Farza Majeed Dumps Agency Launch Videos for Daily Smartphone Demos
Y Combinator
Early-stage founders must abandon costly launch spectacles for daily unpolished demos because software code is easily cloned while an audience built through consistent progress updates creates a durable conversion moat.
Farza Majeed argues against high-production $20,000 launch commercials, advocating instead for continuous, casual direct-to-camera demos built backward from distribution hooks before coding begins. (2:56)
Top-line view metrics often deceive founders: a Hey Clicky launch post with 3 million views produced only ~7,000 downloads (<0.25% conversion), while a 20,000-view YouTube video converted at roughly 20% into downloads. (31:13)
Instagram unexpectedly accounted for roughly 70% of Hey Clicky's top-of-funnel inbound traffic, vastly outperforming Twitter in driving actual app installs and qualified leads. (31:13)
In a software ecosystem where products can be cloned instantaneously, audience and distribution act as the primary moat, leading Majeed to prioritize hiring a filmmaker alongside early engineers. (39:20)
Detailed notes
## Background
Published by Y Combinator on YouTube on October 23, 2026, this episode of Startup School features Hey Clicky and Buildspace founder Farza Majeed in conversation with YC partner Aaron Epstein. The session breaks down Farza's unorthodox playbook for startup launch videos, challenging the assumption that successful launches require expensive agency productions by demonstrating how everyday product demos can turn into repeatable acquisition engines.
## TL;DR
Farza Majeed argues that founders should stop treating product launches as high-stakes, expensive one-off events and instead embrace continuous, direct-to-camera demos shared daily across algorithmic platforms like Instagram, X, and YouTube. By working backward from distribution hooks before writing code and learning to write scripts that sound off-the-cuff, founders can build authentic narratives that resonate with users far better than corporate commercials. He unpacks the metrics behind virality, showing why high view counts are often vanity metrics compared to focused evergreen conversions, such as a 20,000-view YouTube demo dramatically out-converting a 3-million-view tweet. Emphasizing that storytelling and community are harder to clone than software, Farza details his tiered production stack, highlights audio quality as the primary make-or-break technical factor, and issues a 30-day challenge for founders to overcome the fear of being 'cringe' by publishing daily progress updates.
## Atmosphere & style
The conversation carries an energetic, candid, and collegial vibe, feeling more like an encouraging late-night office hours debrief than a formal tech keynote. Farza speaks with rapid-fire enthusiasm, self-effacing humor, and pragmatic conviction, openly sharing past creative insecurities, flopped posts, and moments where he thought his best-performing work was unwatchable. Epstein acts as an engaged sounding board, teasing out practical frameworks while validating the psychological hurdles—like peer embarrassment and imposter syndrome—that keep founders from hitting publish. The overall viewing experience is deeply motivating and demystifying, replacing corporate marketing jargon with real-world creative discipline and the contagious excitement of building software in public.
## Bulletin
- [02:56](https://www.youtube.com/watch?v=v12aSIZIXUs&t=176s) Farza Majeed argues against high-production $20,000 launch commercials, advocating instead for continuous, casual direct-to-camera demos built backward from distribution hooks before coding begins.
- [31:13](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1873s) Top-line view metrics often deceive founders: a Hey Clicky launch post with 3 million views produced only ~7,000 downloads (<0.25% conversion), while a 20,000-view YouTube video converted at roughly 20% into downloads.
- [31:13](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1873s) Instagram unexpectedly accounted for roughly 70% of Hey Clicky's top-of-funnel inbound traffic, vastly outperforming Twitter in driving actual app installs and qualified leads.
- [39:20](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2360s) In a software ecosystem where products can be cloned instantaneously, audience and distribution act as the primary moat, leading Majeed to prioritize hiring a filmmaker alongside early engineers.
## Key takeaways
- [02:56](https://www.youtube.com/watch?v=v12aSIZIXUs&t=176s) Founders should abandon the outdated mindset of a single orchestrated press launch day in favor of treating every daily demo as a launch across algorithmic feeds.
- [02:56](https://www.youtube.com/watch?v=v12aSIZIXUs&t=176s) Demo-driven development: define the video hook and social caption before writing code to validate whether an idea communicates clearly before building it.
- [06:58](https://www.youtube.com/watch?v=v12aSIZIXUs&t=418s) Raw view counts are vanity metrics; product validation relies strictly on downstream retention, such as identifying core users who return every consecutive day.
- [07:47](https://www.youtube.com/watch?v=v12aSIZIXUs&t=467s) The 'did my eyes stop' test: pasting draft copy over live feeds with browser inspect tools validates whether a hook can capture scrolling users within the first three seconds.
- [09:58](https://www.youtube.com/watch?v=v12aSIZIXUs&t=598s) Short launch videos should mirror feature film narrative ratios, spending the first 10% to 20% (roughly ten seconds) clearly framing the problem and personal context before demoing.
- [14:01](https://www.youtube.com/watch?v=v12aSIZIXUs&t=841s) Founders regularly suffer from severe self-censorship and judge their own videos as cringe or unwatchable, making it essential to publish anyway and let audiences evaluate the work.
- [17:25](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1045s) Consistent low-engagement posts (like archival demos receiving only 23 likes) are necessary practice reps for learning authentic product communication without sounding like a salesperson.
- [22:15](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1335s) Short-form feeds should be studied systematically to identify micro-second bounce points and borrow storytelling templates that maintain narrative momentum.
- [24:53](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1493s) Audiences gravitate toward transparent, informal engineering updates like bi-weekly standups, whereas founder lifestyle vlogs are perceived as self-indulgent and yield little product value.
- [29:12](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1752s) Short-form video platforms like TikTok and Instagram effectively convert targeted B2B and enterprise niches when content speaks directly to specific ideal customer profiles.
- [31:13](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1873s) Twitter functions as a disjointed scrolling feed with historically low conversion, while YouTube acts as an evergreen high-intent library that yields massive download conversion rates.
- [35:20](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2120s) Retention in video depends on narrative momentum and advancing story beats rather than relying on hyperactive jump cuts every two seconds.
- [39:20](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2360s) Because software can be cloned rapidly, an authentic following and community provide a defensible distribution moat, justifying dedicated video production headcount on early teams.
- [40:49](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2449s) Audio quality is the absolute make-or-break element of product video: viewers tolerate poor visual quality, but poor audio causes immediate bounces.
- [45:41](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2741s) Committing to a 30-day streak of unpolished, 10-minute daily recap videos helps founders overcome creative hesitation and consistently yields breakout content that informs future iteration.
## Detailed walkthrough
### [00:00](https://www.youtube.com/watch?v=v12aSIZIXUs&t=0s) A Different Approach to Launching
Aaron Epstein introduces Farza Majeed by challenging the conventional wisdom around startup launches: most founders assume a successful launch demands tens of thousands of dollars, months of preparation, and a polished commercial in the hopes of striking gold. Farza’s philosophy is the exact opposite. Rather than staging a high-production spectacle, he treats launches as an ongoing, casual conversation with an audience. His foundational formula is simple and story-driven: “This is who I am. This is what's going on. This is what I'm working on. Let me show you. Everyone wants a story, and so how can a demo just be a mini story?”
Farza traces his path back to age 13, when he started his first venture selling items on eBay. A decade later, he transitioned into software and created an online school for kids, taking it through Y Combinator in 2020 with Aaron serving as his group partner. That venture evolved into Buildspace, which grew into one of the internet's largest communities and schools for independent builders. Today, Farza is building Hey Clicky, an AI-native desktop interface. Video has been the primary engine driving attention across all these companies, but the landscape of distribution has shifted dramatically.
Back in 2020, reaching users required manually submitting to traditional aggregator hubs like Hacker News, Product Hunt, and niche subreddits. By 2026, audience attention has completely migrated to algorithmic feeds across X (Twitter), LinkedIn, YouTube, and Instagram. Because modern platforms rely on recommendation algorithms rather than static feed submissions, founders are no longer just publishing one-off announcements—they are constantly launching in front of ever-refreshing algorithmic audiences.
---
[02:56](https://www.youtube.com/watch?v=v12aSIZIXUs&t=176s) Demos, Not Launches
Many founders in the YC batch still cling to the belief that they need a single, meticulously orchestrated launch day to trigger explosive growth. Farza explains that this tactic belongs to an obsolete era of tech PR where startups had one narrow shot at landing a TechCrunch profile or a piece in *The New York Times*, necessitating slick promotional assets. With traditional media losing its gatekeeping power, a founder speaking directly into a phone or laptop routinely outperforms a $20,000 commercial in engagement, organic reach, and actual conversion.
Because of this shift, Farza actively avoids treating product announcements like rocket launches. Instead, he views every release as a lightweight demo:
```mermaid
flowchart LR
accTitle: Feature Development Loop
accDescr: A three-step feedback cycle showing how launch messaging informs feature building and continuous demos.
A["Feature Concept"] --> B["Define Hook & Caption"]
B --> C["Build & Demo Feature"]
C --> A
```
Rather than building an entire feature in isolation and scrambling to market it afterward, Farza works backward from the distribution hook before coding even begins. When his team evaluates a new feature, they do not just discuss mechanics; they immediately determine the Instagram caption and the opening line of the demo video. As Farza puts it: “And not that like it needs to have a good needs to go viral, but we should talk about it because how we communicate to other people is just as important as what we're building.” By stress-testing the premise on paper, the team already knows whether an idea resonates before investing significant engineering effort.
- **The Old Launch Playbook:** High-cost agency videos ($20,000+), coordinated press embargoes, reliance on TechCrunch or traditional print outlets.
- **The Modern Meta:** Continuous, direct-to-camera demos created on a phone and laptop, leveraging platform algorithms to reach active users.
---
[04:35](https://www.youtube.com/watch?v=v12aSIZIXUs&t=275s) The Hey Clicky Launch Video
While viewers often assume Farza’s viral posts succeed because of effortless charisma, he emphasizes that every demo is grounded in showing the unvarnished process of building rather than a polished end result. Farza deliberately rejects the tired trope of the venture-backed founder delivering a rehearsed pitch through a fancy DSLR in a pristine office.
To demonstrate, Farza pulls up the origin video for Hey Clicky, an AI assistant embodied as a small blue companion that tracks the user's cursor across their desktop screen to teach them concepts in real time. Farza originally built Clicky as a throwaway side project and open-sourced the repository, assuming no one would care. Even with over ten years of experience making online videos, he felt self-conscious about the demo's rough quality. During office hours, Aaron pushed him to put it out anyway.
Five minutes before leaving the office for dinner, Farza shot a quick screen recording and posted it online. By the time he finished dinner, the post had exploded across social feeds, ultimately generating nearly 3 million views and transforming an abandoned side experiment into his primary company six months later. Farza cautions founders against using their own self-doubt as an excuse to withhold work, noting that launching is fundamentally about building a repeatable acquisition loop: “We're not launching to like get a bunch of clout on the internet and make people think that we're smart. We're trying to actually get people to use our thing, and that means having a channel that we can keep on repeating and find users from.”
Despite the viral splash of nearly 3 million impressions, Farza insists that top-line view counts are completely vanity metrics. What actually validated the company was looking downstream at user retention.
Following the initial surge, roughly 7,000 people downloaded the software. Farza ignored the congratulatory messages online and instead tracked how many of those users were still active several days later. He discovered a core cohort of roughly 100 people who used Clicky every single day for five consecutive days.
Instead of celebrating the video's reach, Farza reached out and talked to all 100 daily active users individually. Hearing the surprising and inventive ways they applied the tool in their daily workflows provided the real conviction to pursue the product as a full-time venture. As Farza summarizes his perspective on social engagement: “I do not care about the traffic at all. The views looks really wonderful, and people will say congratulations, but what are the actual numbers?”
- **Top-line reach:** ~3,000,000 video views.
- **Immediate conversion:** ~7,000 total downloads.
- **True validation signal:** ~100 users retained daily across a 5-day streak, leading to direct customer discovery interviews.
[07:47](https://www.youtube.com/watch?v=v12aSIZIXUs&t=467s) The "Did My Eyes Stop?" Test and Crafting the Hook
Farza Majeed explains that when writing headlines and tweets for his projects, his instinct is to keep things casual: "I built this thing. It's an AI teacher. What does it do? Why is it important?" Having written online for more than a decade, he treats short-form copy with meticulous attention to pacing and structure, admitting that while it might sound silly to call a tweet poetry, he cares deeply about length, rhythm, and narrative beats. Aaron Epstein points out that this exact style was evident in Farza's community emails during his Buildspace days—they never felt like generic corporate marketing blasts, but rather like a direct, personal note from Farza himself.
To evaluate whether a post will grab attention before publishing, Farza uses an inspect-element workflow on the platform itself. On X (formerly Twitter), he opens up a random user's tweet in his feed, pastes his own draft text over it, and scrolls past it on screen. He then runs a simple personal test: “Did my eyes stop?” If he doesn't pause to read the first sentence, he knows no stranger will either. He applies that same principle to the visual opening of his launch clips. For the Hey Clicky video, he deliberately chose Xcode as the opening frame and zoomed tightly into a small UI triangle that moves around on screen. He intentionally targeted curious developers rather than professional video editors, recognizing that scrolling users decide whether to stay within the first three seconds. Farza emphasizes that these instincts were not born of clever marketing theory, but forged through years of publishing hundreds of videos that completely flopped.
```mermaid
flowchart LR
accTitle: The Visual Scroll Hook Test
accDescr: A three-stage process showing how draft copy and visuals are tested against scrolling behavior before posting.
subgraph CopyTest["Copy Validation"]
A["Inject draft text into live feed"] --> B["Scroll past dynamically"]
B --> C{"'Did my eyes stop?'"}
end
subgraph VisualHook["First 3 Seconds"]
D["Xcode interface frame"] --> E["Tight zoom on moving UI element"]
E --> F["Attract developer audience"]
end
C -->|"Yes: Proceed to visual framing"| D
C -->|"No: Rewrite hook"| A
```
[09:58](https://www.youtube.com/watch?v=v12aSIZIXUs&t=598s) Scripting Videos That Sound Completely Unscripted
Although Farza's videos appear relaxed and entirely off the cuff, he actually scripts every single one in advance. He writes out the script and reads it back to himself with a simple benchmark: if he enjoys reading it, it will sound natural when spoken aloud. When evaluating a script, he positions himself as the target viewer: “For me, it's always I'm the audience. Like would I be interested in what what the script is saying?” Even if a script feels somewhat unpolished, he records anyway to maintain momentum, because founders simply have to keep launching.
