Comedian Tony Hinchcliffe Defends Political Jokes at Trump MSG Rally

PowerfulJRE

The media controversy surrounding the Puerto Rico routine at Madison Square Garden stemmed from omitting longer, self-deprecating frames rather than the joke itself.

AI-assisted summary of Joe Rogan Experience #2522 - Tony Hinchcliffe — original source. Check the original for full context.

Source published: 2026-07-02

Detailed notes

## Background Published on July 2, 2026, by the PowerfulJRE channel on YouTube, this episode of the Joe Rogan Experience features comedian and writer Tony Hinchcliffe. The page description notes that Hinchcliffe is the host of the live show and podcast "Kill Tony," and is promoting his new Netflix comedy special, "Man of the People."

## TL;DR Host Joe Rogan and guest Tony Hinchcliffe discuss a wide range of topics, starting with the immense complexity of semiconductor manufacturing technology and a thought experiment on rebuilding society after a collapse. They dive deep into regional corruption in Youngstown, Ohio, boxing and UFC fighter dynamics, and the logistics of massive comedy events like the Tom Brady roast and Hinchcliffe's controversial appearance at a Donald Trump rally. The conversation also covers modern media sensationalism, internet culture, the resilience of musical artists like Kanye West, and the evolving landscape of live stand-up comedy.

## Atmosphere & style The conversation carries a relaxed, late-night greenroom energy mixed with intense, nerdy fascination as the hosts bounce between technical marvels and gritty historical street lore. Rogan acts as the curious, macro-perspective truth-seeker, while Hinchcliffe brings sharp, quick-witted comedic timing, shifting the mood seamlessly from dark political edge to pure nostalgic storytelling. It feels highly personal, unfiltered, and deeply rooted in the camaraderie of veteran comedians who are completely unfazed by online outrage.

## Key takeaways - [00:12](https://www.youtube.com/watch?v=inrnVpGsKN4&t=12s) Joe Rogan details the immense complexity of modern semiconductor manufacturing equipment, describing it as one of the most intricate human-made machines, which operates under extreme conditions like hitting molten tin droplets with lasers at forces over 20 Gs. - [04:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=255s) Rogan and Hinchcliffe discuss how advanced chip grading processes dictate the performance tiers of modern AI and consumer processors, highlighting how production yields affect major tech manufacturers like Samsung. - [07:05](https://www.youtube.com/watch?v=inrnVpGsKN4&t=425s) Rogan criticizes government foreign aid and corporate charities, labeling a large portion of them as administrative scams where funds dissolve into overhead and salaries rather than helping people. - [07:05](https://www.youtube.com/watch?v=inrnVpGsKN4&t=425s) The hosts discuss a conspiracy theory claiming historical gangster rap was orchestrated by intelligence agencies to drive up private prison populations, contrasting it with Mike Benz's insights on USAID funding foreign media to influence politics. - [11:37](https://www.youtube.com/watch?v=inrnVpGsKN4&t=697s) Jamie Vernon uses Perplexity to trace the history of NyQuil's ingredients, confirming that the original late-1990s formula contained ephedrine and 25% alcohol before being altered due to the Combat Methamphetamine Epidemic Act. - [24:58](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1498s) Hinchcliffe reflects on the heavy historical mob control and extreme per capita murder rates in his hometown of Youngstown, Ohio during the 1990s and early 2000s. - [35:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2115s) Rogan explains the demographic and socio-economic cycles of urban neighborhoods, noting how poverty historically drove immigrant groups like Jewish and Italian Americans into boxing before they gained financial traction. - [36:47](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2207s) Rogan and Hinchcliffe break down elite striking in the UFC, focusing on Ilia Topuria's power and Max Holloway's dramatic last-second knockout victory over Justin Gaethje. - [47:45](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2865s) The hosts highlight the grueling, character-building physical reality of high school wrestling, arguing it serves as the ultimate developmental foundation for modern MMA fighters. - [58:24](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3504s) Rogan details a purist philosophy for UFC refereeing, arguing that fighters should never be stood up from the ground without a foul and that rounds should ideally resume from the exact position they ended. - [01:02:48](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3768s) The hosts recap the massive viewership success and logistical chaos of the unprecedented UFC event held on the White House lawn, which garnered an estimated 150 million total views. - [01:06:55](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4015s) Hinchcliffe shares behind-the-scenes details of the highly successful Trump and Biden 'Kill Tony' episode featuring Shane Gillis and Adam Ray, which was organized immediately following the first presidential debate. - [01:25:22](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5122s) Rogan traces the tragic career spirals and permanent brain damage suffered by historic boxers like Meldrick Taylor following legendary wars in the ring. - [01:29:31](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5371s) Rogan and Hinchcliffe analyze the extravagant lifestyles and subsequent financial collapses of wealthy celebrities like Floyd Mayweather and Nicolas Cage. - [01:40:32](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6032s) Tony Hinchcliffe defends his edgy, high-velocity material at Netflix's 'The Roast of Kevin Hart' and reflects on the political media firestorm surrounding his filler joke at Donald Trump's Madison Square Garden rally. - [01:50:47](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6647s) Rogan reflects on the cultural shift around 2016 where online audiences began treating provocative comedy as literal personal statements rather than jokes, warning that the online outrage economy destroys creators. - [02:10:10](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7810s) The hosts address the hypocrisy of West Coast comedy writers accusing Hinchcliffe of performing in Saudi Arabia for money, pointing out that those accusing him actually accepted Saudi funds themselves. - [02:29:44](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8984s) Rogan highlights extreme viral street racers, such as 'Ghost' in a 1,000+ horsepower Corvette and a Dallas Viper driver, who use advanced night vision, kill switches, and high-performance engineering to evade police. - [02:34:04](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9244s) Hinchcliffe praises the flawless, immersive production design of Kanye West's pop-up stadium tours, while Rogan reflects on Kanye as one of the greatest producers in music history. - [02:44:42](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9882s) The hosts discuss creative risks in rock history, analyzing the synchronization urban legend of Pink Floyd's 'The Dark Side of the Moon' and 'The Wizard of Oz.'

## Detailed walkthrough ### [00:12](https://www.youtube.com/watch?v=inrnVpGsKN4&t=12s) Chaos in the World and Science Fiction Machines

Joe Rogan and Tony Hinchcliffe kick off the podcast by acknowledging the current state of global chaos, with Rogan noting that the agreement with Iran did not last and mentioning that American bases and parts of Lebanon were reportedly bombed earlier in the day. Hinchcliffe admits he tries to ignore the news, preferring to distract himself with space and science content. Rogan then brings up an incredible one-hour documentary he watched the day before regarding the manufacturing of semiconductor chips, calling the equipment used "bananas" and "one of the most complex machines in the world."

Rogan marvels at how advanced technology has become, contrasting high-level chip manufacturing with the mundane topics discussed in comedy. "We're out there talking about sucking dicks and people shitting themselves," Rogan laughs, while people in other parts of the world are practically living out "science fiction." He tasks his producer, Jamie Vernon, with pulling up a video titled *The World's Most Important Machine* to show Hinchcliffe a specific animated thought experiment.

The video segment describes a hypothetical scenario to illustrate the machine's precision: imagine being shrunk to the size of an ant and handed a laser powerful enough to cut through metal like butter. Suddenly, a droplet of molten tin the size of a white blood cell is shot past at 250 kilometers per hour. The objective is to strike that tiny droplet with the laser not once, but three consecutive times within 20 microseconds. The machine successfully achieves this feat without ever missing, heating 50,000 droplets of tin every single second to temperatures exceeding 220,000 Kelvin—roughly 40 times hotter than the surface of the sun. Furthermore, the machine utilizes mirrors so incredibly smooth that if one were scaled up to the size of the Earth, the largest bump would be no thicker than a playing card. It overlays chip layers perfectly within a margin of five atoms, all while components accelerate at forces over 20 Gs. Rogan points out that for three decades, humanity believed building such a device was impossible, yet a single company succeeded.

[04:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=255s) Chip Grading and the Fragility of Civilization

Rogan explains that these advanced chips are the driving force behind modern artificial intelligence and computer progression. Jamie details a fascinating part of the manufacturing process where companies produce large sheets containing 30 to 50 chips. They test the batch, and the chips that score closest to a perfect 100 out of 100 are sold as top-tier processors, like an Intel i9 chip. The ones that score slightly lower, around an 85, are binned and sold as i7 chips. Rogan connects this to a recent issue at a Samsung chip factory where yields weren't meeting expectations, realizing they were likely getting too many degraded chips rather than perfect ones.

After telling Hinchcliffe he is welcome to smoke because the room has a built-in fan, Rogan introduces a thought experiment about societal collapse. He asks Hinchcliffe what would happen if everyone died, leaving only a few thousand regular people to repopulate and rebuild the Earth with their current collective knowledge. Rogan notes that if the group is too small, they will "fuck up the gene pool" and end up looking like the "English royals." Hinchcliffe jokes that without specialized experts, the time required to reinvent modern technology would be "infinity."

Rogan emphasizes that modern breakthroughs are built on the backs of thousands of silent super-geniuses who paved the way step-by-step. He half-jokes that society needs these brilliant minds to stay focused and "not get any pussy," because distractions derail progress. Hinchcliffe laughs, imagining a scenario where a scientist secures a patent, buys a Ferrari, gets a hot wife, and leaves the lab, causing civilization to fall back 100 or 200 years. Rogan jokes about a hypothetical coder named Tim who is fueled by Adderall for 18 hours a day trying to get humanity to Mars, though he notes Elon Musk is an exception to the rule since having a personal life does not seem to slow him down. Hinchcliffe agrees, stating that Musk is "different different."

[07:05](https://www.youtube.com/watch?v=inrnVpGsKN4&t=425s) Foreign Aid, Corporate Charity, and Hip-Hop Conspiracies

Rogan finds it fascinating how eager people are to find flaws in Elon Musk rather than appreciating what an extraordinary time it is to be alive. He transitions into criticizing narratives surrounding government spending, specifically pointing out how some people argue that cutting US foreign aid costs lives in underfunded hospitals abroad. While Rogan acknowledges that perspective, he counters that a massive portion of foreign aid is absolute fraud. He questions why money is being sent away in the first place, rejecting the idea that the government is simply being "nice" without anyone profiting off the taxpayer.

Reflecting on his own worldview, Rogan admits he used to believe charity was genuine, but now views a lot of it as a "giant scam that's wrapped up in virtue" and a "nice cozy blanket of being kind and compassionate." He believes well-meaning individuals climb the corporate ladder of these nonprofits only to find themselves trapped in a million-dollar-a-year business where the majority of the funds cover massive corporate buildings, employee salaries, and overhead rather than reaching the people in need. He references Spencer Pratt telling him about an LA fire aid fund where over $100 million was raised but split among roughly 200 different nonprofits, mostly dissolving into administrative costs.

Rogan recalls past podcast appearances by Mike Benz, who explained that the Agency for International Development (USAID) often funds highly unconventional operations overseas, such as financing subversive foreign rap groups or newspapers intended to incite government overthrows. This leads Rogan and Hinchcliffe into a discussion about hip-hop. Hinchcliffe mentions he just got back from a Kanye West event, which they agree to discuss later. Rogan notes a long-standing conspiracy theory claiming that the rise of 1980s gangster rap was secretly orchestrated or popularized by intelligence agencies to increase crime, fill private prisons, and erode the fabric of society so the public would demand harsher laws. Rogan admits it sounds like a "tinfoily" conspiracy, but observes that people are pointing out how rare it is that no rap music is currently dominating the charts, leading some to ironically wonder if US aid was previously keeping it afloat.

[11:37](https://www.youtube.com/watch?v=inrnVpGsKN4&t=697s) Mumble Rap, Cough Syrup, and Old-School NyQuil

Hinchcliffe expresses skepticism that the government could manipulate music to that degree back in the day, but Rogan jokes that he actually believed the conspiracy once he heard "mumble rap." He cracks that mumble rap genuinely feels like an attempt to make people stupid because the artists are entirely inaudible. Hinchcliffe quips that the industry started promoting people who "are on cough syrup apparently" and can barely speak, whereas older artists like Nas were too smart.

The mention of cough syrup prompts Rogan to ask Hinchcliffe if he has ever tried it. Hinchcliffe says no, stating he avoids medicine entirely because he is afraid of it. Rogan looks to Jamie and recalls a personal experience from the late 1990s when he took the original formula of NyQuil while sick with the flu. He describes a dangerous, wonderful feeling of pure warmth and softness while lying in bed, realizing right then how easy it would be for someone with a difficult life to get hooked on a substance they could easily buy at CVS.

Jamie uses Perplexity to look up the old ingredient list for Vicks NyQuil, noting that the original formula included ephedrine (a decongestant), doxylamine succinate (an antihistamine), acetaminophen, dextromethorphan (a cough suppressant), and 25% alcohol. Rogan laughs, realizing the warmth he felt was partly because he was "getting drunk." Jamie notes that pseudoephedrine was removed in the mid-2000s following the Combat Methamphetamine Epidemic Act, and confirms via Perplexity that over-the-counter NyQuil brands in the US have never contained codeine. Rogan concludes that the prescription cough syrup used to make the street drug "lean" is what actually contains codeine. He clarifies that he uses the word "NyQuil" generically, the way people say "Q-tips" or "Kleenex," but remembers that whatever cough syrup or dental pain pill he took decades ago made him feel so incredible that it scared him, having grown up around too many people whose lives were derailed by addiction.

- **Tin droplet properties:** Size of a white blood cell, traveling at 250 km/h, struck 3 times in 20 microseconds. - **Machine temperature:** Over 220,000 Kelvin (approx. 40 times hotter than the sun's surface). - **Production volume:** 50,000 tin droplets struck by lasers every single second (150,000 total laser shots per second). - **Precision measurement:** Mirror imperfections are no thicker than a playing card if scaled to Earth's size; chip layers are aligned within 5 atoms at 20 Gs of acceleration. - **Original NyQuil Alcohol Content:** 25% alcohol by volume before later reformulations.

[16:10](https://www.youtube.com/watch?v=inrnVpGsKN4&t=970s) The Morphine Drip Experience and "Luxurious" Dentistry

Joe Rogan recalls a knee surgery where he was given a morphine drip with a patient-controlled analgesia button. The doctors informed him he could only hit it a certain number of times before it cut him off, but because his leg was continually moving on a machine, he treated the button like a "perpetual motion machine," repeatedly hitting it to preempt the pain.

Tony Hinchcliffe shares that the closest he has ever come to that kind of chemical state is visiting the Austin Dental Spa. He jokes about how they hook him up to laughing gas and willingly turn it up if he asks for more, turning it into a "luxurious" experience he genuinely looks forward to every six months. While on nitrous oxide, Hinchcliffe finds himself entering a state of uninhibited honesty rather than uncontrollable laughter.

He recounts a time he asked his dentist how long he went to dental school. When the dentist replied eight years, a heavily altered Hinchcliffe blurted out, "Did you ever think about going longer and becoming a real doctor?" Even in his compromised state, Hinchcliffe realized it sounded incredibly mean, though he rationalizes that dentists must be used to patients saying unhinged things. Rogan laughs but disagrees, saying, "I bet they're not used to that dude. That's so mean."

---

[19:11](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1151s) Tooth Decay, Septic Infections, and Flossing Habits

The conversation transitions into the visceral horrors of dental work. Rogan shares a story about getting a root canal due to an old-school filling that had cracked, allowing a severe infection to fester underneath the tooth. When the dentist finally drilled into it, the release of trapped pus emitted a "horrific smell" of decay that shocked Rogan. The dentist reassured him it was standard decay, though Hinchcliffe cracks a joke that it was likely "a piece of elk from seven years ago." Rogan points out that before modern dentistry, people regularly died from dental abscesses when infections went septic, particularly back in the 1700s when a broken tooth could easily be a death sentence.

Hinchcliffe details his strict oral hygiene routine, expressing his obsession with high-pressure water flossers, which he calls a "complete game changer for life." He admits that even after regular flossing and brushing, he will occasionally run a water flosser through his mouth just out of curiosity, only to see multiple food particles shoot out. He reflects on how those particles otherwise would have "marinated" in his gum line.

* **Historical Cavity Surge:** Rogan notes his dentist's theory that while ancient populations always suffered from broken teeth and abscesses, the modern explosion of severe cavities can be traced directly to the historical introduction of refined sugar and high-fructose corn syrup into the daily diet.

---

[22:24](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1344s) The Sugar Shock and Rare Hawaiian Pineapples

Discussing the biological impact of sugar, Rogan points out how unnatural it is to consume large volumes of sugar in pure liquid form, asking, "Where in nature do you get 20 grams of sugar just in liquid form and you just pump it down?" Hinchcliffe counters this with a story about his childhood friend, Anthony, a "free spirit" who has lived a wilderness lifestyle in Hawaii for the last 20 years.

Anthony recently flew into Austin to meet Hinchcliffe at the Comedy Mothership and surprised him with a specially molded checked bag containing four coconuts and two rare white Hawaiian pineapples—varieties that cost upwards of $65 each on the mainland. Hinchcliffe describes being absolutely blown away by the fruit. Jamie Vernon pulls up the specific details on the screen, identifying them as Sugarloaf or White Jade pineapples, which are highly prized for having creamy white flesh, practically zero acidity, and a completely edible core.

---

[24:58](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1498s) Growing Up in Youngstown, Ohio: "Crime Town, USA"

The mention of Hinchcliffe’s friend Anthony leads to a discussion about their hometown of Youngstown, Ohio. Hinchcliffe notes that Anthony is currently visiting family back in Youngstown for a week and a half, which prompts him to look up accommodations there. He discovered that the highest-rated hotel option was actually located 50 minutes away in Pennsylvania, explaining that the single DoubleTree hotel in downtown Youngstown sits in an area of "absolute chaos" and "death wish" danger.

Hinchcliffe confesses that every time he returns to Youngstown, he experiences a wave of disbelief over having survived his upbringing there. He remembers moving to Los Angeles and realizing with shock how peaceful it felt simply because he wasn't constantly hearing police and ambulance sirens. To illustrate the grim reality of the city during his youth, Hinchcliffe mentions a T-shirt a friend sent him listing Youngstown's statistics as a multi-time per capita murder capital of America.

* **Murder Capital Stats:** The shirt specifically highlights the city holding the title in 1995, 1997, 2001, and 2002. Hinchcliffe notes that during the 2001–2002 run, he was a sophomore and junior in high school, living with his mother on the highly dilapidated and dangerous North Side of the city. * **Mob Legacy:** Rogan reads an article detailing how 60 years ago, Youngstown was dubbed "Crime Town, USA," racking up 75 car bombings and 11 mob-related killings in a single decade. Hinchcliffe notes that a car bomb was colloquially known as a "Youngstown tune-up."

---

[28:11](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1691s) Local Corruption and Mob-Era "No-Show" Jobs

Rogan points out how brazen the Youngstown underworld was, noting that mobsters famously attempted to assassinate the local district attorney—a move Rogan calls "shortsighted" because it instantly brings the full weight of the FBI down on a city. Hinchcliffe recalls seeing the overlap between organized crime and legitimate business firsthand right after high school while working at a quiet local Italian restaurant. He would witness powerful local business moguls and real estate developers having discreet lunches in the corner with sitting congressmen and local politicians to trade favors.

Rogan talks about the old days of law enforcement before cell phones, when the FBI had to physically bug entire establishments to catch criminals. He explains that back then, major business operations were impossible to run without paying off the Teamsters or the Longshoremen. Rogan shares that he personally knew individuals in New York who held lucrative, union-backed "no-show" construction jobs at the Javits Center. Hinchcliffe laughs, comparing it to the classic depictions in *The Sopranos* where mobsters sit around construction sites with portable fans doing zero labor.

To conclude the thought, Rogan reads directly from a 2000 *New Republic* publication detailing a sweeping investigation into Youngstown. The report explicitly listed the chief of police, the outgoing prosecutor, the sheriff, the county engineer, city law directors, local police officers, defense attorneys, judges, and a former assistant U.S. attorney as all being fully controlled by the mob. Hinchcliffe emphasizes how tiny the community actually is, noting that with such a small population, that list effectively meant "everybody" in power was corrupt.

[32:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1920s) Old Neighborhoods, Blockbusting, and Immigrant Cycles

Tony Hinchcliffe and Joe Rogan discuss Tony's upbringing in a town with a population of about 50,000 to 60,000 people, which was half or less white. Growing up, Tony was obsessed with pro wrestling and films like *Goodfellas*, *A Bronx Tale*, and *The Godfather*, viewing them as the blueprint for humanity and life. Moving to Los Angeles, he expected "crazy gangs" but found it surprisingly quiet, starting out in Burbank, which he describes as "a television studio essentially."

When Tony first moved to New York to pursue comedy, he couldn't afford an apartment in the city and stayed with his grandparents in New Jersey. His grandfather had bought a house there in the 1940s when it was an entirely Italian neighborhood. Real estate agents later engaged in "blockbusting"—going door-to-door telling residents that Black families were moving in and urging them to sell immediately. While everyone else sold out of fear, Tony's grandfather refused, saying, "I like black people. Get the fuck out of here." Over time, the neighborhood cycled again; Black residents moved out, and Spanish-speaking immigrants, particularly Dominicans, moved in. By around 1991, when Tony had been doing comedy for three years, the area had become incredibly sketchy. He recalls the DEA smashing down the next-door neighbor's door because the man, who kept an Audi parked in the driveway, was selling crack right next to his grandfather's house.

Joe points out how dirty the real estate practice of scaring people into moving was, joking it was probably "the first project of US Aid" to destroy neighborhoods. Tony wonders about the historical correlation between Italian neighborhoods being replaced by Black communities in mob-run cities like Youngstown, Chicago, and Detroit. Joe explains that early 20th-century Italian immigrants were very poor laborers who eventually moved to the suburbs and gentrified areas as they gained financial traction. He notes that neighborhoods constantly undergo cycles as new, low-income immigrant groups arrive.

[35:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2115s) The Hunger of Fighters and Boxing Tales

Joe draws a parallel between neighborhood demographic shifts and the historical cycles of combat sports. In the early 20th century, before World War II, poverty drove many Jewish immigrants into boxing, producing top-tier fighters like "Slapsie" Maxi Rosenbloom. Later, a wave of tough Italian fighters emerged out of poverty, including Rocky Marciano, Rocky Graziano, and Jake LaMotta. This cycle continued with a surge of hungry, Puerto Rican fighters and athletes from impoverished backgrounds, such as Roberto Durán, who grew up in a violent, poverty-ridden part of Panama.

Tony notes that legendary boxer Ray "Boom Boom" Mancini lived right down the street from his hometown, prompting Joe to acknowledge Youngstown's rich boxing history. Joe reminisces about former guest Kelly Pavlik, calling him "a beast" and fondly recalling Pavlik's legendary first fight against Jermain Taylor. Joe admits he still rewatches the end of that fight for a burst of energy, marveling at how Pavlik survived a brutal knockdown that looked like the end of the match, only to trap Taylor in the corner and rock him for an unbelievable comeback victory.

[36:47](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2207s) Elite Striking: Jaron Ennis and Topuria vs. Gaethje

Joe shifts to recent fights, asking Tony if he caught Jaron "Boots" Ennis fighting David Avanesyan over the weekend. Tony mentions he missed it because he was at a concert. Joe describes Ennis as one of the best boxers alive, explaining that while Ennis mostly dominated, the third round turned into an absolute war. Avanesyan had been dropped badly in the second round but roared back in the third to rock Ennis. Ultimately, Ennis stopped him in the seventh or eighth round after his corner waved it off. Joe praises Avanesyan’s tremendous heart and correlates the performance to the legendary UFC fight between Ilia Topuria and Justin Gaethje.

Tony and Joe reminisce about being close to the cage for Topuria vs. Gaethje, recalling how loudly Topuria's body shots resonated against the fence. Joe notes that Topuria possesses terrifying close-range power near the clinch. Tony quotes Chael Sonnen to describe Topuria’s precision: "If you try to win by knockout and fail, you won't win a decision." While Topuria had Gaethje hurt and tried to finish him, Gaethje proved incredibly durable. Joe highlights how perfect Topuria’s punches were, noting that even Gaethje admitted post-fight that Topuria’s fresh skills are unmatched. Tony emphasizes the tension of the matchup, stating that anyone who knows the fighters knew a single punch could end it at any moment, even when Gaethje's face was blown up and his eyes were nearly closed.

Joe then breaks down Max Holloway’s fight with Justin Gaethje, pointing out that Holloway broke Gaethje's nose with a jumping spinning back kick in the final seconds of the first round. Joe argues this completely altered the fight; Gaethje had been pressing forward competitively prior to the injury, but fighting with a broken facial bone meant every subsequent hit caused insane pain. Although Gaethje landed some good shots, Holloway remained fresh and teed off on him, leading to the wild, iconic final exchange where Holloway knocked him out with one second left on the clock.

[41:31](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2491s) Merab Dvalishvili's Nose and the Brutality of MMA

Joe mentions that Topuria may have also had his nose broken early in round two by Gaethje's tight collar-tie uppercuts. Joe emphasizes how brittle the human nose is and asks Tony if he has ever seen the X-ray of UFC fighter Merab Dvalishvili's nose. Jamie pulls up the image, eliciting groans of shock from both men.

Joe explains that Merab's nose is completely destroyed, meaning he gets zero air intake through it. Despite this, Merab famously possesses some of the best cardio on the planet. He refuses to get it fixed because the recovery would sideline him for a year, and he wants to keep fighting. Joe jokes that if he were Merab's friend, he would tell him to use his money, take a year off, and fix it, asserting that a clear nasal passage would grant him 10% more cardio and turn him into an even greater weapon. However, Joe acknowledges the risk: if Merab shatters a repaired nose again, doctors would have to harvest rib cartilage to reconstruct it, which carries a terrifying risk of bone infections that could result in losing the nose entirely. Both men reflect on how crazy it is to make a living by trying to damage another person's body, concluding that this raw danger is exactly what makes the sport so thrilling.

[44:07](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2647s) Submission Memes, WNBA Eye-Pokes, and NBA Traveling

Joe transitions to boxing being tamer than MMA due to the larger gloves and lack of chokeouts. He brings up a brutal submission from the weekend where Asu Almabaev secured a rear-naked choke against Matheus Nicolau, putting him completely to sleep. The image of the unconscious fighter instantly became a massive internet meme, alongside the viral video of WNBA player Sophie Cunningham pointing. Tony and Joe marvel at the quality of internet memes, with Joe joking that the internet is "undefeated" because there are so many brilliant, funny people stuck working jobs they hate.

Tony asks Joe if he has kept up with the WNBA. Joe admits he watches very little but has noticed the sheer physicality and chaotic fouls, laughing about how players throw each other to the ground and literally jab each other in the eyes. Furthermore, Joe points out that the players travel constantly without the referees calling it, taking four or five steps at a time. Tony explains that this happens in the NBA as well due to the "gather step" rule, which is distinct from high school and college regulations. Players spend all day manipulating this rule under the eyes of referees, mastering movements that look identical to traveling in real-time but technically qualify as legal when broken down in slow motion.

Joe reminisces about how he wishes he loved the NBA the way he did as a kid during the physical eras of Charles Barkley, Michael Jordan, and Patrick Ewing. When Tony asks if players traveled back in the Larry Bird days, Joe says they did, but Jordan essentially had a "cheat code" where he could speak to the refs or simply leap from the free-throw line. They wrap up by marvelling at Jordan's legendary athletic gifts, insane work ethic, and a drive to win that made him look like he was literally flying.

[47:45](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2865s) High School Sports, Age Limits, and "Sandbagging"

Joe Rogan and Tony Hinchcliffe discuss how Michael Jordan famously did not make his varsity team as a high school freshman, noting how standard that actually is because freshman are not fully developed. Transitioning to modern youth sports, Joe points out that parents in Texas frequently hold their children back a school year so they can be bigger and more physically dominant. Tony jokes about parents wanting a "15-year-old freshman" named Billy, calling it sandbagging and cheating. While Joe understands the logic for a sport like football where a professional future might be on the line, he finds it absurd for wrestling where "there's no money in this" and a 16-year-old is competing in the ninth grade.

Curious about the exact rules, Joe asks his producer, Jamie, to look up the maximum age limit for high school sports using their sponsor, Perplexity. Tony notes that the rules definitely vary by sport and state. Joe remembers that the physical difference between being 17 and 19 years old is massive, recalling that at 17 he was a "flimsy kid," but by 19, a young man develops "man strength" from two extra years of training and testosterone. In wrestling, they agree that this age gap provides a staggering, almost unfair advantage.

* Texas parents frequently hold their kids back a year to ensure they are the biggest athletes in their grade. * The hosts note a massive physical and hormonal discrepancy between 17-year-old boys and 19-year-old men.

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[50:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3000s) The Brutality of High School Wrestling Practice

Tony shares his own high school wrestling experiences, calling it "so rude" to force 15-year-olds to compete against 19-year-old "animals." He recalls wrestling at the 134-pound weight class when he was 15 without cutting weight, meaning he would regularly encounter older opponents who naturally weighed 160 pounds but dried themselves out to make weight. These elite opponents went to wrestling camps 365 days a year, whereas Tony had just started and "didn't know anything." Joe reveals he didn't start wrestling until his sophomore year, motivated entirely by the humiliation of being easily thrown into a headlock in the locker room by another student. Even though Joe practiced karate and considered himself a good athlete, his friend Stephen took him down instantly on the grass, proving wrestling was a different beast.

The conversation shifts to the sheer exhaustion of wrestling practices. Having done karate and taekwondo, Joe thought he knew what a workout was, but wrestling redefined it entirely. He vividly recalls running stairs, doing live drills until puking, and carrying training partners around the room in a fireman's carry. Tony remembers a grueling drill where a whistle blew and you had to escape the person on top of you. Because they rotated weight classes for fun, Tony—who was in the 103-pound class—occasionally had to try to escape Hugh Frost, a heavyweight weighing between 235 and 250 pounds. Even though the heavyweights showed mercy, they still applied enough crushing pressure to keep the small guys pinned, cementing the harsh reality of "wrestler strength."

---

[53:08](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3188s) Wrestling as the Foundation of MMA and Khabib's Dominance

Joe emphasizes that wrestling is the ultimate foundation for anyone wanting to get into mixed martial arts. If a parent wants their kid to be a "badass fighter," Joe advises putting them into a high-level wrestling program because advanced wrestling can completely shut down an opponent's game. As recent examples, they point to Khamzat Chimaev's dominant wrestling display against Dricus du Plessis and Merab Dvalishvili's performance against Sean O'Malley. Tony brings up the legendary Khabib Nurmagomedov, remarking that Khabib's style made victory look impossible for his opponents.

The two dissect Khabib's signature ground game, specifically how he would trap his opponent's legs underneath his own. Tony notes that casual UFC fans often miss these subtle technical details because they are only watching the upper body, waiting for punches to rain down. Joe explains that Khabib would throw his leg over to triangle his opponent's legs, pinning them with all his hip weight so they had nowhere to go. Looking at footage of Khabib fighting Michael Johnson, Joe points out how Khabib landed 15 to 20 unanswered full-force left hands while completely trapping Johnson's arms. They also recall how Edson Barboza looked entirely demoralized early in the first round against Khabib, forced into a "thousand-yard stare" realizing he had to endure three rounds of pure survival. Reviewing the Barboza tape, Joe shows how an exhausted Barboza actually instigated a clinch in the third round out of sheer fatigue, allowing Khabib to easily drag him right back down.

* **Khamzat Chimaev vs. Dricus du Plessis:** Joe highlights how Khamzat dragged a world champion to the ground at will and utilized a crucifix multiple times. * **Merab Dvalishvili vs. Sean O'Malley:** Cited alongside Khabib as prime examples of high-level wrestling neutralizing elite striking. * **The Khabib Leg Trap:** A devastating grappling technique where Khabib locked his opponent's legs with his own, rendering them unable to posture up or defend ground-and-pound.

