, looking at the middle managers who would just come to work every day in Sammamish, and just be super excited about feature flags and stuff. Pick up their son or daughter at swim practice every day and just like... Their whole life was Microsoft. and I thought it would be the saddest thing if I stayed in Seattle. I could definitely imagine more pain than a high-paying job at Microsoft in Seattle. I don't think I was avoiding something. My background is different. Austin and Jesse both worked actual corporate positions at tech companies. My background in tech was spending two years working on a solo game development project. Except I wasn't trying to rely on natural language prompting, because AI didn't exist back then. So I was doing it by teaching myself to code, working on this VR game project, It was a very lonely process, and while it was creatively fulfilling to some degree, it was something that I didn't know how to share with people. And then when my wife pushed me to start doing standup, the pull of that was just so much stronger because there is a community in comedy, and there is an immediate feedback loop. Comedy gave me something that just old names [10:00] much more than what I was doing in tech. And also, the parts that I was excited about in game development, are actually still things that I get to do for TechRail's show, because we develop custom software for our show, and some of it involves includes interactive games and yeah. And that wraps our conversation. Don't forget to subscribe to this channel for more videos like this. And let me know in the comments who should I interview next. See you next time.