Farza breaks down the narrative structure of a short video using an analogy to feature filmmaking. A feature film runs an hour and a half to two hours, dedicating its first twenty minutes to setup. A one-minute launch video operates on the exact same ratio—the first ten seconds (10% to 20%) must handle the entire setup:
- State what you are doing
- State why it matters
- Transition immediately into the live demo
Writing this baseline down gives the speaker an anchor before getting in front of the lens. Farza points out that the worst possible feeling is standing before a rolling camera with no idea what to say and having nothing to ground yourself.
[12:14](https://www.youtube.com/watch?v=v12aSIZIXUs&t=734s) Screen-Aware Dictation and the 19,000-View Conversion Powerhouse
To illustrate how raw presentation drives interest, Farza breaks down a video introducing screen-aware dictation. Posted to a fresh YouTube channel that was created only three days prior, the clip racked up 19,000 views on YouTube, 3 million on X, and large numbers on Instagram. Despite the modest view count on YouTube compared to X, it became one of their highest-converting videos. Farza’s philosophy on visual presentation is unapologetically personal: put your face front and center, show your personality, and speak with confidence about what you built. He explains that he crafts the message for just one other person in the world who might share his excitement.
```
"So, that's pretty cool, and honestly, many products already do this exact thing today.
But here's the thing, when I'm writing, I often don't really know what I even want to say.
So, check this out. We're shipping screen-aware dictation."
```
In the video, Farza explains the baseline feature plainly: hold a hotkey (Fn + Control), start talking, and text streams straight into whatever text box the cursor occupies (such as Apple Notes). He demonstrates it with an everyday task: “Hey, today I have to ship three things. First, skills, second, memory, and third, this bug that this one user gave about dictation.” Instead of pretending basic dictation is groundbreaking, he calls it out directly, acknowledging that many existing tools already do that. Then he pivots to the true value proposition—shipping "screen-aware dictation." Crucially, he personalizes the pain point: “I’m not saying 'Everyone has this problem where they don't know what to write.' Like, I'm not involving everybody. I'm only talking about myself.”
[14:01](https://www.youtube.com/watch?v=v12aSIZIXUs&t=841s) "The Worst Video We've Ever Done" and Overcoming the Cringe
Farza reveals that despite its casual feel, every line of the screen-aware dictation video was scripted three days in advance and rehearsed in his head dozens of times—in the shower, on his commute, and before filming. Yet right after wrapping the recording session, he was convinced the entire effort was a failure:
> “And it's so funny, after this video we were finished it, I told Vikrant, the person who I make videos with, and I'm like, this is the worst video we've ever done. It's not even worth editing it.”
Vikrant shut down that self-doubt immediately, telling him, "No, bro, be quiet, shut up. I'm going to make it and then we're going to post it." The resulting video ended up generating 3 million views on X, with the audience responding enthusiastically. Farza reflects on how common it is for founders to judge their own work as terrible, cringe-inducing, or unworthy of being shared. He admits that hitting "post" rarely feels comfortable or natural, which is why having teammates who insist on publishing regardless of internal insecurity is vital. Let the audience decide what works instead of self-censoring behind closed doors. This philosophy naturally feeds into what Farza treats as demo-driven development—building product features backward from the exact demo you want to show the world.
[15:23](https://www.youtube.com/watch?v=v12aSIZIXUs&t=923s) The "Check This Out" Energy and Launching Demos Daily
Farza Majeed highlights the emotional trigger that should define every product video: the spontaneous reaction when building something with a teammate and turning around to say, "Yo, check this out." That raw excitement is the purest signal of what is worth sharing online. While Farza occasionally creates polished, cinematic launch videos—roughly once a quarter for major milestones he is exceptionally proud of—the vast majority of his videos are informal, everyday updates shot in simple environments like the Y Combinator office. His philosophy centers on launching demos almost every single day rather than holding out for rare, formal releases.
```mermaid
flowchart LR
accTitle: Everyday Demo Loop vs Polished Launches
accDescr: Flow diagram showing the daily habit of sharing raw product demos contrasted with rare quarterly hero launches.
subgraph Daily["Daily Cadence"]
A["Feature Built"] --> B["'Yo, check this out!'"]
B --> C["Raw Demo Video"]
C --> D["Instant Post & Move On"]
end
Aaron Epstein questions how a founder can stand out with basic videos in an era saturated with endless content, especially when competitors spend heavily on high-end production to look established. Farza dismisses the urge to optimize for standing out or stressing over competition:
> “And when I click post, in my brain, I'm always I'm always like if this gets zero attention, zero views, I'm still happy I posted it.”
For Farza, the secret to staying consistent is detaching from the reception entirely. Once he clicks post, he mentally moves on immediately, rarely even checking performance until a week later. Overcoming the compulsive urge to refresh metrics requires building a tolerance to putting unpolished work into the world and accepting that modern internet attention moves on within twenty-four hours anyway.
[17:25](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1045s) The ZipSchool Archive: 23 Likes is Still a Launch
To illustrate that everyone starts from zero, Farza revisits his early catalog from 2020 and 2021 when he was a solo founder running ZipSchool, an online elementary school. Looking back at an archival clip announcing four new classes—including one about the Mars Perseverance rover landing aimed at kids aged 7 to 12—Farza admits he sounds completely boring and checked out. Yet, he defends the effort:
> “This to me is a launch. And I know that sounds dumb to maybe some, but to me this is exactly what launching means.”
He stresses that the 23 likes, single bookmark, and solitary comment on that video were infinitely better than zero. Consistent small updates gave him the reps required to figure out how to showcase products naturally without sounding like an aggressive salesperson. He recalls his very first launch on December 1, 2020: a bare landing page with zero marketing copy, a Canva-made video, and an audience of just 80 followers. Developing product storytelling skills mirrors shooting free throws in basketball—founders must take thousands of missed shots before they can expect to hit the 5,000th one cleanly.
- **ZipSchool class update post**: Highlighted four new additions (e.g., Mars Perseverance Rover Landing for ages 7–12) and achieved 23 likes, 1 comment, and 1 bookmark.
- **December 1, 2020 launch**: Consisted solely of a Canva video, a link, and zero explanatory copy to an audience of ~80 followers.
- **Product communication curve**: Daily low-stakes videos force founders to learn how to present products authentically without sounding "schilly."
[20:30](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1230s) The 21-Million-View Formula
Reflecting on the evolution from ZipSchool to Hey Clicky, Farza explains that high-end production value is not mandatory—an authentic clip recorded on an iPhone can achieve massive reach. He reviews a breakout Hey Clicky video that crossed 21 million views on Instagram, which continues to drive evergreen product signups and now doubles as a paid Facebook ad creative.
```mermaid
flowchart TD
accTitle: The Universal Video Hook Structure
accDescr: Three-step framework used by Farza Majeed to capture viewer attention within the first few seconds of a video.
H1["Step 1: The Paradoxical Hook"] -->|"Last week I went viral for a terrible idea..."| H2["Step 2: Context & Authority"]
H2 -->|"...and this week I'm somehow in Y Combinator?"| H3["Step 3: Direct Pivot to Product"]
H3 -->|"Let me show you what I'm building: Clicky."| H4["Live Product Interaction Demo"]
```
The success of the video hinged on a repeatable storytelling formula designed to stop users scrolling through their feeds:
> “Last week, I went super viral for an idea that I built that I thought was actually kind of terrible. And this week, I'm somehow in Y Combinator? Let me show you what I'm building.”
Farza dissects the structure: hook the viewer with an intriguing, slightly absurd premise, ground your identity and context quickly, and transition directly into "let me show you what I'm working on." He demonstrates the core value proposition of Clicky as an AI buddy that sits beside the cursor and provides spoken, visual tutorials for software like DaVinci Resolve color grading. While this specific video took four to six hours to shoot and edit, Farza emphasizes that founders can mimic the identical psychological beats simply by holding up an iPhone and flipping the lens directly toward their computer screen.
[22:15](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1335s) Studying the Feed to Deconstruct Bounce Points
Farza shares his habit of scrolling through short-form platforms like Instagram Reels not for entertainment, but as an active study of pacing, hooks, and retention. He watches content strictly to pinpoint the exact micro-second his attention wanes:
> “A big thing that I always do when I watch videos on the internet, regardless if they're mine or not, is I ask myself, am I bouncing? When am I bouncing?”
By identifying what causes him to swipe away or stay glued to an unfamiliar creator—such as a random video opening on an extreme personal narrative about blocking a long-distance partner during a weight loss journey—he reverse-engineers structural templates and hooks that keep an audience locked in before they bounce.
[23:09](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1389s) Borrowing Video Templates and Becoming a Character
Farza Majeed explains how he actively studies short-form content feeds to collect structural templates for his own videos. Looking at a clip with a dark background, a light cast across the creator's face, and a caption reading *"where it started 2 months ago,"* Farza notes that the viewer is immediately hooked: *"You kind of want to know 2 months ago what? You're just curious."* He files that format away mentally, thinking about how to adapt it to a product story: *"Maybe it's like 2 months ago I was working on something and I didn't really know what it was and then tell the story."* He points out other creators using casual, self-deprecating openings—such as *"Welcome back to features we should have released 6 months ago, but we're un-releasing them now"* or someone announcing that their song just passed 2 million streams right after breaking up with an ex-girlfriend. Aaron Epstein observes that audiences crave vulnerability and narrative over sterile marketing:
> “Everyone wants a story. And so how can a demo just be a mini story or what you're saying be a mini story?” — Farza Majeed
Aaron brings up how founders essentially become characters that viewers identify with and root for. Farza agrees, explaining that while he is being authentic, he realizes how he functions inside someone's feed: *"Totally, sometimes I'm like, yeah, like I am not playing a character, but like I'm a character to the people. Like when someone watches me on their little TikTok feed or their Twitter feed, like I'm just like random character in their eyes."*
[24:53](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1493s) "Everything We Built This Week" and Showing the Process
Farza introduces an ongoing video format his team uses: bi-weekly check-in videos titled *"Everything we built this week."* Showing an example clip, an engineer casually addresses the camera, explaining that Hey Clicky previously experienced integration and orchestration bugs with its agents, but has now introduced a *"new brain"* that makes spawning, controlling, and pausing agents much smoother. Farza emphasizes that these videos completely dispense with standard marketing formulas—there is no aggressive hook, no manufactured narrative, and no grab for attention. It is simply a team giving an honest engineering update, yet the video amassed almost a million views on Instagram.
```mermaid
flowchart TD
accTitle: Inside Look vs Traditional Content Formats
accDescr: Contrasting high-value authentic team updates with low-value founder lifestyle content.
subgraph Recommended["What Actually Works: Inside Look"]
A["Raw engineering work & fixes"] --> B["10-minute informal team standup"]
B --> C["Genuine enthusiasm & team support"]
C --> D["Bi-weekly 'Everything We Built' posts"]
end
subgraph Avoid["What to Avoid: Lifestyle Vlogging"]
E["'A Day in the Life of a YC Founder'"] --> F["Focus on personal founder identity"]
F --> G["Perceived as self-indulgent, no product value"]
end
```
Farza explains that founders drastically underestimate how fascinating their internal process is to early adopters:
> “What we are doing on a day-to-day basis at our companies is so far-fetched from what most people think is actually happening at a company. And to just give them an inside look of what's actually going on in your process is so cool, and it gets them excited.” — Farza Majeed
Farza makes a firm distinction between showcasing work and indulging in self-centered founder content: *"What I'm so against and so anti is talking about my life as a founder on the internet. You will never catch me making those videos about this is a this is my day as a YC founder. Never."* Rather than trying to emulate polished, stage-managed keynotes from tech giants like Apple or Meta, early-stage startups can stand out simply by letting users meet the handful of engineers and designers building the software. The series originated simply as an internal accountability mechanism—an open stand-up meeting held in front of the world—taking only ten minutes to shoot every two weeks.
[27:19](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1639s) Getting Over the "Cringe" Phase to Show Your Work
Aaron points out that the real charm of the videos lies in their positive energy: the team genuinely claps and cheers for each other's updates, accompanied by upbeat background music. When Aaron asks how to capture that vibe, Farza responds that founders overcomplicate it. Whenever founders ask how to build a presence, Farza gives the exact same advice: pull out an iPhone, switch to selfie mode, speak honestly for thirty seconds about what was built that day, and post it to Instagram, TikTok, Reddit, or YouTube. Despite the simplicity, only 1% to 2% of people ever follow through.
When Farza asks Aaron what stops founders from doing this, Aaron admits founders instantly spiral: *"You get nervous about it like what am I going to say? How am I going to look? What if people think it's stupid?"* Founders fear that high school acquaintances or personal friends will judge them. Farza insists that this discomfort is an unavoidable rite of passage:
> “You got to be cringe for a little while actually to learn how to not be cringe.” — Farza Majeed
Farza urges founders to shift how they define launching. Rather than relying on a once-a-year feature in *TechCrunch* or *The New York Times*, founders spending eight hours a day coding should take ten minutes at the end of the day, identify one thing that made them smile or felt novel, record it, post it, and close the laptop. Demonstrating daily progress online is what launching actually means in 2026.
[29:12](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1752s) Reaching B2B Buyers on TikTok and Channel Differences
Aaron pushes back on the common objection from B2B and enterprise founders: the assumption that TikTok and Instagram are exclusively for Gen Z consumers, and therefore useless for selling to enterprise buyers or procurement departments. Farza rejects this assumption outright, noting that billions of working adults scroll these apps daily.
When Hey Clicky discovered that three design agencies had become enthusiastic users through natural discovery, the team needed to acquire more. Aaron guesses the conventional playbook: searching job titles on LinkedIn or hunting down niche designer forums. While Farza agrees those methods have merit, he recognized that design agency founders are also watching short-form video feeds:
- The team created targeted TikTok videos directly addressing their ideal customer profile: *"Hey, are you a design agency? Or hey, are you the founder of a design agency? Stop right there. Let me show you something really cool."*
- These videos generated roughly 50 qualified design agency leads directly from TikTok.
- The posts did not need millions of hits—they averaged approximately 4,000 views each, but they reached the exact intended demographic.