---

[58:24](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3504s) Debating UFC Stand-Ups and Continuous Rounds

Joe states his controversial stance on UFC officiating: he believes referees should never stand fighters up unless there is a foul. Tony completely agrees, hating when referees interfere with ground positioning. Joe acknowledges that casual fans find prolonged ground control boring, but argues that if a fighter is holding someone down, they are winning and executing a strategy. He compares it to Muhammad Ali using the "rope-a-dope" strategy against George Foreman; a referee would never force Ali to stop leaning on the ropes and punch back. Joe blames the organizations and referees who let the crowd's boos get into their heads because they want non-stop action.

Taking his philosophy even further, Joe suggests that instead of resetting fighters on their feet at the start of a new round, rounds should begin in the exact position where the previous round ended. "Why do you get that advantage that a striker gets of standing up when you didn't earn it?" Joe asks. He envisions a system where referees look at a freeze frame on the big screen, place the fighters back into a position like the crucifix, and restart the action. Joe admits that if he ran the UFC, his purist approach would probably make the company go bankrupt because he would rigidly book fights based strictly on rankings rather than entertainment value.

---

[01:01:37](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3697s) WWE Storylines vs. Real UFC Drama

Tony pivots the conversation to professional wrestling, mentioning that Sami Zayn won the WWE World Heavyweight Championship over the weekend in a shocking upset against Cody Rhodes, who was considered a guaranteed win. Joe admits he has no idea who Sami Zayn is but is happy for him, jokingly asking if the match "was fixed." Tony defends the spectacle, calling it incredibly entertaining.

Tony compares the narrative drama of the WWE to a recent UFC White House card, noting that the real-life fights possessed a raw, unpredictable storyline quality. The undercard fights built up so much tension that it felt like absolutely anything could happen in the main event. Tony observes that when the UFC is operating at its absolute best, it mirrors the compelling storytelling of the WWE, even if it lacks the same choreographed acrobatics.

[01:02:48](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3768s) The Spectacle of the White House Lawn UFC Event

Joe Rogan and Tony Hinchcliffe discuss the unprecedented nature of the UFC holding an event on the White House lawn. Rogan acknowledges that while critics who dislike the Republicans or object to political "MAGA washing" might push back due to negative press surrounding current wars, the event was a massive, undeniable success from a sports marketing perspective.

The numbers surrounding the event were staggeringly high. Paramount brought in roughly 30 million viewers, but total views across platforms like TikTok, Instagram, and YouTube pushed estimated consumption to 150 million people. Rogan notes that Dana White and Hunter Campbell believed the total reach could eventually hit one billion views through highlights and clips, such as the Justin Gaethje fight reels. The scale of the event was so massive that Rogan admits he felt legitimate nerves beforehand—a rarity for him at a UFC event—which peak-intensity hit him during the jet flyover right above the Ellipse.

- Paramount viewership reached over 30 million. - Total multi-platform views across TikTok, Instagram, and YouTube estimated at 150 million. - Dana White and Hunter Campbell projected potential reach to touch 1 billion people through highlight clips.

[01:04:41](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3881s) The White House Correspondents' Dinner and Security Concerns

The conversation shifts to the White House Correspondents' Dinner, which had been canceled following an assassination attempt. Tony expresses immense frustration over the cancellation because he had prepared a lineup of "bangers" for the event and was looking forward to it more than almost anything else. Jamie Vernes pulls up information showing that the dinner has been rescheduled for July 24th at the Waldorf Astoria, prompting Rogan to tell Tony he needs to polish his bits and tag them with current events.

They discuss the security failure of the assassination attempt, noting that the attacker was reportedly a substitute teacher who shot a Secret Service agent in his bulletproof vest at the first level of security scanning. While some internet commentators like Kurt Metzger theorized the event was fake, Rogan attributes the breach to pure incompetence and bad hotel security.

[01:06:55](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4015s) The Legendary Trump and Biden Kill Tony Episode

Tony reminisces about running his unused Correspondents' Dinner jokes during a subsequent performance at the Kennedy Center. Because Adam Ray was opening for him, Tony invited Adam out to read the presidential jokes on stage using his Donald Trump impression, which went over incredibly well. This reminds Tony of the iconic *Kill Tony* episode featuring Shane Gillis as Donald Trump and Adam Ray as Joe Biden, which pulled in an initial 40 million to 70 million views and became a monumental moment in comedy history.

The episode came together immediately after the first presidential debate where Biden appeared "zonked and sleepy." Tony texted Adam to ask if he had a Biden impression; Adam replied that he only did it for five seconds in his stand-up but agreed to fly to Austin on Monday. When Tony pitched the idea to Shane Gillis, Shane immediately saw the brilliance of the timing, canceled his prior plans, and committed to playing Trump.

[01:08:59](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4139s) Shane Gillis's Comedic Genius and The Brady Roast

Tony and Joe laugh over specific viral clips from that *Kill Tony* episode. In one bit, Shane's Trump looks at Tony pulling names from the bucket and asks, "How many more retards are you going to bring out here?" Right on cue, the next comic to walk out, Jacob Barr, had deformed arms. Shane’s authentic, hilariously defeated facial reaction as Trump blew the crowd away. Rogan praises Gillis as the Jackie Gleason of their generation, noting that Shane is that funny all the time—whether he's hanging out in a green room, a restaurant, or a stairway. Rogan compares Gillis's comedic impact to Mike Tyson in his prime, where even a simple facial reaction hits harder than anyone else's jokes.

Tony notes that Shane was initially very reluctant to host or participate in the Netflix Tom Brady roast. However, Shane ended up crushing his set. Tony jokes about the event being a "roast of black excellence" because it was hosted by Kevin Hart, leading Rogan to muse on the cultural double standards of what people are allowed to say, noting how a "roast of white excellence" would never be explicitly stated.

- *Kill Tony* Trump vs. Biden episode garnered an estimated 40 million to 70 million views before short-form clips are factored in. - Stand-up comic Jacob Barr made his *Kill Tony* debut during the viral bucket pull segment.

[01:13:01](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4381s) Sean Strickland's White House Ban and Josh Hoyt's Antics

Rogan points out how society selectively accepts certain expressions of pride, comparing former UFC champion Cain Velasquez's famous "Brown Pride" chest tattoo to the absolute outrage that would occur if a white fighter did the same. He points out that Sean Strickland once posted a mock-up comparison of himself and Cain on Instagram to highlight this double standard.

The guys discuss how Strickland was banned and escorted out of the Ellipse area by six police officers during the White House UFC event. Despite being the only active American male world champion at the time, Strickland was barred from the venue due to his wild public comments about Israel and Jeffrey Epstein. Rogan recalls how Strickland tried to blend into the weigh-ins by wearing a hoodie, but as soon as he was forced to take it off, he was immediately recognized and "hugged to death" by a crowd of fans, even agreeing to leg-kick a kid who asked for it. They also laugh about fighter Josh Hoyt (misidentified initially as Hocket) causing a stir by wearing an American flag bandana, sunglasses, walking out to a Hulk Hogan song, and ending his White House interview by claiming Michelle Obama is a man—a recurring closing bit Hoyt uses specifically to get people talking.

> "That was what was hilarious was people were so upset that he said Michelle Obama's a man at the White House... He's trying to get people to talk about him."

### [01:17:45](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4665s) The Trolling and Talent of the Heavyweight Division The pre-fight antics and post-fight interviews can be incredibly polarizing, but the reality is that none of it matters if a fighter cannot actually perform in the octagon. Discussing a recent press conference, Tony Hinchcliffe points out how hilarious it was to watch a certain fighter deliberately attempt a *Kill Tony* minute and strategically bomb on purpose. He was setting up corny punchlines knowing nobody would laugh, purely to troll the crowd and gain attention. Joe Rogan notes that despite the trolling, the most important factor is that the dude is exceptionally good, possessing incredible speed, light footwork, and fast hands for a heavyweight.

The conversation shifts to the broader heavyweight landscape, including Alex Pereira's move up in weight and his loss to Ciryl Gane. While there are rumors that Pereira might be done fighting, Rogan doubts it, noting that fighters often talk about retirement immediately following a tough loss. They just need to let him sit out for a while until the promotion backs up the Brinks truck to schedule a major matchup, perhaps against someone like Jailton Almeida as a co-main event on a massive New Year's Eve card.

- Joe Rogan points out how impressive it is to see a fighter remain light on their feet with fast hands despite competing at heavyweight. - Rogan notes that Alex Pereira historically weighed around 226 pounds on fight night when competing at 185, and reached the 230s when fighting at 205. - At 251 pounds, Pereira appeared to be carrying unnecessary weight, which Rogan joked "all went to his ass," acting like a heavy weight vest that hindered his signature movement.

### [01:21:37](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4897s) Ciryl Gane and the Elusive Francis Ngannou Matchup Joe Rogan heaps massive praise on Ciryl Gane, stating that he is currently in his prime and possesses agility and accuracy unlike any other heavyweight in the world. This athleticism is partly attributed to Gane's background in basketball. Rogan notes that basketball is a fantastic foundation for combat sports striking because it involves constant direction changes, plyometrics, hops, and spins. He hilariously tells Tony to imagine if Michael Jordan had a flying knee, joking that Jordan could hit you from 14 feet away.

Because Gane grew up in France, he did not have access to high school or collegiate wrestling programs, only picking up grappling after becoming an elite, world-class Muay Thai fighter. His wrestling has improved significantly, but elite ground fighters have still exposed it. Jon Jones submitted him rapidly, and Francis Ngannou famously defeated him by relying heavily on grappling. Remarkably, Ngannou won that world title defense while competing with a completely blown-out ACL, wearing massive knee pads to stabilize his wobbly leg. Rogan and Hinchcliffe express deep regret that Ngannou is no longer in the UFC, lamenting how difficult it is to get the absolute best fighters in the world into the same cage.

- Ciryl Gane transitioned to MMA and wrestling after establishing himself as a world-class Muay Thai striker. - Francis Ngannou successfully defended his UFC heavyweight title against Gane despite a severe knee injury (blown ACL). - Rogan expresses frustration that boxing and MMA fans are often deprived of the biggest fights due to promotional divides, contrasting this with the massive cross-promotional events Riyadh Season and Turki Alalshikh have been putting together. - Francis Ngannou turns 40 years old in September, meaning his window for elite-level heavyweight fighting is rapidly closing.

### [01:25:22](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5122s) Boxing Wars and Cumulative Brain Damage The toll of combat sports is brought into sharp focus as the hosts discuss how a single brutal beating can permanently alter a fighter's career trajectory. Rogan points out that unless you are an anomaly like Bernard Hopkins—who famously outboxed Kelly Pavlik at age 43 and competed at a world-class level until he was 50—fighting deep into your 40s is practically unheard of. They recall how the boxing community wrote Hopkins off against a 26-year-old Pavlik, only for "The Executioner" to put on a masterclass.

They reflect on how Pavlik's career spiraled after that severe beating, compounded by a life-threatening staph infection and an allergic reaction to antibiotics before he eventually lost to Sergio Martínez. Rogan explains that the brain can only take so many historic "wars" before a fighter is never the same again, citing Meldrick Taylor versus Julio César Chávez as the ultimate example. In that historic bout, referee Richard Steele controversially stopped the fight with just one second remaining while Taylor was ahead on the scorecards, but the physical damage Taylor sustained meant he was never able to replicate his prime form.

- Bernard Hopkins was 43 years old when he defeated the 26-year-old, previously unbeaten Kelly Pavlik. - Meldrick Taylor was famously ahead on the official scorecards before being stopped by Julio César Chávez in the final second of their 12th round. - Tony mentions going down a recent internet rabbit hole on Marcos Maidana, calling him an absolute animal who fought everyone, famously rocked Floyd Mayweather, knocked his tooth out, and later wore that exact tooth on a gold chain.

### [01:29:31](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5371s) The Extravagant Wealth and Financial Downfall of Floyd Mayweather The conversation pivots to the financial realities of elite fighters, specifically looking at Floyd Mayweather's recent highly publicized financial troubles. Tony admits he cannot wrap his head around how someone makes hundreds of millions of dollars only to end up owing taxes or running out of cash. Rogan explains exactly how it happens: a hyper-extravagant lifestyle completely predicated on projecting wealth. Even with career earnings totaling an estimated $750 million, a lifestyle filled with diamond-encrusted Patek Philippe watches and a massive fleet of luxury cars can dry up a fortune by age 49, much like Mike Tyson openly admits to blowing through hundreds of millions.

To illustrate the absurdity, Rogan has his producer pull up a classic video clip of Mayweather showing off his travel habits. In the video, Mayweather rants at his "haters" while opening up suitcases stuffed with millions of dollars in high-end timepieces. Mayweather boasts that if he goes on a 30-day vacation, he brings 30 different watches, adding 10 more watches if he extends the trip by 10 days. He then tops it off by flashing an ultra-rare watch worth $18 million, declaring he is going to go blow $50,000 just because he has nothing else to do. Rogan points out the fatal flaw in this logic: while you can comfortably afford one $18 million watch when you have $750 million, the compulsive need to constantly buy dozens more ensures you will eventually run out of money.

> "When I go on vacation for 30 days, I take 30 watches with me... But then I say, 'Fuck it. If I want to bring out the one and only, then I bring out the watch

[01:32:46](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5566s) The Economics of Celebrity Excess and Nicolas Cage's Financial Rollercoaster

Joe Rogan and Tony Hinchcliffe break down the staggering math behind extreme celebrity spending, calculating that keeping a fleet of 10 Ferraris and multiple half-million-dollar watches can easily tie up $50 to $60 million—meaning a person has to earn well over $120 million just to cover it after taxes. Hinchcliffe notes that even if a celebrity blows through all their wealth, they can make a fortune back "by literally making a super documentary about how he spent it," pointing to ESPN's *30 for 30* documentary *Broke* as one of the most unbelievable and widely watched examples of this phenomenon. This shifts their attention to Nicolas Cage, who experienced a legendary financial collapse in the late 2000s, watching his $150 million fortune plummet until he was $6 million in debt. Rather than filing for bankruptcy, Cage famously chose to dig his way out by relentlessly taking every movie role offered to him, including direct-to-video films, and selling off his massive real estate portfolio.

The two marvel at Cage's bizarre spending habits, noting that he did not just buy typical luxury items like cars and watches; he bought eccentric artifacts like Tyrannosaurus Rex skulls, rare art, historical pieces, and even spent a fortune on exotic pets. Rogan points out that Cage has been a massive movie star since the early 1980s, spending decades inside a "bizarro Hollywood bubble" capable of totally cooking a person's brain. Despite the eccentricities, Hinchcliffe argues that Cage is an undeniable screen presence, the kind of "freak" whose performances are captivating even when people claim they dislike the film itself.

* **Inflation Adjusted:** Rogan reads an article noting Cage spent $276,000 on two snakes in 2005, which equates to roughly $455,000 today. * **Early Career:** Cage's official first credit was in 1982's *Fast Times at Ridgemont High* under his birth name, Nicolas Coppola. He changed it to distance himself from his famous uncle, Francis Ford Coppola, before starring in *Valley Girl* (1983) and *Raising Arizona* (1987).

---

[01:36:51](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5811s) The Comedy Geniuses and Woody Harrelson's Hollywood Longevity

The conversation turns into an appreciative breakdown of legendary comedy filmmakers, with Rogan declaring the Coen brothers and the Farrelly brothers as potential "GOATs of comedy" for their willingness to make films that are incredibly "out there." They reminisce about the sheer hilarity of the Farrelly brothers' *Kingpin*, particularly the unforgettable, stomach-turning scene where Woody Harrelson’s character is throwing up in a toilet while his landlord talks about the depraved things he did to pay his rent. Rogan shares a legendary behind-the-scenes anecdote from *Kingpin* involving Bill Murray: the crew had primed the crowd of extras to explode with enthusiasm because Murray needed to bowl three strikes in a row for a scene, a feat they assumed would take hours to capture. Instead, Murray walked up and threw three consecutive strikes on his very first attempt, causing the crowd to go completely "bananas" with genuine shock and excitement.

Hinchcliffe praises Woody Harrelson's incredible acting range and shares what it has been like befriending him since Harrelson moved to Austin, Texas, and started hanging out at *Kill Tony*. Hinchcliffe notes that Harrelson seamlessly sneaks into masterpiece films without massive promotional fanfare, such as his mid-movie appearance in the Coen brothers' *No Country for Old Men*. Rogan recalls a film Hinchcliffe recently shared with him where Harrelson played Lyndon B. Johnson, remarking that it was so mesmerizingly good it kept him awake when he was trying to fall asleep. They praise Harrelson for staying completely normal, chill, and grounded despite decades of intense fame, attributing his peace of mind to a brilliant decision to completely insulate himself from modern digital noise.

* **No Phone Policy:** Harrelson does not own a cell phone; anyone wishing to reach him must go through his wife, effectively filtering out the standard Hollywood nonsense. * **The Lifestyle:** Harrelson avoids the typical celebrity trap by focusing on simple pleasures: laughing, sipping tequila, growing his own weed, and eating live/raw food. * **Upcoming Project:** Hinchcliffe mentions an upcoming Apple TV series where Woody Harrelson and Matthew McConaughey play brothers.

---

[01:40:32](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6032s) Navigating Outrage Culture and Roast Controversy

Rogan asks Hinchcliffe what it has been like dealing with the "post-roast weirdness" and public backlash from his high-profile comedy appearances. Hinchcliffe admits he is always deeply surprised by how long the media narratives drag out, citing similar media storms he faced after a past incident involving comedian Peng Dang and his controversial set at Donald Trump's Madison Square Garden rally. He argues that a roast setting, specifically Netflix's *The Roast of Kevin Hart*, is the literal text-book time and place to push extreme boundaries. Hinchcliffe reveals that he deliberately packed his set with high-velocity, offensive material aimed at everyone, blasting out more jokes per minute than usual instead of milk-milking the crowd for applause breaks because "I don't want you to like 100% of any of my jokes. I'm not that guy. I'm heelish. I'm a bad guy wrestling fan."

He finds it hypocritical that critics tried to paint his set as one-sided or racially motivated. While the media and a few online commentators expressed outrage over his George Floyd joke—contrasting it negatively with Pete Davidson’s joke about conservative turning-point figure Charlie Kirk—the critics conveniently ignored that Hinchcliffe *also* told a harsh joke targeting Charlie Kirk. He points out that the real-life atmosphere inside the venue was filled with standing ovations and high fives, and that the backlash largely came from modern "outrage culture," where media engagement and money are driven by manufactured offense. To prove his point, they pull up a TMZ clip of comedian Tiffany Haddish expertly shutting down a reporter trying to bait her into condemning the roast's edgy material.

* **The Tiffany Haddish Clip:** When a reporter asks Haddish if the roast was too racially motivated, she deadpans that she didn't even hear the George Floyd joke because she was a "glorified seat filler" who had to pee due to the show running too long. When asked if other comedians were genuinely offended, she crushes the premise by asking, "Is this all comedians saying it that wasn't invited?" * **Cheryl Underwood:** Hinchcliffe notes that co-roaster Cheryl Underwood handled the entire night like a total champ. Rogan reminisces about working with Underwood in Montreal in the early 2000s, describing her as a "monster" comic who would walk on stage clutching her purse and absolutely murder the room. * **The Madison Square Garden Rally:** Hinchcliffe reflects on his controversial Puerto Rico joke at the Trump rally, explaining it was a last-second filler joke added because organizers unexpectedly gave him more time than other speakers. Rogan laughs, reminding him, "I told you that joke was going to be a problem." Hinchcliffe notes he went on immediately following the national anthem.

[01:48:07](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6487s) The Chaos of the MSG Rally and the Rise of "Kill Tony"

Tony Hinchcliffe and Joe Rogan reflect on the strange lineup and positioning at the infamous 2024 Madison Square Garden Trump rally. Tony recalls being placed early in the schedule, noting that Rudy Giuliani didn't even take the stage until about three hours after him, illustrating how long and overwhelming the day was. Joe reinforces that stand-up comedy simply doesn't belong in that environment, though Tony points out that inside the arena, the crowd was actually laughing and having a great time, likely relieved to hear something that wasn't "stiff and boring, you know, like taxes and tariffs." Tony expresses surprise at how he constantly becomes the center of mainstream news cycles for his jokes. He argues that if a high-ranking politician or a traditionally clean comedian like Nate Bargatze or Jim Gaffigan had made those remarks, the outrage would make sense—but coming from an edgy roast comic like himself, it should be considered normal.

Joe explains that the mainstream media and the general public don't understand Tony's background because his massive fame "really snuck up on people" over the last couple of years. The explosive rise of *Kill Tony* happened completely organically without traditional corporate promotion, driven entirely by fans sharing clips, crazy online moments, and memorable guest appearances from comedians like Shane Gillis and Kyle Dunnigan. Eventually, the cultural footprint became impossible to ignore, forcing outsiders to pay attention. Once the political establishment and the media began attacking Tony over the Madison Square Garden rally, he became a designated target for the online outrage industry.

* **MSG Rally Lineup:** Rudy Giuliani spoke roughly 3 hours after Tony Hinchcliffe during a heavily packed event schedule. * **Organic Growth:** *Kill Tony* grew into a massive phenomenon purely through word-of-mouth, YouTube sharing, and viral internet clips.

[01:50:47](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6647s) The Online Outrage Economy and the Distortion of Comedy

Joe breaks down the mechanics of the internet's engagement game, comparing the toxic incentives of social media to the joke economy. While comedians say outrageous things they don't literally mean just to get a laugh—joking that "Bob Marley didn't really shoot the sheriff"—online commentators use manufactured outrage as a commodity to drive traffic. Joe notes that there was a distinct cultural shift around 2016 when people stopped viewing provocative material as comedy and began deliberately treating jokes as literal personal statements. This shift coincided with the rise of social media platforms, which provided an unprecedented avenue for people to perform deep emotional distress for likes and engagement.

The conversation turns to the mental toll this environment takes on creators, particularly modern comics who get sucked into political posturing. Joe observes that the comedians who spend their days shouting about "fascists" online tend to have stagnating careers compared to their contemporaries. He describes them as being caught in a miserable, unhealthy cycle of venom, often relying heavily on therapy and pharmaceuticals while trying to project moral authority. Tony agrees, pointing out that online political posturing never actually translates into ticket sales or career longevity. Joe adds a warning for those who build their platforms on negativity: if you spend a decade spitting hate at people online, that exact same wave of hate will eventually come back to destroy you if you ever become popular.

[01:53:52](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6832s) The Carlos Mencia Incident and Songwriting Theft

Reflecting on the nature of career negativity, Joe looks back at his famous public confrontation with Carlos Mencia over joke theft. While Joe still believes exposing Mencia was the morally right thing to do, he admits he wouldn't do it again because the sheer volume of negative energy it brought into his life was "too much." The ordeal revealed to Joe just how devoid of ethics the entertainment industry truly is; agents and executives fully knew Mencia was stealing long-form material word-for-word, but they chose to protect him because he was highly profitable. Joe recalls telling his own agency as they were dropping him: "You're choosing to align with someone who in any other industry that person would be in jail."

Joe and Tony contrast the lawlessness of comedy copyright with the incredibly litigious world of the music industry. In music, even accidental inspiration can lead to aggressive lawsuits and mandatory songwriting credits, despite the fact that there are only so many notes, chords, and rhythms available. Tony notes that while overlapping premises are common and innocent in a comedy writers' room, what Mencia did was entirely different, calling him a "buccaneer" who engaged in flagrant piracy.

* **The Mencia Fallout:** Joe notes that show business executives completely ignored Mencia's plagiarism because of the profits he generated. * **Music vs. Comedy:** Songwriters frequently face lawsuits for rhythmic or tonal similarities, whereas comedy has historically lacked formal legal protections for material.

[01:57:13](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7033s) High-Profile Music Lawsuits and Creative Inspiration

Joe and Tony dive into specific examples of massive legal battles over musical similarities. They discuss how The Verve had to surrender all of their royalties for their massive hit "Bittersweet Symphony" to The Rolling Stones because it utilized a sample from a 1965 orchestral version of the song "The Last Time." Decades later, Mick Jagger and Keith Richards finally signed the rights back over to Richard Ashcroft. Joe points out that similar copyright battles have recently entangled artists like Olivia Rodrigo with Paramore. They also look up the dispute where Radiohead was forced to give songwriting credits for their hit "Creep" to The Hollies due to similarities with the 1974 song "The Air That I Breathe." Ironically, Radiohead's organization later accused Lana Del Rey of ripping off "Creep" with her song "Get Free."

Tony notes that copyright restrictions have radically altered how he runs *Kill Tony*. In the show's early days, his incredibly talented house band could instantly play any karaoke request from a contestant. Today, copyright algorithms are so strict that even humming a recognizable song for a few seconds can get an entire episode flagged or demonetized online. Despite the legal battles, Joe argues that true art is almost always built on the backs of past creators, comparing it to the tech industry where cutting-edge microchips can only be built using decades of foundational discoveries by previous "super wizard geniuses."

> "There’s stealing and then there’s inspired by. Inspired by is what we were all doing... You can't just invent that in a vacuum. You have to invent that on all these other inventions that have taken place for decades before you."

[01:59:51](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7191s) Presets, the Puerto Rican Joke, and Protecting the Art Form

Joe highlights a fascinating piece of musical trivia regarding the band Gorillaz and their legendary track "Clint Eastwood." The entire instrumental backbone and rhythm of their biggest hit was actually just a built-in factory preset called "Rock 1" from a cheap Suzuki Omnichord toy keyboard. The creators simply pressed the demo button, and that preset became a multi-platinum track. Tony correlates this with comedy, noting that creators often have no idea which of their ideas are going to blow up or cause a massive stir.

Joe laughs and reminds Tony that years prior, he was the one who explicitly warned him that he was "going to get stabbed" for his infamous Puerto Rican joke. Tony explains that he had actually been performing that specific bit safely throughout the pandemic, and it had evolved into a much longer chunk of material that even featured Joe as a character. When he performed it at the Trump rally, he left out those longer tags and self-deprecating frames—omissions he realizes probably would have protected him from the subsequent media firestorm by signaling to the audience that it was just an absurd stand-up routine. Ultimately, Joe and Tony agree with a sentiment once shared by Doug Stanhope: everything comedians do on television or media is just an advertisement to get people to experience the real art form live in a comedy club, where human beings can laugh together without taking things too seriously. Joe closes by encouraging Tony to protect his mental health and stay away from negative conflicts, choosing instead to focus his energy on making people laugh.

[02:02:58](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7378s) The Chaos of Modern Cable News vs. The Silence of the Lambs

Joe Rogan and Tony Hinchcliffe discuss how exhausting it is to engage with modern media. Joe admits that he tries to stay off Twitter because checking it just exposes him to an "abomination after abomination" of distressing news stories. Tony agrees, noting that X has effectively become the news, making it incredibly difficult to absorb everything happening in the world. While Tony enjoys the aspects of his algorithm that serve him things he loves—like police chases gone wrong and UFC highlights—the surrounding content is simply overwhelming.

Tony shares a hilarious anecdote from a recent trip to Washington, D.C. Staying in a hotel right after a major political event, he decided to flip on the TV, figuring he would be asleep in a few minutes anyway. He tuned into CNN to see how they were covering the State of the Union address, expecting some perspective on what he had heard was a solid, positive, and entertaining speech. Instead, he was met with a panel of six people in absolute agreement, delivering nothing but "straight doom" and accusing the president of causing the deaths of Black people and failing the country. Stressed out, Tony flipped over to Fox News, where the presence of a counterpoint person arguing back and forth proved just as anxiety-inducing. He briefly checked MSNBC, found it equally crazy, and ultimately made a bizarre comforting choice.

"I put on Silence of the Lambs to calm yourself down," Joe deadpans. Tony swears he was asleep five minutes later. Coincidentally, the movie was on the infamous Buffalo Bill scene where a girl is trapped down a well in a basket. Tony jokes that looking at the screen, he thought, "finally some peace on the cable television." Joe asks if Fox News had a positive spin on the address, but Tony admits he can't fully remember because the sheer hostility of the broadcast was too much. He notes that while Fox at least attempts to have both sides talk things out, CNN frequently relies on a panel that gabs over a lone conservative contrarian. They joke about CNN commentator Scott Jennings, with Tony remarking that the poor guy takes so many bullets every day that he is practically a "war hero" with only months to live.

[02:06:12](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7572s) The Death of Trust and the Rise of X

Joe reflects on how turbulent public discourse has become, describing modern news programs on CNN as "bad podcasts that get interrupted every five minutes for a commercial." He remembers a time when the network was entirely different, highlighting Anthony Bourdain’s travel show *Parts Unknown* as an example of great television that focused on culture, community, and global perspectives. Somewhere along the line, Joe argues, the networks shifted entirely toward outrage. He notes a rumor that Bari Weiss's company might be taking over operations for CBS News and potentially CNN, wishing them luck because audiences have already tuned out and lost all willingness to take mainstream legacy media seriously.

This collapse of institutional trust is precisely why X has emerged as the go-to source for news, though it comes with its own major pitfalls. Joe brings up an episode of Tim Dillon’s podcast where Tim hosted two *New York Times* reporters. According to Tim, the reporters claimed there was absolutely "no evidence" that Jeffrey Epstein was connected to intelligence agencies. Joe expresses total disbelief at this narrative, pointing to his own podcast episodes with Mike Benz, who extensively breaks down Epstein's deep-rooted intelligence connections. Joe argues that if the *New York Times*—an institution meant to be an objective purveyor of truth—is either intentionally spinning a narrative, shielding their true opinions, or genuinely ignorant of these facts, the public is left with no choice but to look elsewhere.

* **Legacy Media Shifts:** Joe and Tony contrast the current outrage-driven format of news networks with the high-quality, story-driven programming of the past, such as Anthony Bourdain's travel documentaries. * **The Jeffrey Epstein Debate:** Joe criticizes *New York Times* journalists for claiming a lack of evidence regarding Epstein's intelligence ties, urging skeptics to watch the breakdown provided by former State Department official Mike Benz. * **The Double-Edged Sword of X:** While X allows users to bypass corporate media narratives, Joe warns that it is simultaneously filled with "horseshit," including misattributed old videos, deepfakes, AI-generated content, and bots that make visitors feel immediately "poisoned."

[02:10:27](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7827s) The "Fake News" Production and Roast Jokes Built on Lies

Tony observes that many everyday citizens continue watching traditional news because they honestly believe they are doing the right thing by staying informed. They often dismiss criticisms of the media as mere "Trump talking points." Joe agrees, lamenting that Donald Trump co-opting the phrase "fake news" was one of the worst things to happen because it caused his political enemies to automatically defend corporate media outlets simply to spite him. "Meanwhile, it's a goddamn production," Joe says. "A lot of the news is fake." He expresses amazement that there were zero professional repercussions for the journalists who pushed the fraudulent "Russiagate" narrative for years, noting that the exact same people are still on television offering their expert opinions today. For a vast portion of the public, the COVID-19 pandemic served as the ultimate wakeup call—or "red pill"—especially for those who suffered severe vaccine side effects after being forced to take it for work or travel.

The conversation shifts to how geography influences political perspectives, and Tony talks about his experience during the recent Netflix roast. He jokes that while he is known in Austin, Texas, as just a "skinny little" guy, traveling to Los Angeles instantly transformed him into a "racist Nazi" in the eyes of West Coast comedy writers. Tony was bewildered by some of the jokes targeted at him, noting that he hosts a weekly comedy show where people take shots at him constantly, yet he had never heard these specific personal accusations before. Joe points out that the writers completely fabricated a bit about Tony traveling to Saudi Arabia for money.

Tony confirms that not only was the joke a total lie, but he actually turned down life-changing sums of money to perform there—money that a younger version of himself working as a bag boy could never have imagined walking away from. The only two prominent comedians who explicitly rejected the lucrative Saudi offers were Tony and Shane Gillis. To make matters worse, Netflix clipped that specific joke, pinned it to their Instagram, and highlighted a reaction shot of Tony taking a long sip of water to make him look guilty or offended. Joe criticizes this style of comedy, explaining that there is a massive line between twisting a real fact to make a joke and inventing an outright lie just to criticize someone for a fictional action.

[02:14:10](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8050s) The Saudi Arabia Comedy Controversy

Tony notes the irony of the roast, pointing out that the comedians Chelsea Handler was complimenting during her set—such as Kevin Hart and Pete Davidson—actually *did* accept the money and perform in Saudi Arabia. Joe adds that Handler herself likely wouldn't have turned down the offer, considering she famously attended a dinner party at Jeffrey Epstein's house alongside Woody Allen. "At the intelligence agent slash sexual predator's house... that's fine though," Joe scoffs, mocking the hypocrisy of the Hollywood elite.