Farza reiterates that chasing sheer vanity virality is the wrong metric; the focus must be whether the right individuals hear the message. When Aaron transitions into comparing platforms, Farza reveals a surprising verdict on the most popular tech platform:
> “I'll say off the bat, Twitter is our worst is in historically I've I've been making stuff on Twitter for like 10 years. The worst conversion of any channel.” — Farza Majeed
Farza Majeed and Aaron Epstein look into the actual conversion mechanics behind viral numbers, dismantling the assumption that massive view counts automatically equal product adoption. Looking back at the original Hey Clicky launch video, Farza points out that despite racking up 3 million views, it translated to only about 7,000 downloads—a conversion rate under 0.25%. Similarly, the screen-aware dictation video pulled 2.9 million views on Twitter, but account creation was "horrendously low." By contrast, a YouTube video with a modest 20,000 views achieved an astonishing ~20% conversion rate directly into application downloads. Farza explains that browsing behavior dictates intent: on Twitter, people are passively scrolling past disjointed feeds, whereas YouTube functions as an enduring evergreen library where viewers lean in. “This YouTube is a library that will last for decades. Twitter, you got your moment once and you're gone.”
```mermaid
flowchart TD
accTitle: Distribution Channel Conversion Funnel
accDescr: Comparison of conversion characteristics across Twitter, YouTube, and Instagram.
subgraph Instagram["Instagram (Primary Driver)"]
I1["70% of Total App Traffic"] --> I2["Custom Bio Link (/ig)"]
I2 --> I3["Direct Mobile / Email-to-Self Funnel"]
end
```
When evaluating company-wide performance, Instagram unexpectedly emerged as the clear winner, driving roughly 70% of Hey Clicky's total traffic. To track and attribute this interest precisely without chasing vanity metrics, Farza uses dedicated tracking endpoints like `/ig` in their social bio. This setup lets them evaluate the funnel: how many people visited through Instagram, downloaded the app directly on desktop, or used a mobile handoff button that sends a download link to their own email. By testing across every channel, founders can pinpoint where their actual target market congregates rather than chasing blind virality.
- The original Hey Clicky announcement post drove 7,000 downloads on 3,000,000 views (< 0.25% conversion).
- The YouTube channel held only 872 subscribers, yet its 20,000-view video converted at roughly 20% to downloads.
- Around 70% of Hey Clicky's top-of-funnel inbound traffic originates from Instagram.
---
[33:21](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2001s) Designing for Platform Defaults: Twitter vs. Instagram Formats
Farza explains how he repurposes video assets across platforms while being mindful of native viewer preferences. In theory, Twitter heavily favors standard 16:9 widescreen formats, while Instagram requires vertical 9:16 clips. To illustrate, Farza examines an AI drawing demo, where a user can command an AI system to render arrows, polygons, and visual guides directly on the desktop screen. When designed for Twitter, it relies on immediate visual recognition tailored to silent auto-play: a host standing in front of a blackboard, text highlighting "AI draw screen," and clear visible UI changes within two seconds, because nobody stops to read accompanying copy.
Surprisingly, when the team took this exact same horizontal 16:9 video and cross-posted it to Instagram without vertical formatting adjustments, it outperformed the Twitter post, amassing millions of views. Aaron Epstein notes that Farza possesses a rare combination of having a discerning creative standard alongside zero reluctance to publish high volumes of rough work: “You have a very high bar for yourself and the things that you put out there, while at the same time almost ironically you're very comfortable putting a lot of things out there.” Farza credits this persistent volume over innate genius, noting that his early Zip School experiments attracted almost no engagement, and that consistent publishing remains the only proven way to discover what connects.
---
[35:20](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2120s) The "No-Hands" Demo and Maintaining Narrative Momentum
Farza breaks down the creation of the viral "no-hands" video, which hit 3.8 million views on Twitter and 4.6 million views on Instagram. The demo was sparked by an organic engineering discovery: realizing that the OpenAI GPT real-time API could issue direct shell commands to control a computer. Instead of researching competitors or polishing an elaborate ad, Farza immediately recorded the exact scenario he wanted to use as a consumer:
```mermaid
flowchart LR
accTitle: No Hands Demo Narrative Progression
accDescr: Sequence of beats in the zero-cut hands-free computer control demo.
A["Hook: 'No hands.'"] --> B["Command: Open Spotify & play AC/DC"]
B --> C["Correction: Lower volume by 50%"]
C --> D["Curiosity Spike: Open Stripe dashboard"]
D --> E["Punchline: $140 revenue today"]
```
1. **The Hook:** Raising both hands off the keyboard while speaking directly to the AI, setting an undeniable visual premise.
2. **First Action:** "Hey Clicky, can you please open up Spotify and play AC/DC for me? Maybe Back in Black."
3. **Responsive Adjustment:** Immediately instructing the assistant to turn Spotify down by 50% because the track is overpowering his voice, proving real-time latency and audio control.
4. **The Stake / Curiosity Peak:** Asking Clicky to open his browser's Stripe dashboard to inspect daily revenue, culminating in an unvarnished, relatable punchline: "Oh man, $140 in a day is not..."
Despite common advice dictating that short-form mobile content demands rapid-fire jump cuts every two seconds, the entire demo was delivered in a single continuous take. Aaron Epstein points out that although the clip contains no physical video cuts, it succeeds because it is filled with narrative "beats." Farza wholeheartedly agrees, explaining that founders often mistake hyperactive editing for audience retention. “I'm always just trying to keep the story moving. I'm not trying to keep your attention. That's actually the wrong way to look at it.” The pacing must compel the viewer to ask what happens next, continually resolving and creating curiosity.
---
[38:48](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2328s) Why the First Company Hire Was a Filmmaker
Farza explains how his belief in narrative pacing shapes early startup team construction. He describes an intuitive sense of timing—a "beat system" carried in the head of people who edit video constantly, mentioning a 19-year-old colleague in their office who naturally edits by internal rhythm rather than analytical rules. Because storytelling is central to Hey Clicky's acquisition model, Farza structured his company building around visual communication from day one.
Aaron Epstein observes that while early startup headcounts are notoriously lean, Farza deliberately dedicated a significant percentage of his initial payroll toward video production. Farza confirms this prioritization, revealing that his hiring strategy was decided even before the company was legally formed: “My first two hires were I knew from the beginning, even before I started my company, it's going to be number one, a filmmaker, and number two, an engineer.” By placing an experienced video maker alongside software engineers right at the foundation, product iterations and launchable demos become simultaneous output rather than an afterthought.
[39:20](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2360s) Why the First Hire Was a Filmmaker
Farza Majeed explains that while founders have to force themselves to produce content daily in the earliest days, no founder genuinely wants to spend every working hour shooting videos forever. At a certain scale, having someone whose dedicated mission is to observe the company’s day-to-day progress, frame product launches, and consistently make the team look good becomes indispensable. This logic drove him to hire a filmmaker as one of his earliest team members at Hey Clicky, repeating an approach honed at Buildspace, where the film team consisted of two people on a seven-person company. At one point at Hey Clicky, the roster even shifted to three people producing videos and only one software engineer.
Farza argues that modern software development dynamics have flipped: producing code has become trivial, while articulating what you are building to a coherent audience has become extraordinarily difficult. A competitor can replicate a software product almost instantaneously, but they cannot easily replicate an authentic following or community momentum. Having an audience of even 100,000 dedicated people in any vertical—whether enterprise AI or photography—means a single demo video can instantly send thousands of active users flooding into an application.
> “Cuz now Aaron, you know, someone can clone my product in like two minutes at this point. But again, what they what's really hard to clone is the audience and the community that I built around what I'm doing and the energy around it.”
- At Buildspace, the team had two video producers out of a total staff of roughly seven people.
- At Hey Clicky, the team ratio at one stage reached three video creators to a single engineer.
- An engaged niche audience acts as an instant distribution channel that insulates a startup against copycat products.
---
[40:49](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2449s) The Production Stack and Why Audio Matters Most
When Aaron Epstein asks about the specific hardware and software used to create videos, Farza outlines a tiered production stack tailored to different types of content:
```mermaid
flowchart TD
accTitle: Farza's Video Production Stack
accDescr: Three-tier production workflow categorized by production intent and tools used.
subgraph QuickDemo["Tier 1: Desktop Demos"]
D1["Screen Studio ($30 indie tool)"]
D2["Captures screen, local audio, polished cursor"]
end
subgraph NativeCasual["Tier 2: Native Talking Head"]
N1["iPhone front selfie camera"]
N2["Instagram Edits app for mobile cuts"]
end
subgraph CinematicTier["Tier 3: Cinematic Launch"]
C1["Sony FX3 / FX30 camera"]
C2["DJI wireless microphone"]
C3["DaVinci Resolve for desktop editing"]
end
QuickDemo --> NativeCasual --> CinematicTier
```
Beyond the camera gear, Farza singles out audio quality as the absolute make-or-break element of digital video. Viewers will tolerate grainy 720p visuals of an engineer speaking in a dark basement if the content is compelling and the sound is crisp, but poor audio causes people to abandon a video immediately. He urges founders to avoid relying on internal MacBook microphones or AirPods, and instead buy a dedicated external microphone, such as a secondhand wireless DJI mic.
> “The most important thing in any video you make doesn't matter if it's a shitty Loom or a shitty like little video or your iPhone is audio quality. If your audio is bad, I'm bouncing.”
- **Screen recording:** Screen Studio (~$30) handles desktop demos by smoothing cursor movements and capturing clean system audio.
- **Mobile recording and cutting:** The native iPhone front-facing camera paired with Instagram’s in-app editing utility, Edits.
- **Cinematic setup:** A Sony cinema body (such as the FX3 or FX30) paired with a dedicated DJI microphone.
- **Desktop editing suite:** DaVinci Resolve on macOS.
- **Audio rule:** Built-in laptop microphones and AirPods are unacceptable for public-facing demos.
---
[42:31](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2551s) Collaborating with Vikrant and the Discipline of Writing
Farza gives credit to his creative partner Vikrant, who shoots, directs, and edits the Hey Clicky launch videos. Their collaboration is divided by strengths: Farza handles scriptwriting, musical tone, and overall pacing, while Vikrant conceptualizes visual hooks, shot framing, set locations, camera operation, and motion graphics. Delegating production allows Farza to spend his time on core founder responsibilities such as product architecture, hiring, and company growth. While early-stage solo founders cannot always afford a dedicated filmmaker, Farza points out that early founders must wear every hat—handling taxes, product design, engineering, and video—until they can hire specialists who outperform them.
To structure video concepts before recording, Farza uses Free Write (freewrite.io), a minimalist, open-source writing tool he built specifically for his creative process. While first-time creators should focus purely on pressing record, founders who have made 15 to 30 videos should spend at least ten minutes scripting their ideas in advance. Writing forces the creator to clarify the narrative and catch weak angles before turning on the camera.
> “Cuz in order to not be cringe, you must first be cringe, so...”
- Farza credits Vikrant with producing all Hey Clicky launch videos; the only poorly produced clips in Farza's catalog were the early Zip School videos he made alone.
- Founder specialization evolution: Farza previously handled core engineering, design, and editing, but replaced himself in each discipline as the company matured.
- Pre-production writing prevents wasted filming time by weeding out bad hooks before recording begins.
---
[45:41](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2741s) The 30-Day Launch Video Challenge
Farza concludes with a practical challenge directed at founders and builders who have spent weeks tinkering in private without sharing their work. The assignment requires spending just ten minutes each day filming an unpolished video on a smartphone, explaining what feature or problem was tackled that day, and publishing it to platforms such as Instagram or TikTok. For founders worried about judgment from friends or peers, Farza recommends creating a brand-new, anonymous burner account.
Posting daily for 30 consecutive days guarantees that at least one video will break through and exceed 1,000 views. That breakout clip provides clear empirical feedback: the creator can analyze why that specific hook or feature resonated, incorporate those lessons into the next video, and build genuine momentum. Farza encourages participants to send their clips directly to him online, promising to watch and leave a like to support them as they build the habit.
> “Every day, just spend 10 minutes, take your phone out, iPhone or Android, it's okay, and then just record yourself talking about what you were doing to what you did that day, and then post it to your social media of choice, Instagram, TikTok.”
- **The daily formula:** 10 minutes maximum, front-facing phone camera, casual recap of what was built that day.
- **Distribution:** Publish to TikTok or Instagram; create a fresh account if peer visibility creates hesitation.
- **The benchmark:** Over a 30-day streak, at least one post typically crosses the 1,000-view threshold, serving as the baseline for future creative iterations.
## Notable quotes
> [27:19](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1639s) You got to be cringe for a little while actually to learn how to not be cringe. — Farza Majeed
> [35:20](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2120s) I'm always just trying to keep the story moving. I'm not trying to keep your attention. That's actually the wrong way to look at it. — Farza Majeed
> [31:13](https://www.youtube.com/watch?v=v12aSIZIXUs&t=1873s) YouTube is a library that will last for decades. Twitter, you got your moment once and you're gone. — Farza Majeed
> [40:49](https://www.youtube.com/watch?v=v12aSIZIXUs&t=2449s) The most important thing in any video you make doesn't matter if it's a shitty Loom or a shitty like little video or your iPhone is audio quality. If your audio is bad, I'm bouncing. — Farza Majeed
## Video description
There’s a misconception that a successful launch video needs to cost tens of thousands of dollars and feel like a high production commercial. But Farza Majeed has a radically different approach.
Farza is the founder of Hey Clicky and previously Buildspace, one of the largest online schools for people building their own ideas. He’s been making videos for over a decade and his posts regularly get millions of views. He’s found a way to turn launch videos into an everyday part of his process and today he’s going to share his playbook.
In this episode of Startup School, Farza sat down with YC’s Aaron Epstein to break down why every demo should be treated as a launch, how to script a video that sounds completely off the cuff, and which channels actually convert - including why a 20,000-view YouTube video can beat 3 million views on Twitter.
Apply to Y Combinator: https://www.ycombinator.com/apply
Work at a startup: https://www.ycombinator.com/jobs
Chapters:
00:00 - A different approach to launching
02:56 - Demos, not launches
04:35 - The Hey Clicky launch video
06:58 - Why views don't matter
08:34 - The "did my eyes stop" test
09:58 - Scripting videos that sound unscripted
12:14 - The screen-aware dictation video
14:01 - "The worst video we've ever done"
17:25 - The Zip School videos that got 23 likes
20:30 - The 21 million view video
22:15 - Studying Reels for templates
24:53 - "Everything we built this week"
28:11 - You have to be cringe first
31:02 - Which channels actually convert
33:21 - Making videos for Twitter vs. Instagram
35:20 - The no-hands video
37:07 - Beats, not cuts
39:01 - Why the first hire was a filmmaker
40:49 - The gear, and why audio matters most
42:31 - The most important part of the stack is a person
45:41 - The 30-day challenge for the audience
Farza Majeed argues that founders should abandon expensive, single-day promotional spectacles in favor of daily, direct-to-camera demos that treat distribution hooks as integral to product development.