They discuss other comedians who did make the trip to the Middle East. Jessica Kirson performed at the Riyadh Comedy Festival and reportedly "murdered" on stage. However, due to intense online backlash, she ended up donating her entire performance fee to the Human Rights Campaign. Joe expresses skepticism about where those large donations actually go, joking that it usually just funds someone's corporate salary rather than solving real-world issues like homelessness. Meanwhile, comedian Tom Segura handled his trip with trademark defiance, posting a picture of a Ferrari with the caption, "Thanks, Saudi Arabia."

Joe offers a deeper perspective on the issue, defending the comedians who choose to go. He argues that the ordinary citizens sitting in those Saudi audiences rarely get to experience authentic American standup comedy live. Much like music and literature, Joe believes that comedy has a unique power to change people's minds and win hearts and minds across deep cultural divides. When people from entirely different parts of the world sit together and laugh at the same jokes, it helps them realize they share core human desires: to have fun, enjoy their friends, and protect their families.

[02:17:32](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8252s) Performing Comedy in Saudi Arabia and Social Media Toxicity

Joe Rogan and Tony Hinchcliffe discuss the backlash comedians face for performing in countries like Saudi Arabia. Rogan questions the logic of criticizing artists for performing in front of regular citizens who just want to see comedy, despite critics arguing that performers should boycott the country due to its government's involvement in the murder of Jamal Khashoggi. Rogan admits he understands why comedians like Shane Gillis chose not to go, and notes he probably wouldn't go either, but he defends those who do. He points out a double standard where Saudi-financed boxing matches are rarely targeted by critics, even among "hardcore left-wing MMA media," while stand-up comics like Louis C.K. and Bill Burr "just get destroyed" for doing shows there. Rogan commends Tom Segura's approach to simply ignore the noise and perform wherever he wants.

Hinchcliffe agrees, noting that traveling straight from a Donald Trump rally to Saudi Arabia would be "a little bit of a hop, a skip, and a jump" for his own career trajectory. Beyond politics, Rogan notes that a 16-hour plane ride is a major deterrent because he hates flying. They shift to discussing how social media fuels this deeply polarized society, with mentally ill people constantly "screaming into the [__] void." Rogan suggests that people try stepping away from toxic online engagement for just one month to see how much better they feel, though he acknowledges that professional "paid posters" are trapped in a cycle of negativity because they rely on outrage for engagement.

- Rogan points out that MMA media consists of many "libs" who are journalists and fans with a left-wing perspective, yet they don't criticize Saudi boxing events the way people criticize comedians. - Cortisol levels must be incredibly high for people who spend their days arguing online and reading negative replies. - Rogan observes how California Governor Gavin Newsom gets absolutely "destroyed in those comments" every single time he posts.

[02:20:30](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8430s) The Reality of Modern Politics and California's Cities

Hinchcliffe describes Gavin Newsom as "one of the last actual politicians" who embodies a "lying, ignoring of facts type of human being." He argues that while people living far away in a place like New Hampshire might look at Newsom and think he is the future, those who actually lived in California know the reality. Hinchcliffe clarifies that while comedians are not necessarily "wise sages," their frequent travel gives them a boots-on-the-ground perspective of different cities. They spend weekends interacting with hotel staff, getting coffee, and observing the local energy. According to Hinchcliffe, major California cities are in terrible shape, with only small "pockets in which there's still some common sense and happiness," such as San Diego, Huntington Beach, and Newport.

Hinchcliffe recounts a recent trip to Los Angeles, noting that the drive from LAX to West Hollywood or Beverly Hills is now "gruesome" because almost everything is empty and listed for lease. He mentions that nothing new has been built except for a "crazy looking weirdass" building that he initially mistakes for an Obama museum or library, calling it the "craziest, weirdest eyesore humanly imaginable." Rogan corrects him, noting that the Barack Obama Presidential Center is actually being built in Chicago for around $850 million. Rogan pulls up images of the Chicago building, defending its architecture by saying "that thing looks dope" and comparing it to something out of *Blade Runner*. Rogan expresses admiration for its distinct Brutalist architecture, characterized by massive cement structures mixed with large glass windows.

[02:25:21](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8721s) Hollywood Hills Real Estate and Extreme Security Realities

Rogan talks about his fondness for Brutalist and modern concrete houses, recalling a time early in his career when he started making "that cheddar" and looked at homes in the Hollywood Hills so he could be close to The Comedy Store. He looked at a house previously owned by Mitzi Shore on Kings Road—a legendary "comic house" where Sam Kinison and Pauly Shore lived. Rogan ultimately decided against buying it because the backyard was too small for his dogs and it was simply "too close to the machine." He preferred to live outside of the Hollywood chaos and just visit.

Rogan shares a wild story about another ultra-modern, $10 million concrete and glass house he looked at that sat directly on the sidewalk. When he expressed concern that anyone walking by could touch the front door, the realtor assured him they had a state-of-the-art security system. Rogan skeptically replied, "Your camera is going to catch a guy with a ski mask robbing you." In an eerie twist of fate, the man who actually bought the house was shot in the neck inside the home just two weeks later. While Rogan loves the aesthetic of massive 20-foot glass walls looking out over the "Blade Runner scape" of Los Angeles at night, he concludes that living in one makes you feel like you are sleeping in a museum, whereas he prefers a regular house where he can just look at trees and drink coffee.

- The Kings Road house was a famous hub where comedians stayed during the peak era of The Comedy Store. - Rogan highlights the "Oakley Founders House" (the estate of Oakley founder James Jannard) as a stunning example of futuristic architecture, joking that its $210 million price tag is "a bargain." - Pauly Shore still owns a house at the "tippy top" of the Hollywood Hills bought with his MTV money, which he recently remodeled; Rogan notes that its extreme elevation makes it an unlikely target for robbers due to the difficult escape route.

[02:29:44](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8984s) The Legend of Ghost Mode Street Racing

The conversation transitions into a fascinating YouTube rabbit hole Rogan recently discovered involving an infamous online street racer known by the handle "Ghost" or "Slow" (stylized as RYL SLO). This racer drives a highly modified, black Chevrolet Corvette boasting over 1,000 horsepower. Rogan describes how the driver actively baits police officers into pursuits just to completely vanish from them. Because police cruisers like the Ford Crown Victoria only have around 300 horsepower, they stand absolutely no chance against his vehicle.

Rogan asks Jamie to pull up a video to show Hinchcliffe how the racer operates. The driver utilizes a specialized 3D camera rig extended from the back of the car, which provides a video game-like perspective of the vehicle as it flees. The driver's most legendary tactic involves an engineering modification that allows him to enter "ghost mode." When the police activate their emergency lights behind him, he floors the accelerator to create a gap, hits a kill switch that completely turns off all of his car's headlights and taillights, and navigates through the pitch black using night vision technology. He even prints fake license plates that boldly read "WE WILL RUN," and uploads the high-stakes footage directly to the internet.

[02:32:44](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9164s) The Mysterious Dallas Viper Driver

Joe Rogan and Tony Hinchcliffe discuss an elusive internet figure famous for evading the police in high-speed car chases. Rogan marvels at how the driver manages to hide his identity across multiple digital channels, speculating that he must be using a proxy server and a VPN routing through another country to keep Instagram from finding out who he is. The driver's vehicles are incredibly high-end and powerful, specifically a Calvo Viper. Rogan notes that Calvo Motorsports, a company based out of Texas, builds modified Dodge Vipers capable of reaching a staggering 2,000 horsepower.

Hinchcliffe asks if anyone knows where these videos are being filmed, and Rogan responds that he believes the driver operates out of the Dallas area. While Hinchcliffe jokes about how fun it looks, Rogan warns that it is actually incredibly spooky and dangerous. He details a video where pursuing police officers wiped out, losing control after hitting construction cones where a road cut off and slamming into an innocent bystander's car. Rogan stresses that people could easily die, especially given how frequently the driver blows through red lights, raising the terrifying possibility of colliding with another reckless driver doing the exact same thing.

[02:34:04](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9244s) Kanye West's "Diabolical" Stadium Production

Tony Hinchcliffe shifts the conversation to Kanye West, calling his current stadium run an unbelievable, historical moment in art. Having recently attended a show in Tampa, Florida, Hinchcliffe describes a flawless "super production" where Kanye clearly micromanaged every detail, from the exact timing to the precise color grading, without overwhelming the audience with generic lasers and lights. Coming from a self-proclaimed "Pink Floyd land" mindset where a live show has to be state-of-the-art to impress him, Hinchcliffe expected a standard rap concert but found his expectations exceeded a thousand times over.

Kanye's touring strategy is uniquely chaotic: he announces pop-up stadium shows just a week or two in advance. Stadium operators happily agree to the last-minute bookings just to sell concessions and take a percentage of the merchandise sales. While leftist governors or mayors often try to protest the events, their pushback acts as free promotion, consistently filling stadiums to the very top. Hinchcliffe notes that unlike the Rolling Stones or Pink Floyd, who announce massive tours months in advance and beg people to buy tickets, Kanye simply posted a notice for a San Antonio show on July 4th just a week prior and completely packed the venue.

* Kanye performs "in the round," entering right through the crowd in total darkness before a massive, inflatable globe stage illuminates. * The stage features an exclusive central lift system, making it entirely impossible for fans to storm the platform. * Kanye wears a safety tether during the show to prevent himself from falling inside the balloon-like structure. * The non-stop performance lasts roughly two and a half hours, ending only with Kanye telling the crowd, "It's all about love."

[02:37:58](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9478s) The Resilience and Genius of Kanye West

Rogan acknowledges Kanye's massive catalog, noting that when you look at the sheer volume of his work, the man simply has "bangers on bangers." Hinchcliffe shares an anecdote about inviting a friend on the Tampa trip who wasn't traditionally a hip-hop fan and was skeptical of Kanye. By the end of the night, his friend's mind was completely blown, turning him into a diehard fan who realized he had actually loved Kanye's music all along. Hinchcliffe attributes this to Kanye's seamless production; the beats correlate so perfectly that he transitions from song to song without stopping. To catch his breath an hour and a half into the grueling set, Kanye utilizes a solo from his keyboardist, who plays a large instrument with a blow-tube.

The duo reflects on Kanye's unique status as arguably the greatest producer in the history of the industry, pointing out that every single sound in the stadium is entirely engineered by him. Rogan brings up the underlying psychological narrative of the tour, asking if anyone has ever bounced back from being canceled quite like Kanye. He notes a profound sense of mutual loyalty and validation shared between Kanye and the stadium crowds.

Hinchcliffe mentions a psychological breakdown he saw on Instagram from an energy specialist explaining the phenomenon. The specialist argued that people who like Kanye ultimately believe in themselves, suggesting that if Kanye's braggadocious nature ("I'm a god," "I'm the man") makes a listener insecure or turned off, it reflects that listener's own self-directed insecurity. Rogan admits he loves that traditional, braggadocious style of 90s hip-hop, citing Nas, Biggie, Tupac, and Jay-Z as masters of the art form who make the listener feel invincible when singing along.

[02:42:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9735s) The Decline of Rock Bands and the Era of Long Songs

Rogan pivots to the modern music landscape, pointing out the distinct lack of massive, monocultural rock and roll bands compared to their childhoods, when rock dominated everything. Back then, music fans were highly tribal; if you crossed over between rock and rap, you were viewed as a "weirdo." Rogan confesses that he actually became a rap fan in secret, quietly listening to groups like the Geto Boys while maintaining his rock fan persona. Hinchcliffe agrees, stating his personal musical range is ridiculous, noting he recently purchased Roy Orbison's catalogue on vinyl.

This triggers a discussion on how legendary musicians often get pigeonholed by their most repetitive radio hits. Hinchcliffe compares Roy Orbison's "Oh, Pretty Woman" to Pink Floyd's "Wish You Were Here" or "Another Brick in the Wall"—tracks that casual fans love simply because radio stations couldn't play sweeping, complex masterpieces like the 11-minute "Shine On You Crazy Diamond" or the 17-minute "Echoes." Rogan reminisces about the 1970s, an era when bands took massive creative risks with exceptionally long songs. He references Lynyrd Skynyrd's "Free Bird," noting that record executives begged them to change it because the beginning was too slow, but the band refused to compromise. Rogan and Hinchcliffe also call out Led Zeppelin's "Whole Lotta Love" for boldly including a bizarre, minute-and-a-half-long bridge filled with experimental sounds and symbols.

[02:44:42](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9882s) Bohemian Rhapsody and the Dark Side of the Rainbow

Hinchcliffe mentions recently catching a scene from the Queen biographical film, *Bohemian Rhapsody*. He describes a scene where a record executive refuses to release "Bohemian Rhapsody" as a single, complaining that the track is an eight-minute-long, slow piano song filled with nonsensical gibberish. In the movie, Queen's management shuts the executive down by pointing directly to a copy of Pink Floyd's *The Dark Side of the Moon* hanging on the wall, silencing him because that legendary, experimental album famously starts with nothing but a heartbeat and contains no lyrics for its opening stretch.

This prompts Rogan to bring up "Dark Side of the Rainbow," the famous urban legend that *The Dark Side of the Moon* perfectly aligns with the 1939 film *The Wizard of Oz*. Although Roger Waters has consistently maintained that the synchronization is completely coincidental, Rogan jokes that the pairing is so flawless it feels like "evidence of the simulation." Hinchcliffe notes that manually producing and planning such a perfect cross-media alignment with 1973 technology would have been nearly impossible, requiring the band to watch the film frame-by-frame to map out every single beat.

* The duo laughs wondering how high the original stoner must have been to first discover the connection. * They highlight the transition to "On the Run" as a particularly scary moment of synchronization, where Dorothy balances on a fence in black-and-white and falls off at the exact moment the chaotic synthesizer track kicks in. * Rogan and Hinchcliffe conclude that if Pink Floyd had intentionally planned it as a conspiracy, they would have happily admitted it to drive up album sales, proving it truly was just a beautiful, historic cosmic accident.

[02:48:04](https://www.youtube.com/watch?v=inrnVpGsKN4&t=10084s) Wrapping Up and the Comedy Mothership

Joe Rogan closes out the interview by offering his heartfelt congratulations to Tony Hinchcliffe on his massive ongoing success, particularly highlighting how incredible it has been to watch Tony's career trajectory unfold. Reflecting on the intense public scrutiny and the various controversies Tony has faced, Joe commends his resilience, advising him to "keep on moving" and "keep on trucking." Joe emphasizes that weathering these storms ultimately makes a comedian stronger and significantly improves their material, noting that Tony's newest stand-up jokes are absolutely killing it.

Tony agrees with a sense of optimism, stating that they are having an incredible time and are already looking forward "on to the next one." The duo share a mutual appreciation for their mid-week routine in Austin, Texas, highlighting Tuesdays and Wednesdays as the absolute best nights for testing out raw, unpolished material and working through new jokes at Joe's venue, Comedy+Mothership. The episode ends on a warm, brotherly note as they express their mutual appreciation and bid the audience a casual goodbye.

## Notable quotes > [58:24](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3504s) Why do you get that advantage that a striker gets of standing up when you didn't earn it? — Joe Rogan

> [01:29:31](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5371s) When I go on vacation for 30 days, I take 30 watches with me... But then I say, 'Fuck it. If I want to bring out the one and only, then I bring out the watch — Floyd Mayweather

> There’s stealing and then there’s inspired by. Inspired by is what we were all doing... You can't just invent that in a vacuum. You have to invent that on all these other inventions that have taken place for decades before you.

> [02:10:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7800s) A lot of the news is fake. — Joe Rogan

> [02:15:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8100s) Thanks, Saudi Arabia. — Tom Segura

> [02:33:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9180s) WE WILL RUN — Ghost / Slow

> [02:38:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9480s) It's all about love. — Kanye West

> [02:38:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9480s) evidence of the simulation. — Joe Rogan

## Mentioned Joe Rogan, Tony Hinchcliffe, Iran, Lebanon, Jamie Vernon, Intel i9, Intel i7, Samsung, Elon Musk, Spencer Pratt, Mike Benz, USAID, NyQuil, Perplexity, Combat Methamphetamine Epidemic Act, Austin Dental Spa, Sugarloaf, White Jade, DoubleTree, Youngstown, Ohio, Javits Center, New Republic, DEA, Maxi Rosenbloom, Rocky Marciano, Rocky Graziano, Jake LaMotta, Roberto Durán, Ray Boom Boom Mancini, Kelly Pavlik, Jermain Taylor, Jaron Boots Ennis, David Avanesyan, Ilia Topuria, Justin Gaethje, Max Holloway, Merab Dvalishvili, Asu Almabaev, Matheus Nicolau, Sophie Cunningham, WNBA, NBA, Michael Jordan, Hugh Frost, Khamzat Chimaev, Khabib Nurmagomedov, Muhammad Ali, George Foreman, Sami Zayn, WWE World Heavyweight Championship, Cody Rhodes, WWE, White House, Paramount, TikTok, Instagram, YouTube, Dana White, Hunter Campbell, White House Correspondents' Dinner, Waldorf Astoria, Secret Service, Kurt Metzger, Kennedy Center, Adam Ray, Donald Trump, Kill Tony, Shane Gillis, Joe Biden, Jacob Barr, Jackie Gleason, Mike Tyson, Netflix, Tom Brady, Kevin Hart, Cain Velasquez, Sean Strickland, Israel, Jeffrey Epstein, Josh Hoyt, Hulk Hogan, Michelle Obama, Alex Pereira, Ciryl Gane, Jailton Almeida, Jon Jones, Francis Ngannou, Riyadh Season, Turki Alalshikh, Bernard Hopkins, Sergio Martínez, Meldrick Taylor, Julio César Chávez, Richard Steele, Marcos Maidana, Floyd Mayweather, Nicolas Cage, Fast Times at Ridgemont High, Nicolas Coppola, Valley Girl, Raising Arizona, Coen brothers, Farrelly brothers, Kingpin, Woody Harrelson, Bill Murray, Apple TV, Matthew McConaughey, Madison Square Garden, The Roast of Kevin Hart, George Floyd, Charlie Kirk, TMZ, Tiffany Haddish, Cheryl Underwood, Puerto Rico, Rudy Giuliani, Kyle Dunnigan, Carlos Mencia, Gorillaz, Clint Eastwood, Suzuki Omnichord, Doug Stanhope, Twitter, X, CNN, Fox News, MSNBC, Silence of the Lambs, Buffalo Bill, Scott Jennings, Anthony Bourdain, Parts Unknown, Bari Weiss, CBS News, Tim Dillon, New York Times, Saudi Arabia, Chelsea Handler, Pete Davidson, Woody Allen, Jessica Kirson, Riyadh Comedy Festival, Human Rights Campaign, Tom Segura, Louis C.K., Bill Burr, Gavin Newsom, Barack Obama Presidential Center, Mitzi Shore, Kings Road, The Comedy Store, Sam Kinison, Pauly Shore, James Jannard, MTV, Ghost, Slow, RYL SLO, Chevrolet Corvette, Calvo Viper, Calvo Motorsports, Kanye West, Pink Floyd, The Rolling Stones, Nas, Biggie, Tupac, Jay-Z, Geto Boys, Roy Orbison, Oh, Pretty Woman, Wish You Were Here, Lynyrd Skynyrd, Free Bird, Led Zeppelin, Whole Lotta Love, Queen, Bohemian Rhapsody, The Dark Side of the Moon, Dark Side of the Rainbow, The Wizard of Oz, Roger Waters, Comedy+Mothership

[Source](https://www.youtube.com/watch?v=inrnVpGsKN4)

中文简报

喜剧演员 Tony Hinchcliffe 为特朗普 MSG 集会政治笑话辩护围绕麦迪逊广场花园波多黎各段子的媒体争议，源于略去了更长的自嘲铺垫，而非笑话本身。主持人 Joe Rogan 与嘉宾 Tony Hinchcliffe 探讨了广泛的话题，从半导体制造技术的极高复杂性以及关于社会崩溃后重建的思想实验切入。他们深入讨论了俄亥俄州扬斯敦的地方腐败、拳击与 UFC 格斗选手的现状，以及大型喜剧活动的幕后运作——例如 Tom Brady 吐槽大会以及 Hinchcliffe 在唐纳德·特朗普集会上的争议性出场。对话还涉及现代媒体的耸人听闻现象、互联网文化、Kanye West 等音乐人的韧性，以及现场单口喜剧不断演变的行业格局。 Joe Rogan 详细探讨了现代半导体制造设备的极端复杂性，称其为人类制造的最精密机器之一，能在超过 20 G 的加速度下用激光精准轰击微小熔融锡滴，并解释了芯片分级与良率如何决定顶级 AI 处理器的性能。 (0:12) Rogan 批评政府对外援助与部分大型慈善机构，认为其巨额资金大多被高额行政开销和管理层薪酬消耗，并探讨了情报机构利用 USAID 资金介入海外文化乃至操纵嘻哈音乐产业的相关指控。 (7:05) Jamie Vernon 借助 Perplexity 查证了 NyQuil 感冒药的历史成分，证实其 20 世纪 90 年代末的原版配方曾含有麻黄碱以及高达 25% 的酒精，直到后来受打击甲基苯丙胺法案监管才被迫改版。 (11:37) Tony Hinchcliffe 回顾了家乡俄亥俄州扬斯敦（Youngstown）在 20 世纪 90 年代及 21 世纪初的高人均谋杀率，并与 Rogan 讨论了当地执法部门、政界曾被黑手党全盘控制的暴烈历史。 (24:58) 两人深入复盘了 UFC 顶级打击选手的表现，重点剖析了 Ilia Topuria 在近身缠斗中的毁灭性拳力，以及 Max Holloway 在最后一秒残暴 KO 判定击败 Justin Gaethje 的经典战役。 (36:47)

Reading summary

In this conversation, Joe Rogan and comedian Tony Hinchcliffe explore the delicate nature of technological civilization, the demanding disciplines of combat sports and stand-up comedy, and the cultural double standards surrounding media outrage and cancel culture. Technological Fragility and Industrial Precision (4:15) Rogan and Hinchcliffe reflect on the immense gap between daily public discourse and the extreme sophistication required for modern civilization. Rogan highlights the manufacturing of semiconductor chips, noting the incomprehensible physical precision needed to produce processors for modern computing and artificial intelligence. Jamie Vernon describes the binning process where near-perfect chip yields are graded and sold as top-tier models like Intel i9s, while slightly degraded chips become i7s, referencing recent yield issues at Samsung. This extreme specialization leads Rogan to argue that contemporary human society is remarkably fragile. In a hypothetical collapse scenario leaving only a few thousand ordinary people, Hinchcliffe and Rogan observe that rebuilding existing technology would take an almost infinite amount of time without the silent contributions of specialized super-geniuses. Wrestling Foundations and Combat Sports Tolls (53:08) Examining combat sports, Rogan identifies amateur wrestling as the definitive athletic foundation for modern mixed martial arts, noting how elite grapplers like Khamzat Chimaev, Merab Dvalishvili, and Khabib Nurmagomedov can neutralize striking and control opponents on the mat. They detail Khabib's technique of trapping both opponent legs with a triangle to pin them with hip weight while landing unanswered strikes against fighters like Michael Johnson and Edson Barboza. However, Rogan and Hinchcliffe emphasize that high-level fighting carries severe physical costs. They note that severe punishment permanently alters career trajectories, pointing to historical bouts like Julio César Chávez versus Meldrick Taylor, as well as Kelly Pavlik's decline following his 12-round bout with 43-year-old Bernard Hopkins. Rogan stresses that the human brain can endure only a finite number of brutal wars before prime performance is lost permanently. Stand-up Comedy, Roasting, and Public Backlash (100:32) Hinchcliffe addresses the persistent media fallout stemming from his high-profile appearances, including controversial sets at Donald Trump's Madison Square Garden rally and Netflix's roast of Kevin Hart. He argues that roast settings are explicitly designed to test offensive boundaries using high-velocity material, rejecting accusations of racial animus by pointing out that he targeted both conservative figures like Charlie Kirk and progressive topics alike. Rogan adds that stand-up routines inherently risk being misinterpreted when detached from the live club environment. The hosts critique perceived hypocrisies in media reactions to live entertainment, such as critics condemning stand-up comics like Louis C.K. and Bill Burr for performing in Saudi Arabia while largely ignoring Saudi-backed boxing events. Rogan defends comics performing abroad by emphasizing that everyday attendees simply want live entertainment, noting how other performers like Jessica Kirson and Tom Segura adopted differing public responses to the ensuing pushback. Production Value and Resilience in Live Performance (154:04) Hinchcliffe and Rogan review Kanye West's pop-up stadium tour model, citing Hinchcliffe's experience at a Tampa show as an example of world-class stadium production. Despite announcing dates only one or two weeks ahead of time and facing pushback from local officials, West consistently sells out arenas while maintaining tight creative control over sound, pacing, and visual design without relying on standard stage lasers. Rogan notes West's resilience against cancellation, pointing to the intense audience loyalty inside the venue. The conversation concludes with Rogan and Hinchcliffe emphasizing the value of steady live stage work over media controversies, pointing to mid-week developmental sets at the Comedy Mothership in Austin as the core testing ground for genuine artistic growth.

精炼阅读摘要

Joe Rogan与喜剧演员Tony Hinchcliffe在对话中探讨了现代社会对高度专业化精密技术的脆弱依赖，并结合职业格斗竞技的严酷现实、脱口秀演出引发的舆论风暴以及大众媒体的极化叙事，审视了行业潜规则与公众认知之间的巨大断层。半导体精密制造与现代文明的脆弱依赖 (4:15) Rogan通过半导体芯片制造的工艺细节强调现代科技的高度复杂性，指出先进芯片是支撑计算机与人工智能进步的核心引擎。制作人Jamie补充说明了芯片的分级测试机制：每块晶圆生产30至50个芯片，测试评分接近满分100分的作为顶级处理器（如Intel i9）销售，而评分约85分的则降级为i7销售；Rogan将此联系到三星近期工厂良品率不足导致次品过多的问题。 Rogan与Hinchcliffe进一步探讨了文明崩溃的假想情景：若全球仅剩数千名普通人生存，在缺乏专门领域精英的前提下，人类重新发明尖端科技所需的时间几乎是“无限”。Rogan强调，现代科技突破完全建立在无数隐秘超级天才的技术积累之上，普通大众享受着如同科幻小说般的物质成果，却对底层维系文明运作的技术逻辑一无所知。格斗运动的技术压制、选材演进与生涯代价 (53:08) 对话回顾了格斗项目的演进规律。Rogan指出，早期拳击手多源于贫困移民群体（如早期的犹太裔、随后的意大利裔，再到后来的波多黎各与巴拿马拳手），贫困构成了搏击的原始饥渴感。转向现代MMA，Rogan将摔跤定义为不可替代的战术基石，以Khabib Nurmagomedov为例，剖析其如何利用腿部三角锁锁死对手双腿并施加全部髋部重压，使对手彻底丧失防守能力；相比之下，普通观众往往只关注站立打击而忽视了这种地面控制细节。两位主持人进一步讨论了竞技体育的生理极限与残酷代价。在青少年运动中，德克萨斯州家长常通过让孩子延后一年入学来获取体格与雄性激素优势，这在摔跤项目中构成了不对等的压制。而在顶级职业赛场上，一次残酷的战役往往会对大脑造成永久性损伤，如Meldrick Taylor与Julio César Chávez的经典对决，即使Taylor在比赛最后一秒前比分领先，战后的严重损耗也使其再难重返巅峰；Bernard Hopkins在43岁击败26岁全胜的Kelly Pavlik则属于罕见的体能特例。此外，Rogan提及白宫草坪UFC赛事的商业奇迹，派拉蒙收视人数超3000万，全网跨平台播放量预估达1.5亿，UFC高层甚至预测精彩集锦将触达10亿人次。脱口秀冒犯界限、舆论反弹与演艺行业双标 (100:32) Hinchcliffe回顾了自己在Netflix烤问大会（The Roast of Kevin Hart）以及2024年麦迪逊广场花园特朗普集会上的表演经历。他辩称，烤问演出的本质就是突破冒犯边界，自己采取了职业摔角中“反派”（heel）的高频冒犯策略；关于集会上波多黎各的争议笑话，他解释该素材曾在脱口秀俱乐部打磨已久，但集会演出时省略了自我调侃的语境铺垫，导致笑话在脱离线下俱乐部的电视与网络传播中被媒体无限放大。 Rogan与Hinchcliffe对比了不同领域的舆论评价标准。在喜剧界赴沙特阿拉伯演出的争议中，喜剧演员（如Louis C.K.、Bill Burr）遭到舆论猛烈抨击，而同样由沙特资助的大型拳击赛事却极少面临主流媒体声讨；Rogan认为普通外国观众有权欣赏现场艺术，批判表演者存在双重标准。此外，Rogan回忆了早年公开揭发Carlos Mencia抄袭笑话的经历，指出好莱坞经纪公司因高额利润而系统性包庇抄袭者，相比于流行音乐界因旋律雷同动辄引发侵权诉讼（如The Verve将《Bittersweet Symphony》版税割让给The Rolling Stones，Radiohead因《Creep》陷入版权纠纷），传统喜剧界的知识产权保护极度匮乏。媒体叙事极化与现场超级艺术的破局 (122:58) 对话批评了美国有线电视新闻对公众情绪的操控。Hinchcliffe分享了在华盛顿特区酒店切换CNN、Fox News与MSNBC的经历，各电视台呈现的不是单向度的末日恐慌就是非黑即白的对抗；Rogan认为媒体将报道包装成了流水线工业产品，例如多年来推动针对特朗普的虚假指控却无需承担任何职业责任，导致公众对传统媒体产生普遍信任危机。面对线上极化与数字算法的喧嚣，两人推崇纯粹的现场艺术感染力。Hinchcliffe详细赞叹了Kanye West在坦帕的无预告体育场现场制作：Kanye放弃了常规的炫目激光，采用360度环形舞台与充气巨球，并在几周内临时定档售罄整个场馆，其对音乐节奏、色彩调色及无缝转场的全盘掌控展示了极高的制作水准。Rogan指出，不论艺人面临怎样的公共舆论抵制，过硬的原创作曲实力与真实的现场体验始终是抵御网络取消文化的根本力量。本期节目展现了Rogan与Hinchcliffe对当下文化与媒介生态的共同看法：在高度极化的网络时代与僵化的传统媒体之外，线下即兴脱口秀俱乐部（如Comedy Mothership）与专业体育赛场保留了未被过滤的真实人性。然而，个体创作者如何在日益严苛的政治审查、算法风暴与商业利益夹缝中守住表达自由，仍是一个未决的难题。