Demos as Ongoing Narratives Over Hero Launches (2:56)
Farza Majeed contrasts the legacy PR model of single-day press embargoes and $20,000 agency commercials with continuous, direct-to-camera demos. Because platform attention has transitioned from static aggregator directories like Hacker News and Product Hunt to algorithmic feeds on X, Instagram, TikTok, and YouTube, startups now launch in front of continuously refreshing audiences. Instead of coding features in isolation and devising marketing afterward, Farza works backward from the distribution hook, testing the caption and opening lines before engineering begins.
The Illusion of Virality and Downstream Conversion (6:58)
Top-line view metrics often fail to reflect actual product adoption. Farza notes that Hey Clicky's initial launch video generated nearly 3 million impressions but converted into roughly 7,000 downloads, representing a conversion rate under 0.25%. True product validation emerged only after tracking a core cohort of approximately 100 users who maintained a five-day usage streak, prompting direct customer interviews. Similarly, a YouTube demo on a channel with 872 subscribers attracted only 20,000 views yet achieved a ~20% download conversion rate, whereas a comparable X video with 2.9 million views yielded minimal account creation. Instagram generated roughly 70% of Hey Clicky's top-of-funnel inbound traffic, using dedicated bio links and desktop handoff flows.
Scripting, Narrative Beats, and Scroll-Stopping Hooks (7:47)
Despite an informal, direct presentation, Farza scripts launch videos in advance and reviews copy by injecting draft text into live feeds to test whether it halts scrolling within three seconds. Adapting standard cinematic structure, he dedicates the first 10% to 20% of a short clip to answering what is being built, why it matters, and immediately pivoting into the product. Pacing relies on narrative curiosity rather than hyperactive jump cuts. For example, Hey Clicky's hands-free computer control video ran in a single continuous take, progressing naturally from opening Spotify to checking a Stripe dashboard showing $140 in daily revenue. Rather than lifestyle vlogging, raw technical updates—such as bi-weekly standups detailing agent orchestration fixes—effectively engage early adopters.
Early Video Investment and Technical Production Rules
Because code can be cloned rapidly while authentic audience trust is difficult to replicate, Farza prioritized visual storytelling early, employing two video producers in a seven-person company at Buildspace and hiring a filmmaker as one of his first additions at Hey Clicky. For equipment, he designates distinct tiers: Screen Studio ($30) for desktop captures, smartphone selfie cameras for mobile updates, and Sony cinema bodies (FX3/FX30) with DaVinci Resolve for quarterly hero videos. Farza identifies clean audio as the single non-negotiable technical requirement, advising founders to bypass internal laptop microphones and AirPods in favor of dedicated wireless microphones.
To overcome internal hesitation and peer judgment, Farza challenges founders to film and publish a 10-minute daily recap for 30 consecutive days, projecting that at least one clip will surpass 1,000 views to supply empirical baseline data on effective hooks.
[27:19] Farza Majeed: You got to be cringe for a little while actually to learn how to not be cringe.
[35:20] Farza Majeed: I'm always just trying to keep the story moving. I'm not trying to keep your attention. That's actually the wrong way to look at it.
[31:13] Farza Majeed: YouTube is a library that will last for decades. Twitter, you got your moment once and you're gone.
[40:49] Farza Majeed: The most important thing in any video you make doesn't matter if it's a shitty Loom or a shitty like little video or your iPhone is audio quality. If your audio is bad, I'm bouncing.
Original transcript
[0:00] These days, too many founders think
[0:02] launching is all about spending a ton of
[0:04] time and money to produce [music] a
[0:05] slick video and hoping it hits. But my
[0:07] guest today, Farza Majeed, has a totally
[0:10] different approach to launching and
[0:12] going viral.
[0:13] >> This is everything we shipped this week.
[0:14] Well, shipping, right?
[0:15] >> Are we shipping?
[0:17] >> He's the founder of Hey Clicky,
[0:19] >> [music]
[0:19] >> where his posts regularly get millions
[0:21] of views.
[0:21] >> My formula is always the same.
[0:23] This is who I am. This is what's going
[0:25] on. This is what I'm working on. Let me
[0:27] show you. Everyone wants a story, and so
[0:29] how can a demo just be a mini story?
[0:31] >> And today, he's going to share [music]
[0:32] his playbook for how to create videos
[0:35] that actually convert.
[0:38] >> [music]
[0:44] >> Farza, thanks for being here.
[0:46] >> No problem.
[0:47] >> Before we jump into some of your advice,
[0:48] why don't you tell us a little bit about
[0:49] your background, how you got to this
[0:50] point?
[0:51] >> Yeah, started my first company when I
[0:52] was 13, selling stuff on eBay. 10 years
[0:55] later, started getting into software and
[0:57] built a online school for kids, which I
[0:59] did with YC in 2020 with you.
[1:01] That turned into a company called
[1:03] Buildspace, which became one of the
[1:04] largest schools for people who wanted to
[1:05] work on their own ideas, and now working
[1:07] on Hey Clicky, a new interface for AI.
[1:10] >> Doing videos has always been kind of a
[1:11] core strategy for you for how to reach
[1:13] out to people, and especially with
[1:15] Buildspace and now with Hey Clicky, it's
[1:18] how you've gotten a lot of attention for
[1:20] for your your products and your
[1:21] businesses. How have you thought about
[1:23] that and talk about your progression
[1:24] from when you got started with video up
[1:26] until now?
[1:27] >> Yeah, I mean, to this day, I just love
[1:29] making videos, making online videos for
[1:30] people. And these days, I'm working on
[1:32] my own company, and so the story that's
[1:34] in front of me is actually my company's
[1:36] story. And so it's been really fun to
[1:37] just tell that online. And it just so
[1:40] happens that making videos in 2026 is
[1:42] really good for business, too. So, yeah.
[1:44] >> Yeah, tell us about that. So, you've
[1:45] been making videos for over a decade,
[1:48] publishing them online. Talk about
[1:49] what's changed. Like, what is different
[1:51] now in making launch videos and getting
[1:54] attention for your product in 2026
[1:56] that's different from how it was over
[1:58] the last decade?
[1:58] >> Yeah, I mean, you know, we I mean, you
[2:00] were in YC together in 2020. You know,
[2:02] you as my partner. I mean, yeah, back
[2:03] then, you know, you were doing you had
[2:04] to do stuff like post a Hacker News,
[2:06] post a Product Hunt, go to Reddit, like
[2:08] find the right subreddit. You know, like
[2:10] that those types of launches. And
[2:13] things have changed so much now. There
[2:15] are so many new channels now where our
[2:16] users are living across all all
[2:18] products. It doesn't matter what you're
[2:19] working on. Could be drones or AI or
[2:21] like whatever a dating app. Your users
[2:24] are on many new platforms. Mostly
[2:25] algorithmic platforms like X, LinkedIn,
[2:27] Twitter, YouTube. The biggest change is
[2:29] you're not really making posts anymore.
[2:32] You're actually just constantly
[2:33] launching all the time on these on these
[2:35] algorithmic platforms.
[2:36] >> Yeah, we see that a lot with founders in
[2:39] the YC batch where they think a lot
[2:40] about they have to put in all this time
[2:42] and energy and money to make some big
[2:45] fancy launch video and coordinate this
[2:47] big coordinated launch in the hopes that
[2:49] that's going to be their big moment and
[2:51] everything's going to take off. But you
[2:52] don't think about it like that. Like I
[2:54] think your perspective is very
[2:55] interesting on this.
[2:55] >> Yeah, there was a time where that was
[2:57] the the meta. You know, like you got to
[2:59] do like a fancy thing and make it a big
[3:00] deal cuz you got one shot. You get that
[3:02] TechCrunch article or you get like that
[3:04] the press in the New York Times or
[3:05] something like that. You needed
[3:07] something kind of nice to go with it.
[3:08] But now all the old media is kind of
[3:10] just gone. And so now what's working is
[3:12] like a video where I put I say hi and I
[3:14] talk about my product is probably going
[3:16] to perform way better than like a
[3:18] $20,000 produced video by the New York
[3:19] that I posted with the New York Times in
[3:22] terms of actual engagement and traffic
[3:23] and like other things. And so it's a
[3:25] crazy world now.
[3:26] You don't need any of old media stuff
[3:28] anymore. And if you have a phone and a
[3:29] laptop, you're so much more powerful.
[3:31] And so yeah, the I think that now
[3:34] we keep calling these launches and I
[3:36] think that that is what these are. These
[3:38] are mini launches all the time. But in
[3:40] my mind, I never consider it I do
[3:41] consider it a launch, but not in the
[3:43] sense of like this is a big launch. This
[3:45] is a big thing. It's not like we're
[3:46] launching a rocket, you know. It's
[3:47] funny. I'd rather call these demos
[3:49] instead of launches and I just love
[3:50] shipping just demos constantly.
[3:52] >> Yep.
[3:52] >> And the more demos we can put out as a
[3:54] company, the better. At my company, I'm
[3:56] always like, well, what are we launching
[3:57] this week? That's more of the question.
[3:59] And we work backwards always from the
[4:01] launch of whatever we're working on. So
[4:02] for example, I'll give you a small
[4:03] example. If we have a feature we're
[4:05] working on, well, we talk about it, sure
[4:06] we talk about the feature, how it feels,
[4:07] etc. But, then I ask, "Well, what's the
[4:09] copy on the Instagram caption? What's
[4:11] the first What's the hook? Uh if we put
[4:13] If we make this a a video about this?"
[4:15] And not that like it needs to have a
[4:16] good needs to go viral, but we should
[4:18] talk about it because how we communicate
[4:19] to other people is just as important as
[4:21] what we're building. And so, I'm it's at
[4:23] every part of the process. It's not like
[4:24] we make it and then magically I make a
[4:26] hit video or something. That's never how
[4:27] it works. It's always like we kind of
[4:29] know it's a hit before we even start
[4:31] like working on it cuz it just sounds
[4:33] good on paper.
[4:33] >> Yeah.
[4:34] >> And so, I can show some examples of
[4:35] that, but
[4:35] >> I I think a lot of people um see videos
[4:38] that you publish that go viral and get a
[4:40] ton of attention, and they almost think
[4:42] that it happens by accident because you
[4:43] just seem, you know, so comfortable and
[4:45] natural and off-the-cuff, but that's not
[4:47] how you do it at all because you're
[4:48] trying to figure out the hook before you
[4:50] even do the video. So, maybe um it'd be
[4:52] interesting if you could pull up a
[4:53] video, walk us through it, and then
[4:55] maybe walk us through the process of how
[4:57] you created that video, what goes into
[4:59] it before you've even actually started
[5:01] shooting anything.
[5:02] >> Totally, totally. My
[5:03] uh philosophy on a lot of the launch
[5:05] stuff now is just
[5:07] how can we just show
[5:09] like almost like the process of what I'm
[5:12] doing versus show the ending of what I'm
[5:14] doing. Uh I think there's a lot of value
[5:16] to being like, "Hey, I'm this founder
[5:18] person and I just got this much money
[5:20] and this is my product and this this is
[5:21] my fancy DSLR and these are my good my
[5:23] my wonderfully edited video, you know,
[5:25] with me in front of a nice office." You
[5:27] know, but I'm sure we've all seen those.
[5:28] You see those every day. I saw like five
[5:30] today for sure.
[5:31] >> Yeah.
[5:31] >> And those have a purpose, but to to me
[5:34] that becoming like the kind of like
[5:37] thing that people are reaching towards
[5:38] is really annoying. And so, uh I try to
[5:40] always do the opposite and just do what
[5:42] I think is right cuz again, that's a
[5:43] one-time thing. You want You want a
[5:45] channel cuz why are we even launching,
[5:46] Aaron? Why are we launching? What's the
[5:48] reason?
[5:49] >> We're launching to get users.
[5:50] >> Exactly. We're not launching to like get
[5:51] a bunch of clout on the internet and
[5:53] make people think that we're smart.
[5:54] We're trying to actually get people to
[5:55] use our thing, and that means having a
[5:57] channel that we can keep on repeating
[6:00] and find users from. And so,
[6:02] uh yeah, I'll show you one example here.
[6:03] This one's a perfect example. This is
[6:05] like the launch of of a Clicky. So, this
[6:08] is Clicky. Clicky is this little blue
[6:10] guy that follows your cursor on his user
[6:12] computer. And it's basically an AI
[6:14] teacher that can teach you anything.
[6:16] Honestly, I thought the demo was not
[6:18] that good. I remember I showed it to you
[6:19] in office hours, and you're like, "Oh,
[6:21] you should post this. It's actually kind
[6:22] of cool." And
[6:24] I I think one day you asked me again
[6:26] about it, and uh I ended up saying,
[6:29] "Okay, all right, I'll I'll post this."
[6:31] Cuz even for me, I've been doing this
[6:32] for years, like 10 plus years, and even
[6:35] I sometimes I'm like, "Oh, I don't want
[6:36] to post it. It's not good enough." But I
[6:38] was so wrong. That's so wrong of me for
[6:40] you to even think that. And so, I
[6:41] recorded this video in the office 5
[6:43] minutes before dinner, and I posted it,
[6:45] and after dinner, it's just doing
[6:46] numbers. And now this is my company.
[6:48] Isn't that That's a crazy thing. It was
[6:50] just a random side project that I then
[6:51] even just open source cuz I thought no
[6:53] one would even care about it. And uh
[6:56] here I am working on it 6 months later
[6:57] as a real company, right?
[6:58] >> Yeah, and so this was nearly 3 million
[6:59] views. Uh how how important was this
[7:02] video in actually even giving you the
[7:03] confidence that you should keep working
[7:05] on this?
[7:05] >> I do not care about the traffic at all.
[7:08] Uh
[7:08] the views looks really wonderful, and
[7:10] people will say congratulations, but
[7:12] what are the actual numbers? And so, I
[7:14] actually don't care about this number at
[7:15] all. I was like, "How many people
[7:16] downloaded it?" And so, after this
[7:17] video, I think 7,000 people downloaded
[7:19] it. And then I looked at who's like
[7:21] retained 4 days later. And if you ask me
[7:23] why I'm working on the product today,
[7:24] it's not cuz it went viral. It's because
[7:26] 7,000 people downloaded it, and about
[7:28] 100 people of the 7,000 kept on using it
[7:31] every day for 5 days straight. That got
[7:33] me so inspired. I reached out to those
[7:34] 100 people. I talked to each of them,
[7:36] and I was like, "Oh my god, people are
[7:38] using this for things I would have never
[7:39] imagined." And the users are what
[7:41] inspired me to keep going forward. Of
[7:43] course, there's so many little things I
[7:44] could talk about of things I'm doing
[7:46] just subconsciously at this point. Maybe
[7:47] you could help me think through it, but
[7:49] even just the headline, just like
[7:52] just casual. I built this thing.
[7:53] >> Yeah.
[7:55] >> It's an AI teacher.
[7:56] What does it do?
[7:58] Why is it important? It's like That's
[8:00] how my brain thinks. I've been writing
[8:01] for like a decade plus. And so, to me,
[8:04] it sounds dumb to call a tweet poetry,
[8:06] but like I care about how long things
[8:08] are. I care about uh the different the
[8:10] different parts of the story that I'm
[8:11] telling here.
[8:12] >> And I remember this even back to your
[8:13] Build Space days when you would send
[8:15] your regular marketing emails to the
[8:17] community. I would get those, and that's
[8:19] how you wrote, too.
[8:20] >> Yeah, yeah.
[8:21] >> feel like the typical marketing email
[8:24] that somebody would expect to get. It
[8:26] felt like Farza was writing to me. Even
[8:28] when, you know, it it wasn't like you
[8:31] directly sitting down and doing the
[8:33] thing, it felt like that.
[8:34] >> Totally. One thing I do a lot is It
[8:36] depends on the platform. This is
[8:37] Twitter. I'll just kind of go, I don't
[8:39] know, some random person's tweet here.
[8:41] Maybe like this one.
[8:43] And I'll literally change this text to
[8:45] my my tweet's text. Hm. And I'll just do
[8:48] this.
[8:50] I'll be like, "Did my eyes stop?"
[8:51] I'll just ask myself, "Did I myself stop
[8:53] on what this is saying?" And if I stop,
[8:55] that's like step one for me on testing
[8:57] if I myself would kind of check this
[8:59] out. And so, that's kind of my number
[9:00] one rule for got regardless of Twitter,
[9:02] Instagram, YouTube, anything.
[9:03] Am I going to stop on this?
[9:06] >> Mhm.
[9:06] >> Am I even going to read the first
[9:07] sentence? Cuz if I don't read the first
[9:08] sentence, there's no way I'm I'm going
[9:10] into this. Also, like, look at the first
[9:12] frame of the video. It's very purposely
[9:14] Xcode. Why? Because I know that
[9:17] initially curious developers are
[9:18] probably going to be interested by this.
[9:20] Not like actual video editors, right?
[9:22] So, it's purposely Xcode. I purposely
[9:24] zoom in right here to this part to show
[9:27] cuz the part is so small. The part is
[9:29] like this little triangle that kind of
[9:31] helps you out. Most people when they're
[9:32] scrolling see the first 3 seconds.
[9:34] >> Everyone. So, this is click
[9:37] >> Zoom. And I go, "Oh, what is that?" You
[9:38] know, at least at least while you're
[9:39] while you're scrolling.
[9:40] >> Yeah, and you're moving it around so
[9:41] people can see that there's something
[9:42] moving there.
[9:43] >> I think that, um, you can go into
[9:45] details all day, but the reason I got
[9:47] this I know this stuff now is because
[9:50] there's hundreds and thousands of videos
[9:51] I've made that nobody has cared about.
[9:53] Yeah. I think that's the biggest thing.
[9:54] Like, yeah, I I don't want people to
[9:56] watch this video and think, "Oh, I got
[9:57] to make this hook and do this and this."
[9:58] >> And so, this was this first one off the
[10:00] cuff. This was almost entirely
[10:01] unplanned. And so, a lot of this was
[10:03] just you and instinct and how you put
[10:05] this together based on things you've
[10:06] learned. Walk us through another video
[10:08] that that maybe you planned out a little
[10:10] bit more in advance cuz one thing that's
[10:12] surprising to me, you actually write a
[10:13] script for all of your videos and I
[10:15] think anybody that's seen one of your
[10:16] videos would be surprised by that
[10:18] because you seem like you're just
[10:20] talking off the cuff.
[10:22] How do you do that? Like you you're very
[10:23] prepared but it doesn't seem formal and
[10:26] stuffy and like you're reading.
[10:28] >> Totally.
[10:28] >> How can you teach somebody else to do
[10:30] that?
[10:30] >> If I like reading it, then that means
[10:32] it'll probably sound good if I say it
[10:34] out loud as well.
[10:35] >> Mhm.
[10:35] >> But not always but sometimes. And so
[10:37] this is one example of a script I wrote
[10:39] um for a video that I did yesterday. And
[10:41] again, it's just super simple like do I
[10:43] enjoy reading this? Like would I read
[10:45] this if I just someone texted this to
[10:47] me?
[10:47] >> Yeah, what's going through your head?
[10:48] Are you imagining the audience uh
[10:50] listening to this or how do you evaluate
[10:53] if something is actually good and
[10:54] interesting?
[10:54] >> For me, it's always I'm the audience.
[10:56] Like would I be interested in what what
[10:58] the script is saying? And so honestly,
[10:59] this script is actually not that strong
[11:02] um but I still recorded the video cuz
[11:03] you got you got to be launching. In the
[11:05] first kind of
[11:06] little bit am I getting across what I'm
[11:08] doing? Um why is it important? Like you
[11:11] can get across so much in just 10
[11:12] seconds. What you're doing, why it's
[11:14] important, let's get into it. You know,
[11:16] that's what the first 10 seconds of any
[11:17] kind of video should be about cuz most
[11:19] of these videos are 1-minute long,
[11:21] right? It's kind of a movie, you know, a
[11:22] movie is an hour and a half, 2 hours and
[11:24] the first 20 minutes is just a setup.
[11:26] >> Mhm.
[11:26] >> It's a 2-hour thing. And so for a video
[11:28] that's 1-minute long, you need a setup
[11:30] but it should only be like 10, 20%. So I
[11:32] write this down and so in this case, I
[11:34] said, "Hi, I want to share a new demo of
[11:35] our of our new a demo of our new agent
[11:37] interface." When talking to our users,
[11:39] blah blah blah
[11:40] um and then getting into the demo.
[11:42] And so
[11:43] for me, this is kind of
[11:46] this is just kind of how I think through
[11:47] it, you know, before I get in front of
[11:48] the camera. The worst part is being in
[11:49] front of the camera
[11:50] and you're like, "Ah, what am I saying?"
[11:52] You know, like you have you have nothing
[11:54] to ground yourself.
[11:55] >> Yeah.
[11:55] >> It's good to ground yourself, yeah.
[11:56] >> You start with the script and then you
[11:58] move on to some of the visuals. How do
[11:59] you think about what that first shot
[12:01] should be? It's so important, right?
[12:02] It's the first thing people see when
[12:03] they're scrolling.
[12:04] >> I'll show you a quick example of one of
[12:06] our videos. So this video actually did
[12:08] really good on YouTube. Uh this is like
[12:09] a brand new fresh YouTube channel. Like
[12:11] we literally made it and then posted
[12:13] this video 3 days later.
[12:14] >> Yep.
[12:14] >> And this is one of our highest
[12:15] converting videos, despite being 19,000
[12:17] views. Yeah, this video, I think it did
[12:19] like 3 million views on Twitter,
[12:20] >> Mhm.
[12:21] >> 20,000 on YouTube, and like some crazy
[12:23] amount on Instagram as well. The same
[12:25] video. So, it kind of did it across We
[12:27] posted just everywhere, you know, just
[12:28] to see what happens. But yeah, I mean,
[12:30] the way I like to do my videos is
[12:32] who is the person making this thing? You
[12:35] know, like, just show yourself. Show
[12:36] your face very clearly. This is you.
[12:39] This is your personality. Just be proud
[12:40] of who you are, and um
[12:42] confidently tell the camera what you're
[12:43] working on. Cuz if you think it's cool,
[12:46] then I think you'll find at least My
[12:48] thought is always at least one other
[12:49] person will think this is cool.
[12:50] >> Mhm.
[12:50] >> And that's who I'm talking to. I'm
[12:51] talking to that like one other person in
[12:54] that world that may think this is cool.
[12:56] And so, yeah, I always start with a very
[12:57] clear "Hi, this is what I'm working on."
[13:00] >> All you got to do is press and hold at
[13:01] 10 plus control,
[13:02] >> [music]
[13:02] >> start talking, and whatever you're
[13:04] saying will stream in as text into
[13:06] whatever text box your cursor is on. For
[13:08] example, if I'm on Apple Notes, I
[13:09] [music] can just say
[13:10] >> "Great, that's how it works. Um can you
[13:12] give me an example?"
[13:13] >> Hey, today I have to ship [music] three
[13:14] things. First, skills, second, memory,
[13:17] and third, this bug that this one user
[13:19] gave about dictation.
[13:20] >> Okay, that's pretty cool, but this is
[13:22] like every other product I've ever seen.
[13:23] There's nothing special about this.
[13:25] >> So, that's pretty cool, and honestly,
[13:26] many products already do this exact
[13:28] thing today. But here's the thing, when
[13:30] I'm writing, I often don't really know
[13:33] what I even want to say. [music] So,
[13:34] check this out. We're shipping
[13:35] >> So, then like, I frame the problem for
[13:37] myself.
[13:38] >> Mhm.
[13:38] >> I'm not saying "Everyone has this
[13:40] problem where they don't know what to
[13:42] write." Like, I'm not involving
[13:43] everybody. I'm only talking about
[13:45] myself.
[13:46] And cuz these are my problems, cuz I'm
[13:47] always building stuff for myself.
[13:49] >> screen away dictation. [music] It's
[13:50] pretty cool. I've never seen anything
[13:51] like it before, and I want to show you.
[13:53] Let's say I want to write
[13:54] >> Again, that's just me being myself,
[13:56] which is like, "Hey, I want to show
[13:57] you."
[13:57] >> You come across very natural here. Um
[14:00] was that easy for you to do that in the
[14:01] beginning?
[14:02] >> First of all, this whole video is
[14:03] scripted. Every every line that I'm
[14:05] saying, I wrote like 3 days before.
[14:07] >> Mhm.
[14:07] >> And I said it and I I I I will say it in
[14:09] my head like over and over and over
[14:10] again, in the shower, uh
[14:13] going to work, and I'm always like, "How
[14:14] should I say that line? How should And
[14:15] by the time I'm in front of the camera,
[14:17] I've already visualized it like 10
[14:18] times.
[14:19] And it's so funny, after this video we
[14:21] were finished it, I told Vikrant, uh,
[14:23] the person
[14:24] uh, who I make videos with, and I'm
[14:26] like, this is the worst video we've ever
[14:27] done. Uh, it's not even worth editing
[14:29] it. And he's like, no, bro, be quiet,
[14:30] shut up. Uh, I'm going to make it and
[14:32] then we're going to post it. And so
[14:33] again, it's good to have the team also
[14:34] be really like, hey, we made this, like,
[14:37] we're going to put it out. It doesn't
[14:38] matter how cringe we think it is, like,
[14:40] we'll let the audience decide. This
[14:41] video did 3 million views on Twitter.
[14:43] And people went crazy over it. And it's
[14:45] so funny, I thought it was horrible. I
[14:48] just thought like, this is so this is so
[14:49] bad. So this is one of the situations
[14:51] where I was wrong. And I think founders,
[14:53] I mean, me especially, think something
[14:55] we made is bad, or I made is bad, and
[14:57] then I don't want to put it out cuz it's
[14:58] going to make I don't like how it sounds
[15:00] or feels, I'm constantly forcing myself
[15:02] to put it out. It's not natural for me
[15:03] to click post. Um,
[15:05] but uh, sometimes it is.
[15:07] Sometimes it's not. Yeah. And so this is
[15:08] one example where I was like so
[15:10] surprised
[15:11] uh, that people even cared to begin
[15:12] with, cuz I thought it was just a pretty
[15:14] simple thing.
[15:15] >> It's interesting, um, I I've heard you
[15:16] talk about this almost like demo-driven
[15:18] development where everything that you're
[15:20] working on, you're almost working
[15:21] backwards from a demo that you want at
[15:23] the end of it. And that's kind of the
[15:25] proof that the thing is ready to go, it
[15:26] lets you test it out, and then you get
[15:28] to the end of it and you're like, let's
[15:29] just publish the demo.
[15:31] >> The most important thing in my company
[15:32] that I try to always and every company
[15:34] I've ever run is, you know that feeling
[15:36] when you're working with someone, often
[15:37] on the team or a co-founder, and you're
[15:38] like, yo, check this out. That, you have
[15:41] to like be so aware of that, cuz that is
[15:43] the thing that you could probably talk
[15:44] about online. That check this out is
[15:46] exactly like that raw check this out, is
[15:48] exactly how you should be kind of
[15:50] presenting yourself on the internet. In
[15:51] this case, you know, sometimes I go a
[15:53] little bit more fancy if I want to, but
[15:55] sometimes I'm also just a guy in a a
[15:57] simple video, and in the YC office. And
[15:59] then sometimes, maybe once a quarter,
[16:01] we'll do a polished launch, where it's
[16:03] like, this is like something I'm really
[16:05] proud of, I want to make sure it's
[16:06] talked about properly. But generally,
[16:08] we're launching like
[16:10] demos every single day almost.
[16:12] >> It's interesting, now that everybody
[16:13] can, um, put out videos and and do
[16:15] launches every single day, how do you
[16:18] stand out in that world? It seems like
[16:20] um
[16:20] people that are spending lots of money
[16:22] and trying to do fancy produced videos,
[16:24] that's an effort to try to get more
[16:26] attention and stand out and and seem,
[16:29] you know, polished and and further along
[16:31] than you are. Um but you take the
[16:33] opposite approach. And so in a world
[16:35] where there's just so much content and
[16:36] so many videos that are out there every
[16:38] single day, how do you think about how
[16:40] you try to stand out and how others can,
[16:42] too?
[16:43] >> I never think about like that. I always
[16:45] just think about like
[16:47] I'm I I want to talk about something. I
[16:49] think it's interesting. And there's got
[16:50] to be one of the person out there that's
[16:51] that thinks it's interesting.
[16:52] >> Mhm.