Detailed notes — zh

## Background 本期节目由 PowerfulJRE 于 2026 年 7 月 2 日发布在 YouTube 平台。页面简介显示，嘉宾托尼·欣奇克利夫（Tony Hinchcliffe）是一名喜剧演员、编剧、演员兼现场秀及播客节目《Kill Tony》的主持人，其全新脱口秀特辑《Man of the People》当时正在 Netflix 上线热播。 ## TL;DR 托尼·欣奇克利夫与乔·罗根深入剖析了单口喜剧在当下的生存处境，回顾了其在麦迪逊广场花园集会及吐槽大会（Roast）后陷入的舆论风暴，抨击了社交媒体将舞台包袱字面化审判以及贩卖愤怒的流量机制。两人梳理了喜剧界的抄袭历史与音乐界的版权纷争，并尖锐批评了主流传统媒体在重大议题上的信誉崩塌与双标审判。此外，对话还广泛延伸至加州城市衰退、达拉斯街头飙车族、坎耶·韦斯特充满野心的快闪舞台美学，以及平克·弗洛伊德等 70 年代传奇摇滚的艺术精神，罗根盛赞了托尼顶住全美围剿、持续在俱乐部打磨作品的抗压韧性。 ## Atmosphere & style 对谈散发着喜剧圈老友重聚时特有的松弛、坦率与无所顾忌，充满荒诞幽默和行业内幕的犀利吐槽。即便直面全国性的媒体声讨与政治风波，两人的探讨也未显焦虑愤懑，反而带着一种冷眼旁观的清醒与戏谑，在谈及先锋音乐、舞台制作和纯粹创作时更洋溢着惺惺相惜的热情。整场交流既有直面舆论风暴的坚韧与从容，又牢牢扎根于对俱乐部现场喜剧纯粹力量的执着坚守。 ## Bulletin - [01:46:26](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6386s) 托尼·欣奇克利夫详述 2024 年麦迪逊广场花园集会“波多黎各”争议段子的背景，指出该段子系因主办方临时加时而在最后一秒填补进去的数年旧梗，但在剥离自嘲缓冲后引发了全美政治风波。 - [01:53:49](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6829s) 乔·罗根回顾当年公开揭发卡洛斯·门西亚恶性抄袭事件，痛陈娱乐经纪公司为票房利益包庇抄袭者并选择与揭发者解约的行业伦理缺失。 - [02:17:28](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8248s) 脱口秀行业赴沙特演出的道德审判暴露出双重标准：格斗与拳击赛事的沙特合作备受包容，而单口喜剧演员却面临严苛抵制，尽管其本质仅是为普通大众带来普世幽默。 - [02:34:04](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9244s) 两人深入探讨 Kanye West 的快闪体育场巡演模式，盛赞其凭借极简环形充气舞台、超长高强度无缝编曲以及顶级抗压能力，成功逆转主流抵制潮。 ## Key takeaways - [01:38:06](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5886s) 伍迪·哈里森展现出独特的松弛哲学与深厚演技跨度，定居奥斯汀后无架子融入当地喜剧圈，且彻底拒绝使用个人智能手机。 - [01:40:32](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6032s) 吐槽大会本质是突破禁忌的艺术安全区，观众将针对各方公众人物的冒犯性调侃当成严肃恶意攻击完全背离了喜剧初衷。 - [01:42:03](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6123s) 托尼将自身定位为摔角比赛中的“反派”（heel），坚持高密度轰炸的节奏风格，拒绝为了讨好全员偏好而自我阉割。 - [01:46:26](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6386s) 当代网络算法将公众愤怒异化为利润丰厚的高价值流量商品，导致脱口秀演员屡屡被卷入舆论靶心。 - [01:51:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6660s) 自 2016 年起，社交媒体公众愈发倾向于将舞台艺术包袱字面化，沉迷挑刺不仅损害心理健康，更扼杀真实幽默感。 - [01:54:57](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6897s) 编剧室内的撞梗（平行创作）与系统性抄袭存在本质区别，版权争议在流行音乐史上屡见不鲜且常伴随巨额利益纠葛。 - [01:59:52](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7192s) 音乐创作与单口喜剧具有高度的不可预测性，正如 Gorillaz 金曲直接源于玩具键盘内置预设，创作者往往难以预判作品的最终反响。 - [02:02:58](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7378s) 主流有线电视新闻日益陷入两极对立与末日恐慌叙事，丧失了客观调查事实的基本信誉，演变为赞助商与政治驱动的宣传网络。 - [02:15:30](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8130s) 面对沙特商演的舆论审判，单口喜剧展现出跨越地缘政治的普世连接力，观众的核心追求依然是纯粹的欢笑与共鸣。 - [02:19:18](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8358s) 脱口秀演员长期在全美各地巡演，对加州等地区核心街区的商业萧条与社会治理衰退有着最直观的市井体感。 - [02:22:26](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8546s) 好莱坞与芝加哥的粗野主义豪宅设计虽具视觉冲击力，但在实际居住体验中往往面临安防漏洞与冰冷不适。 - [02:29:44](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8984s) 达拉斯街头车手配备夜视仪与断电“幽灵模式”极速逃逸，反映出地下改装文化潜藏的极端危险与社会隐患。 - [02:40:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9615s) 对说唱歌手极度自信风格的抵触，往往映射出听众内心的自卑与不接纳，顶级的自信台风能赋予受众精神力量。 - [02:42:22](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9742s) 现代商业电台模式导致长篇编曲精神断层，而《波西米亚狂想曲》和《月之暗面》等传世经典正是顶住唱片工业短视的产物。 - [02:45:50](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9950s) 《月之暗面》与电影《绿野仙踪》不可思议的音画共时性，成为流行文化史上无心插柳的神奇奇迹。 - [02:48:02](https://www.youtube.com/watch?v=inrnVpGsKN4&t=10082s) 脱口秀演员在经历巨大舆论风暴后最重要的品质是持续打磨作品，托尼通过在奥斯汀俱乐部的高频演出不断完成艺术进化。 ## Detailed walkthrough ### [00:01](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1s) 世界混乱与逃避新闻：转向芯片制造与科学节目一开场，乔·罗根（Joe Rogan）与托尼·欣奇克利夫（Tony Hinchcliffe）便感叹外部世界的混乱无序。托尼笑称自己就喜欢这种混乱，而罗根则提到当下地缘政治剑拔弩张，黎巴嫩遭受轰炸，美军基地遇袭，与伊朗的相关协议似乎彻底失效，世界仿佛再次处于战争边缘。面对无休止的新闻轰炸，罗根坦言自己极力不去理会这些糟心事，而是选择钻进科学和太空领域寻找精神慰藉。罗根提到他前一天看了一部关于半导体芯片制造的纪录片，整个人被深深震撼。他感叹那台制造芯片的机器简直是全人类最复杂的机器之一。罗根忍不住自嘲道，当他们这帮喜剧演员整天在台上讲下流段子、屎尿屁笑话时，世界上另一群顶级头脑却在切实把“科幻小说”变为现实。为了向托尼直观展示这种震撼，罗根让导播杰米（Jamie）调出那部一小时长的纪录片《世界上最重要的机器》（The world's most important machine），并把进度拉到展示激光轰击锡液滴的动画片段。 --- ### [02:11](https://www.youtube.com/watch?v=inrnVpGsKN4&t=131s) 极致精密的奇迹：极紫外光刻机（EUV）的物理极限纪录片中的解说通过一个生动的思想实验展开：想象你被缩小到蚂蚁大小，手里拿着一把能像切黄油一样切开金属的高能激光枪。这时，一颗仅有白细胞大小的熔融锡液滴以每小时 250 公里的速度在你面前呼啸而过。你的任务是在 20 微秒的时间窗口内，用激光连续命中这颗液滴不是一次、两次，而是整整三次。而这台机器不仅每秒要重复这一过程 50,000 次（相当于每秒发射 150,000 次激光），而且做到了“全弹命中、零失误”。在这难以想象的轰击下，锡液滴瞬间被加热到超过 220,000 开尔文（Kelvin）——这比太阳表面温度还要高出大约 40 倍，从而激发出制造最先进芯片所需的极紫外光（EUV）。纪录片进一步透露，机器内部配备的光学反射镜堪称全宇宙最平整的物体；如果将这面镜子放大到整个地球那么大，其表面最大的起伏凸起厚度甚至不超过一张扑克牌。此外，在机器内部部件承受超过 20G 加速度剧烈运动的同时，多层芯片电路的对齐误差被严苛控制在 5 个原子以内。这项曾被全世界断言不可能实现的技术，最终由荷兰阿斯麦公司（ASML）历时 30 年独立攻克，成为全球独一无二的独家技术。 ```mermaid flowchart TD accTitle: 极紫外光刻机（EUV）等离子体光源产生过程 accDescr: 展示锡液滴以高速喷出并被高频脉冲激光精确轰击转化为极紫外光的过程 subgraph Droplet ["锡液滴喷射"] A["熔融锡发生器"] --> B["微米级锡液滴 (白细胞大小, 250 km/h)"] end subgraph Laser ["高能脉冲激光轰击"] C["脉冲激光系统 (每秒 150,000 次射击, 零失误)"] --> D["预脉冲压平液滴"] B --> D D --> E["主脉冲轰击气化 (20微秒内连续命中3次)"] end subgraph EUV ["等离子体与光束反射"] E --> F["极端等离子体 (220,000 K, 40倍太阳表面温度)"] F --> G["释放极紫外光 (EUV) (经极限超平反射镜引导至晶圆)"] end ``` - **激光命中频率**：每秒 150,000 次激光射击，连续击打 50,000 颗熔融锡液滴，命中率为 100%。 - **瞬间温度**：加热至 220,000 开尔文以上，约为太阳表面温度的 40 倍。 - **反射镜平整度**：若等比放大到地球尺寸，最大凹凸起伏不超过一张扑克牌的厚度。 - **叠层精度与动态环境**：部件在超 20G 加速度下疾驰，芯片各层堆叠对准误差小于 5 个原子。 --- ### [04:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=255s) 芯片分档机制与重建文明的思想实验随着视频播放完毕，托尼惊叹于这些精密机器究竟在生产什么。罗根解释，所有最顶尖的计算机处理器、人工智能（AI）加速芯片都离不开它。罗根顺势科普了芯片制造中的“芯片分档”（Binning）工艺：晶圆厂并不是单独生产某一款芯片，而是在整块晶圆薄片上批量刻蚀制造几十个核心。加工完成后对每个核心进行性能测试，成色最完美、性能接近满分 100 分的被挑选出来作为旗舰级的 i9 处理器，以最昂贵的价格出售；而体质稍逊、得分在 85 分左右的次品则被屏蔽部分缺陷单元降级作为 i7 销售。两人也提到了三星（Samsung）芯片代工厂此前遭遇的良品率危机，其根源正是完美芯片产出比例过低，废品与残次品过多。谈到这里，罗根抛出了一个经典的末日生存思想实验：假使全人类突然灭绝，只剩下演播室里的几个人——或者退一步，留下一两千名普通人以保证基因库不至于近亲退化——以现代普通人的知识水平，需要多久才能重新造出这样的光刻机？托尼干脆地回答：“直到无限远的时间（Infinity）。”罗根笑着表示赞同，指出普通人面对荒野生存就像美剧《迷失》（Lost）里的空难幸存者，甚至连自给自足都勉强，更遑论从零攀升科技树。现代科技奇迹是建立在成千上万代超级天才层层累加的基石之上的。托尼随即开起玩笑，说这帮科技怪才千万不能被世俗享乐分心：“要是某个研发核心专利的极客突然暴富，开着法拉利上班还娶了个火辣老婆，大家惊呼‘我的天’，那人类文明估计当场就得倒退一两百年。”两人打趣说，那个叫“蒂姆”（Tim）的程序员每天磕着阿德拉（Adderall）、通宵写代码 18 个小时研究怎么送人类上火星，一旦有了世俗欲望，研究立刻停摆。罗根接着吐槽埃隆·马斯克（Elon Musk）是个异类，虽然身边女伴不断、孩子生了一堆，但完全没耽误他搞火箭和科技研发。 --- ### [07:05](https://www.youtube.com/watch?v=inrnVpGsKN4&t=425s) 伪善的骗局：对外援助与非营利慈善体系的内幕话题从对埃隆·马斯克的两极评价，延伸到了主流叙事对善恶的扭曲。罗根对公众热衷于从马斯克身上挑刺表示不解，认为人们无视了生活在一个技术腾飞时代的壮阔，这背后的核心原因在于被媒体叙事牵着鼻子走。例如近期关于“削减美国对外援助（USAID）等于杀人”的论调，指责资金削减导致某些海外医院因缺乏设备和资金致人死亡。罗根承认没有资金确实可能影响救治，但他指出人们故意忽略了一个核心事实：这些对外援助资金中充斥着天文数字的贪腐与欺诈。罗根尖锐地质疑起整个跨国援助的逻辑：美国为何平白无故拿着纳税人的钱到处撒？国家不会无缘无故做慈善，在所谓的“善良”背后，必定有人借此牟取暴利。他坦言自己过去曾天真地相信慈善事业的崇高，但如今看清了这不过是“裹着善良、同情和美德舒适毛毯的庞大骗局”。许多热心初衷的好人投身非营利组织，逐渐深陷体制，在非营利机构的“企业阶梯”上往上爬，最后高管们拿着上百万美元的年薪，机构租用着豪华宏伟的办公大楼，大部分善款全被内部行政管理、员工薪酬和日常开销侵吞，真正流向受难者的微乎其微。托尼对此深表认同。罗根随后援引了斯潘塞·普拉特（Spencer Pratt）告诉他的洛杉矶火灾援助案例：当年灾后社会各界筹集了超过一亿美元的巨额善款，然而这笔钱最终并没有直接交到失去家园的灾民手中，而是被分散下拨给了大约 200 家不同的非营利组织。这些善款在层层机构内部被用来给员工发薪水、支付运营成本，公众的善意彻底沦为非营利产业维系自身的养料。 ### [09:35](https://www.youtube.com/watch?v=inrnVpGsKN4&t=575s) USAID 的隐秘操作与嘻哈音乐阴谋论乔·罗根（Joe Rogan）与托尼·欣奇克利夫（Tony Hinchcliffe）讨论了非政府组织与政府援助机构的运作内幕。罗根提到研究员迈克·本茨（Mike Benz）多次在他的节目中揭露的内容：大众普遍把美国国际开发署（USAID）视为纯粹的对外慈善与人道主义救援机构，误以为其宗旨只是“帮助世界”，但实际上它深度涉足地缘政治。本茨曾指出，USAID 会资助海外的颠覆性说唱乐团，试图通过激进音乐煽动当地民众颠覆现有政权，同时还暗中给外国叛乱势力以及特定报纸注资。两人顺着说唱音乐的话题展开探讨。虽然他们都是资深嘻哈乐迷——托尼刚看完坎耶·韦斯特（Kanye West）的演出归来，罗根也极其热爱嘻哈——但罗根提到了流传已久的“黑帮说唱阴谋论”。该理论认为，20 世纪 80 年代黑帮说唱的崛起与流行背后有美国政府某些派系或情报机构的暗中推波助澜，目的是在社区内制造更多犯罪、填满私营监狱，并撕裂社会结构，从而让政府有借口推行更多管控法律。罗根打趣说这虽是典型的“锡箔帽”阴谋论，但巧合的是，当下排行榜上罕见地几乎没有说唱音乐的身影，让人联想 USAID 等机构的资金流向是否与音乐潮流的起伏存在某种隐秘关联。托尼直言，原本自己对这种阴谋论半信半疑，直到“嘟囔说唱”（Mumble Rap）流行开来，他才彻底觉得不对劲——那种含糊不清的风格简直就像是故意为了“让人变蠢”而设计的。两人调侃道，或许当年幕后推手听了纳斯（Nas）等歌词极其深刻精妙的说唱巨星后，心想：“这家伙太聪明了，我们得把门槛降下来，去捧那些话都说不利索、整天喝止咳水上瘾的人。” --- ### [12:20](https://www.youtube.com/watch?v=inrnVpGsKN4&t=740s) 危险的止咳水体验与药物诱惑话题随后转向嘻哈文化中泛滥的“紫水”（Lean / 止咳糖浆滥用）。托尼对那些沉迷止咳水的人感到好奇，询问罗根是否体验过。罗根回忆起 20 世纪 90 年代末（大约 1997 或 1998 年）自己得流感时喝“老配方 NyQuil”的经历。罗根描述那种感觉极其危险且美妙：整个人陷在温暖柔软的被窝和枕头里，感到无比惬意。但他随即产生了一种强烈的恐惧感——意识到如果一个人现实生活不如意，这种在药店（CVS）随手就能买到的廉价快感足以让人彻底沉沦。制片人杰米（Young Jamie）随后在屏幕上检索了老款 NyQuil 的配方，发现早期版本含有麻黄碱（Ephedrine）、琥珀酸多西拉敏（Doxylamine succinate）、扑热息痛（Acetaminophen）、右美沙芬（Dextromethorphan）以及高达 25% 的酒精成分。2000 年代中期因打击冰毒法案的出台，伪麻黄碱被剔除。通过 AI 工具 Perplexity 查询后证实，美国销售的 NyQuil 从未含有可待因（Codeine），真正让说唱歌手上瘾的“紫水”是含可待因和异丙嗪的处方止咳糖浆。罗根表示，自己虽然可能记混了具体品牌名称（就像把所有棉签都统称为 Q-tips 一样），但他当年那一剂药剂带来的极致体验让他心有余悸，因从小目睹太多熟人被药物毁掉一生，他从此对止咳水敬而远之。 - **早年 NyQuil 核心成分构成**：麻黄碱（减充血剂）、琥珀酸多西拉敏（抗组胺剂）、扑热息痛（止痛退烧）、右美沙芬（镇咳剂），以及约 25% 的酒精配比。 - **处方紫水（Lean）**：与非处方感冒药不同，其滥用核心成分为处方级可待因（阿片类）与异丙嗪复合糖浆。 - **罗根的止痛药经历**：当年拔智齿时仅吃了半片牙医开的强效止痛药，就体会到了类似被药物彻底俘获的惊恐快感。 --- ### [16:16](https://www.youtube.com/watch?v=inrnVpGsKN4&t=976s) 从医院吗啡泵到“笑气真言剂”的牙医尴尬谈到医疗镇痛药物，罗根分享了他做膝关节手术后的经历。术后医院给他接了恒速吗啡点滴泵，并配备了一个自控按钮。虽然设备设定了防止过量的保护机制，但在腿部被机器带动做持续被动运动（CPM）时，只要感到疼痛，他就会疯狂狂按那个给药按钮以寻求镇痛。托尼则表示自己从未经历过大手术，但他唯一的类似体验来自奥斯汀一家名为“奥斯汀牙科水疗中心”（Austin Dental Spa）的诊所。该诊所主打奢华就诊体验，每隔半年洗牙或看牙时，诊所都会给他吸笑气（一氧化二氮）。托尼笑称吸笑气并不是真的让人捧腹大笑，而是让人嘴角带笑、浑身舒畅如置身天堂。然而笑气带来了一个奇异的副作用：它让托尼变得极其口无遮拦。托尼将这种状态比作电影《杀死比尔》（Kill Bill）中比尔审问女主角时使用的吐真剂。有一次在吸满笑气的极度恍惚与坦诚状态下，托尼微笑着问正在为他操作的牙医：“你在牙医学院读了多少年？”牙医回答说读了大约 8 年。托尼随即脱口而出：“那你有没有想过多读几年，去成为一名真正的医生？”这番话让罗根听了直呼残忍，托尼辩解称自己当时完全被笑气控制，虽然意识到有些伤人，但牙医们大概早就习惯了病人在笑气作用下的胡言乱语；两人最后也感叹牙医确实是个重口味的特殊职业，每天都得面对各种可怕的口腔异味和牙缝残渣。 ### [19:22](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1162s) 根管治疗惊魂与高压冲牙器的“奇迹” Joe Rogan 聊起自己做根管治疗的痛苦经历。当时他的牙齿早前做过充填，原本用的是老式的白色塑料充填物，他回忆起小时候牙医甚至直接用含铅的材料补牙，如今回想起来简直匪夷所思。后来他的那颗牙齿发生了隐裂，充填物下方逐渐被细菌侵蚀导致深层感染。当牙医卸掉充填物并用钻头打入牙髓腔的瞬间，一股难以形容的恶臭扑面而来，紧接着涌出了大量脓液。Joe 当时彻底被恶心到了，惊呼：“天哪，这玩意儿真的是从我嘴里冒出来的吗？”牙医却习以为常地安慰他，这只是牙髓腐烂感染的标准反应，只要清理消炎就没事。Tony Hinchcliffe 顺势调侃道：“那大概是你七年前吃进去卡在里面的麋鹿肉吧。”Joe 笑着否认，解释那是他开始打猎很久以前的事，但他严肃地补充，牙齿深层感染极易引发败血症（sepsis），在过去是足以致命的严重疾病。受到牙齿健康话题的触动，Tony 分享了自己对口腔清洁的执念。他极力推崇高压冲牙器（Water Flosser），并直言这是“彻底改变人生的神器”（complete game changer for life）。Tony 提到，有时他正常刷完牙甚至用普通牙线清理过后，出于好奇心，会特意再用高压冲牙器强力冲洗一圈，看看正常刷牙方式到底会遗漏什么。结果往往令人震惊，水柱一喷，立刻“叮叮叮”地又冲出三粒顽固的食物残渣。Tony 感叹道，如果不靠高压冲洗，这些残渣就会一直“腌制”（marinated）在后槽牙或牙龈边缘，日积月累必然导致严重的蛀牙与感染。 ### [21:33](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1293s) 现代糖分危机与来自夏威夷的稀有白菠萝两人由此探讨起人类蛀牙激增的真正元凶。Joe 提到他的牙医的观点：尽管古代人也常有牙齿脓肿或摔断牙齿的困扰（在 18 世纪，严重的牙齿感染完全可能要了人的命），但真正导致现代人蛀牙率暴增的核心原因在于精制糖的泛滥。随着糖被无孔不入地添加到各类加工食品中，孩子们整日饮用含糖汽水、咀嚼黏性糖果，牙齿防线彻底崩溃。Tony 也指出高果糖玉米糖浆（high fructose corn syrup）可能比普通蔗糖更加有害，普通人喝下一听汽水，就等于瞬间向身体强行灌入几十克液态纯糖，这种摄入方式在自然进化史中是绝无仅有的。谈及天然果糖与加工糖的区别，Tony 讲了一件趣事：他相识二十多年的高中死党 Anthony 最近从夏威夷飞来得州探望他。Anthony 是个彻底的自然主义者，在夏威夷生活了整整二十年，平时过着爬树摘果、自给自足的神仙日子。这次他在奥斯汀的喜剧俱乐部“母亲船”（Comedy Mothership）与 Tony 碰面时，托运了一个装有定制泡沫凹槽的特殊行李箱，里面竟然装着四颗新鲜椰子和两颗极为稀有的夏威夷白菠萝（White Hawaiian Pineapples，通常指 Sugarloaf 或白玉菠萝 White Jade）。这种菠萝在美国本土极难买到，单颗售价高达 65 美元左右。Tony 原本对朋友一路喋喋不休地夸赞不以为意，但尝过之后彻底被震撼——由于这种白菠萝果肉呈乳白色、酸度极低且果芯完全可以食用，其浓郁的天然甜味带来了与普通黄色菠萝完全不同的纯粹体验。Joe 赞叹这种天然美味的同时，也调侃夏威夷距离美国本土要飞五个小时，无论风土民情还是物产都独树一帜，“简直应该自成一国”。 ### [25:05](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1505s) “全美谋杀之都”：扬斯敦的暴力往事与黑手党阴影话题随后转到了 Tony 的家乡——俄亥俄州扬斯敦（Youngstown）。好友 Anthony 离开夏威夷后，下一站竟然是去扬斯敦待上一周半探望亲友，这让 Tony 哭笑不得，直呼其“野外探险精神太狂热”。Tony 解释称扬斯敦如今几乎没有像样的居住配套，他前阵子搜索当地最好的酒店，评分靠谱的最近选择居然位于 50 分钟车程外的宾夕法尼亚州；市中心虽然有一家逸林酒店（DoubleTree），但所在街区治安极度混乱，住进去简直就像“寻死”（death wish）。Tony 回忆道，早年他搬到洛杉矶时，听多了 Tupac 歌里对西海岸街头帮派的描写，做好了面对血雨腥风的准备，结果到了洛杉矶反而觉得格外安宁与祥和，因为在童年时期的扬斯敦，一天当中的任何时刻窗外几乎都在回荡着刺耳的警笛与救护车呼啸声。 Tony 透露，最近有朋友寄给他一件印有历史犯罪统计的纪念 T 恤，扬斯敦曾四次登顶“全美谋杀之都”（Murder Capital of America，人均凶杀率榜首），包括 1995、1997、2001 和 2002 年。在那些年里，Tony 正处于十一二岁到高二、高三的人生关键发育期，却由母亲独自抚养生活在扬斯敦北区最破败、最危险的核心地带，小孩子甚至被长辈告诫睡觉时脑袋绝不能靠近窗户，以防被流弹击中。Joe 随后提到了扬斯敦更早期的黑历史：大约六十年前，这里曾被称为“犯罪之城”（Crime Town USA）和“炸弹之城”（Bomb Town）。这座城市曾长期处于黑手党的铁血统治之下，十年内发生了 75 起爆炸和十多起谋杀，汽车炸弹袭击频繁到被称为“扬斯敦汽车保养”（Youngstown tune-up）。更疯狂的是，当地黑手党为了立威甚至曾直接策划刺杀地方检察官（DA），这种毫无远见的狂妄之举最终招致 FBI 的铁腕清剿，彻底终结了黑手党肆无忌惮的黄金时代。 - **扬斯敦白菠萝与高危往事相关数据：** - **夏威夷白菠萝（Sugarloaf/White Jade）**：美国本土售价约 65 美元/颗，特点是酸度极低、果肉呈奶油白、果芯完全可食用。 - **全美谋杀之都（Murder Capital）**：扬斯敦曾四次斩获全美人均谋杀率第一，Tony 亲历了 1995、1997、2001 及 2002 年的高峰期。 - **黑手党时代恶名**：扬斯敦曾因 10 年内发生 75 起爆炸案被称为“炸弹之城”（Bomb Town），汽车炸弹黑话为“Youngstown tune-up”。 ### [28:50](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1730s) 扬斯敦的餐馆密谈与黑帮操盘的“幽灵职位” 托尼·辛奇克利夫（Tony Hinchcliffe）回忆起自己在俄亥俄州扬斯敦（Youngstown）刚高中毕业时的经历。当时他在一家不起眼的小意大利餐馆打工，亲眼目睹了当地的政商勾结。扬斯敦的商场开发商和商业巨鳄们经常在餐馆安静的角落里，趁着午餐时间与当地政客、议员低声密谈。在那个没有智能手机的年代，联邦调查局甚至必须通过在企业场所安装窃听器来获取犯罪证据。乔·罗根（Joe Rogan）随之感慨，在当时的体制下，如果你不和卡车司机工会（Teamsters）或码头工人工会（Longshoremen）打好交道，根本不可能做成任何大生意，大家都在心照不宣地“把事情摆平”。商人给政客的竞选活动送上丰厚的资金，换取项目获批和一路绿灯。罗根还提到自己曾有朋友在纽约贾维茨会议中心（Javits Center）挂着一份工会的“幽灵职位”（no-show job）——人根本不用去上班，白拿薪水，因为他本身就是黑手党成员。托尼笑称这就像美剧《黑道家族》（The Sopranos）里的情节：黑帮成员拿着便携式小风扇坐在工地上闲聊，原本只需要100个工人的工程，工会硬是强行谈出130个名额。 - 《新共和》（The New Republic）在2000年的一篇报道中曾详列被扬斯敦黑帮控制的公职人员名单：包括警察局长、即将卸任的检察官、治安官、县工程师、多名基层警察、市政法务总监、多名辩护律师、政客、法官，甚至还有一名前助理联邦检察官。 - 罗根与托尼感叹，如果白纸黑字被查实的就有这么多人，没被发现的更是不计其数，在当地“不跟黑帮同流合污，你连命都保不住，还怎么混”。 --- ### [32:09](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1929s) 恐慌性抛售“Blockbusting”与老街区的族群变迁托尼谈到扬斯敦总人口仅五六万人，白人仅占两万多，在这样的小城里，黑手党文化深深烙印在生活之中。他小时候看着职业摔角长大，对《好家伙》（Goodfellas）、《布朗克斯的故事》（A Bronx Tale）、《教父》（The Godfather）等电影痴迷不已，因为在当地人眼里，那展现的就是最真实的市井人生。他本以为搬去洛杉矶会遇到凶悍的街头帮派，结果最初落脚的伯班克（Burbank）宁静得就像一个巨大的电视制片厂。罗根则分享了自己1991年刚入行做单口喜剧第三年时的穷困日子。当时他住不起纽约市区，只能借住在新泽西纽瓦克（Newark）祖父母的房子里。那座房子是祖父在20世纪40年代买下的，当时该区域是一个纯意大利裔社区。随后房地产经纪人开始玩弄一种名为“恐慌性抛售”（Blockbusting）的下流手段：中介挨家挨户敲门，恐吓住户说“黑人马上要搬进来了，现在不卖房子就砸手里了”，吓得邻里纷纷低价甩卖逃离。罗根的祖父脾气硬，直接骂道：“老子喜欢黑人，你们给我滚蛋！”成了极少数坚守的住户。 - 随着时间推移，该社区经历了多次人口更替：黑人居民逐渐搬出，随后多米尼加等讲西班牙语的移民迁入。 - 罗根住在那里时，社区治安极度恶化，出门打台球都会让祖父担惊受怕；隔壁邻居开着奥迪车在车道上贩卖霹雳可卡因（crack），最终大门被禁毒署（DEA）强行破拆突击。 - 两人探讨了美国黑帮盛行城市（如扬斯敦、芝加哥、底特律）中意大利裔社区被其他族群接替的历史规律：早期的意大利与爱尔兰移民极其贫穷，靠苦力维生，发迹后逐渐迁往郊区或中产阶级社区，留下的低收入老街区则由更新一波的贫困移民填补。 --- ### [35:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2115s) 穷街陋巷的饥饿感：拳击血统与搏击擂台上的逆转奇迹罗根指出，族群的经济阶层更替在拳击界表现得尤为明显——最能打的拳手往往来自当时最贫穷、最饥饿的移民群体： ```mermaid flowchart LR accTitle: 拳击界移民阶层与统治地位的周期更替 accDescr: 展示20世纪初至今从犹太裔、意裔到拉美裔及当代拳手的变迁轨迹 subgraph Phase1 ["20世纪初移民潮"] A["犹太裔拳手 (如 Slapsy Maxie Rosenbloom)"] end subgraph Phase2 ["战前至二战后崛起"] B["意大利裔硬汉 (Marciano / Graziano / LaMotta)"] end subgraph Phase3 ["拉美与贫困街区主力"] C["拉美与波多黎各拳手 (如巴拿马的 Roberto Durán)"] end subgraph Phase4 ["铁锈带拳击重镇"] D["扬斯敦硬汉代表 (Boom Boom Mancini / Kelly Pavlik)"] end A --> B B --> C C --> D ``` 托尼顺势提到扬斯敦正是闻名全美的拳击重镇，不仅走出了雷·“轰轰”·曼奇尼（Ray "Boom Boom" Mancini），还有前中量级拳王凯利·帕夫利克（Kelly Pavlik）。罗根对帕夫利克赞不绝口，直言帕夫利克当年对阵杰曼·泰勒（Jermaine Taylor）的一战至今仍是他重温汲取能量的经典：帕夫利克在开局被重重击倒、看似必输无疑的绝境下奇迹生还，反将泰勒逼入拳击台死角狂轰滥炸，实现惊天大逆转。对话随后转入刚刚过去的周末比赛。罗根谈到了超新星拳手贾龙·“靴子”·恩尼斯（Jaron "Boots" Ennis）的战事。恩尼斯虽然实力全面压制并在第二回合击倒对手，但对手在第三回合展现了惊人的硬骨头，顶住打击顽强反扑，将比赛拖成一场对轰肉搏，直到第七或第八回合角落叫停才分出胜负。罗根与托尼感慨，无论是拳击还是八角笼，真正的战斗魅力正是在于逆境中的意志硬碰硬——正如伊利亚·托普里亚（Ilia Topuria）在UFC比赛中顶着重击狂轰对手身体的震撼场面。当时两人就坐在铁笼边，托普里亚势大力沉的击腹拳砸在围栏边发出沉闷轰鸣，那种拳拳到肉的压迫感令场边的他们至今心有余悸。 ### [38:22](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2302s) 伊利亚·托普里亚的技术统治力与盖奇的坚韧谈到伊利亚·托普里亚（Ilia Topuria）在近距离缠抱中的杀伤力，两人都不禁发出由衷的惊叹。那种短距离内的爆发力与极其恐怖的近身压迫感让人不寒而栗。托普里亚的拳法不仅精准，而且力量沉重，击打身体的左勾拳发出清脆如鞭笞般的爆响声。乔·罗根引用了切尔·松恩（Chael Sonnen）的名言：“如果你试图通过KO赢得比赛却没能做到，那你绝不可能靠判定获胜。”通常选手在急于终结对手时会过度消耗体能，如果比赛被拖入五回合便会陷入绝境。然而，面对极为顽强耐打的贾斯汀·盖奇（Justin Gaethje），托普里亚不仅成功在第四回合终结了比赛，就连盖奇在赛后采访中也不得不心服口服地承认，体能充沛状态下的托普里亚“技术是无可匹敌的（skills are unmatched）”。 - 托普里亚在比赛早期便重创对手，其击腹拳的声音清脆如抽鞭子，动作轨迹极其标准。 - 盖奇即使被终结，也坦言在全盛与充沛状态下的托普里亚拥有顶级无解的技术水平。 --- ### [39:56](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2396s) 霍洛威的读秒神话与鼻骨碎裂的惨烈代价任何了解顶尖格斗选手的拳迷都知道，只要终场哨声尚未吹响，比赛就绝不算结束，任何一记重拳都有可能瞬间改写赛果。两人随之回忆起麦克斯·霍洛威（Max Holloway）与盖奇那场震惊体坛的惊世对决。那场比赛的关键转折点发生在第一回合读秒阶段，霍洛威以一记后退中的腾空后旋踢精准命中盖奇面部，硬生生踢断了盖奇的鼻梁骨。带着破碎的面部骨骼作战是极度痛苦的，每一次挨拳都如同被炸弹轰击。尽管盖奇在逆境中依然打出了几记极具威胁的近身箍颈摆拳，但整场比赛的节奏已经被战术多变、不断切换站姿的霍洛威牢牢掌控，最终在终场前最后一秒上演了压哨KO的传奇画面。 - 霍洛威在第一回合最后一秒命中的起跳后旋踢，直接踢碎了盖奇的鼻骨，从根本上改变了整场比赛的走势。 - 盖奇擅长利用箍颈（collar tie）顺势施展内线近身勾拳，但在与霍洛威最后数秒的中圈搏杀中体能已经见底，最终倒在压哨一拳之下。 --- ### [42:07](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2527s) 梅拉布的鼻子X光片与骨骼重塑的风险话题随后转到了雏量级冠军梅拉布·德瓦利什维利（Merab Dvalishvili）身上。杰米在屏幕上调出了梅拉布鼻部的X光片，画面令人触目惊心——整座鼻骨几乎完全被摧毁塌陷，通气孔道彻底受阻。罗根感叹，梅拉布明明拥有全地球最强悍的体能心肺，却在鼻子完全无法吸气的情况下打比赛。托尼·辛奇克利夫直言，如果自己是梅拉布的朋友，一定会劝他立刻去动手术：“你现在是世界冠军，也不缺钱，休战一年把鼻子修好；如果能通气，体能还能再暴涨10%，那将是更可怕的武器。”然而罗根解释了选手不愿动手术的顾虑：一旦进行鼻部重构，往往需要截取肋骨软骨来进行自体移植与骨骼重建；术后万一发生感染或排异，甚至面临鼻子整体坏死的风险；而且一旦复出后再次挨上一记重击被踢碎，整个职业生涯可能就此彻底报废。 - 屏幕上展示的X光片显示梅拉布的鼻腔内部结构彻底粉碎，完全无法依靠鼻孔正常呼吸。 - 修复严重碎裂的鼻骨需要抽取自体肋软骨进行复杂重塑，耗时至少一年，且存在骨感染和移植物脱落的严重医疗风险。 --- ### [43:38](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2618s) 格斗的残酷美学与网络迷因的狂欢格斗运动之所以成为全世界最令人血脉偾张的视觉盛宴，正是因为选手们是在用自己的生命、健康与骨骼作为赌注，以纯粹的肉身伤害来谋生。罗根指出，相较于拳击有厚手套与严格的规则保护，综合格斗（MMA）的武器库更加丰富，场面也更为原始激烈。两人提及上周末一场极其残酷的裸绞降服，获胜者将对手直接绞晕在八角笼地面，失去意识的败者宛如一具尸体般瘫软在地，画面极度阴暗震撼。然而在当今的互联网时代，再惨烈的格斗场面也会在转瞬间被网友解构成铺天盖地的搞笑迷因（meme）。互联网是不可战胜的，大量被困在无趣工作中的高智商网友，正源源不断地产出令人捧腹的二次创作。 - 综合格斗因允许使用肘击、膝撞、踢击与致命绞杀，其不可预测性与感官冲击力远超传统拳击。 - 比赛中选手被裸绞深度致昏的惊悚瞬间，在赛后迅速发酵成为与WNBA争议动作并列的社交媒体热门迷因。 --- ### [44:56](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2696s) WNBA的粗暴对抗与NBA走步规则的演变聊起网络迷因，托尼提到了近期在网上疯传的WNBA球员索菲·坎宁安（Sophie Cunningham）手指裁判的画面。两人探讨了女子篮球联赛中出人意料的凶狠对抗：球员们甚至在比赛中互相戳眼睛、狠狠将对方摔倒在地球场，动作野蛮得令人咋舌。同时，关于篮球走步（traveling）吹罚尺度的讨论也随之展开。罗根不解为何现在的球员走上四五步都没人吹罚，甚至二次运球也屡见不鲜。托尼解释称，NBA存在不同于大学和高中的“合球步（gather step）”规则体系，职业球员日复一日地在裁判监督下反复演练，精准试探规则边界；慢镜头下看似走步的四步移动，在抠字眼的规则技术层面上竟能完全合法化。两人感叹现代篮球为了追求高得分与观赏性而牺牲了原汁原味的对抗，无比怀念查尔斯·巴克利（Charles Barkley）、迈克尔·乔丹（Michael Jordan）和帕特里克·尤因（Patrick Ewing）那个身体对抗硬桥硬马的黄金时代。 - WNBA赛场上频频出现插眼、重摔等恶劣犯规以及明显的走步漏判，引发热议。 - 现代职业篮球通过“合球步（gather step）”细则极大地宽容了持球脚步，使得传统严苛的走步吹罚逐渐淡出。 --- ### [47:06](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2826s) 迈克尔·乔丹非人的天赋与神迹罚球线扣篮回顾那个规则更为纯粹的时代，托尼认为只要不是乔丹亲自去找裁判施压要求按自己的节奏打，当年的裁判对于走步与违例是极为严苛的。但谈到乔丹本人，罗根直言乔丹拥有“作弊码”级别的非人身体素质——他在全明星赛上从罚球线起跳暴扣的影像，放到今天看依然虚幻得不像真实世界发生的事情。乔丹不仅拥有不可思议的爆发力与惊人滞空，整个人更完全被无止境的求胜欲所支配。他的每一次跳跃都让人产生“人类怎么可能真正在空中飞翔”的错觉，甚至让人想象如果他当年转行去练跳远，其展现出的非凡弹跳也必定会创造举世震惊的奇迹。 ### [47:44](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2864s) 高中体育中的“降级重读”现象与年龄体格差距乔·罗根（Joe Rogan）与托尼·欣奇克利夫（Tony Hinchcliffe）从篮球新秀是否能直接入选校队高年级组（Varsity）聊起。罗根指出，大多数高一新生（Freshman）根本进不了高年级队，因为身体发育尚未完全成熟。在得克萨斯州，许多家长为了让孩子在体育竞技中占据体格优势，甚至故意让孩子留级一年（Hold back a year），制造出将近15岁的高一新生。欣奇克利夫戏谑道，如果为了打橄榄球还可以理解，毕竟得州极其看重橄榄球，家长可能是在为孩子的职业体育生涯铺路；但如果是在摔跤这种根本赚不到大钱的运动里，把一个16岁的孩子塞进九年级去碾压真正的低龄孩子，就纯属作弊和“降级炸鱼（Sandbagging）”。两人让制作人杰米（Jamie）通过赞助商 Perplexity 检索全美高中体育联赛的参赛年龄上限。欣奇克利夫推测各州和各单项运动的规定均有差异，通常有不能超过毕业班级两年、或年满19岁即丧失资格等限制。罗根结合自身经历感叹，17岁和19岁之间的体能差距是天壤之别：17岁时身体依然单薄脆弱、像个男孩，而到了19岁，体内多了整整两年的系统训练与睾酮沉淀，已然具备了真正的“成年人体力（Man strength）”。在讲究纯粹身体对抗的摔跤场上，这种生理发育上的差距几乎是不可逾越的鸿沟。 - 得克萨斯州部分家长会推迟孩子入学或故意留级，让孩子在15岁以大龄新生身份加入校队以获取对抗优势。 - 罗根对比17岁与19岁的身体素质，强调两年的训练积累和雄性激素增长会产生质变。 - 高中运动委员会对参赛年龄有严格上限（通常在18至19岁之间），以防止过大年龄差引发的运动伤害与不公平竞争。 --- ### [50:04](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3004s) 少年摔跤的残酷现实：初入垫子的羞辱与觉醒罗根回忆起自己在高中时参加校队摔跤的经历，坦言19岁的对手对战15岁少年简直残忍至极。当时罗根15岁，因队内126/128磅级别有实力更强的队友占位，为了能参加高年级组比赛，他没有减重，直接顶到了134磅级别。然而在州级大赛中，他赫然发现同级别的对手竟然是19岁的“肌肉猛兽”——平时体重160磅，通过极限制水才勉强压进134磅，而且常年参加摔跤夏令营，一年365天都在高强度对抗。罗根透露，自己并不是高一就开始摔跤，而是到了高二才下定决心加入。起因是他在更衣室被一个同学锁喉（Headlock）狠狠摔翻在地。尽管对方没有挥拳痛击他，但那种被完全压制的羞辱感深深刺痛了罗根，让他意识到“我必须学会摔跤”。此前罗根练习空手道，自诩身体素质过硬，甚至在公园草地上和练习摔跤的朋友斯蒂芬（Stephen）较量，结果一瞬间就被放倒在草坪上。那一刻他猛然醒悟：空手道在被近身放倒面前毫无招架之力，摔跤是完全不同维度的对抗力量。 - 罗根15岁时以正常体重134磅参赛，面对的是从160磅极限脱水降重下来的19岁成熟选手。 - 罗根练习摔跤的直接导火索是在学校更衣室被同学用锁喉直接摔翻在地的羞辱感。 - 尽管罗根此前有空手道和跆拳道基础，但在草地实战中依然瞬间被摔跤手朋友击倒。 --- ### [51:37](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3097s) 摔跤训练的炼狱强度与跨量级对抗欣奇克利夫和罗根深入交流了摔跤队那种脱胎换骨、非人类般的体能消耗。欣奇克利夫回忆自己刚进高中摔跤队时“被虐得体无完肤”。罗根表示，普通人以为自己懂什么叫健身锻炼，但直到踏入摔跤房才明白真正的残酷：不停地冲楼梯、扛着训练搭档做消防员式背摔搬运（Fireman's carry）绕馆奔跑，接着做俯卧撑和仰卧起坐直至呕吐，随后立刻无缝切入全力以赴的实战对练。欣奇克利夫回忆起队内的一项经典对抗训练：选手处于下位防守，哨声一响必须在规定时间内逃脱（Escape）出来。当年欣奇克利夫只有103磅，教练为了增加难度，轮换防守时竟直接安排235到250磅的超重量级队友休·弗罗斯特（Hugh Frost）压在他身上。欣奇克利夫形容自己宛如被生生压成了一张“薄煎饼（Pancake）”，尽管大块头队友有所保留，但为了不让他轻易逃脱所施加的下压压力，依然让低量级选手深刻体会到绝对体重与骨骼力量带来的压迫感。 ```mermaid flowchart TD accTitle: 高中摔跤训练的高压循环流程 accDescr: 展示摔跤训练中体能极限压榨与地面逃脱对抗的严苛环节 subgraph Conditioning ["极端体能压榨环节"] A["冲台阶与楼梯跑"] --> B["消防员式负重抗人环馆跑"] B --> C["高重复推撑与仰卧起坐至力竭呕吐"] end subgraph MatDrills ["垫上高压实战演练"] C --> D["下位挣脱逃生演练 (Escape Drill)"] D --> E["跨级别压制 (例如 103 磅对抗 250 磅巨汉)"] E --> F["无间歇高强度全真对抗 (Live Drills)"] end ``` --- ### [53:09](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3189s) 摔跤是MMA的基石：从小鹰到奇马耶夫的地面绝望罗根强调，如果在综合格斗（MMA）中寻找最核心、最不可或缺的底层基石，那绝对是摔跤。无论是想把孩子培养成职业拳手，还是建立全面的格斗体系，第一步一定是将其送入顶尖的摔跤训练营。顶尖的摔跤控制技术足以让任何站立系格斗大师彻底瘫痪。欣奇克利夫以梅拉布·德瓦利什维利（Merab Dvalishvili）全面压制肖恩·奥马利（Sean O'Malley）为例，罗根则列举了坎扎特·奇马耶夫（Khamzat Chimaev）对战德里库斯·杜普莱西斯（Dricus Du Plessis）时随心所欲抱摔并施加十字固定（Crucifix）的压制力。两人重点复盘了前 UFC 轻量级冠军“小鹰”哈比卜·努尔马戈梅多夫（Khabib Nurmagomedov）那令对手窒息的地面控制艺术。欣奇克利夫指出，普通拳迷看哈比卜的比赛只看他头顶倾泻而下的重拳，却忽略了他极度恐怖的下盘缠斗细节——哈比卜在上身施压的同时，双腿会像锁链一样把对手的双腿以三角锁锁死（Leg triangle）。一旦被这种锁技捕获，对手连最基本的借力直起躯干（Posture out）都无法做到，在八角笼里瞬间沦落为“一张任人撕扯的纸巾”。罗根以哈比卜对阵迈克尔·约翰逊（Michael Johnson）和埃德森·巴博萨（Edson Barboza）的比赛为例，还原了那种毁灭性的心理压迫：哈比卜把全部体重精准压在对手髋部，一只手控住对方手腕，另一手连续挥出十多记未受任何阻挡的重拳。巴博萨在第一回合初段就露出了绝望的“千码凝视（Thousand-yard stare）”，意识到自己连取胜的希望都已经破灭，余下的比赛纯粹是在屈辱中苦苦挣扎求生。站立选手好不容易耗尽全身力气站起来，哈比卜只需瞬时再次将人拖倒在垫子上，以无限循环的摔控彻底摧毁对手的心理意志。 - 罗根断言摔跤是现代综合格斗最根本的技术基石，顶尖摔跤手能随时剥夺纯打击系选手的站立优势。 - 哈比卜标志性的地面压制在于用双腿三角绞锁住对手双腿，同时扣住单手手腕展开地面砸拳（Ground-and-Pound）。 - 埃德森·巴博萨在面对哈比卜的连续抱摔与窒息控制时，在第一回合即陷入眼神空洞的“千码凝视”，放弃了逆转求胜的可能。 ### [57:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3420s) 摔跤压制的心理摧毁：哈比布对阵巴博萨的地面折磨乔·罗根与托尼·欣奇克利夫（Tony Hinchcliffe）正在重温一场经典的 UFC 比赛录像——哈比布·努尔马戈梅多夫（Khabib Nurmagomedov）对阵埃德森·巴博萨（Edson Barboza）。罗根指出，当一名选手为比赛苦练数月，置身于满场观众与刺眼灯光下，却只能趴在八角笼垫子上死死盯着赞助商商标无法动弹时，那种心理上的挫败与绝望是极其致命的。罗根特意让工作人员将录像倒退几秒，指出巴博萨在第三回合绝望尝试一记神龙摆尾式轮踢（wheel kick）踢空后的细节：巴博萨当时已精疲力竭，在哈比布向前逼近时，他没有选择拉开距离或向左环绕步游走，反而因为太累而主动上前缠抱。哈比布顺势抓住机会，直接将巴博萨拖拽回地面，用“二打一”（two-on-one）的腕部控制锁住巴博萨的手臂，将全身重量毫无保留地倾泻在对手身上。巴博萨在巨大的重压之下显得极度混乱，双腿甚至不知所措地搭在哈比布上方，完全找不到借力起身的支撑点。罗根分析，此时巴博萨首要任务是抽离左腿，但在哈比布铜墙铁壁般的控制下绝无可能。托尼感叹哈比布简直是个“怪物”，且最终以全胜战绩退役；罗根则补充道，最折磨人的是看着时间一分一秒流逝，明知局势不可逆转却无能为力的痛苦。 ### [58:24](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3504s) 废除裁判“强行站立”规则：地面战术的纯粹性与回合延续设想由此延伸，罗根猛烈抨击了 UFC 现行的裁判干预机制。他坚信除非场上出现违规（foul），否则裁判绝不应该叫停并强行让选手重回站立（stand-up）。即使在普通观众看来场面极其沉闷，处于上位的选手是在压制、消耗与等待时机，掌控局面的一方理应被判定为处于胜势。罗根举出拳击传奇穆罕默德·阿里（Muhammad Ali）对阵乔治·福尔曼（George Foreman）时的“倚绳战术”（rope-a-dope）为例：如果当年裁判因为阿里只是倚在围绳上防守挨打就强迫他主动挥拳，那阿里的战术策略便不复存在。阿里正是靠着消耗让福尔曼体能耗尽，随后再展开致命反击。托尼完全赞同罗根的观点，批评许多裁判容易被现场观众的嘘声所左右，迎合那些只想看站立对攻的泛格斗迷（casuals）。罗根随后提出了一个更大胆、更彻底的赛事改革构想： ```mermaid flowchart TD accTitle: 罗根提议的连续性MMA地面规则机制 accDescr: 展示罗根设想的回合衔接方式，前一回合结束时的地面姿势在下一回合通过大屏幕定格并精确还原。 subgraph RoundEnd ["上一回合结束"] A["比赛进入地面控制 (如十字固/上位砸拳)"] --> B["回合结束铃响"] end subgraph Transition ["局间休息一分钟"] B --> C["大屏幕定格结束瞬间画面 (Freeze Frame)"] end subgraph RoundStart ["下一回合开始"] C --> D["裁判根据画面精确复原双方缠斗体位"] D --> E["裁判口令：Ready, Fight!"] end ``` 在罗根的设想中，选手不应该在每回合开始时无条件自动获赠站立起步的优势。如果第一回合结束时一方正处于十字固（crucifix）或全骑乘的被动挨打状态，下一回合就必须按大屏幕定格画面一模一样摆回该位置继续进行。格斗应该是一场中间带一分钟休息的连贯搏杀，而不是人为割裂成五段独立的站立比赛。虽然罗根自嘲如果由自己运营 UFC，过度执着于战术纯粹性和官方排名，公司恐怕早该破产了，但他始终认为竞技排名才是约战的根本依据。 - 裁判不应因为上位选手等待时机、恢复体力就强行站起；上位掌控也是格斗技术的核心。 - 罗根批评站立规则让摔跤劣势方免费“捡了便宜”，许多比赛正是靠回合重置导致被摔倒的选手反杀敲晕对手，这缺乏竞技公平性。 - 托尼以美式橄榄球做比喻：落后方在半场开球时如果无条件直接获赠球权，性质就完全相同。 ### [01:01:37](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3697s) WWE的剧情张力与白宫格斗赛的现实戏剧性对话中，托尼提及刚过去的周末里萨米·扎恩（Sami Zayn）在 WWE 大型付费赛事上爆冷击败科迪·罗兹（Cody Rhodes）夺得无可争议冠军的战果。尽管罗根对职业摔角的人事一无所知，但托尼借此对比了现实格斗与娱乐表演的相通之处。托尼认为，此前策划举办的“白宫格斗赛”（White House fight card）正是这种魅力的极致体现——即便世界上最顶级编剧也写不出比那场现实赛事更激动人心的剧本。整场比赛既具备了 WWE 般的宏大故事线和戏剧性冲突，同时又保持着绝对真实、残酷且不可预测的格斗质感。罗根表示，撇开人们对共和党或政治层面的争议不谈，仅从格斗迷的视角来看，那场白宫赛事是一次独一无二的超现实体验。由于当时政界正处于战争等负面新闻缠身的风口浪尖，这场赛事的空前成功在很大程度上发挥了公关效应，甚至被外界戏称为借助体育完成了“MAGA式形象洗白”，带来了无法否认的积极媒体曝光。 ### [01:03:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3780s) 白宫格斗夜的全球轰动：十亿级曝光与战机掠过的压迫感两人深入探讨了白宫赛事的恐怖传播声量。仅在派拉蒙（Paramount）流媒体平台上，观看人数就突破了 3000 多万，而在社交网络（TikTok、Instagram、YouTube 等全平台剪辑）的实际触达人数保守估计达 1.5 亿。UFC 掌门人白大拿（Dana White）与亨特·坎贝尔（Hunter Campbell）甚至预计，随着比赛高光片段的持续发酵，全球总曝光量有望攀升至 10 亿次大关。仅仅是贾斯汀·盖奇（Justin Gaethje）的单场高光剪辑，就在各大短视频平台引发了海啸般的互动。罗根回忆现场经历时承认，以往主持任何一场大型 UFC 比赛他都只会感到纯粹的兴奋，但在白宫南草坪前，他平生第一次产生了真正意义上的“紧张”与不安。当编队机群呼啸着掠过白宫上空时，现场的震撼与压迫感达到了顶点。罗根惊叹于战机之间近乎贴合的密集编队间距，甚至开玩笑说，万一有一架飞机机翼擦碰失控坠向椭圆形草坪，那绝对会引发毁灭性的巨大事故。 - 派拉蒙平台直播端吸引了超过 3000 万人次观看。 - 全平台社交剪辑触达受众超 1.5 亿，赛事管理层预估综合影响规模可冲击 10 亿人次。 - 战机超低空密集编队飞越（flyover）给现场解说团队和观众带来了无与伦比的心理震慑。 ### [01:04:41](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3881s) 白宫记者晚宴取消的遗憾与安保刺杀风波话题随后转到了白宫记者晚宴（White House Correspondents' Dinner）的流产。托尼透露，该晚宴因为一起针对政要的未遂暗杀袭击企图而被迫临时取消。这让原本受邀表演的托尼感到极度扫兴，因为他为此特意准备了一整套极具杀伤力的“重磅炸弹”级脱口秀段子，这也是他近期最期待的一场演出。两人猜测晚宴未来是否会改期至新落成的完全封闭式宴会厅举行，以彻底解决现场安保隐患。托尼顺带提到喜剧演员库尔特·梅茨格（Kurt Metzger）对此持有阴谋论，认为整起刺杀事件纯属自导自演的“假新闻”。但罗根对此给出了更为现实的解释：现实世界往往并不存在复杂的惊天阴谋，大部分重大安全漏洞归根结底只是安保人员的不称职、疏忽大意、失职怠工，或者是出现了完全超出预案常理的意外人员。 ### [01:05:26](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3926s) 白宫记者晚宴改期与肯尼迪中心试段子两人继续讨论此前发生的安保事件。袭击者在第一道安检扫描口被拦下，并未真正进入内部，但他确实开枪击中了某人的防弹背心——据信中枪的是一名特勤局（Secret Service）特工，而袭击者似乎是一名代课教师。由于枪击插曲，白宫记者晚宴（White House Correspondents' Dinner）被重新安排在7月24日举行。Jamie 检索后确认新地点定于华尔道夫酒店（Waldorf Astoria），Joe Rogan 认为届时安保措施必然会更加严密。 Tony Hinchcliffe 透露，当时他原本为美国总统准备了一套用来调侃媒体和现场嘉宾的绝妙段子，原本非常期待在晚宴上表演。由于晚宴推迟，碰巧他在接下来的周末要去肯尼迪中心（Kennedy Center）演出，而喜剧演员 Adam Ray 恰好作为特邀嘉宾担任他的开场主持并负责引介他上台。Tony 灵机一动，直接邀请 Adam 上台，让他在完全没看过讲稿的情况下，即兴用唐纳德·特朗普（Donald Trump）的声线现场念出这些为晚宴准备的段子，现场效果极其火爆。 - 白宫记者晚宴因安保事件延期至7月24日，场地选在华尔道夫酒店（Waldorf Astoria）。 - Tony Hinchcliffe 在肯尼迪中心演出时，让未提前看过稿件的 Adam Ray 现场用特朗普声线朗读他写的段子。 --- ### [01:07:34](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4054s) 《Kill Tony》历史级名场面：Shane Gillis 与 Adam Ray 的辩论神作谈到 Adam Ray 惊人的模仿天赋，Tony 回忆起大选前轰动一时的《Kill Tony》辩论特辑。在首场总统辩论之后，乔·拜登（Joe Biden）在台上状态极差、神情恍惚且口齿不清，成为全美热议话题。Tony 敏锐地抓住了这个喜剧热点，立刻发短信询问 Adam 是否能模仿拜登。Adam 回复说自己在脱口秀里只带过5秒钟的模仿，但 Tony 随即问他周一能否飞往奥斯汀，只要 Shane Gillis 愿意出马扮演特朗普。当 Tony 联系 Shane 时，Shane 敏锐地意识到这个点子有多绝妙，果断推掉了周一的原定安排直飞现场。这期节目上线后在全网掀起狂潮，累计播放量可能高达数千万次。Tony 指出，Shane 对特朗普的演绎之所以被誉为有史以来最伟大的模仿，不仅在于笑料极其扎实，更在于他标志性的微表情和即兴反应。节目录制时发生了一个被观众奉为经典的地狱笑话时刻：Shane 饰演的特朗普正在抱怨前两位残障选手，脱口而出：“你还要带多少个智障出来？”（"How many more retards are you going to bring out here?"）。此时 Tony 恰好在抽签桶里实时抽出了下一位选手的名字（Jacob Bar），并打趣说“任何事都可能发生，总统先生”。结果走上台的选手恰好双手有着严重的先天性海豹肢畸形（类似企鹅手臂）。台下观众率先看清选手的身体状况，笑声与惊呼瞬间炸裂；而 Shane 饰演的特朗普转头定睛一看，脸上瞬间浮现出难以置信又万分震惊的微表情，从牙缝里挤出一句无可奈何的脏话。与此同时，扮演拜登的 Adam Ray 在选手登台后本能地想要插话，Tony 顺手一把抢下他的麦克风按回桌上，宛如在照料一个不安分的失智老人，给整场闹剧增添了一层荒诞的喜剧质感。 --- ### [01:11:21](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4281s) Shane Gillis 的喜剧天才：当代的杰基·格利森 Joe Rogan 盛赞 Shane Gillis 就是当代喜剧界的杰基·格利森（Jackie Gleason），是整整一代人中最顶尖的喜剧天才。Tony 补充道，许多人并不知道 Shane 无论何时何地都处于这种顶级幽默状态——无论是在后台休息室、酒吧、餐馆还是走廊楼梯间，Shane 随时都能让人捧腹大笑。Tony 将他比作巅峰期的迈克·泰森（Mike Tyson），哪怕只是别人说话时他做出的一个细微面部表情，所蕴含的喜剧冲击力都非同凡响。两人随后回顾了 Shane 参与的 Netflix 吐槽大会（Roast）。虽然 Shane 最初对此类活动有些抗拒，但最终他和 Tony 的压轴表现极其抢眼，彻底引爆了全场。他们调侃这场活动原本像是为 Kevin Hart 打造的“黑人卓越之夜”（black excellence），结果却成了他和 Shane 玩得最开心的派对。 ```mermaid flowchart TD accTitle: Shane Gillis 喜剧现场反应机制 accDescr: 展示从即兴情境到 Shane 表情引爆全场的喜剧化学反应机制 subgraph Setup["情境构建"] A["大选辩论热点触发灵感"] --> B["Shane (特朗普) vs Adam (拜登)"] end subgraph Conflict["即兴碰撞"] B --> C["台词调侃：'还要带多少智障出来？'"] C --> D["抽签桶即时抽中严重残障选手"] end subgraph Climax["高潮爆发"] D --> E["观众席率先察觉并爆笑"] E --> F["Shane 标志性面部震惊反应 ('Fuck')"] F --> G["封神级即兴喜剧名场面"] end ``` --- ### [01:12:44](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4364s) 文化双标与肖恩·斯特里克兰（Sean Strickland）的白宫风波两人由“黑人卓越”（black excellence）的说法延伸到当下主流文化中的双标现象。Joe Rogan 指出，在当代语境下，人们可以说“黑人骄傲”或在胸前纹上“棕色骄傲”（Brown Pride）——例如 UFC 前重量级冠军凯恩·维拉斯奎兹（Cain Velasquez），其家庭历尽艰辛从墨西哥步行偷渡来美，他纹上“Brown Pride”被视为荣耀与文化认同；但假如有白人拳手在胸口纹上“白人骄傲”（White Pride），哪怕只是开玩笑，整个互联网都会彻底疯狂。话题随即转向以口无遮拦著称的 UFC 选手肖恩·斯特里克兰（Sean Strickland）。Tony 提到肖恩性格狂野不羁，甚至曾在社交网络上把自己的照片与维拉斯奎兹并排对比。虽然他本人并未真正纹上此类刺青，但绝对是个行事完全不可预测的“疯小子”。 Joe 谈到，白宫此前曾计划举办与 UFC 相关的活动，当时斯特里克兰是贾斯汀·盖奇（Justin Gaethje）夺冠前唯一的美国籍男性现任世界冠军，本应作为美国冠军接受表彰，却因其言论而遭到排斥与封杀。官方不愿邀请他的主要原因，在于他公开发表了大量针对以色列的尖锐批评，此外他还经常在公开场合无所顾忌地大谈爱泼斯坦（Jeffrey Epstein）事件等敏感话题。这种因激进政见而导致现役世界冠军无法踏入白宫的荒诞现实，再次印证了当今公众表达与政治红线之间的复杂拉扯。 ### [01:14:42](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4482s) 劝肖恩·斯特里克兰办播客与白宫椭圆形草坪的离谱风波乔·罗根向托尼·辛奇克利夫分享了他给肖恩·斯特里克兰（Sean Strickland）的退役建议：有朝一日结束格斗生涯后，肖恩绝对应该去创办一档属于自己的播客。肖恩起初对此十分抗拒，他看着那些每天泡在镜头前的网络主播，连连摆手说自己绝对办不到——要是每天坐着跟不同的人连续狂聊几个小时，自己肯定会当场疯掉。罗根则点拨他，做播客根本不必照搬别人的模板，肖恩平时每次作为播客嘉宾登场时效果都极为爆炸，他完全只需要坐在那里随心所欲地发表个人见解。罗根与托尼一致认为，当肖恩放下平时那些夸张搞笑的舞台噱头（schtick）时，其实是一个极其聪明、有独到见解的人，随着经验积累只会越来越熟练，而且他天生就具有极强的娱乐感染力。谈话随即转到了肖恩最近在白宫附近的离奇经历。托尼不敢置信肖恩竟然被警察从白宫南面的椭圆形草坪（The Ellipse）驱逐了出去。罗根让制作人找出现场视频，画面里约有六名身着防弹背心的警察上前将他请出封锁区域。托尼打趣称现场足足有八万五千名群众，保安却唯独盯上了这位UFC世界冠军。罗根解释说，肖恩原本就未受官方正式邀请，但他本想着即便没票，以世界冠军的身份在场外粉丝区溜达总该没问题。更搞笑的是称重仪式那晚流出的一段视频：肖恩一开始将卫衣兜帽拉得紧紧的掩人耳目，结果有人让他把兜帽摘下来；肖恩无奈警告说“别让我摘，摘了真会出大事”，结果兜帽刚一褪下，周围人群瞬间认出他并爆发狂呼，无数狂热兄弟将他死死抱住。甚至还有一个大胆的小伙当场恳求肖恩踢自己一记低扫腿，而肖恩居然真的毫不客气地一脚抽了上去，让罗根忍不住感叹这个世界究竟变成了什么离谱模样。 - 肖恩·斯特里克兰自认无法适应全职主播每日数小时的高强度对谈，罗根建议他做纯个人观点输出型节目。 - 肖恩在华盛顿特区椭圆形草坪被六名全副武装的警官护送离场，原因是没有入场邀请凭证。 - 称重当晚肖恩脱下兜帽引发数百名粉丝围堵熊抱，并应一名年轻粉丝要求对其施展了真实力道的低扫腿。 --- ### [01:16:54](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4614s) 乔什·霍基特的狂人秀：从政治暴言到“Kill Tony”故意冷场两人随即将话题转向了近期话题度拉满的美国重量级新星乔什·霍基特（Josh Hokit）。托尼和罗根都对这位极其会整活的选手赞不绝口。大众此前因为他在公共场合语出惊人、大放厥词称“米歇尔·奥巴马是个男人”而愤怒不已，但在罗根看来，这完全是霍基特精心策划的引流人设。他出场时戴着美式星条旗头巾和墨镜，伴奏音乐放着浩克·霍根（Hulk Hogan）的标志性战歌《Real American》，整套扮相就是夸张的摔角手做派。罗根笑称上一次私下采访霍基特时，对方在结束语里也说了完全一模一样的话，这显然是他故意用来收尾并引发全网热议的固定招牌。比起赛后采访的政治争议，托尼更欣赏霍基特在新闻发布会上的喜剧表演。托尼向罗根提起霍基特在发布会上自发表演了一出“Kill Tony一分钟单口喜剧”。霍基特当着全场记者的面点名托尼·辛奇克利夫，宣称要展示自己的脱口秀功夫，随后却胸有成竹地“故意搞砸”（purposefully bombing）。他一本正经地抛出几个极其老套差劲的烂梗，在全场一片死寂时面不改色地自嘲：“哎呀，今天台下的观众可真难伺候，行吧，那我再试下一个。”托尼赞叹这种通过精妙布局故意不逗笑观众、利用冷场制造荒诞喜感的“网络巨魔”（trolling）策略极其高明。但这一切炒作能够奏效的前提，是他进到八角笼里真的能打——霍基特在重量级拥有极其罕见的前后脚下移动和迅猛的出拳速度，是位不可小觑的实力派选手。 ```mermaid flowchart TD accTitle: 霍基特的公众关注驱动闭环 accDescr: 展示乔什·霍基特如何结合夸张人设、争议言论、故意冷场的喜剧表演以及硬核格斗实力来引爆关注 subgraph Persona ["擂台外戏剧化人设包装"] A["复古摔角扮相 (星条旗头巾 + 墨镜 + 浩克·霍根出场曲)"] B["争议性引流暴言 (固定赛后语制造热搜讨论)"] C["发布会冷场脱口秀 (故意冷场展现巨魔幽默)"] end subgraph CoreSkill ["八角笼硬核实力底座"] D["重量级罕见的轻盈步法"] E["高精准与极其迅猛的拳速"] end Persona --> F["引爆社交媒体传播与聚光灯关注"] CoreSkill --> F ``` --- ### [01:19:03](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4743s) 亚历克斯·佩雷拉的升重困境：多余体重与潜在跨年对决聊到重炮手之间的对决，托尼和罗根讨论起霍基特此前对亚历克斯·佩雷拉（Alex Pereira）的疯狂叫阵与语言攻击。虽然佩雷拉在面对西里尔·盖恩（Ciryl Gane）时遭遇失利，甚至赛后透露出可能退役的想法，但罗根对此持怀疑态度。罗根认为格斗选手在经历重大失利后往往情绪消沉并把退役挂在嘴边，但只要赛事方运来“装满现金的装甲运钞车”，他们随时都会重返擂台。托尼兴奋地提议，若能在年末的跨年狂欢主赛上安排一场佩雷拉对决乔什·霍基特的联合主赛，场面必将极度炸裂，霍基特肯定会在发布会上疯狂嘲讽佩雷拉标志性的印第安羽冠头饰和传统面部彩绘。罗根进而从运动生理角度深入剖析了佩雷拉升至重量级后的状态转变。佩雷拉此前在185磅中量级和205磅轻重量级都曾展现过绝对的统治力，尽管在中量级称重后他能反弹至约226磅，在轻重量级临场能达到235磅左右，但当他将体重视图推高至251磅重量级标准时，体态显得相当沉重。罗根形象地比喻道：普通人只要穿上一件25磅的负重背心去运动，就会发现所有的发力与移动变得无比艰难。佩雷拉在251磅身上明显挂了多余的无用负重，反而牺牲了原本赖以成名的速度和敏捷性。托尼在一旁调侃，佩雷拉长出来的肉全堆到了臀部，看起来就像挂了个巨大的背包；罗根则笑着解释，格斗中双腿蹬地、大腿股四头肌连带臀肌传导拧转的扭矩才是毁灭性杀伤力的源头。不过罗根依然强调，如果佩雷拉未来想继续征战重量级，将体重缩减20磅控制在230多磅左右，或许能更好地兼顾重拳杀伤力与闪转腾挪的灵活性。 --- ### [01:21:40](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4900s) 西里尔·盖恩的篮球基因、灵动步伐与摔跤进化之路在复盘重量级战局时，两人对西里尔·盖恩（Ciryl Gane）表现出的顶尖格斗智商与身体控制力惊叹不已。罗根赞叹盖恩目前正处于不可思议的巅峰期，整个重量级没有任何一个人的移动方式能与盖恩媲美，他的表现不仅仅是打击落点极为精准，更在于大级别中独一无二的飘逸灵动。两人深入探讨了盖恩这种非传统步法的运动根源。盖恩早年是打篮球出身，罗根指出篮球对于高大体型的运动员来说是极为优秀的格斗启蒙基础，尤其是对于站立打击者： - **高频急停转向**：篮球运动中充斥着大量的重心晃动、突然变向与旋转，为格斗中的步法游走提供了天然的身体记忆。 - **增强式跳跃（Plyometrics）训练**：场上持续不断的起跳、垫步和轻盈弹跳赋予了选手惊人的动态爆发力，罗根甚至笑言：“设想一下迈克尔·乔丹要是练了飞膝，他能从14英尺开外直接飞过来把你爆头。” 托尼好奇盖恩在打篮球的青少年时期为何没有兼修摔跤，罗根解释道，盖恩成长于法国，法国的高中和大学体系中根本不像美国那样普及摔跤运动。盖恩是先成为了世界顶级的纯泰拳王者之后，才开始半路出家恶补摔跤与缠斗。当年对阵乔恩·琼斯（Jon Jones）时被迅速拖入地面降服，以及早期被弗朗西斯·纳干诺（Francis Ngannou）利用摔跤牢牢控在地面，都成为了他职业生涯的深刻警钟（罗根特别强调，纳干诺当年卫冕时甚至是顶着前交叉韧带ACL撕裂、戴着巨大的护膝硬生生将盖恩摔倒控场的）。历经多场顶级大考后，如今盖恩的缠斗防守水准已经有了脱胎换骨的跃升，配合他原本就神鬼莫测的站立打击，已然蜕变成为重量级最危险的移动炮台。 ### [01:23:34](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5014s) 重量级格斗困局与弗朗西斯·纳干诺的合约遗憾乔·罗根（Joe Rogan）与托尼·欣奇克利夫（Tony Hinchcliffe）探讨了弗朗西斯·纳干诺（Francis Ngannou）可怕的战斗力，指出他甚至仅凭摔跤和地面缠斗就能赢下比赛。罗根感叹纳干诺如今不在 UFC 实在是一大遗憾。这暴露出综合格斗（MMA）如今也陷入了拳击界长久以来的痼疾——顶尖高手因赛事版权、推广方冲突等商业壁垒而难以同台竞技。此前沙特利雅得季（Riyadh Season）以及图尔基·阿拉尔希赫（Turki Alalshikh）斥巨资打破壁垒，撮合了泰森·富里（Tyson Fury）对阵亚历山大·乌西克（Oleksandr Usyk）等超级大战，备受拳迷好评；但如今在 MMA 重量级，原本无可争议的正统重量级世界冠军却无法在 UFC 登台，令人扼腕。两人看着纳干诺惊人运动能力的录像，惊叹于他这种体型竟然能做出暴扣篮筐的动作。这种随心所欲摆动身体爆发力的能力，对于站立打击者而言是不可估量的巨大优势；相比之下，许多重量级选手动作笨重，只能在擂台上蹒跚踱步。罗根半开玩笑地提议，应该让纳干诺和 UFC 高层聚在一起“吃点迷幻蘑菇”，放下恩怨重归于好。因为纳干诺即将年满 40 岁，职业黄金期所剩无几，如果不能及时回归，属于重量级的传奇对决将彻底错过。 - 顶级拳击与 MMA 赛事的长期痛点在于商业利益隔阂导致最强战力无法相遇。 - 沙特推广人图尔基·阿拉尔希赫通过利雅得季撮合了泰森·富里 vs. 乌西克等史诗对决。 - 纳干诺兼具重击与惊人运动素养，但由于年龄逼近 40 岁大关，巅峰期窗口正在迅速收窄。 --- ### [01:25:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5115s) 伯纳德·霍普金斯的不老传奇与拳台消耗罗根指出，除了伯纳德·霍普金斯（Bernard Hopkins）这种天生特例，拳手在 40 岁以后还能维持世界顶尖水平几乎闻所未闻。