[16:52] >> And when I click post, in my brain, I'm
[16:55] always I'm always like if this gets zero
[16:57] attention, zero views, I'm still happy I
[16:59] posted it. You know, because I'm glad I
[17:00] got something out there. I think that
[17:02] should be the mentality everybody has
[17:04] working on their company
[17:05] launching 2026. Like you can't be
[17:08] thinking about it. By the time I hit
[17:09] post, I've already forgotten it. Um I'm
[17:12] looking at it maybe a week later.
[17:13] >> Yeah.
[17:14] >> Yeah.
[17:14] >> How do you do that? I feel like most
[17:15] people when they post something they're,
[17:17] you know, incessantly just refreshing
[17:19] and trying to see are people liking it,
[17:20] who liked it. Um but you launch and you
[17:23] walk away.
[17:24] >> Yeah.
[17:24] >> you get to that point?
[17:25] >> I mean, you just put so much garbage out
[17:27] there. I put so much garbage out in the
[17:28] world at this point. Not like bad stuff,
[17:30] but just like stuff that I wasn't like
[17:31] this is I didn't think that I didn't
[17:32] think was good.
[17:33] >> Yeah.
[17:33] >> And
[17:34] people forget the next day. I can make
[17:36] something right now and post it and
[17:37] people are going to forget the next day.
[17:39] That's just how
[17:40] attention in 2026 kind of works, you
[17:42] know?
[17:42] >> And so this is like a perfect example.
[17:45] This is 2021. Mhm. It's a year after YC.
[17:48] I'm like a I'm a solo founder. I've been
[17:49] a solo founder at ZipSchool and a solo
[17:50] founder at Buildspace, solo founder now.
[17:52] It's not like I'm that Yes, I know how
[17:54] to put a camera in front of me and edit
[17:55] it, but I'm not a fantastic editor. And
[17:57] so this is back when I was working on
[17:59] ZipSchool, which is an online elementary
[18:00] school, and I wanted to show off the new
[18:02] classes that we were launching for our
[18:04] users. And this is the launch video.
[18:06] >> Hey there, ZipSchoolers. Faraz from
[18:07] ZipSchool here again to show off four
[18:09] new classes that we just added yesterday
[18:11] to ZipSchool that we are very excited
[18:13] about. The first one is called Mars
[18:15] Perseverance Rover Landing aimed at kids
[18:17] ages 7 to 12. And this class covers the
[18:19] Mars landing that actually Honestly, it
[18:21] is not I'm already checked out watching
[18:23] this video. And
[18:24] >> What would you do differently? What are
[18:26] the mistakes that you're making in this
[18:27] video?
[18:27] >> I think that's the important part. It's
[18:28] not about that. It's about the fact that
[18:30] I posted it and then it got 23 likes,
[18:33] which by the way is more than zero. It
[18:36] got more than zero views. It got more
[18:37] than zero comments. It got one comment
[18:40] from a guy.
[18:41] >> You got a bookmark.
[18:41] >> I got a bookmark. So like I launched.
[18:44] This to me is a launch. And I know that
[18:45] sounds dumb to maybe some, but to me
[18:48] this is exactly what launching means. We
[18:50] did something new at the company. We
[18:52] talk about it to the into the world and
[18:54] it doesn't matter if we got 23 views. If
[18:57] there's a chance that we get more than
[18:58] one view, we should talk about it. And
[19:00] so this is a super small thing. This is
[19:02] like an everyday thing in my company
[19:03] where we have cuz we have new classes
[19:05] dropping everyday almost. And so I just
[19:07] make it I'd be like, yeah, let's talk
[19:08] about it. Maybe one day
[19:11] I'll talk about it and one of the
[19:12] classes will be really interesting and
[19:14] get picked up and go super viral, which
[19:16] never happened. But the fact is I made
[19:18] the videos. And over time I I got so
[19:20] much better at just knowing like how
[19:22] should I talk about products? Cuz think
[19:23] about it like I'm good at making videos
[19:25] in general and writing stories, but
[19:28] talking about products is hard. How do
[19:30] you come off without sounding schilly?
[19:31] How do you come off without sounding
[19:32] fully yourself? And it's hard. This is
[19:34] funny. This is a launch. This is the
[19:36] first day I worked at my company,
[19:37] December 1st, 2020 and I shipped a
[19:39] landing page. Aaron, there's no copy.
[19:42] There's just a link and there's some
[19:45] weird video I made in Canva and I posted
[19:47] it.
[19:48] And that's a launch. To me I launched a
[19:50] landing page. Right? In my eyes. And by
[19:52] the way, in this instance I had like
[19:53] maybe a 80 followers or something. So no
[19:55] one was watching what I was doing. And
[19:57] this is just continued. What is this?
[19:58] Nice four years.
[20:00] >> Uh I'm pretty excited for the next four
[20:01] years or
[20:04] the USA
[20:05] for ZipSchool
[20:06] for the world.
[20:08] It's going to be great.
[20:10] >> And so again, I've just been posting
[20:11] these for just years. And so over time
[20:13] you you build up You know, it's like
[20:15] it's like basketball. You just keep on
[20:18] keep on going like, "Oh man, this is
[20:19] getting closer." And you internally are
[20:21] smart are human being, you're smart
[20:23] >> Yeah. you'll slowly get better. But if
[20:24] you don't take a thousand shots, you're
[20:26] not going to make the that that the the
[20:28] 5,000th shot, you know?
[20:30] >> Clearly, your advice is just put it out
[20:33] there. Don't worry about it. Just put it
[20:35] out there. You need to get the reps.
[20:36] What are the things that you've learned
[20:38] in the five years since then?
[20:40] >> So much.
[20:40] >> The tips that you could give people now
[20:42] in order to improve their videos and
[20:44] start from a better starting point than
[20:46] you did when you were first doing this.
[20:48] >> Totally. I want to be really clear. All
[20:49] my videos are like look very produced,
[20:52] uh but that's because it comes very
[20:53] naturally to me. To make a produced
[20:54] video for me will take like an hour. Um
[20:56] but for other people may take longer.
[20:58] So, while I'm showing this, I kind of
[20:59] want to be clear like you don't have to
[21:01] produce your videos. It could just be an
[21:02] iPhone video and it'll still do really
[21:03] well. So, this is one of those videos
[21:05] where I just knew even when I when I
[21:07] when I wrote the script that it was
[21:08] going to go big.
[21:09] >> Mhm.
[21:09] >> Uh it has now 21 million views on
[21:11] Instagram. And believe it or not, this
[21:12] one video is still driving a lot of our
[21:14] traffic. So, that's how these algorithms
[21:17] work like they'll keep serving the
[21:18] content to people uh to more people that
[21:20] want to see it. Also, I've made this
[21:22] video an ad now. So, I'm running
[21:23] Facebook ads now on a video. So, yeah,
[21:25] there's a lot of benefit to making
[21:26] videos for your company.
[21:27] >> Last week, I went super viral for an
[21:29] idea that I built that I thought was
[21:31] actually kind of terrible. And this
[21:32] week, I'm somehow in Y Combinator? Let
[21:35] me show you what
[21:35] >> Okay, so just that hook.
[21:36] >> Yeah.
[21:37] >> Like what what did I say? Um last week I
[21:39] went super viral for something I built
[21:40] that I thought was kind of ridiculous or
[21:42] whatever, bad. Um cool, like that's
[21:45] interesting. And now he's in this thing
[21:46] called Y Combinator. I've heard of Y
[21:48] Combinator. So, I was kind of targeting
[21:49] that niche. And then a very simple, let
[21:51] me show you what I'm working on. I had
[21:52] it's My formula is always the same.
[21:55] >> Yeah.
[21:55] >> This is who I am. This is what's going
[21:57] on. This is what I'm working on. Let me
[21:59] show you.
[21:59] >> Show you what I'm building. It's called
[22:01] Clicky. It's a little AI buddy that
[22:02] lives next to your computer cursor and
[22:04] teaches you anything in real time for
[22:06] free. Let's say I'm learning how to
[22:07] color grade in DaVinci Resolve. Instead
[22:09] of going to a YouTube video, I just got
[22:11] to ask out loud and Clicky will
[22:12] literally tell me exactly how to get
[22:14] there and even point at it for me.
[22:15] >> So, again, a little pretty produced, but
[22:17] again, this this took us like four to
[22:18] six hours to make because we just had
[22:20] done this. But again, even if this was a
[22:22] simple video where I'm like, "Hi, this
[22:24] is what I'm working on. Check this out."
[22:26] And then I turn the camera to literally
[22:28] show my computer. I think the effect may
[22:30] not have been as big, but again, you
[22:32] just start and you make like 10 of those
[22:34] then. And you get really good at talking
[22:35] about stuff. But again, like that video,
[22:38] super clear hook, a very clear like why
[22:41] you should why you should care right now
[22:42] while you're on your scroll. And so a
[22:44] big thing that I always do when I watch
[22:45] videos on the internet, regardless if
[22:47] they're mine or not, is I ask myself, am
[22:49] I bouncing? When am I bouncing? And so
[22:52] if I go to Instagram Reels anytime, and
[22:53] this is what I do a lot actually. I
[22:55] watch a lot of content, not for
[22:57] entertainment, just to kind of study.
[22:59] And so I can go to Instagram Reels.
[23:01] >> page to block my long-distance
[23:02] girlfriend and post my weight loss
[23:04] journey.
[23:05] >> First of all, this is a random video we
[23:06] just stumbled upon, right? There's so
[23:08] much to learn.
[23:09] Dark background, light on his face, kind
[23:12] of a cool little caption at the bottom
[23:14] where it started 2 months ago. You kind
[23:16] of want to know 2 months ago what?
[23:18] You're just curious.
[23:19] >> Right, what happened?
[23:19] >> And so I'll mentally take that as a note
[23:21] and be like, "Oh cool, like maybe we can
[23:23] make a video that uses this as like a
[23:25] template. Maybe it's like 2 months ago I
[23:27] was working on something and I didn't
[23:28] really know what it was and then tell
[23:30] the story." And so again, I'll just keep
[23:32] doing this.
[23:34] >> Okay, so this song just hit 2 million
[23:36] streams.
[23:36] >> You had a spell when you
[23:38] >> You wanted to know where I've been.
[23:40] >> It's all Welcome back to features we
[23:42] should have released 6 months ago, but
[23:44] we're un-releasing them now.
[23:45] >> This is cool. This is what startups
[23:46] should be doing. Yeah, so I'm seeing a
[23:48] lot of this now, but mostly like younger
[23:49] founders, which is cool.
[23:50] >> There's almost something
[23:52] like self-deprecating about it. You
[23:55] know, yours is like, "Ah, I had this
[23:57] thing that I thought was terrible." And
[23:58] they're like, "Ah, this is the stuff we
[24:00] should have launched 6 months ago." And
[24:01] this guy's like, "I broke up with my
[24:03] ex-girlfriend."
[24:04] >> Everyone wants a story. And so how can a
[24:06] demo just be a mini story or what you're
[24:08] saying be a mini story?
[24:09] >> Yeah, and you I've heard you talk about
[24:10] this where it it's not actually you in
[24:12] the video, it's the character Farza. And
[24:15] and it's almost like all these people
[24:16] they're a character that the audience
[24:18] can identify with and
[24:20] ultimately root for potentially.
[24:22] >> Yeah, yeah. I mean, I think that like
[24:24] when a founder talks to the camera, like
[24:26] you come off as a certain type of way.
[24:28] And so, um totally, sometimes I'm like,
[24:30] yeah, like I am not playing a character,
[24:31] but like I'm a character to the people.
[24:33] Like when someone watches me on their
[24:35] little TikTok feed or their Twitter
[24:36] feed, like I'm just like random
[24:37] character in their eyes. I'm not like a
[24:39] real I'm a person, but I'm kind of a
[24:40] character. I'll show you guys this, too,
[24:42] which is just something we've been doing
[24:44] that our users have been loving. Uh it's
[24:48] not going viral, but our users have been
[24:50] loving it. And it's just these little
[24:51] Actually, some of them have been going
[24:52] viral, which is pretty cool. This is
[24:53] everything we built this week.
[24:56] >> So, ClickUp had been uh had some
[24:58] problems about like the integration and
[24:59] orchestration of the agents. Now,
[25:01] ClickUp has a new brain, and it will
[25:02] feel way more smooth to spawn the
[25:04] agents, to control them, to pause them,
[25:06] and you're going to see a lot of
[25:08] improvements overall. A lot of people
[25:10] complaining about like ClickUp is keep
[25:12] following uh them, so I made a fix for
[25:15] them.
[25:15] >> So, there's no there's no hook. There is
[25:17] no attention. There's no story. It's
[25:19] just we're a group of people, and we
[25:21] want to tell you what we're doing. This
[25:23] almost has a million views on Instagram.
[25:25] >> Why do you think these are so popular?
[25:27] >> I think that this is the most important
[25:29] thing I think about like companies
[25:31] making content. What we are doing on a
[25:33] day-to-day basis at our companies is so
[25:37] far-fetched from what most people think
[25:39] is actually happening at a company. And
[25:41] uh to just give them an inside look
[25:44] of what's actually going on in your
[25:45] process is so cool, and it gets them
[25:48] excited. It gets them interested in what
[25:49] you're doing. What I'm so against and so
[25:52] anti is talking about my life as a
[25:56] founder on the internet. You will never
[25:58] catch me making those videos about this
[26:00] is a this is my day as a YC founder.
[26:02] Never. Uh like I'm not trying to like
[26:04] tell you about my life and tell you
[26:06] about like my my my that stuff. I'm
[26:07] trying to show you like what I'm doing
[26:09] and why
[26:10] uh in new ways. And I think that um most
[26:12] companies just never show their process.
[26:14] For most companies,
[26:15] uh big companies, Apple, Meta, you just
[26:17] see Mark Zuckerberg on the stage, and
[26:19] he's showing you his Meta glasses. But a
[26:21] lot of people, especially early adopters
[26:23] of of products that uh you know, that
[26:25] I'm sure many YC founders are working
[26:26] on, uh are interested in just like, "Who
[26:29] are these random group of four guys and
[26:30] girls that are making this AI product
[26:32] and how are they doing it? And just
[26:34] telling we make these videos in 10
[26:36] minutes and it's just hey, just get up
[26:39] what are you doing today? And yeah, it's
[26:42] interesting. Um it's funny when we
[26:43] started making these we just made them
[26:45] just to stay accountable. Uh cuz it was
[26:47] uh it was good to kind of tell the
[26:49] people what we kind of stand up but in
[26:51] front of the world and so uh that was
[26:53] kind of the idea and I mean now we now
[26:55] we do these every two weeks and it's
[26:56] been really fun.