欣奇克利夫回忆起当年霍普金斯迎战年轻力壮的凯利·帕夫利克（Kelly Pavlik）时的震撼场面。当时帕夫利克状态正盛，很多人断定霍普金斯毫无胜算，但外号“刽子手”的霍普金斯却展现了教科书般的精湛拳技，给帕夫利克狠狠上了一课。查阅数据后发现，霍普金斯在 43 岁的高龄完胜了 26 岁的帕夫利克，甚至一路在世界顶级水平战至 50 岁，这种表现在竞争激烈的 170 磅左右级别堪称非人类奇迹。 ```mermaid flowchart TD accTitle: 拳手遭受重大创伤后的职业生涯不可逆损耗 accDescr: 展示拳击手在经历单场极端肉体伤害后身体与神经系统不可逆下滑的过程 subgraph Damage ["单场残酷大战"] A["高强度残酷死斗 (如击倒与头部重创)"] B["脑部及神经系统遭受不可逆伤害"] A --> B end subgraph Decline ["生理与竞技滑坡"] C["耐打度骤降 / 创伤后遗症"] D["遭遇感染并发症或竞技状态跳水"] B --> C C --> D end subgraph Outcome ["不可挽回的终局"] E["彻底丧失统治力，泯然众人"] D --> E end ``` 谈到帕夫利克的后续，欣奇克利夫提到帕夫利克此战后状态急转直下，罗根分析这正是搏击运动的残酷本质：拳手身体和大脑能够承受的恶战是极度有限的。罗根举出梅德里克·泰勒（Meldrick Taylor）与胡里奥·塞萨尔·查韦斯（Julio César Chávez）的历史名战作为例证——即便泰勒在前 11 个半回合点数全面领先，并在最后一秒才被裁判理查德·斯蒂尔（Richard Steele）极具争议地叫停，但他赛后遭受的脑部重创让他“再也不是从前那个泰勒了”。此外，帕夫利克后来因严重的葡萄球菌感染及抗生素过敏险些丧命，虽勉强复出，但最终被同样强悍的塞尔吉奥·马丁内斯（Sergio Martínez）击败。 - 伯纳德·霍普金斯在 43 岁时以非凡的技术完胜 26 岁的凯利·帕夫利克，职业生涯打到了 50 岁。 - 恶战造成的脑部累积伤害是不可逆的，拳手职业生涯能扛住的极端肉搏战次数非常有限。 - 查韦斯在终场前最后一刻 TKO 泰勒的战例，是格斗史上“一场恶战彻底改变拳手后续生涯”的典型教材。 --- ### [01:28:24](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5304s) 麦达纳的狂野风格与击落梅威瑟门牙的轶事欣奇克利夫提到自己最近深陷马科斯·麦达纳（Marcos Maidana）的精彩高光中，大赞这位阿根廷拳王是个不折不扣的野兽。麦达纳生冷不忌，面对任何人都能掀起狂风暴雨般的对攻。罗根也对其下巴的硬度赞叹不已，称他方下巴的面相结实得像能硬吃棒球棍的打击，并在巅峰期击倒了气焰嚣张的阿德里安·布罗纳（Adrien Broner）。麦达纳职业生涯最狂妄且戏剧性的一幕当属对决弗洛伊德·梅威瑟（Floyd Mayweather Jr.）。他是极少数在比赛中给梅威瑟造成实质性创伤的选手，更传闻在一记重拳中打落了梅威瑟的牙齿。随后麦达纳竟将这颗牙齿镶嵌在项链吊坠上随身佩戴，到处展示。罗根和欣奇克利夫在节目上翻找出麦达纳佩戴这颗“战利品”牙齿的照片，被这种街头霸王式的霸气与幽默感逗得大笑，感慨在职业格斗这项用肉体博命的行当里，唯有这样的狠人才能留下无法磨灭的印记。 - 麦达纳以狂暴激进的拳风著称，曾重挫处于巅峰状态的布罗纳。 - 麦达纳在与梅威瑟的二番战中打落对手牙齿，并将其制成项链项坠作为胜利徽章炫耀。 --- ### [01:29:31](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5371s) 梅威瑟的疯狂炫富与巨额财富挥霍陷阱随后两人话题转向梅威瑟近期陷入的财务传闻与生活作风。欣奇克利夫感到难以置信：一个生涯赚了超过 7.5 亿美元的顶级巨星，尚未满 50 岁竟然频频传出欠税与财务问题。罗根直言，金钱的流失往往比常人想象得简单迅速，如果把生命完全投注在“展现财富”的极端物欲上，多丰厚的资产都会被挥霍殆尽。罗根对比了迈克·泰森（Mike Tyson）坦承挥霍数亿美元的往事，指出梅威瑟的行事风格更是到了极致。罗根在节目中调出梅威瑟著名的酒店炫表视频：梅威瑟随身携带两个装满镶钻百达翡丽等名表的手提箱，在镜头前高调宣称“度假 30 天就要带 30 块表，加 10 天就再带 10 块”，甚至漫不经心地掏出一块价值 1800 万美元的超级定制名表，并挑衅黑粉说自己今天“要随便扔掉 5 万美元，因为实在无事可做”。罗根指出，这种无休止的炫富循环是致命的，一旦你拥有了一块 1800 万美元的手表，欲望就会驱使你再去买十几块同级别的顶级奢侈品，即便是 7.5 亿美元的家底，在如此失控的现金消耗面前也难以长久支撑。 - 梅威瑟生涯总收入据估算高达 7.5 亿美元，但其极端的财务管理与奢靡排场引发了诸多破产质疑。 - 视频中梅威瑟出门旅行以“一天一块名表”的标准携带满满两箱顶级珠宝腕表，并公开展出单价 1800 万美元的定制腕表。 - 罗根强调再庞大的财富基数也经不住无节制的欲望升级与现金流挥霍。 ### [01:32:42](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5562s) 挥金如土的代价与尼古拉斯·凯奇的债务传奇乔·罗根（Joe Rogan）与托尼·欣奇克利夫（Tony Hinchcliffe）从奢华消费与破产风险聊起。罗根算了一笔账：拥有四五辆单价 50 万美元的劳斯莱斯，再加上 10 辆动辄近百万美元的法拉利，光是名表和豪车总资产就能轻易堆到 5000 万至 6000 万美元；如果要实际保有 6000 万美元的净资产，在税前至少得挣 1.2 亿以上。托尼调侃称，这些挥霍无度的人完全可以靠拍一部自己如何败光家产的顶级纪录片把钱挣回来，并提到了 ESPN 经典的《30 for 30: Broke》（讲述 NFL 职业橄榄球运动员如何迅速败光身家的纪录片），认为那是制作规模最大、最抓人眼球的纪录片之一。话题随即转到好莱坞著名的“还债狂魔”尼古拉斯·凯奇（Nicolas Cage）。凯奇在 2000 年代后期遭遇了严重的财务危机，身家从 1.5 亿美元骤降至负债 600 万美元。但他从未申请破产，而是凭借极其疯狂的工作节奏，无节制地接拍各种低成本直映录像带（direct-to-video）电影，并变卖了大量房产与艺术收藏来清偿债务。托尼指出，凯奇花钱的方式不同寻常，不仅买车买表，还狂热搜集霸王龙（T-Rex）头骨和奇异的历史古董。节目现场查到，凯奇曾在 2005 年花 27.6 万美元买了两条蛇，这笔钱折算通货膨胀后相当于如今的 45.5 万美元，引得罗根直呼通胀惊人。 - 豪车与名表资产规模可达 5000 万至 6000 万美元，对应需要 1.2 亿美元以上的税前收入维持现金流。 - 尼古拉斯·凯奇在 2000 年代末从 1.5 亿美元身家沦落为倒欠 600 万美元，最终靠疯狂拍片与变卖资产还清所有债务。 - 凯奇曾以 27.6 万美元购入两条宠物蛇（2005 年价值），经通胀调整后现值约 45.5 万美元。 --- ### [01:34:41](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5681s) 早期成名、好莱坞泡沫与科恩兄弟的喜剧神作罗根感叹凯奇早在 1980 年代初就已经是电影明星了，长期生活在那种荒谬的好莱坞泡沫之中，脑袋极容易被成名冲昏。两人回顾了他的成名之路：凯奇在 1982 年的《开放的美国学府》（*Fast Times at Ridgemont High*）中还是以本名尼古拉斯·科波拉（Nicolas Coppola）出镜，随后为了摆脱大导演叔叔弗朗西斯·福特·科波拉（Francis Ford Coppola）的光环才改了艺名；紧接着 1983 年主演了《山谷女孩》（*Valley Girl*），以及后来的《佩吉·休出嫁》（*Peggy Sue Got Married*）和《抚养亚利桑那》（*Raising Arizona*）。谈到 1987 年的《抚养亚利桑那》，罗根与托尼盛赞其笑点十足，并提到了片中骑摩托车的硬汉反派——由曾与拳王拉里·霍姆斯（Larry Holmes）对决的重量级拳击手兰德尔·“特克斯”·科布（Randall "Tex" Cobb）饰演。两人一致认为科恩兄弟（Coen brothers）和法雷利兄弟（Farrelly brothers）堪称喜剧界的 GOAT（史上最佳）。他们特别回忆起法雷利兄弟执导的《王牌保龄球》（*Kingpin*），罗根狂笑提及片中伍迪·哈里森（Woody Harrelson）因被房东要求提供肉体补偿而在马桶狂吐的经典场面。此外，拍摄保龄球决赛场景时，剧组原本以为比尔·默里（Bill Murray）很难连打三次全中，特意嘱咐群众演员随时准备配合欢呼，结果比尔·默里竟然在第一杆就真正完成了三连全中，全场爆发出完全真实、歇斯底里的狂喜反应。 - 尼古拉斯·凯奇早期以 Nicolas Coppola 名字参演《开放的美国学府》（1982），随后出演《山谷女孩》（1983）与《佩吉·休出嫁》（1986）。 - 拳击手“特克斯”·科布（Randall "Tex" Cobb）在科恩兄弟执导的《抚养亚利桑那》（1987）中饰演狂野机车暴徒。 - 《王牌保龄球》（1996）中，比尔·默里在保龄球戏份中首轮尝试便真实现场连投三次全中（Turkey），引发全剧组狂欢。 --- ### [01:38:06](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5886s) 伍迪·哈里森的松弛哲学与返璞归真托尼和罗根重点聊起了他们共同的好友伍迪·哈里森（Woody Harrelson）。托尼惊叹于伍迪深不见底的演技跨度与神鬼莫测的客串能力：比如在科恩兄弟的奥斯卡最佳影片《老无所依》（*No Country for Old Men*）里，伍迪中途悄然出场，即便前期毫无大肆宣发，依然凭演技力压群雄；在《性书大亨》（*The People vs. Larry Flynt*）和传记片《刺杀肯尼迪之后》（*LBJ*）中，他的演绎同样令人叫绝，托尼原本打算睡前随手放放《LBJ》，结果被其出神入化的表演吸引到通宵未眠。更让两人钦佩的是伍迪在生活中极致接地气的态度。即便名震全球数十年，伍迪搬到得州奥斯汀后经常去《Kill Tony》现场和喜剧俱乐部后台，待人无比和善，毫无大牌架子。为了抵御好莱坞的名利纷扰与精神消耗，伍迪彻底与现代通讯隔离——他本人根本不用智能手机，外界想联系他必须通过他的妻子。罗根称赞伍迪真正活明白了：自己种大麻、酿龙舌兰酒、食用天然生机饮食，每天只是开怀大笑、享受当下，展示了明星免于发疯的另一种顶级生存范式。据悉，伍迪与马修·麦康纳（Matthew McConaughey）在 Apple TV+ 上合作的一部兄弟喜剧也即将上线。 - 伍迪·哈里森作品跨度广泛，涵盖《老无所依》（饰演赏金杀手）、《性书大亨》及饰演美国总统林登·约翰逊的《刺杀肯尼迪之后》（*LBJ*）。 - 伍迪拒绝持有个人手机，所有外部联络均需通过其妻子转达，以此阻绝外界杂音。 - 伍迪与马修·麦康纳合作主演的 Apple TV+ 喜剧剧集正在筹备推出，两人在片中饰演一对兄弟。 --- ### [01:40:32](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6032s) 吐槽大会后的舆论余波与冒犯的边界随后，罗根将话题引向脱口秀名利场的核心矛盾，询问托尼如何面对大型吐槽大会（Roast）之后伴随的舆论怪象与持久发酵。托尼表示，公众对此类事件的持久关注与愤怒令他感到极度荒谬与不解。从当年涉嫌种族言论的彭当（Peng Dang）事件，到特朗普集会上的风波，再到近期的各类吐槽现场，舆论反应一次次刷新他的认知。托尼直言，很多人批评脱口秀演员时总喜欢说“开这种玩笑要分场合与时机”，但在他看来，类似汤姆·布雷迪吐槽大会（*The Roast of Tom Brady*）或凯文·哈特吐槽大会（*The Roast of Kevin Hart*）这种专门设立的吐槽场域，本就是肆无忌惮突破禁忌的“正确时间和地点”。他在汤姆·布雷迪吐槽大会上肆无忌惮地调侃了乔治·弗洛伊德（George Floyd），甚至直接拿引发全美撕裂的凯尔·里滕豪斯（Kyle Rittenhouse）持枪杀人案开涮；令他难以理解的是，台下的人在那种极致讽刺的语境下居然还会对笑话感到冒犯。 - 托尼·欣奇克利夫回顾了自己经历的多次舆论风波，包括彭当（Peng Dang）事件、特朗普竞选集会表演争议以及全网热议的吐槽大会。 - 在汤姆·布雷迪吐槽大会中，托尼曾将乔治·弗洛伊德（George Floyd）及凯尔·里滕豪斯（Kyle Rittenhouse）事件作为尖锐讽刺素材写进段子。 - 托尼强调吐槽大会本身就是为了极端玩笑而设立的保护区，公众在专场吐槽环境下依然“感到被冒犯”显得格外不可理喻。 ### [01:42:03](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6123s) 吐槽大会的节奏掌控与“反派”角色定位托尼·欣奇克利夫（Tony Hinchcliffe）回顾了自己在凯文·哈特（Kevin Hart）吐槽大会（Roast）上的表现。他坦言，如果单看他最后离场时的那个收尾片段，确实会显得非常疯狂且极具冲击力；但如果纵观整场表演的节奏，那其实只是他标志性的最后一记绝杀。在表演进行到一半时，喜剧演员 Earthquake 就已经激动得站起身来，现场更是数次爆发出起立鼓掌的狂热反响。由于当晚登台的嘉宾人数极多、整场吐槽大会体量庞大，主办方给每个人都设定了严格的时限。因此，托尼决定打破自己平时的表演习惯，不再像以往那样刻意拖长节奏去享受观众的掌声间隙，而是像机关枪一样大幅提升每分钟的包袱密度（jokes per minute），以连续不断的密集轰炸作为整场表演的收尾。托尼直言，自己的创作初衷本来就是要冒犯到每一个人。他从来不指望观众百分之百喜欢自己的每一个笑话，因为他给自己在喜剧界的定位就是一个摔角比赛里的“反派角色”（heel），他本身就是坏蛋风格摔角手的狂热粉丝。谈及演出后网络上围绕乔治·弗洛伊德（George Floyd）包袱所引发的争议，许多人试图将这一笑话与皮特·戴维森（Pete Davidson）调侃查理·柯克（Charlie Kirk）的言论放在两极的光谱上进行对比，批评托尼过火。但托尼反驳道，那些批评者选择性忽略了他在台上同样调侃了查理·柯克——他当时甚至讽刺凯文·哈特粉丝群体的枪击事件比查理·柯克的周边商品摊位还要频繁。托尼对这种断章取义的指责不屑一顾，并指出许多在网络上录视频表达愤怒的黑人喜剧演员，根本就没有受邀参加那场吐槽大会，甚至连现场观众都不是。 - 吐槽表演策略：受限于严格的舞台时间，托尼放弃了等待掌声的常规停顿，转而采用超高密度的连续包袱轰炸。 - 喜剧定位：托尼将自己视作职业摔角中的“反派”（heel），明确表示拒绝迎合所有人的道德偏好。 - 舆论双标反驳：托尼指出自己在调侃乔治·弗洛伊德的同时也调侃了右翼公众人物查理·柯克，所谓政治偏见的指控纯属无稽之谈。 --- ### [01:44:04](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6244s) TMZ的钓鱼采访与 Tiffany Haddish 的“绝杀” 随着吐槽大会的争议发酵，以 TMZ 为代表的娱乐八卦媒体开始四处围堵与会嘉宾，试图诱导他们发表针对托尼的负面评价。托尼提到，老牌喜剧演员谢丽尔·安德伍德（Sheryl Underwood）在这场舆论风波中表现得极有大将之风。他们两人在那周早些时候举办的 Netflix 喜剧节早午餐会上刚刚结识。乔·罗根（Joe Rogan）也回忆起自己早在 2000 年代初于蒙特利尔与谢丽尔合作的往事，盛赞她是一个不折不扣的舞台“怪物”——当年她常常直接挎着自己的手提包走上台，手里紧攥着包包就能把全场观众逗得人仰马翻。 ```mermaid flowchart TD accTitle: 媒体煽动争议与现场嘉宾反应对比 accDescr: 展示TMZ等八卦媒体如何试图利用吐槽大会争议挑拨离间，以及现场资深演员的化解方式。 subgraph Media["媒体与场外反应"] A["TMZ 街头围堵采访"] --> B["抛出煽动性问题 （引用 Loni Love 批评言论）"] C["未受邀场外演员 网上发视频声讨"] -.-> B end subgraph Comics["现场演员的化解"] B --> D{"Tiffany Haddish 的回应"} D --> E["借口'憋尿太急去厕所' 完美化解尖锐问题"] D --> F["灵魂反问： '这些抱怨的人是不是都没被邀请？'"] end ``` 在所有被媒体围堵的人中，蒂凡尼·哈迪斯（Tiffany Haddish）的应对被托尼和罗根视为教科书级别的反击。当时八卦记者追问蒂凡尼，称洛妮·洛芙（Loni Love）等同行认为整场表演充满种族歧视色彩且令人筋疲力尽，特别是托尼关于弗洛伊德的那个笑话，询问她这究竟只是脱口秀艺术还是跨越了底线。蒂凡尼先是若无其事地吐槽整场节目实在太长，自己坐得浑身疲惫且尿急难忍，甚至在那个梗出现时她正巧跑去上厕所了；紧接着，当记者再次试图逼问她对种族笑话的看法时，蒂凡尼直接回敬了一记诛心反问：“跳出来说这些话的，是不是全都没被邀请参加啊？”罗根拍案叫绝，将蒂凡尼这番既幽默又切中要害的回答形容为 UFC 雏量级名将肖恩·奥马利（Sean O'Malley）那记击倒对手后直接转身离场的“绝杀踢”（walk-off KO）。现场没有一个身临其境的观众感到被冒犯，所有波澜完全是未到场的外围人士借题发挥。 --- ### [01:46:26](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6386s) 愤怒文化作为商品与 MSG 演讲风波罗根指出，当今互联网完全被一种“愤怒文化”（outrage culture）所支配。在现行算法与社交媒体机制下，公众的愤怒已经变成了一种利润丰厚的高价值商品；只要能煽动愤怒，就能换取巨额的流量与用户互动。许多人为了证明自己站在道德制高点上，一旦抓到一个由头，就会竭尽所能将其榨干所有商业与流量价值，随后便立刻毫无留恋地转向下一个声讨目标。托尼对此深有共鸣，并谈到了自己在 2024 年麦迪逊广场花园（Madison Square Garden, MSG）为特朗普竞选集会暖场的经历。当天是一场全天候的超长活动，他在下午 3 点登台，当时场馆只坐满了一半，所有人都在等待晚上 8 点特朗普的登场。托尼排在一份长达 34 人的发言名单靠前位置，台上灯光大亮，场地音响和灯光完全不是为脱口秀表演设计的。然而，当他做完开场表演下台时，现场所有人都热情地与他击掌，称赞他成功带动了全场气氛，鲁迪·朱利安尼（Rudy Giuliani）甚至在他之后整整 3 个小时才登场。然而活动结束后不久，媒体却铺天盖地开始将他在台上随口说出的“波多黎各垃圾岛”段子炒作成为头条政治丑闻。托尼透露，那个笑话根本不在他的原定讲稿里，仅仅是因为主办方在登台前莫名其妙给他临时加了表演时间，他才在最后一秒拿来当填充料的。罗根直言，在非纯粹单口喜剧的政治集会上表演单口本身就极其危险，尽管集会观众很高兴能听到除了枯燥的税收和关税政策之外的搞笑内容，但这种跨界表演往往会被媒体无限放大并脱离原境。 - 愤怒的经济属性：公众愤怒在社交媒体时代演变成为获取平台参与度与金钱收益的硬通货。 - MSG 集会现场反差：下午 3 点在半满的场馆中，托尼的表演在现场获得了普遍的欢笑与掌声，与事后主流媒体的口诛笔伐形成鲜明对比。 - 争议包袱的由来：波多黎各笑话并非预谋已久的政治表态，而是因主办方临时延长出场时间而临时加入的脱口秀素材。 --- ### [01:49:20](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6560s) 《Kill Tony》的野蛮生长与成为舆论聚光灯的靶子托尼感到十分荒谬的一点在于，自己始终以恶趣味和冒犯性喜剧闻名，但他却频繁成为全美新闻的焦点。他认为，如果一个政客、白宫高官，或是像内特·巴加兹（Nate Bargatze）、吉姆·加菲根（Jim Gaffigan）这种以洁净无公害风格著称的“干净喜剧演员”说出这些冒犯性言论，引发轩然大波尚属合理；而对于一个深耕重口恶毒幽默的喜剧人来说，讲出此类笑话原本再正常不过。罗根分析认为，主流公众和媒体之所以产生如此强烈的应激反应，是因为托尼的名气在过去几年里以一种“潜行突袭”的方式实现了爆发式增长。《Kill Tony》的成功完全是一场没有任何传统媒体推广的“野蛮自然生长”（organic rise）。这档节目的走红全部依赖粉丝在 YouTube 和社交平台上自发搬运短视频剪辑，凭借肖恩·吉利斯（Shane Gillis）、凯尔·杜尼根（Kyle Dunnigan）等常驻嘉宾贡献的一个个名场面，在民间积聚了恐怖的人气。当主流舆论场突然意识到托尼的巨大影响力时，恰逢 2024 年 MSG 集会事件引爆了舆论炸弹。从那一刻起，托尼就彻底被网络生态归类为了“争议引流靶子”。网络上存在大量专门依靠发表激进言论、碰瓷争议来赚取眼球的人，托尼的名字成了他们收割流量的完美工具。罗根最后总结道，喜剧演员在台上经常会说出一些极端离谱但纯粹为了搞笑的话，就如同鲍勃·马利（Bob Marley）在歌里唱“我射杀了警长”，并不代表他真的去杀了人，但舆论机器却往往会将玩笑当成现实罪状来审判。 ### [01:51:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6660s) 脱口秀段子与字面当真的“社交媒体病” Joe Rogan 和 Tony Hinchcliffe 探讨了喜剧演员讲段子与公众反应之间日益扭曲的现状。Tony 提到，就像鲍勃·马利在歌里唱“我射杀了警长”（I Shot the Sheriff）但没人会当真一样，脱口秀演员在台上故意说出荒唐、政治不正确或越界的话，其本质“就只是段子”。曾经所有人都对此心照不宣——例如 Louis C.K. 本人是一个非常左翼、进步派的人，但他会在台上故意讲一些极度恶劣、出格的话，仅仅是因为这样好笑，观众也完全理解并接受这种幽默形式。然而大约从 2016 年开始，风气彻底转变，公众开始把脱口秀演员的舞台包袱当成严肃的现实声明，甚至装作演员内心深处真的持有那些可怕的观点。 Joe 认为这种荒唐的转变与社交媒体的普及密切相关。在社交网络时代之前，人们根本没有平台去假装自己“内心受到了极大的伤害与冒犯”。社交媒体聚集了一大批心理病态的人，他们整天泡在这些软件里争吵、喷毒液、辱骂他人，仿佛一天到晚生活在地狱中。任何事情只要能让他们产生愤怒，他们就必须跳出来发表自己的“辛辣锐评”（hot take）。只要这条锐评带来了流量和点赞，他们就深陷其中，不断回头参与争吵。 - 这种整天在网上喷人挑刺的习惯对大脑和精神健康极具破坏性。 - 很多沉迷于此的喜剧演员几乎都事业平平，与同龄成功的演员相比差距巨大。 - 他们往往精神焦虑、依赖精神类药物，经常去接受心理治疗，却还在网上大谈特谈所谓的“法西斯”。 - 这些人在网上的愤怒发言既没有实质价值，也无法转化成剧场演出的门票销量，纯粹是填补自身无所作为的短暂“精神毒药”。 --- ### [01:53:49](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6829s) 卡洛斯·门西亚抄袭事件与行业的道德缺失 Joe 谈到如果在网上持续散播仇恨十几年，一旦某天走红，那些恶意必将加倍反噬到自己身上。由此他联想到了当年公开揭露并硬刚卡洛斯·门西亚（Carlos Mencia）抄袭段子的往事。Joe 坦言，尽管揭发门西亚是正义之举，但如果重来一次他不会再这么干了，因为过程充满了令人窒息的负能量和黑暗。这段经历让 Joe 彻底看清了娱乐行业道德与伦理的极度匮乏。经纪公司和幕后机构明知门西亚在大规模抄袭他人的段子，却毫不在乎，因为他们能从中获利。当经纪公司决定为此与 Joe 解约时，Joe 曾当面警告经纪人：“你正在犯下一个将影响你余生的巨大错误。你在选择与一个放在任何其他行业都该进监狱的人站在一起。”如果在文学界或音乐界发生这种程度的剽窃，当事人早就被起诉到倾家荡产了。 ```mermaid flowchart TD accTitle: 行业抄袭容忍逻辑 accDescr: 描述经纪公司和行业为了商业利润纵容抄袭，导致原创正义维权者反而承担负能量的流程。 subgraph IndustrySide ["行业与资本利益"] A["门西亚逐字大段抄袭段子"] --> B["产生可观商业票房利润"] B --> C["经纪公司知情但装聋作哑"] end subgraph RoganConflict ["正义揭露与行业反噬"] D["Joe Rogan 当面公开揭露"] --> E["经纪公司决定抛弃 Rogan 保全利益"] E --> F["维权者承受巨大的负面能量与黑暗氛围"] end C -.-> E ``` --- ### [01:54:57](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6897s) 灵感借鉴与恶性抄袭：从芯片制造到音乐版权纷争 Tony 解释说，门西亚的行径是“海盗式掠夺”，逐字逐句长篇剽窃他人作品；而普通的喜剧创作中，很多编剧坐在同一个编剧室里针对相同的话题写段子，难免会出现“撞梗”（parallel thinking），这与恶意抄袭完全不同。Joe 补充道，就像音乐中一共就只有那么多音符、和弦、节奏和节拍，灵感借鉴是艺术创作的常态。这如同之前讨论的芯片制造设备，没有任何现代技术能在真空中被发明出来，它必然站在过去几十年无数天才工程师的技术积累之上。随后两人聊到了音乐界极其严格甚至病态的诉讼风气，并调侃了版权审查的苛刻。Tony 提到在《Kill Tony》早期，现场乐队几乎无所不弹，甚至能随口即兴为害羞观众的卡拉 OK 伴奏；而现在，只要在节目里哼几秒钟旋律就会惹上版权麻烦。两人梳理了几桩著名的音乐版权纠纷案例： - **神韵合唱团（The Verve）与滚石乐队（The Rolling Stones）**：神韵合唱团的传世名曲《苦甜交响曲》（Bitter Sweet Symphony）采样了滚石乐队 1965 年歌曲《The Last Time》的管弦乐版本。滚石前经纪人艾伦·克莱因（Allen Klein）随后发起诉讼，导致主唱理查德·阿什克罗夫特（Richard Ashcroft）不得不放弃全部版税，创作者署名也被加上了米克·贾格尔（Mick Jagger）和基思·理查兹（Keith Richards）。直到 2019 年（克莱因去世 10 年后），滚石成员才将版税权益无偿还给阿什克罗夫特。 - **电台司令（Radiohead）与打雷姐（Lana Del Rey）及赫里斯合唱团（The Hollies）**：Radiohead 的成名曲《Creep》曾被指控抄袭 The Hollies 于 1972 年的歌曲《The Air That I Breathe》，最终 Radiohead 承认并为对方加上了词曲作者署名。戏剧性的是，后来 Radiohead 方面又指控 Lana Del Rey 的歌曲《Get Free》抄袭了《Creep》。 - **其他版权争议**：奥利维亚·罗德里戈（Olivia Rodrigo）与帕拉莫尔（Paramore）乐队之间的创作署名风波，以及吹牛老爹（Puff Daddy）涉及的采样纠纷。 ### [01:59:52](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7192s) Gorillaz 的玩具键盘预设与脱口秀段子的无心插柳乔·罗根与托尼·欣奇克利夫聊起了音乐创作中那些奇妙的巧合与氛围感。罗根提到虚拟乐队街头霸王（Gorillaz）的代表作《Clint Eastwood》：主创达蒙·阿尔伯恩当年在一台给小孩子玩的小电子琴玩具上随手按下了演示键（Demo button），直接调用了里面内置的预设节奏“Rock 1”。谁也没想到，这个随手按出来的玩具预设竟成了他们传唱度最高的热门单曲的整首歌骨架。罗根感叹他们竟然就这么用了一个玩具机器的预设，还创造了巨大的流行奇迹。托尼对此深有共鸣，将这种音乐创作的不可预测性与脱口秀段子类比。他表示，就像那些最后惹出滔天大祸的离谱段子一样，做音乐的人在录下这些旋律时恐怕根本没料到它会成为大热单曲，更不可能预见到它会产生多么剧烈的社会反响。 --- ### [02:01:09](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7269s) 麦迪逊集会的波多黎各段子与现场脱口秀的纯粹本质罗根随即调侃托尼，提醒他当年早就警告过他：“托尼，我早就跟你说过，你讲那个波多黎各的段子迟早会被人捅的。”托尼解释说，那个段子其实早在疫情期间就已经开始讲了，讲了很多年，随着时间推移内容不断扩充，甚至连罗根自己都被编进了包袱里。然而，在特朗普麦迪逊广场花园集会上表演时，为了赶时长，托尼把后面那一大串能够起到缓冲保护作用的垫话（Tags）和自嘲——比如当场说“这破段子早晚得让我挨捅”以及提到艾米·舒默的笑料——全都删掉了。结果，脱离了完整语境的这句笑话瞬间被舆论放大成风暴。两人探讨起脱口秀这门艺术的特殊性。罗根强调，真正的脱口秀必须要在剧场现场看，正如道格·斯坦霍普（Doug Stanhope）曾说过的那样：“我们在电视上做的一切，不过是为了吸引人们买票去脱口秀俱乐部看现场。”现场的核心在于一群人聚在一起找乐子、瞎胡闹、感受当下的纯粹快乐；一旦把脱口秀当成严肃的政治表态去上纲上线，整件事就完全变质了。罗根劝诫托尼不要过多纠缠于网络冲突，并以自己过去经历的卡洛斯·曼西亚（Carlos Mencia）事件为例，直言卷入对立只会消耗一个人的心力与精神健康。罗根坦言自己骨子里其实是个“嬉皮士”，坚信世界充斥着正能量与负能量，人应该把宝贵的生命花在逗人发笑、享受当下快乐的事情上，而不是把时间浪费在无休止的撕扯与负面争吵中。 --- ### [02:02:58](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7378s) 有线电视新闻的窒息感与看《沉默的羔羊》解压托尼深表认同，表示自己现在尽量不上 Twitter（X），因为一打开就会被各种荒唐离谱的新闻轰炸得怒火中烧。他分享了一次在华盛顿特区酒店里的荒诞经历：当时恰逢国情咨文（State of the Union）演说刚结束，托尼想着难得在酒店看普通有线电视，打算看两眼就睡觉，于是换到了 CNN。从他了解的情况来看，那次国情咨文原本是一场相当扎实、积极且充满看点的演讲，但 CNN 演播室里的六个嘉宾却步调一致地疯狂输出末日论调，一口咬定“这全是种族歧视”、“他导致了黑人的死亡”、“他是美国沦为全世界笑柄的罪魁祸首”、“他不尊重跨性别群体”。这种千篇一律的绝望轰炸让托尼倍感焦虑。随后托尼换到 Fox News，场面同样令人心力交瘁。虽然 Fox 至少还会保留正反两方的交锋，不像 CNN 那样全场齐声唱衰，但激烈的争吵依然让人神经紧绷。托尼还特别提到了 CNN 演播室里那位常驻的保守派评论员斯科特·詹宁斯（Scott Jennings），形容他简直就像个每天替所有人挡子弹的战斗英雄，“估计活不了几个月了，天天在里面挨轰”。电视新闻带来的极端焦躁让托尼无法忍受。在连续换台扫过 MSNBC 等媒体后，他最终把电视停在了电影《沉默的羔羊》（The Silence of the Lambs）上。巧合的是，电视画面刚好演到变态连环杀手“水牛比尔”把女孩囚禁在地窖枯井里、放篮子下去的经典恐怖桥段。托尼惊奇地发现，面对这种纯粹黑暗的虚构恐怖片，他竟然长舒一口气，感到无比宁静，躺下不到五分钟就安然入睡——现实中两极分化的有线电视新闻竟然比惊悚虐杀电影更令人神经衰弱。 --- ### [02:06:12](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7572s) 传统主流媒体的信誉崩塌与爱泼斯坦档案争议罗根指出，当今的公共舆论环境早已陷入病态，人人都怒气冲冲。如今的 CNN 节目本质上就是一群人坐在那高谈阔论的“劣质播客”，而且每隔五分钟就要被商业广告打断一次。罗根回忆道，从前的 CNN 并不是这样的，他们曾制作过安东尼·波登（Anthony Bourdain）的《未知之旅》（Parts Unknown）这类优质节目，主持人周游世界探寻美食，深入体察当地社区、文化与现实困境，视角丰富且有深度。但不知从何时起，这些严肃媒体彻底沦为了靠贩卖愤怒为生的工具。谈及 X 逐渐取代传统媒体成为公众主要新闻来源的现象，两人认为根源在于公众对传统媒体彻底失去了信任。罗根举了一个极具代表性的例子：喜剧演员蒂姆·狄龙（Tim Dillon）近期邀请了两位《纽约时报》（The New York Times）的资深调查记者上播客，这两位记者居然公然声称“没有任何证据表明杰弗里·爱泼斯坦（Jeffrey Epstein）是情报机构人员”。听到这种论调，罗根大为震惊。他直言，只要看过情报与网络安全专家迈克·本茨（Mike Benz）在他播客里抽丝剥茧梳理爱泼斯坦的庞大关系网，就会明白他与情报体系脱不了干系几乎是板上钉钉的事实。罗根犀利地指出，作为被大众寄予厚望、理应提供客观真相的《纽约时报》，其记者如果连这种摆在眼前的证据都视而不见，只有两种可能： - 他们被体制完全收编受控，受到叙事禁令的审查限制，根本不敢吐露真相； - 他们打心底里真的相信没有关联，这说明他们缺乏最基本的客观调查与认知能力。无论出于哪种原因，都足以证明主流传统媒体早已沦为选择性报道与操弄叙事的宣传网络（Propaganda network）。 ### [02:08:56](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7736s) 主流媒体的叙事操控与疫苗信息的系统性封锁乔·罗根与托尼·欣奇克利夫探讨了现代信息环境中的宣传本质。罗根指出，无论掌权者是谁，他们都会牢牢掌控叙事走向，而这个叙事在本质上完全被幕后的赞助商利益所绑架。这就是为什么主流媒体对早期发现的疫苗安全警示信号视而不见，对安东尼·福奇（Anthony Fauci）的一系列丑闻也保持缄默。罗根特别提到了塔尔西·加巴德（Tulsi Gabbard）此前发表的演讲，她在演讲中揭露了福奇如何对国会撒谎，以及如何向其他科学家施压，强迫他们改变对新冠病毒是否涉及“功能获得性研究”（gain-of-function research）的科学判断。托尼附和道，早在2020年大家就对这些猫腻有强烈的预感，但主流媒体始终不予报道。罗根总结道，传统新闻机构早已丧失了传递完整真相的职能，他们“只能播报获批报道的新闻”。 - 主流媒体叙事受制于幕后金主与政治掌控者，具有强烈的偏向性与审查机制。 - 早期疫苗安全警示信号及福奇涉嫌向国会作伪证、施压科学界淡化功能获得性研究等事实，在传统媒体中遭到全面压制。 - 公众早在2020年就已产生的普遍怀疑，如今在独立证据面前逐步得到验证。 ### [02:09:53](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7793s) X 平台的信任危机与“假新闻”标签的政治极化主流媒体的失职直接促成了公众对社交平台 X（原 Twitter）的依赖，但这随即带来了新的困境。罗根指出，人们把 X 视作探寻真实信息的避风港，然而平台上同样泛滥着荒谬的假消息、水军机器人以及移花接木的内容——例如将2022年的旧录像标榜为正在发生的前线战况，把中国的画面硬说成以色列，或是传播 AI 生成的假视频。托尼形象地形容，每次涉足社交媒体都像把脚伸进毒水里，让人只想赶紧逃离，可若彻底不看不闻，又会产生一种信息脱节的不负责任感。两人进一步剖析了公众对“假新闻”认知的扭曲。许多人至今仍认为看传统新闻是在履行知情义务，而把“假新闻”一词单纯看作唐纳德·特朗普的政治口号。罗根直言，特朗普将假新闻标签化是“最糟糕的事情之一”，因为反川普群体出于政治对抗，本能地认为“既然是特朗普说的，那就肯定不是假的”。然而，许多主流报道确实是一场彻头彻尾的“虚假排演与编排”。以“通俄门”（Russiagate）为例，即便最终被证实为谎言，参与推波助澜的媒体人也从未承担任何实质性后果，如今依然在电视上高谈阔论。罗根认为，媒体付出的唯一代价是公信力彻底破产。尤其是在疫情期间，大批普通人因工作、出行或家庭原因被迫接种疫苗并遭遇严重副作用后，切身体验让他们迅速被“红丸觉醒”（redpilled），再也无法忍受体制的欺骗。 - X 平台充斥着大量的机器人、AI 生成伪造内容以及脱离背景的历史视频，导致事实核查成本极高。 - 特朗普对“Fake News”的命名让媒体公信力问题政治化，致使反对者为了反川普而盲信漏洞百出的传统媒体。 - 通俄门谎言未见任何体制内追责，但疫情期间的强制政策与副作用让大量普通民众对权威叙事产生不可逆的信任破灭。 ### [02:12:03](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7923s) 吐槽大会上的造谣抹黑与好莱坞名流的双标底线托尼谈到了不同地域意识形态环境的荒诞反差。在德克萨斯州奥斯汀，大家只当他是个骨瘦如柴的普通喜剧演员；然而一去到洛杉矶的吐槽大会（Roast），他却突然被扣上了“种族主义纳粹”的荒谬帽子，甚至在演出中面对这些针对自己的离谱攻击时感到莫名其妙，因为他每周主持喜剧节目都在接受调侃，却从未听过这种无中生有的罪名。更荒唐的是，有人在台上造谣说托尼拿了沙特阿拉伯的钱去沙特演出。罗根指出，事实恰恰相反，托尼和谢恩·吉利斯（Shane Gillis）是少数几位当面拒绝了沙特巨额报酬的喜剧演员。托尼感慨，即便在那笔钱足以彻底改变贫困生活、当年端盘子打包裹的自己绝对无法拒绝的情况下，他依然选择了回绝。令人愤怒的是，Netflix 随后将那段造谣的调侃视频切片置顶在 Instagram 上，配文“喝好长一口水”（long sip），把托尼在台下喝水反应的镜头硬剪辑成一副“做贼心虚”的模样。 ```mermaid flowchart TD accTitle: 沙特演出的事实与公众叙事错位 accDescr: 对比沙特演出的实际受邀拒绝情况与好莱坞脱口秀造谣抹黑的虚伪反差 subgraph Reality["真实情况"] A["沙特开出巨额报酬邀请演出"] --> B["Tony Hinchcliffe 与 Shane Gillis 明确拒绝"] A --> C["Kevin Hart 与 Pete Davidson 接受演出"] A --> D["Jessica Kirson 与 Tom Segura 接受演出"] end subgraph Narrative["舆论造谣与双标"] E["Roast 吐槽大会凭空捏造 Tony 去沙特圈钱"] F["Netflix 剪辑置顶 Tony 喝水镜头制造心虚假象"] G["Chelsea Handler 盛赞接受沙特酬劳的演员，自身曾赴 Epstein 私宅晚宴"] end Reality -. 事实遭颠倒.-> Narrative ``` 罗根与托尼强烈批判了这种建立在虚假事实之上的脱口秀创作。他们指出，真正的讽刺喜剧应该基于真实前提进行嘲弄，而凭空捏造谎言再去谴责对方，是极其低级且愚蠢的做法。托尼透露，切尔西·汉德勒（Chelsea Handler）在台上极力赞美的凯文·哈特（Kevin Hart）和皮特·戴维森（Pete Davidson），实际上才是真正收下巨款前往沙特演出的人。罗根更是毫不留情地讽刺了切尔西·汉德勒的道德标榜：她当年甚至去过杰弗里·爱泼斯坦（Jeffrey Epstein）的豪宅与伍迪·艾伦（Woody Allen）同桌共进晚餐，事后仅轻描淡写地声称自己当时“训斥了对方”，这种好莱坞精英在道德层面的双重标准令人作呕。 - 托尼与谢恩·吉利斯面对沙特主办方开出的巨额酬劳断然拒绝，但该事实在公开场合被倒打一耙。 - Netflix 官方账号将充满误导性的造谣片段置顶宣发，利用反应镜头误导公众认为托尼在沙特金钱问题上心虚。 - 好莱坞名流展现出严重的道德双标：台前批判同行的切尔西·汉德勒曾亲自出入爱泼斯坦寓所，而真正赴沙特捞金的演员反倒受到赞誉。 ### [02:15:30](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8130s) 沙特专场与单口喜剧跨越国界的文化穿透力话题转向了其他赴沙特演出的喜剧同行。纽约知名女同性恋单口喜剧演员杰西卡·柯森（Jessica Kirson）曾受邀前往沙特演出，但因回国后遭受巨大舆论压力，最终将利雅得喜剧节的全部演出费用捐赠给了“人权战线”（Human Rights Campaign）。罗根与托尼调侃道，这种捐款无非是化作了某些机构人员的薪水账单，并不能真正解决现实问题；而汤姆·塞古拉（Tom Segura）则更加直接，演出后在社交媒体上晒出一张法拉利的照片，大方配文“感谢沙特阿拉伯”。罗根随后阐述了自己对赴沙特表演的深刻见解。他认为，批评出资方和政治组织者固然可以理解，但不能忽视现场观众的真实需求。那里的普通观众平时极少有机会亲身体验纯正的美国单口喜剧现场。就像音乐和文学一样，脱口秀拥有触动心灵、改变人们观念的强大力量。当舞台上的表演者展现出完全不同的生活背景与文化视角，而台下异国他乡的观众却能开怀大笑并产生共鸣时，文化隔阂便被悄然打破。罗根总结道，艺术能够“赢得人心与思想”（win hearts and minds），它让世界各地的人们意识到彼此之间存在着广泛的共同诉求——大家无非都想找寻快乐，与家人朋友相伴，自由地生活，即使是身处沙特看台上的普通观众也完全一样。 - 杰西卡·柯森在沙特现场演出反响极佳，但迫于美国舆论压力，不得不将全部酬劳捐给非营利性人权组织。 - 汤姆·塞古拉以晒法拉利跑车配文感谢沙特的幽默方式，坦然面对舆论反弹。 - 罗根强调单口喜剧具备跨越地缘政治的普世人文价值，它是促进文化沟通、唤醒普通人共同情感连接的有效媒介。 ### [02:17:28](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8248s) 沙特演出的舆论争议与格斗界的双重标准两人聊到了脱口秀演员前往沙特阿拉伯演出的争议。乔·罗根（Joe Rogan）指出，沙特台下的观众本质上就是当地的普通民众，他们只是花钱买票来看一场喜剧表演，这种演出本身并没有任何问题。外界之所以呼吁抵制，是因为主办方或出资方可能与当年贾迈勒·卡舒吉（Jamal Khashoggi）遇害案存在牵连。罗根表示，虽然他自己、谢恩·吉利斯（Shane Gillis）以及托尼都不愿意去沙特演出，但他完全不反感别人去，这就像沙特近年来重金承办的那些顶级职业拳击赛一样，他个人非常喜欢看那些高水平对决。耐人寻味的是，罗根发现舆论在体育与脱口秀之间存在明显的双重标准。即便在那些政治立场极度偏左的综合格斗（MMA）记者和媒体人眼中，沙特举办格斗赛事也很少招致猛烈炮轰；然而一旦路易·C·K（Louis C.K.）或比尔·伯尔（Bill Burr）这样的喜剧大咖去沙特演出，就会遭到铺天盖地的声讨与围攻。罗根认为汤姆·塞古拉（Tom Segura）的处理方式最为通透——根本不理会网络舆论，想去哪演就去哪演。托尼·欣奇克利夫（Tony Hinchcliffe）则自嘲打趣道，自己在麦迪逊广场花园的特朗普集会演出风波刚过，总不能转头又立马飞去沙特，那跨度未免太离谱；更何况坐十六个小时的长途飞机简直是折磨，大家干脆都来得州看演出最好。 - 政治抵制的核心争议在于沙特出资方背景以及卡舒吉遇害案，但现场观众仅为普通文化消费群体。 - 综合格斗与职业拳击媒体对沙特办赛普遍宽容，脱口秀界演员跨海演出却面临严厉道德审判。 - 托尼调侃自己刚参加完特朗普纽约集会，如果立刻接沙特商演，舆论反弹堪称“跨度过大”。 --- ### [02:19:18](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8358s) 社交网络极化、付费水军与加州街头的衰退罗根将现代社会的严重极化归咎于社交网络的病态生态，大量心智失常的人每天在虚拟空间对着虚无肆意尖叫。他真诚建议普通人不妨尝试断网一个月，远离恶意互动，切身感受心理状态的改善；而那些靠发帖博取流量、以恶语中伤为生的职业发帖者（paid posters），每天体内充斥着过量的皮质醇，看着评论区里针对自己的辱骂攻击，心理注定处于被囚禁的痛苦状态。罗根顺势提到了加州州长加文·纽森（Gavin Newsom），直言每次纽森发推都会在评论区被网友骂得体无完肤。托尼认为纽森堪称“最后一代传统政客”的活标本，那种当面睁眼说瞎话、视客观事实于不顾的做派令人叹为观止。托尼指出，其他州的居民或许容易被虚假政绩蒙蔽，但常年在全美巡演的脱口秀演员往往对城市现状最为敏感——他们每到一个地方都要住上几天，在街头喝咖啡、吃午饭，与酒店门童和普通市民打交道，最能直观体会一个地方的真实脉搏与氛围。托尼感慨如今加州大城市急剧恶化，仅有圣迭戈、亨廷顿比奇和纽波特比奇等少数区域还保有一点常识与快乐；从洛杉矶国际机场（LAX）开往西好莱坞和比弗利山庄的路上触目惊心，满街都是空置招租的门面，一片萧条萧索。 - 社交媒体诱发的慢性压力与高皮质醇水平对长期网络论战者造成了深层心理损伤。 - 脱口秀演员通过巡回演出深入各类美国城市市井生活，形成独特的社会观察视角。 - 洛杉矶与旧金山等加州核心大都市商业空置率攀升，街区活力与市容呈现退化趋势。 --- ### [02:22:26](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8546s) 芝加哥奥巴马中心、野兽派建筑与好莱坞看房往事 ```mermaid flowchart TD accTitle: 奥巴马中心设计与罗根看房经历对比 accDescr: 图表展示了围绕野兽派建筑风格的讨论，从奥巴马中心的外观争议延伸到罗根在好莱坞看房的实际考量。 subgraph S1["建筑风格讨论"] A["奥巴马总统中心 (芝加哥)"] --> B["野兽派风格 / 巨型混凝土与玻璃"] B --> C["外观酷似《银翼杀手》"] B --> D["外墙环绕刻印文字"] end subgraph S2["罗根早年在好莱坞看房考量"] E["喜剧俱乐部周边房源"] --> F["米芝·肖尔拥有的老房子: 离名利场'巨兽'太近且院子小"] E --> G["1000万美元极简现代豪宅: 紧挨人行道毫无私密防线"] end ``` 在谈及洛杉矶街头景观时，托尼提到了路边一栋造型极其奇特的建筑，一度误以为是奥巴马图书馆。罗根随即纠正并澄清，造价约8.5亿美元的奥巴马总统中心（Obama Presidential Center）实际坐落在芝加哥。两人随即调出该建筑的照片与设计渲染图细看，托尼觉得那栋建筑外观沉闷、缺乏窗户，但罗根却毫不掩饰对它的喜爱，认为其外形极具《银翼杀手》（Blade Runner）式的未来科幻感，尤其是外墙四周环绕雕刻的连续英文字样非常独特。罗根坦言自己非常钟情这种大体量清水混凝土搭配巨幅通透玻璃的“粗野主义”（Brutalist architecture）风格，甚至当年事业初见起色、赚到大钱时，曾动过在好莱坞买下这类豪宅的念头。罗根回忆起当时的看房经历：他曾看过去世的喜剧工坊掌门人米芝·肖尔（Mitzi Shore）位于俱乐部上方山上的房子——萨姆·基尼森（Sam Kinison）和保利·肖尔（Pauly Shore）都曾在那住过——但考虑到要养狗且后院太小，加上房子距离俱乐部这个名利场“巨兽”（the beast）实在太近，最终作罢；后来他又看中了一套标价高达1000万美元的极简野兽派混凝土豪宅，但该房紧贴马路人行道，路人伸出手就能摸到正门，尽管中介极力推销其拥有顶级的安防系统，但罗根依然觉得毫无隐私和物理缓冲空间而选择放弃。 - 位于芝加哥的奥巴马总统中心造价高达约8.5亿美元，粗野主义几何造型与外墙环绕文字在网上引发两极评价。 - 罗根偏爱混凝土质感与巨型落地玻璃结合的现代极简建筑风格。 - 好莱坞传奇喜剧住宅曾留宿过多位宗师级演员，但因地处名利场中心且空间局限未被罗根相中。 ### [02:26:37](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8797s) 现代豪宅美学、安全隐患与好莱坞山顶风光两人的对话从一起骇人的治安事件切入。乔·罗根（Joe Rogan）回忆起自己曾对某人说过，他们家里的安保摄像头迟早会拍到戴滑雪面罩的劫匪破门而入；结果短短两周后，那栋房子的主人就在家中遭遇枪击，颈部中弹。这番惊险的经历引出了两人对现代住宅建筑风格的探讨。罗根表示，他虽然很欣赏那些极简、野性的混凝土现代建筑，但如果是真正用来起居过日子，住进去的感觉就像“睡在一座博物馆里”，显得过于怪异和冰冷。他更倾向于住普通的舒适住宅，清晨可以端着咖啡透过窗户眺望树木、沉淀思绪，而不是面对一面20英尺高的冰冷水泥墙。随后，两人聊到了洛杉矶好莱坞山（Hollywood Hills）上的顶级豪宅景观。罗根形容从山上的玻璃幕墙向下俯瞰，洛杉矶在夜色中呈现出一片如同《银翼杀手》（*Blade Runner*）般的科幻未来景象。杰米（Young Jamie）在屏幕上调出了一处被称为“Oakley 创始人豪宅”的圆形建筑照片（估价高达2.1亿美元）。罗根赞叹其车道设计与俯瞰全市灯火的壮阔视线简直就像科幻电影场景，直言“如果我是单身富豪，我就会住那儿”，尽管长远来看可能还是木屋更舒服。托尼·辛奇克利夫（Tony Hinchcliffe）则分享了喜剧演员保利·肖尔（Pauly Shore）的豪宅趣事。保利当年靠 MTV 时期的丰厚收入，在好莱坞山的最顶峰买下了一处豪宅，并在近期进行了彻底翻新。托尼前去喝咖啡时被深深震撼。辛奇克利夫戏称，住得高还有天然的安保优势：劫匪即便想入室行窃，也只会选择半山腰的宅邸下手，绝不会费尽周折爬到山巅，因为从最顶峰逃跑实在太困难。 - 豪宅安全与地理位置密切相关：好莱坞山半山腰的住宅容易成为入室盗窃目标，而山顶房屋因逃跑路线过于曲折狭窄，反而让盗贼望而却步。 - 讨论中提及的著名房产包括估值约 2.1 亿美元的前 Oakley 创始人现代弧形水泥豪宅，以及保利·肖尔位于山巅的重新翻修住宅。 --- ### [02:29:44](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8984s) 达拉斯的幽灵街头车手：千匹马力与“幽灵模式” 话题顺着“逃脱追捕”自然延伸到了街头飙车。罗根透露自己最近沉迷于 YouTube 上的街头飙车视频，特别是达拉斯地区一位网名为“really slow”（拼写为 RYLSlow）的传奇车手。这位车手经常在夜间主动引诱警车追击，随后展开令人心惊肉跳的极速狂飙。罗根向杰米详细描述了该车手的改装手法与标志性操作：他驾驶一辆拥有1000匹以上马力的黑色雪佛兰 Corvette（克尔维特），车尾悬挂着写有“WILL RUN”（绝不停车）的伪造车牌，并加装了全景 3D 运动相机；他还配备了红外夜视仪和一个被称为“幽灵模式”（Ghost Mode）的秘密断电开关。当警车在后方闪起警灯准备拦截时，他猛踩油门拉开距离，随即按下开关切断全车所有车灯，在漆黑的夜色中利用夜视设备彻底人间蒸发。警方的福特皇冠维多利亚（Crown Victoria）等巡逻车只有约300匹马力，根本无法追及。 ```mermaid flowchart TD accTitle: 街头赛车手幽灵模式脱逃机制 accDescr: 展示改装车如何通过马力压制、车灯切断和路线规划甩开警车追捕 subgraph Phase1["挑衅与加速"] A["街头挑衅警车 / 巡逻车亮灯拦截"] --> B["超千匹马力瞬间加速拉开车距"] end subgraph Phase2["幽灵模式脱身"] B --> C["一键切断全车车灯（Ghost Mode）"] C --> D["依托红外夜视仪高速盲跑"] end subgraph Phase3["路线与网络伪装"] D --> E["精确预判路线、大角度掉头甩掉警车"] E --> F["通过多重代理与 VPN 匿名上传逃避追查"] end ``` 两位主持人进一步探讨了这种行为背后的技术细节与严重危险性。罗根猜测该车手在发布视频时必定运用了多层代理（Proxy）和 VPN 跨国跳转，以防社交平台追踪真实 IP。他还提到德州本地改装厂 Calvo 甚至能打造出超过 2000 匹马力的道奇蝰蛇（Dodge Viper）。尽管观赏这种追逐视频充满刺激感，但罗根严肃指出这种极速狂飙极具致命危险：有视频记录到追赶的警车在避让施工路障时失控撞毁；如果车手在高速闯红灯时与无辜车辆相撞，随时可能造成致命惨剧。 - 车手在受访时全部经过变声器处理以隐藏身份，网上仅流传其改装车辆的技术细节和追车视频。 - 逃脱手段包括切断前后灯光进入完全黑障行驶，并提前规划掉头（U-turn）路段进行反向脱逃。 - 德州 Calvo Motorsports 改装的道奇蝰蛇动力可高达 2,000 匹马力。 --- ### [02:34:04](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9244s) 坎耶·韦斯特的艺术奇迹：打破常规的体育场巡演谈话随后转向音乐与舞台艺术。辛奇克利夫极为兴奋地向罗根盛赞坎耶·韦斯特（Kanye West）正在举行的巡回演出，称其为“整个人类艺术史上的历史性时刻”。罗根提到坎耶在舞台上站在巨大地球仪上的视觉设计，而托尼强调这远不止于此，整场演出的每一个细节都是大师级手笔。辛奇克利夫分析道，坎耶掌控了演出的每一个决策环节，从色彩基调的微调、出场时机的把控，到整场氛围的拿捏。不同于当下许多用漫天激光和刺眼灯光轰炸观众感官的商业演出，坎耶的舞台设计极为克制且具有高度战略感。作为一个听着平克·弗洛伊德（Pink Floyd）先锋摇滚长大、对现场舞台科技有着极高挑剔标准的资深乐迷，托尼原本只期待一场常规的精彩说唱演出，但现场效果却“超出了预期的千倍”。辛奇克利夫还详细揭示了坎耶在商业运作上的离经叛道模式： 1. **闪击式定档**：坎耶往往只提前一两周突然宣布在大型体育场举办快闪演出（Pop-up shows）。 2. **场馆利益协同**：空置的巨型体育场乐于接单，靠售卖高额的酒水、饮料以及周边商品分成获利。 3. **病毒式宣发反扑**：坎耶本人完全不做传统广告宣传，全部依靠现场观众的口碑传播；各地持反对立场的政客、市长或州长公开站出来抗议甚至呼吁抵制时，反而起到了绝佳的反向宣传效果，导致场馆每一场都座无虚席、顶层看台全部爆满。 ### [02:35:40](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9340s) 侃爷震撼的充气环形舞台与高压演出 Tony 和 Joe 聊起了 Kanye West（侃爷）近期的巡回演出，感叹其风格与常规巨星大相径庭。通常即便是像 Pink Floyd 或 Rolling Stones 这样的传奇乐队，也会提前数月一次性公布所有巡演日程，恳请歌迷买票；而 Kanye 却行事极其随性，比如提前一周才突然宣布要在圣安东尼奥办一场（“7月4日圣安东尼奥”）。Tony 提到，他的朋友之前帮他搞到了坦帕（Tampa）站的门票，因为当时外界只知道他要去坦帕演出。现场座无虚席，从最顶层的看台一直挤到内场，气氛空前狂热。 Tony 指出，网上的照片和视频根本无法还原现场在音效与能量上的震撼，那个舞台设计堪称“极其疯狂”。整场演出采用环形舞台（in the round），Kanye 在全场暗灯后从观众席中穿过登场，瞬间引发半边看台的尖叫；随后舞台上的巨型球体亮起。舞台外部全部由充气结构包裹，普通观众根本无法冲上台，内部则设有专供 Kanye 一人进出的升降梯。为了防止他跌落到下方的充气气囊中，Kanye 身上还系着一根安全绳。 Tony 直言这是他这辈子见过的“最凶狠、最具野心的现场表演”（the most diabolical show），其震撼程度甚至超越了他深爱的 Pink Floyd——而 Pink Floyd 的舞台制作向来被公认为领先时代十到二十年。整场演出两个半小时，Kanye 几乎全程不停顿、不喝水、不中场休息，也没有任何客套的废话。直到全场接近尾声，他才终于对观众说道：“一切都是为了爱。我爱你们，感谢大家在所有人都对我口诛笔伐的这些年里，依然选择站在我身边。” ```mermaid flowchart TD accTitle: 侃爷环形舞台设计及登场动线 accDescr: 展示侃爷演唱会独特的入场、充气防护结构与升降舞台设计逻辑 subgraph Entry ["登场动线"] A["全场暗灯"] --> B["穿越观众席入场"] B --> C["巨型发光球体点亮"] end subgraph StageDesign ["舞台防御与机械结构"] D["外围充气阻隔结构"] -->|物理防冲台| E["安全封闭表演区"] F["独占式升降机"] -->|唯一垂直通道| G["中央高台"] H["防坠安全绳 Tether"] -->|防护措施| G end Entry --> StageDesign ``` --- ### [02:37:58](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9478s) 永动机式的金曲轰炸与逆境封杀后的翻盘 Joe 和 Tony 感叹 Kanye 积累的经典热曲数量惊人。为了验证演出的魔力，Tony 甚至带了一位平时不听说唱、对 Kanye 毫无兴趣的朋友一同前往。结果整场看完，那位朋友彻底被征服，当场变成铁杆粉丝，回家后开始重听并发现自己早就潜移默化地喜欢他的歌。Kanye 的现场将大量金曲串联，伴奏与节拍严丝合缝地层层推进，几乎没有任何歌曲间隔。在高强度的连续轰炸中，唯一的喘息节点出现在新专辑的一首歌里：台上的一位键盘手使用管乐键盘（Talkbox / 吹管合成器类乐器）带来了一段极其惊艳的长时间独奏，这终于让连唱了一个半小时的 Kanye 获得了一分半钟的宝贵喘息机会。Tony 强调，一般的说唱演唱会只是单纯的唱歌，但 Kanye 是整个嘻哈行业有史以来最伟大的制作人。即便他放下话筒不发一言，现场回荡的每一个音符、每一处采样与音效设计，全都是他个人艺术审美的投射。 Joe 提出疑问：“历史上有人能在被全面取消（Canceled）之后，像他这样强势反弹的吗？”整个演唱会现场弥漫着一种纯粹而坚固的忠诚感，全场观众都带着一种“大家孤立你，但我们才是对的”的倔强共鸣。 - **不间断演出时长**：开场连续高强度表演达 1.5 小时后，仅靠键盘手的一分半钟独奏短暂调整，整场表演长达 2.5 小时。 - **独创编排**：利用精妙的节拍衔接实现歌曲之间的无缝切换，同时将经典采样与原声创作作为演出的绝对主轴。 --- ### [02:40:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9615s) 自信还是自卑：关于狂妄说唱（Braggadocious Rap）的讨论 Tony 分享了他在 Instagram 上刷到的一位心理学专家对这场演唱会的深度剖析。该分析认为，喜欢 Kanye 的人本质上是内心高度相信自己的人。分析指出：当 Kanye 在台上大喊“我是最伟大的、我是神、我是主宰”时，如果这些话让你感到被冒犯或引发了你的自卑与不适，那恰恰说明是你自己内心不够自信；如果一个人的狂妄自傲会劝退你，说明你潜意识里并不怎么接纳自己。 Joe 对此表示理解，但认为也有些听众纯粹只是厌恶说唱里那种过度吹嘘（braggadocious）的调调。不过 Joe 和 Tony 都承认自己极其热爱这种风格。Joe 表示自己是 90 年代硬核嘻哈的狂热粉丝，就喜欢听歌手在歌里霸气宣布自己天下第一；Tony 也附和道，自己最喜欢的 Nas 歌词正是那些大放厥词宣示统治力的段落。两人一致认为，当听众跟着这种音乐大声合唱时，能够直接汲取并体会到歌手散发出的强大自信。优秀的押韵、顶级的歌词加上极致的现场演绎，让这种狂妄风格成为了极其震撼的艺术形式。 --- ### [02:42:22](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9742s) 摇滚乐队的断层、长篇编曲与唱片工业的陈规对话随后转向了现代摇滚乐的衰落。Joe 和 Tony 感慨如今乐坛极度缺乏现象级的大型摇滚乐队。在他们年轻的时代，摇滚乐统领一切；那时如果你既听摇滚又听说唱会被视为异类。Joe 回忆自己当年是近乎“偷偷摸摸”地成为说唱迷的，因为身为摇滚青年必须对摇滚保持忠诚，但他私下听到 Geto Boys 等说唱团体的磁带时被彻底折服，忍不住拉着身边的朋友惊叹：“你必须听听这个，这太牛了！” Tony 聊到自己的音乐品味跨度极大，最近刚购入了 Roy Orbison 的黑胶唱片。两人随后探讨了音乐界一种普遍的现象：很多伟大歌手或乐队往往被其电台商业金曲所“定型”（typecast）。 - **Roy Orbison**：大众熟知的是朗朗上口、结构相对简单重复的《Oh, Pretty Woman》，但他大量真正惊艳的作品却鲜为人知。 - **Pink Floyd**：多数普通听众只知道电台常放的《Wish You Were Here》和《Another Brick in the Wall》，而忽略了长达 11 分钟的《Shine On You Crazy Diamond》或长达 17 分钟、融合了布鲁斯与爵士起伏的宏大史诗《Echoes》。两人感慨 70 年代的音乐人极具冒险精神，敢于制作时长惊人的先锋大作： - **Lynyrd Skynyrd 的《Free Bird》**：唱片公司高管曾极力反对，抱怨歌曲前半部分节奏太慢，但乐队坚决拒绝妥协。 - **Led Zeppelin 的《Whole Lotta Love》**：曲中硬生生插入了一分半钟纯粹由奇特音效、怪诞环境声和锣钹敲击构成的实验噪音段落。 - **Queen（皇后乐队）**：Tony 提到在电影《波西米亚狂想曲》（Bohemian Rhapsody）中，唱片高管认为这首歌时长过长、歌词满是胡言乱语（gibberish），坚决不同意将其作为主打单曲，而 Freddie Mercury 与乐队众人则全力捍卫其艺术完整性。 ### [02:45:17](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9917s) 唱片高管的盲区与《月之暗面》的奇迹两人聊起一段音乐圈的经典轶事：曾有一位音乐人正因一首长达八分钟、节奏缓慢且配着钢琴的实验性歌曲遭到唱片公司高管的严厉质问。坐在豪华大办公桌后面的高管拍桌大骂：“这首歌又慢又是钢琴，歌词听着不知所云，而且他妈的长达八分钟！你到底在想什么？”双方在会议室里僵持不下、激烈争辩。就在此时，音乐人身边的贝斯手或吉他手突然指着办公室墙上悬挂的一张经典黑胶唱片唱针，反问高管：“所以当年是你做出了这张专辑，对吧？”他指向的正是平克·弗洛伊德（Pink Floyd）的名作《月之暗面》（*The Dark Side of the Moon*）。这一击瞬间让那位傲慢的高管哑口无言。正如乔·罗根（Joe Rogan）所言，《月之暗面》在音乐商业常规看来完全是不可理喻的怪胎——整张专辑以沉闷的心跳声拉开序幕，前奏长达数分钟没有半句人声歌词，却最终铸就了摇滚史上最伟大的神作之一。这种敢于打破唱片工业刻板教条的先锋创作，不仅打脸了短视的商业官僚，也证明了真正伟大的艺术往往诞生于对常规的颠覆之中。 --- ### [02:45:50](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9950s) 《绿野仙踪》的音画同步与模拟世界假说话题随即转向了流行文化中最著名的未解之谜之一——《月之暗面》与1939年经典电影《绿野仙踪》（*The Wizard of Oz*）之间令人毛骨悚然的音画神同步（即著名的“彩虹暗面”现象）。尽管乐队核心罗杰·沃特斯（Roger Waters）多次澄清这纯属巧合，但罗根和托尼·辛奇克利夫（Tony Hinchcliffe）一致认为，这种契合度完美到超出了偶然的极限，简直像是“宇宙亲手编排的”或是“世界属于虚拟模拟系统的证据”。在没有计算机数字剪辑的20世纪70年代初，平克·弗洛伊德如果真的要人为策划长达45分钟的精密切合，不仅需要反复逐帧对照胶片计算每个节拍，其制作工程量在当时的技术条件下几乎是不可能完成的任务。两人忍不住感叹，当年第一个把这张唱片放进播放器并同时播放电影录像带的人，嗑药到底嗑得有多嗨才能发掘出这种奇观。辛奇克利夫指出，最令人背脊发凉的是那些精准对应的歌词与画面节点： - **女巫对峙时的歌词呼应**：在整部电影中好女巫与坏女巫唯一同台交锋的一幕，背景音乐恰好唱出了“究竟谁是谁”（Which one is which）。 - **《On the Run》与失足坠落**：当多萝西（Dorothy）还在堪萨斯州的黑白场景中，沿着农场猪圈的栏杆走平衡木时，背景中急促怪诞的合成器器乐曲《On the Run》骤然响起；而当她失足摔落、农工们乱作一团的瞬间，音乐的节奏与尖叫混乱也同步爆发。针对阴谋论者认为这是乐队有意为之的观点，罗根指出其中的逻辑漏洞：如果平克·弗洛伊德当年真费尽心机完成了这样跨时代的艺术暗号，他们完全没有任何理由隐瞒。公开承认这个设计只会带来更大的轰动并拉动惊人的销量。虽然辛奇克利夫打趣说平克·弗洛伊德本就赚得盆满钵满、根本无需旁人指导宣发，但这种无心插柳却严丝合缝的神奇共时性，依旧是艺术史上最不可思议的奇迹之一。 --- ### [02:48:02](https://www.youtube.com/watch?v=inrnVpGsKN4&t=10082s) 顶住风浪持续进化与 Mothership 的喜剧打磨从艺术的狂欢回到现实，罗根由衷地赞许辛奇克利夫近期在单口喜剧界取得的辉煌势头，直言他现在的表现堪称“杀疯了”（killing it）。罗根特别敬佩托尼面对外界舆论风波时的韧性与心理素质——无论遭遇多少外界的冲击与批评，托尼始终“抗住所有击打，继续埋头向前开大卡车”（keep on trucking）。这种坚韧不仅没有将他打垮，反而让他变得愈发强大，淬炼出了更加扎实、凶猛的新段子。托尼坦然回应，自己早已将视线投向下一个目标，享受在台上的每一刻。两人相视一笑，谈到了在奥斯汀的喜剧大本营——喜剧母舰俱乐部（Comedy Mothership）打磨作品的日常。托尼格外享受每周二和周三在母舰登台试段子的纯粹时光，那是喜剧演员将生活经历转化为艺术的最真实工坊。在充满惺惺相惜与兄弟情谊的告别声中，两位老友互相致意，向观众道别，为本期节目画上了圆满的句号。 ## Notable quotes > [01:44:04](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6244s) 这些抱怨的人是不是都没被邀请？ — Tiffany Haddish > [01:53:49](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6829s) 你正在犯下一个将影响你余生的巨大错误。你在选择与一个放在任何其他行业都该进监狱的人站在一起。 — Joe Rogan > [02:01:09](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7269s) 我们在电视上做的一切，不过是为了吸引人们买票去脱口秀俱乐部看现场。 — Doug Stanhope > [02:01:09](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7269s) 托尼，我早就跟你说过，你讲那个波多黎各的段子迟早会被人捅的。 — Joe Rogan > [02:15:30](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8130s) 感谢沙特阿拉伯 — Tom Segura > [02:26:37](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8797s) 如果我是单身富豪，我就会住那儿 — Joe Rogan > [02:35:40](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9340s) 一切都是为了爱。我爱你们，感谢大家在所有人都对我口诛笔伐的这些年里，依然选择站在我身边。 — Kanye West > [02:45:17](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9917s) 所以当年是你做出了这张专辑，对吧？ ## Mentioned Tony Hinchcliffe, Joe Rogan, Woody Harrelson, Matthew McConaughey, Tom Brady, Kevin Hart, George Floyd, Kyle Rittenhouse, Earthquake, Pete Davidson, Charlie Kirk, Peng Dang, TMZ, Sheryl Underwood, Tiffany Haddish, Loni Love, Sean O'Malley, Donald Trump, Rudy Giuliani, Nate Bargatze, Jim Gaffigan, Shane Gillis, Kyle Dunnigan, Bob Marley, Louis C.K., Carlos Mencia, The Verve, The Rolling Stones, Richard Ashcroft, Allen Klein, Mick Jagger, Keith Richards, Radiohead, Lana Del Rey, The Hollies, Olivia Rodrigo, Paramore, Puff Daddy, Gorillaz, Damon Albarn, Doug Stanhope, Amy Schumer, CNN, Fox News, MSNBC, Scott Jennings, Anthony Bourdain, Tim Dillon, The New York Times, Jeffrey Epstein, Mike Benz, Anthony Fauci, Tulsi Gabbard, Chelsea Handler, Woody Allen, Jessica Kirson, Tom Segura, Jamal Khashoggi, Bill Burr, Gavin Newsom, Mitzi Shore, Sam Kinison, Pauly Shore, Young Jamie, Oakley, Calvo Motorsports, Kanye West, Pink Floyd, Nas, Roy Orbison, Lynyrd Skynyrd, Led Zeppelin, Freddie Mercury, Queen, Roger Waters, Comedy Mothership, Netflix, Apple TV+, Madison Square Garden, Human Rights Campaign, Obama Presidential Center ## Video description Tony Hinchcliffe is a comedian, writer, actor, and host of the podcast and live show “Kill Tony.” His new special, "Man of the People," is now streaming on Netflix. https://www.youtube.com/@killtony https://tonyhinchcliffe.komi.io https://www.tonyhinchcliffe.com [Source](https://www.youtube.com/watch?v=inrnVpGsKN4)