[26:56] >> Yeah, that's really cool. Um I I think
[26:58] another thing that comes across here is
[26:59] not even just the words that you're
[27:01] saying but like the joy that is in the
[27:03] videos and I think um people see that in
[27:06] your personality and I think they see
[27:07] that in the music that you choose and
[27:10] everybody's kind of like clapping and
[27:12] supporting each other as they're giving
[27:13] their update and it's just like positive
[27:16] vibes are coming through the video and
[27:18] how do you capture that?
[27:19] >> Uh see this is so weird because this is
[27:21] where you just have to be yourself. I
[27:22] keep saying that. People always say how
[27:24] do I start making videos about my
[27:26] company or videos about what I'm working
[27:27] on or awesome presents. It's always the
[27:30] same feedback. Make take out your
[27:32] iPhone, click record, go go go uh
[27:36] selfie mode and talk about what you're
[27:38] doing for 30 seconds and post it to your
[27:39] Instagram. Post it to your TikTok and
[27:41] then post it to Reddit and Instagram or
[27:43] Reddit and YouTube or whatever. And you
[27:45] know how many people take me up on that?
[27:47] Almost like maybe 1% 2% of the time
[27:49] people will actually do it. Why though?
[27:51] If I told you right now I mean maybe
[27:52] you're different I don't know I don't
[27:53] you're probably different you're you're
[27:55] Aaron Epstein uh but if you if I tell
[27:56] you to point your phone and record a
[27:58] video uh how does that make you feel?
[28:00] And then post it to your personal
[28:01] Instagram. What do you do?
[28:02] >> you get nervous about it like what am I
[28:03] going to say? How am I going to look?
[28:05] What if people think it's stupid? And
[28:08] all these thoughts I think go through
[28:09] people's heads and they're they're
[28:10] afraid of
[28:11] >> high school friend follows me. He
[28:13] doesn't care about this what I'm working
[28:14] on like nobody cares. But see that's the
[28:17] thing like there's so much value to
[28:20] you got to be cringe for a little while
[28:22] actually to learn how to not be cringe.
[28:24] And so a lot of people will like post
[28:26] their first video and be like this is
[28:27] this is horrible I'm not going to post
[28:29] this. But then yeah I think the
[28:30] important part is to continue doing it.
[28:31] And so again
[28:33] every day as a founder, founders
[28:34] watching on YouTube at YC, you're
[28:37] spending 8 hours on your laptop making
[28:39] magic, smiling, seeing things that you
[28:41] find are interesting. If you just spend
[28:44] even 10 minutes to step back and ask
[28:45] yourself, "What's something I did today
[28:47] that made me smile or was interesting or
[28:49] felt new?" And just talk about it, and
[28:51] then show it, and then click post, and
[28:53] then close it, back to work. That's all
[28:56] you have to do. That's what it means to
[28:58] be launching, I think, in 2026. Just to
[28:59] show your work, cuz that is what
[29:00] launching is, right? When you launch on
[29:02] TechCrunch or New York Times, like,
[29:03] you're showing your work. But in 2026,
[29:06] you show your you can show your work
[29:07] every day. And you can actually get an
[29:09] audience just by showing your work every
[29:11] day.
[29:12] >> of people think, "Well, I'm not
[29:13] targeting Gen Z or whoever
[29:16] stereotypically TikTok users, Instagram
[29:18] users. Therefore, I should not use that
[29:20] as a channel to try to acquire my
[29:23] business customers or I sell to
[29:24] procurement or whatever." But it sounds
[29:26] like your argument is like, "That's not
[29:28] true. There's all kinds of people using
[29:30] these platforms. They're real humans
[29:32] that happen to work at companies where
[29:33] they could be your customer
[29:35] >> Oh, yeah.
[29:35] >> and would be interested in seeing your
[29:36] products, right?
[29:37] >> Yes. Everybody in the world is on
[29:41] Well, not everybody in the world, but a
[29:42] large majority of the world
[29:44] is browsing through these platforms.
[29:45] >> Billions.
[29:46] >> Yes. We found that design agencies
[29:48] really loved our product. Like, three of
[29:51] them that found us naturally. So, the
[29:52] question became, how do we get more
[29:54] design agencies? Now, well, well, I'm
[29:56] curious, what what what what what would
[29:57] you do if you take yourself back like to
[30:00] founder mode Aaron?
[30:01] >> Oh, I don't know. Probably the default
[30:02] for a lot of people is like, go look on
[30:04] LinkedIn and, you know, try to find
[30:05] people that list the place they work as
[30:07] a design agency or go to communities
[30:10] that they hang out in or like
[30:11] specialized design
[30:13] >> Totally.
[30:13] >> websites or something.
[30:14] >> And those are all actually pretty good.
[30:16] You should do those things. But at the
[30:18] same time, do you think a design agency
[30:20] founder is on TikTok or Instagram or
[30:21] YouTube? Do you think they're on these
[30:23] platforms? The answer is probably yes.
[30:25] It's probably a lot of them. And so, we
[30:26] started making TikToks, I remember. I
[30:28] don't have the the account pulled up
[30:29] here that was just targeting agencies uh
[30:31] design agencies. I would literally say,
[30:33] "Hey, are you a design agency? Or or or
[30:36] hey, are you a the founder of a design
[30:37] agency? Stop right there. Let me show
[30:39] you something really cool. And then
[30:41] that's how we found like 50 design
[30:42] agency leads
[30:44] just through TikTok. And these videos
[30:45] didn't go viral. They each on average
[30:47] had like 4,000 views.
[30:48] >> But it was about 4,000 targeted views.
[30:50] >> 4,000 targeted views. So, the goal of my
[30:52] goal is never to go viral. It's just I
[30:55] want to talk about what I'm working on
[30:57] and I want to make sure it's listened to
[30:58] by an audience that would be interested
[31:00] in actually interested in what I'm
[31:02] doing.
[31:02] >> How do you think about the different
[31:03] channels?
[31:04] >> Every channel is different. I'll say off
[31:06] the bat, Twitter is our worst is in
[31:08] historically I've I've been making stuff
[31:10] on Twitter for like 10 years.
[31:11] >> Mhm.
[31:11] >> The worst conversion of any channel.
[31:13] Like this video, the original clicky
[31:15] video, got 7,000 downloads on 3 million
[31:19] views.
[31:19] >> Mhm.
[31:19] >> If you do the math there, it's like less
[31:21] than 1% or some crazy low number.
[31:22] >> Much less, yeah.
[31:23] >> It's very low. Screen aware dictation,
[31:25] this video, right? 2.9 million views on
[31:28] Twitter. But the conversion rate onto
[31:30] those people actually making accounts
[31:31] was horrendously low. This YouTube video
[31:35] has 20,000 views.
[31:37] But do you know what the conversion rate
[31:38] on this video is? It's like 20% to them
[31:40] actually downloading the app.
[31:41] >> Wow.
[31:41] >> So, the chances of you watching this
[31:42] video and downloading my app is 20%.
[31:44] >> Do you think that's something specific
[31:46] to the channel or is it something
[31:47] >> Yeah, I know. Every channel is
[31:48] different. Think about it. I'm on
[31:50] Twitter. I'm just like doom scrolling
[31:52] basically. Not really doom scrolling.
[31:53] I'm just scrolling through random stuff
[31:54] all the time. And so, for YouTube, I
[31:56] don't know I it was so surprising. And
[31:58] so, historically actually YouTube is for
[32:00] most companies the best performing
[32:02] channel in terms of conversion.
[32:03] >> But
[32:03] >> our numbers are very low. 872
[32:05] subscribers, 20k views. Like I'm not Mr.
[32:08] Beast, you know? But again, if you do
[32:10] the math, this leads to a very real
[32:12] number of signups. And this video will
[32:14] keep on performing. That's the most
[32:16] important part.
[32:17] >> Yep.
[32:17] >> This YouTube is a library that will last
[32:19] for decades. Twitter, you got your
[32:21] moment once and you're gone.
[32:22] >> Mhm.
[32:22] >> Instagram is another one that's so
[32:24] important.
[32:25] All of our traffic I think 70% of our
[32:27] traffic is Instagram. This is where you
[32:29] got to be smart. You're like, I'm not
[32:30] trying to go viral. I'm trying to make
[32:33] tell people what I'm doing. But I'm
[32:34] again like down the funnel, how many
[32:36] people actually converted?
[32:37] >> Mhm.
[32:38] >> It's worth checking out. And so, that's
[32:40] what
[32:40] I think people should always make their
[32:42] video and then start make the first
[32:43] couple of videos, but then start to ask
[32:45] themselves, "Hmm, maybe I should make my
[32:47] For example, our link in bio is {slash}
[32:49] IG. Mhm. Why? Because then I can track
[32:51] like wait a second, what was the
[32:53] conversion rate of people who hit
[32:54] {slash} IG and downloaded my app?" Or if
[32:57] they landed on their phone,
[32:58] sent it to We have a little button that
[33:00] lets them send it to them themselves
[33:02] over email. How many of them clicked
[33:03] that? What was the conversion rate? And
[33:04] so, by posting on all these channels,
[33:07] you start to see not only where I'm
[33:09] performing views-wise, but actually just
[33:11] like who's Where is my best channel
[33:14] right now in terms of the audience that
[33:15] I'm looking for? And again, for us, it
[33:17] is by far Instagram,
[33:19] and it's it's not even close. I think
[33:21] you're basically using the same content
[33:23] for every channel. Yes, I I do make
[33:26] videos for specific platforms. So, most
[33:28] of our videos we make for Instagram, but
[33:31] then we post to Twitter. Whereas some
[33:32] videos we make for Twitter and then post
[33:34] to Instagram.
[33:34] >> What is the difference between one that
[33:36] targets one versus the other?
[33:37] >> So simple. I mean, Twitter generally
[33:39] doesn't like vertical videos. It likes
[33:41] 16:9. So then this For example, we have
[33:43] this drawing video. So, we built a
[33:44] system that can draw directly on your
[33:46] screen. It can draw polygons, arrows.
[33:49] This is super optimized for Twitter. Cuz
[33:51] just look, let's let's just watch it
[33:52] muted and imagine I'm scrolling my feed.
[33:54] Ready?
[33:56] Okay, guy in front of blackboard, AI
[33:58] draw screen, I'll watch. It's like it's
[34:00] that quick. It's like AI draw screen,
[34:03] blackboard, he's drawing things, Cloudo
[34:05] Fest demo, click. You know, like my
[34:07] brain thinks like that. What are the
[34:09] quick Cuz nobody's reading this entire
[34:11] this entire damn thing. And so, this is
[34:13] optimized for Twitter. This video is
[34:15] optimized for Twitter. But, what was
[34:17] surprising is we posted the exact same
[34:19] thing to my Instagram, and it performed
[34:24] even better. And you would think that
[34:26] like this type of video wouldn't perform
[34:28] that good, but it has like millions of
[34:29] views. And it's a vertical video cuz on
[34:31] their phone, it looks even worse. It
[34:33] looks like this.
[34:33] >> Well, one thing that I maybe a couple
[34:35] things that I know about you are you
[34:37] have a very high bar for yourself and
[34:39] the things that you put out there. and
[34:41] while at the same time almost ironically
[34:43] you're very comfortable putting a lot of
[34:45] things out there.
[34:46] >> Yeah.
[34:46] >> Um and so you
[34:48] I hate to use the word taste, but like
[34:50] you've been doing this so long that you
[34:51] have a high bar and a good sense of of
[34:54] what you would be excited to watch and
[34:57] you just naturally have a very short
[35:00] attention span. You get bored and you
[35:01] like want the next thing and if you're
[35:03] not getting that then you move on and I
[35:05] think that serves you very well with the
[35:07] videos that you're creating here.
[35:09] >> Yeah, either I have good taste or I just
[35:11] put out so much stuff and some of them
[35:13] just hit.
[35:13] >> That's how you get it I think is you you
[35:15] put it out you put out a lot of things
[35:17] and you continue to improve and that
[35:19] that levels up your work.
[35:20] >> Totally. I think I have more the latter
[35:21] where I just put out so much stuff and
[35:22] some of the some of it works and
[35:24] again we're looking at the stuff that's
[35:25] working, but so much hasn't worked.
[35:27] >> Right.
[35:27] >> Like my old Zip School videos like
[35:28] nobody cared.
[35:29] >> Yeah.
[35:29] >> But this is what this is a perfect
[35:30] example. This was a super simple video.
[35:34] Basically, just a quick story here.
[35:36] I found out that with GPT real time you
[35:38] could generate shell commands. I can
[35:40] control your computer in real time. And
[35:41] so we can watch it real quick. All
[35:42] right, check this out. No hands. Ready?
[35:45] Hey Cookie, can you please open up
[35:46] Spotify and play ACDC for me? Maybe uh
[35:49] Back in Black. I love that song.
[35:54] Rock on. It's playing Back in Black now.
[35:56] Amazing amazing. Cookie Hey Cookie, it's
[35:57] a little bit loud. Could you turn it
[35:59] down in Spotify 50%? It's so loud.
[36:01] >> [music]
[36:02] >> Got it. Lowering Spotify to 50% so it's
[36:05] less intense. Okay, thank you. Hey
[36:07] Cookie, can you open up my So now I'm
[36:08] going to keep going. And this is
[36:09] actually a fun one. Stripe dashboard for
[36:11] me in my browser. Let's see if we made
[36:12] any money today.
[36:16] Opening your Stripe dashboard now.
[36:19] Oh man, $140 in a day is not And so to
[36:22] me that was just one little moment in
[36:25] the day where I was like, oh my god this
[36:27] AI model could do this.
[36:29] I didn't
[36:29] I didn't check if anybody did it before.
[36:31] I was just like, I'm going to make a
[36:32] video. Turns out I did something very
[36:34] novel. And um again the examples I used
[36:37] playing a song on Spotify
[36:39] uh and lowering the and lowering the
[36:40] volume that's exactly the first use case
[36:42] that I had as a user myself.
[36:43] >> Yeah.
[36:44] >> And so again, always building for like
[36:46] the version of myself that's kind of
[36:47] watching out there. Cuz if I think
[36:48] that's cool, I think someone else would,
[36:49] too. And hey, look.
[36:51] 3.8 million views on Twitter.
[36:53] Really good. But again, then Instagram,
[36:56] 4.6 million. You know, people always say
[36:58] like you got to be super like your brain
[37:00] has to be rotten when you're scrolling
[37:02] Instagram, and you got to have a lot of
[37:03] quick edits and blah blah blah. Like
[37:05] there's not a single cut in this video.
[37:06] >> Yeah, there's no cuts in the video, but
[37:09] there are beats in the video.
[37:10] >> Yeah.
[37:11] >> That you do a very good job with. You
[37:12] know,
[37:13] we see you first. You say, "Hey, no
[37:15] hands." So right off the bat, I'm like,
[37:17] "Oh, no hands. He's just talking to this
[37:19] thing."
[37:19] >> Yeah.
[37:20] >> Which is the hook that I think gets
[37:21] people to watch.
[37:22] >> That's all purposeful.
[37:23] >> Yeah, then you play the song. Then you
[37:25] lower the music so that you can continue
[37:27] to talk over it, and it responds to that
[37:28] as well. Then you pull up the stripe
[37:30] stripe dashboard, and somebody goes, "I
[37:32] wonder how much money they made today."
[37:33] >> There's always there's Yeah, I'm always
[37:35] just trying to keep the story moving.
[37:36] I'm not trying to keep your attention.
[37:37] That's actually the wrong way to look at
[37:39] it. I'm always trying to I'm always
[37:40] like, "All right, where's this guy
[37:41] going?" Come on. You know, you're like,
[37:43] "Come on, keep going." When you're
[37:44] someone talking, like Let's get to the
[37:46] end of the story. Okay, you went to the
[37:47] movies, and I said you just keep doing
[37:49] that endlessly. And so
[37:51] um I I love that you said the word
[37:53] beats. Some of my videos are purposely
[37:55] made
[37:56] to just kind of like appeal to like
[37:58] the audience that just
[38:00] has no attention span.
[38:01] >> Mhm.
[38:02] >> You know, for example, like this one. It
[38:03] has been 9 weeks since I built and
[38:05] launched my idea to the world.
[38:07] It's an AI that can draw directly
[38:08] [music] on your screen and guide you
[38:09] through any So that's one example of
[38:11] like a quick.
[38:12] >> Yeah, yeah, yeah.
[38:13] >> I'll show you this example here, which
[38:14] is um
[38:15] talking about the beats just for once.
[38:17] >> Two weeks ago, I was in my apartment
[38:18] trying to figure out a cool idea to
[38:19] [music] work on. Two weeks later, I
[38:21] built this thing that's now being used
[38:22] by thousands of people every single day.
[38:24] And the crazy part is
[38:25] >> So again, I literally think about it
[38:26] like like like this.
[38:28] >> Mhm.
[38:30] >> Am I here?
[38:31] >> Yeah.
[38:31] >> Am I still watching? I think as you make
[38:32] these videos again and again, um it
[38:34] becomes a lot more obvious to you as you
[38:36] do it. Uh we have this one guy at our
[38:38] office right now. He is 19, and he has
[38:41] this built into his head. Uh the same
[38:42] the same beat system. And it's It's like
[38:44] most people who work on videos a lot
[38:46] have this little beat system in their
[38:47] head.
[38:48] >> I think another thing that's unique is
[38:49] you actually um invest a lot in your
[38:51] early team, which is small, but a large
[38:54] portion of it is actually built to help
[38:56] you create and produce and get these
[38:58] videos out the door on a regular basis.
[39:00] >> Yeah, I mean I always say like I'm okay
[39:03] at videos. There are people out there
[39:05] who who are way better at me.
[39:06] >> Mhm.
[39:07] >> My first two hires were I knew from the
[39:09] beginning, even before I started my
[39:10] company, it's going to be number one, a
[39:13] filmmaker, and number two, an engineer.
[39:16] And this number one is film is filmmaker
[39:17] for me. So that is the first one.
[39:20] Or whenever whatever order they can come
[39:22] in.
[39:22] >> Why was that so important to you?
[39:23] >> I don't want to put a ton of attention
[39:25] every day on making videos. I mean any
[39:26] founder watching, any founder in YC,
[39:28] like nobody wants to do that every day.
[39:30] At at some at some level you do have to
[39:32] in the beginning in the early days. And
[39:33] yeah, I mean look at my Clickey videos,
[39:35] like I'm forcing myself to just make
[39:36] videos and make stuff every day. At one
[39:38] point, you're like, well, this would be
[39:40] really great if someone's full-time job
[39:42] at my company was to kind of observe
[39:44] what we were doing and help us launch
[39:46] and constantly make it their
[39:48] their mission to make us look good when
[39:49] we launch as well and make us come off
[39:51] properly.
[39:52] And so that's why a filmmaker was one of
[39:54] the first hires I I made at this
[39:56] company. And at my last company, our
[39:57] film team was two people. We were only
[39:59] like a seven-person team.
[40:00] >> Yeah.
[40:00] >> So even at this company, at one point at
[40:02] Clickey, we had three people making
[40:04] videos and one engineer. Um cuz it's so
[40:07] funny now, it's so easy to pump out more
[40:10] code and more software, but it's harder
[40:12] than ever to actually talk about what
[40:15] you are doing in a coherent way in front
[40:17] of an audience.
[40:17] >> Mhm.
[40:18] >> Cuz now Aaron, you know, someone can
[40:20] clone my product in like two minutes at
[40:22] this point. But again, what they what's
[40:24] really hard to clone is the audience and
[40:26] the community that I built around what
[40:27] I'm doing and the energy around it. If
[40:29] you got an audience around your company,
[40:31] I'll say 100,000 people that was really
[40:33] into what you were doing, maybe
[40:34] enterprise AI, you know, uh maybe
[40:37] something around like photography or
[40:38] whatever, whatever your niche is,
[40:39] >> Mhm.
[40:40] >> that'd be useful. Cuz cuz that's why you
[40:42] know, I can make a video now about a new
[40:43] feature and like thousands of people
[40:45] flood my app.
[40:46] That's awesome. That's like every
[40:47] founder's dream, right?
[40:49] >> Tell us more about the gear that you're
[40:50] using today to to produce these videos.
[40:52] >> Yeah, so for demos on my computer, which
[40:54] is just like what I'm hacking on that
[40:55] day, I always use this thing called
[40:57] Screen Studio. I think it's like made by
[40:59] some indie hacker. It's just really
[41:00] good. It's
[41:02] record your screen, record your local
[41:03] audio, makes your cursor look good, and
[41:05] I think it costs like 30 bucks. That's
[41:07] like one level. Then the next level is
[41:09] like, well, videos that more include me
[41:11] in a more kind of like
[41:13] kind of native way, and for that I just
[41:15] pull up my iPhone. Literally just a
[41:16] selfie camera and just record myself
[41:18] talking, post, or edit on my phone even.
[41:20] Um I use on my phone it's Instagram's
[41:23] editing tool, it's called Edits, a lot.
[41:25] So when I I I do edit on my phone a good
[41:27] amount. So that's the iPhone.
[41:29] Nothing else required. But then there's
[41:30] like the next level where it's like you
[41:32] feel like you want to do something a
[41:34] little bit more kind of like thought
[41:36] through, cinematic, and that's where I
[41:38] use my Sony FX3. Sony FX3 or Sony FX3?
[41:42] The cheaper one. Along with a DJI mic.
[41:44] It's actually funny, the most important
[41:46] This is actually so important. I I can't
[41:48] believe I missed this. The most
[41:49] important thing in any video you make
[41:52] doesn't matter if it's a shitty Loom or
[41:54] a shitty like little video or your
[41:55] iPhone is audio quality. If your audio
[41:58] is bad, I'm bouncing. I've watched some
[42:00] some demos that are like 720p and just
[42:04] like the guy's in like a weird room in a
[42:06] basement, but his audio is crisp. And
[42:08] what he's working on is actually
[42:10] genuinely interesting, so I stick
[42:11] around. And so I don't care about the
[42:13] the rest of it. I don't care what he
[42:13] looks like, anything. I'm like, I can
[42:15] hear him and I can see what he's doing.
[42:17] That's it. Yeah. And so I think if every
[42:19] founder could just invest in one of the
[42:21] super cheap DJI mics, find them used
[42:24] online,
[42:25] or just any mic that's not your MacBook
[42:27] mic,
[42:28] your or your AirPod mics, those don't
[42:30] count,
[42:31] that would be really good. And then for
[42:33] editing on my actual laptop I use
[42:35] DaVinci. Yeah.
[42:37] And maybe the most important part of my
[42:38] stack he's not here right now, but
[42:40] Vikrant. Vikrant has made all the Hey
[42:42] Clicky videos. And without that guy
[42:44] making me look good and making us look
[42:46] good, none of this would happen. And so
[42:48] I don't want to sit here and be like I
[42:49] made all all videos and did all this
[42:50] stuff. Every video we just looked at,
[42:52] apart from the the Bad Zip School ones
[42:53] which were made by me, are made by
[42:55] Vikrant. And so, having a person that is
[42:57] actually talented at filmmaking,
[42:59] storytelling, writing next to you is
[43:01] like the biggest
[43:03] bonus a founder could have today. So, a
[43:05] big part of how I work with Vikrant,
[43:07] who's the person who helps me with all
[43:08] these videos, is
[43:10] we just brainstorm. We're like, "Hey, we
[43:12] made this feature. What should How
[43:14] should we make the video now?
[43:16] What are we thinking? Where should we do
[43:17] it?" And so, Vikrant is actually the
[43:19] main guy that's like, "Hmm, I had this
[43:21] shot idea." Or, "Hmm, I had this hook
[43:23] idea." Or, "Hey, I have this other
[43:25] idea." And often I'm the guy that's
[43:27] bringing the script and the song and the
[43:29] vibe that I'm going for.
[43:31] Cuz as the founder, I think you'll
[43:32] slowly find what are the things that
[43:34] you're good at in video making. There's
[43:36] some aspect to it. So, for me, I find
[43:38] I'm really good at writing and I'm
[43:39] really good at the music.
[43:41] And then Vikrant is good at literally
[43:43] everything else. From shooting to
[43:45] picking the set to editing after to, you
[43:48] know, all the little motion graphics he
[43:50] does. Just so talented. And then as the
[43:52] founder, me as Farza, I can go back to
[43:54] focusing on growth, hiring, making the
[43:57] product. I don't want to spend
[43:59] all my time on making videos, you know?
[44:01] I don't think any founder watching this
[44:02] wants to do that. And and look, I think
[44:04] a lot of these a lot of people watching
[44:05] probably can't afford to hire a
[44:07] filmmaker or like an actual person on
[44:08] their team. They're maybe just solo or
[44:10] they're co-founder.
[44:11] And what I'll say is, "Hey, go back to
[44:13] my old Zip School videos. Go back to
[44:15] Just scroll through any of my social
[44:17] media and look at all my old shitty
[44:18] videos and just start somewhere. That's
[44:20] the most important thing about making
[44:23] launch videos and launching today is you
[44:25] got to start. And the more you keep
[44:27] doing it every day,
[44:28] the more natural it'll become and slowly
[44:31] hopefully more people check out your
[44:32] product. Hopefully you can then hire
[44:34] someone that does it even better than
[44:35] you. So, for example, I'm not the
[44:37] engineer at my company anymore. I'm not
[44:38] the core engineer. I have someone that's
[44:40] a lot better than me.
[44:41] >> Yeah.
[44:41] >> And same with filmmaking, same with
[44:42] design, same with every aspect of my
[44:43] company. But in the early days as a
[44:45] founder,
[44:47] you're doing everything.
[44:47] >> it all.
[44:48] >> You're doing taxes, you're doing design,
[44:49] you're doing filmmaking. And so, you got
[44:51] to do everything. You can't be a little
[44:52] baby about it. You got to take out your
[44:54] camera and start posting some cringe
[44:55] stuff.
[44:56] Cuz in order to not be cringe, you must
[44:58] first be cringe, so
[44:59] Yeah. And then yeah, for all of my
[45:01] writing, I always use this thing called
[45:03] Free Write. Um it's free to download,
[45:04] freewrite.io. It's my app. I built it
[45:07] actually just for this purpose.
[45:08] >> Mhm.
[45:08] >> Uh yeah, free, open source, you can
[45:09] check it out. Maybe this is one thing I
[45:11] should I didn't mention at all before is
[45:12] writing is so important. So spend as
[45:14] much time possible before the video uh
[45:17] writing it. So before you get in front
[45:18] of the camera and maybe record it, if
[45:20] you've never made a video,
[45:22] don't worry about this, but if you're
[45:23] like on your 15th, 20th, 30th video,
[45:26] try writing. Try writing for just 10
[45:27] minutes about what the what it should be
[45:29] and then record it. Um you'll find that
[45:32] the more you think through it before you
[45:33] get to the video, uh the better it can
[45:36] possibly get. Cuz then you can catch a
[45:37] bad idea before it gets here.
[45:39] >> Yeah.
[45:39] >> And that's it. That's that's that's
[45:40] that's my stack.
[45:41] >> I think you you have a challenge for
[45:42] everybody who's watching for something
[45:44] they can do today to get started, right?
[45:46] >> My challenge to everyone watching this
[45:48] is um
[45:50] if you've never really made videos or if
[45:52] you uh have never really talked about
[45:54] your work online, but you've been
[45:55] hacking, you've been tinkering, you've
[45:56] been working on something,
[45:58] super simple. Every day, just spend 10
[46:01] minutes, take your phone out, iPhone or
[46:03] Android, it's okay, and then just record
[46:05] yourself talking about what you were
[46:06] doing to what you did that day, and then
[46:08] post it to your social media of choice,
[46:10] Instagram, TikTok. You know what? Make
[46:12] it Make a new Instagram account. So your
[46:14] your existing followers don't even know.
[46:15] You do just post it somewhere. And do
[46:18] that for 30 days straight, and I promise
[46:21] you, within those 30 days, one of those
[46:23] videos will surpass probably 1,000
[46:25] views. And then you can look back and
[46:27] ask yourself,
[46:29] hm, that one did 1,000 views.
[46:31] Maybe the next one, and you can learn
[46:32] from that, and you can make the next one
[46:35] uh based off the one that got 1,000
[46:36] views. And you can slowly get better and
[46:38] better and better. That's the challenge,
[46:39] yeah. 30 days straight, every day one
[46:41] video. Send it to me. Uh I'll be I'll be
[46:44] I'll be one of your likes
[46:45] uh if you're doing this challenge, and
[46:47] yeah, go for it.
[46:47] >> And it's never been easier to do this,
[46:49] right? To get that message out.
[46:50] >> It's never been easier. It's never been
[46:51] easier.
[46:52] >> Farza, thank you so much for being here.
[46:54] This is incredible advice.
[46:55] >> Anytime, man. [music]
[47:00] >> [music]