Source quotes

[104:04] Tiffany Haddish: 这些抱怨的人是不是都没被邀请？ [113:49] Joe Rogan: 你正在犯下一个将影响你余生的巨大错误。你在选择与一个放在任何其他行业都该进监狱的人站在一起。 [121:09] Doug Stanhope: 我们在电视上做的一切，不过是为了吸引人们买票去脱口秀俱乐部看现场。 [121:09] Joe Rogan: 托尼，我早就跟你说过，你讲那个波多黎各的段子迟早会被人捅的。 [135:30] Tom Segura: 感谢沙特阿拉伯 [146:37] Joe Rogan: 如果我是单身富豪，我就会住那儿 [155:40] Kanye West: 一切都是为了爱。我爱你们，感谢大家在所有人都对我口诛笔伐的这些年里，依然选择站在我身边。 [165:17] 所以当年是你做出了这张专辑，对吧？

Source quotes

[58:24] Joe Rogan: Why do you get that advantage that a striker gets of standing up when you didn't earn it? [89:31] Floyd Mayweather: When I go on vacation for 30 days, I take 30 watches with me... But then I say, 'Fuck it. If I want to bring out the one and only, then I bring out the watch There’s stealing and then there’s inspired by. Inspired by is what we were all doing... You can't just invent that in a vacuum. You have to invent that on all these other inventions that have taken place for decades before you. [130:00] Joe Rogan: A lot of the news is fake. [135:00] Tom Segura: Thanks, Saudi Arabia. [153:00] Ghost / Slow: WE WILL RUN [158:00] Kanye West: It's all about love. [158:00] Joe Rogan: evidence of the simulation.

Original transcript

[0:01] Joe Rogan podcast. Check it out. [0:03] >> The Joe Rogan Experience. [0:06] >> TRAIN BY DAY. JOE ROGAN PODCAST BY [0:08] NIGHT. All day. [0:12] >> What's up? What's going on? What's [0:14] happening? [0:14] >> Chaos. I love it. [0:15] >> Everything. [0:16] >> Yeah. The world's crazy. [0:18] >> Center of the storm. I think I think the [0:20] world's back at war today again. Like [0:22] officially, [0:23] >> right? [0:24] >> I don't know. I don't think that [0:26] agreement with Iran lasted at all. [0:30] >> Which one? [0:31] >> I think there's there was bombings today [0:33] in Lebanon and I think there's bombings [0:36] today in American bases. [0:42] >> I try to not pay attention, dude. I [0:44] really do. I try to distract myself with [0:46] science stuff and space. Uh, I was [0:49] watching this documentary yesterday on [0:51] how they make chips, like how they make [0:54] like semiconductor chips. Dude, this [0:58] [ __ ] machine that they use. I'm going [1:00] to send you this, Jamie, because it's [1:01] bananas. It's like one of the most [1:03] complex machines in the world. And this [1:07] this machine they use to make [1:09] semiconductors, make chips. And they [1:11] were explaining the process of making [1:13] these chips, how [ __ ] nuts it is, [1:16] man. the the amount of atoms that are [1:19] stacked on and like the way they do it [1:21] to make these like super complex [1:24] high-end chips. There's people out [1:26] there, Tony, that are doing things way [1:29] different than us. Okay? We're out there [1:33] talking about sucking dicks and [1:38] people [ __ ] themselves. And what's [1:40] going on in other parts of the world is [1:43] people are doing science fiction. like [1:45] they're they're actually doing science [1:46] fiction. Uh here it is. Give me a [1:50] second. I uh like to save things. Here [1:53] it is. The world's most important [1:55] machine. [1:57] >> It's the one that's an hour long. [1:58] >> Yes. Did you find it? [2:00] >> Yeah. Just an hour long. [2:01] >> Yeah. But go just go to the There's some [2:04] animation where they show how they make [2:06] these things. Like it was right where [2:09] you were at. [2:10] >> This is right at the beginning. [2:11] >> Yeah. Okay. Oh, okay. So, they're just [2:13] showing some of the um the different [2:16] aspects of how these things are made. [2:18] Look, go back to where that guy had the [2:20] laser beam. That's perfect, actually, [2:21] where that guy had the laser beam. So, [2:23] this is him explaining this. So, look at [2:25] this. Back it up a little bit and give [2:28] me some volume. [2:30] >> Can you back it up a little bit, please? [2:32] >> I want to introduce it to you with a [2:34] thought experiment. Imagine [2:37] you are shrunk down to the size of an [2:39] end and you're given a laser that's [2:42] strong enough to melt through metal like [2:44] butter. Next, a tiny droplet of molten [2:47] tin, roughly the size of a white blood [2:49] cell, is shot out in front of you around [2:51] 250 km hour. And your task is to hit [2:54] this not once, not twice, but three [2:57] times in a row in 20 microsconds with [2:59] your little laser. Well, that is exactly [3:02] what this machine does. It hits one tiny [3:05] tin droplet three times in a row, [3:07] heating each one up to over 220,000 [3:10] Kelvin. That's roughly 40 times hotter [3:12] than the surface of the sun. And it [3:14] doesn't just hit one droplet. It hits [3:17] 50,000 droplets every single second. [3:20] >> How often do you miss a laser shot? [3:22] >> We don't miss them. [3:24] >> What? You do 150,000 laser shots a [3:27] second and you don't miss one. [3:29] >> Exactly. The same machine also contains [3:32] mirrors that might just be the smoothest [3:35] objects in the universe. If you scale [3:37] one up to the size of the Earth, then [3:39] the largest bump would be no thicker [3:41] than a playing card. [3:42] >> On top of that, it is able to overlay [3:44] one layer of a chip perfectly on top of [3:46] another and never be off by more than [3:48] five atoms. And this is all happening [3:51] while parts of the machine whip around [3:53] at accelerations of over 20 GS. For 30 [3:56] years, almost everyone thought that [3:58] actually building this machine was [4:00] impossible. And yet, it exists. There is [4:04] only one company in the world that can [4:06] make it. So, what is this company? And [4:08] what is this impossible machine they've [4:10] built? This video is [4:12] >> There you go. [4:13] >> That's it. [4:14] >> Wow. [4:15] >> Yeah. [4:15] >> What are they doing with that? [4:17] >> All computers, like computer chips that [4:20] are getting better and better and [4:21] better. All these AI chips. This is how [4:23] they make One interesting thing I can [4:25] just add, I know when they make those, [4:27] they make like a big sheet of chips, you [4:29] know? [4:29] >> Mhm. [4:30] >> Like there'll be like 30 or 50 of them. [4:32] They'll test each one in the ones that [4:35] are the best, but test like one out of [4:37] 100. The ones that are like closest to [4:39] 100 become like the i9 chip. And if it's [4:41] like uh 85 out of 100, it becomes like [4:44] the i7 chip. So they all come off the [4:46] same sheet. Like the best ones become [4:48] the best chips. They sell them for the [4:49] most money. [4:50] >> The next ones are just a little [4:51] degraded. [4:52] >> No kidding. Interesting. [4:54] So where there was that issue with that [4:56] Samsung chip factory and it was about [4:59] they weren't getting the results that [5:01] they wanted. So it's probably they were [5:03] getting more of the shitty chips [5:05] >> and not enough of the perfect [5:06] >> chips. They want really high-end chips [5:07] and it's the real [5:08] >> you can smoke. We have a fan in here, [5:10] dude. [5:10] >> Sweet. [5:11] >> Um yeah. Uh, I mean, imagine if [5:16] everybody died [5:18] and it was just us in this room and [5:21] there was like three late Well, be more [5:23] than that. We'd have to have more [5:24] people. Otherwise, we're going to [ __ ] [5:25] up the gene pool. We're all going to [5:27] look like the English royals. We need We [5:29] probably need a few thousand people. A [5:31] few thousand people like regular people [5:33] like you and I that don't know [ __ ] [5:35] about how these things work. [5:36] >> Yeah. [5:36] >> How much time would we need if we [5:39] repopulated the earth with what we know? [5:41] Basically, you're starting out like a [5:43] [ __ ] like a halfass prepper, you [5:46] know, like someone who's on an episode [5:47] of Lost, you know, like a one of those [5:50] plane crash people trying to figure out [5:51] how to survive out there. You're [ __ ] [5:53] >> Oh, yeah. [5:54] >> You're not inventing that. [5:55] >> Uh-uh. [5:55] >> How long is it going to take? [5:57] >> Infinity. [5:58] >> And how many people have to pave the [6:00] way? This is the thing. For every one of [6:02] these people that makes uh an invention [6:05] like this, you're making this on the [6:07] back of thousands and thousands and [6:09] thousands of [ __ ] super geniuses that [6:12] have figured out each and every step of [6:13] the way that can lead you to thinking, [6:16] is this possible that we could do this [6:17] next? You know, they all build on each [6:19] other. So, you need all these guys and [6:23] hopefully they don't get any [ __ ] [6:25] because otherwise they're going to get [6:27] distracted, [6:28] >> you know? Well, I bet if one of them [6:30] gets a hot wife, like one of their [6:31] patents kicks and they they start making [6:34] bank and then all a sudden he shows up [6:35] for work in a Ferrari and next you know [6:37] he's got a hot wife. Everybody's like, [6:39] "Oh my god." [6:40] >> Yeah. Civilization just went back 100 [6:44] 200 years. [6:44] >> We're going to lose Tim. [6:46] >> Yeah. [6:48] >> Tim Tim's taking Adderall, coding 18 [6:50] hours a day trying to figure out how to [6:52] get us to Mars. Actually, that's a bad [6:55] point because Elon clearly gets [ __ ] [6:57] and doesn't seem to be affecting him at [6:59] all. [6:59] >> I think Elon's different. [7:01] >> He's definitely different. [7:03] >> Yeah. I mean, some people are different, [7:04] different different. [7:05] >> It's fascinating how many people want to [7:07] find flaws in what he's doing [7:10] >> instead of just looking at this like, [7:12] wow, this is an extraordinary time to be [7:14] alive. But it's because of this [7:15] narrative that people have. uh one of [7:18] them the big one is this US aid is [7:20] killing people narrative that people [7:22] have died because of US aid then a bunch [7:24] of people have given examples of how uh [7:27] them cutting the funding has led to the [7:29] end of certain people's lives like where [7:31] they were in hospitals that didn't have [7:32] any funding and there's a lot of that [7:36] that you could point to say right if [7:38] they had the money they would have had [7:39] the funding and they would have had that [7:40] equipment in place or maybe they [7:42] wouldn't have but here's the other thing [7:44] that's not discounting the fact that a [7:46] lot of that money is fraud. [7:48] >> Yeah. [7:49] >> A lot of it. Like it's not a little [7:51] amount. And the idea that you should let [7:54] it go on because it's going to save [7:56] lives and there's a bunch of people that [7:58] are stealing money. Okay, I see that [8:01] argument. But why are we sending them [8:04] money in the first place? Like wh what's [8:06] Did we do something to them? Do we owe [8:08] them money? No. Okay, we're just being [8:10] nice. Are you sure we're just being [8:11] nice? Is there anybody profiting of us [8:13] off of us being nice? Cuz usually just [8:15] being nice for no reason and just giving [8:18] tax money away for no reason. I don't [8:20] think they do that. I don't think that's [8:21] real. I used to think that was real. I [8:23] used to think that charity was real. And [8:25] now I look at I go, "Oh, no, no, no, no, [8:27] no, no, no. This is a giant scam that's [8:29] wrapped up in virtue. It's wrapped up in [8:30] a nice cozy blanket of being kind and [8:33] compassionate and virtuous and doing [8:35] good things for people all around the [8:37] world." I think a lot of people get [8:38] involved in those things because that's [8:40] what they think. We're going to do good [8:42] things around the world. They're good [8:43] people. I really believe that. And then [8:46] they find out how it really works and [8:47] then they get stuck in that system and [8:49] then they're making their way up their, [8:51] you know, air quotes corporate ladder to [8:53] the point where some of them are making [8:54] a million dollars a year and you're [8:55] like, what is this? [8:57] >> Yeah. [8:57] >> What is this? This is a business. This [8:59] isn't really charity. Most of the money [9:01] is going to your employees and your [9:03] overhead and your why do you have such a [9:05] big building? Like what are you doing? [9:08] How come you're not just funneling the [9:09] money to these people? [9:10] >> Exactly. [9:11] >> What? Like the LA fire aid. Yeah. Great [9:13] example. Spencer Pratt told me how many [9:16] what number did he say of nonprofits got [9:18] that money? So over a hund00 million [9:20] gets raised. I don't know the exact [9:21] total. [9:23] All of it goes to these different [9:25] nonprofits. I think he said 200 [9:28] different nonprofits got the money. [9:31] >> Yeah. [9:31] >> So and then what happens to that? Well, [9:33] they just pay their employees. They pay [9:35] overhead. They pay their rent on [ __ ] [9:38] nice office on wherever they live. [9:40] >> Mhm. [9:41] >> [ __ ] man. It's so disheartening because [9:43] you you've so that's what all that stuff [9:46] is and it's also if you listen to it [9:48] when Mike Benz has been on my podcast a [9:51] few times and explains us a [9:53] people think of it as aid you think of [9:56] it as oh we're helping the world which [9:58] is great right but it's not that it's [10:00] the agency for international development [10:02] and it involves funding rap bands [10:06] overseas that are uh the subversive rap [10:10] bands that are supposed to uh excite [10:12] people to take over the government. [10:14] There's like a bunch of like weird [ __ ] [10:16] funds rebels. It it funds newspapers. [10:19] And what was he talking about? Like the [10:22] there was a lot of it like funding rap [10:24] music. [10:26] Like this is crazy. People have [10:29] long said that rap music even though [10:32] listen you love hip-hop. I know you just [10:35] got back from Kanye West. I'm a huge [10:37] hip-hop fan. [10:37] >> We got to talk about that at some point. [10:39] >> We definitely do. I love hip-hop. Um, [10:41] but there's some people that believe [10:43] that gangster rap in particular when it [10:46] came about in the 1980s was a part of a [10:50] the push to popularize it and produce it [10:53] was a a part of the government. some [10:56] faction of the government, some faction, [10:58] some intelligence agencies, wanting to [11:00] create more crime, wanting to fill more [11:03] private prisons, wanting to erode the [11:06] fabric of society so they could push for [11:09] more laws to keep you safer. This is [11:11] like the one of the most tinfoily of [11:14] tinfoil hat conspiracies. But people are [11:17] pointing out that right now it's like [11:18] one of the rare times where no rap music [11:21] is on the charts. [11:22] >> Yeah. And they're saying, well, how does [11:24] this coincide with US A? Was US A like [11:27] actively promoting rap music? Was that [11:30] one of the reasons why rap music was so [11:32] poss? [11:34] >> Is that real? That can't be real. [11:37] >> Maybe back in the day. It seems like [11:39] that would be more manipulative. I I [11:42] don't see how. [11:42] >> I believed that until I heard mumble rap [11:44] and I'm like, this makes this is not [11:46] real. This is trying to make people [11:48] stupid. [11:48] >> Yeah. There's there's something about [11:50] this, you know, and obviously some [11:52] artists are better at it than other. [11:54] Some of them are fun the way they do it, [11:56] >> but I'm saying there's a giant chunk of [11:58] them that are inaudible. [12:01] >> You don't know what like who's who's [12:03] into this? [12:03] >> Oh, almost all of them are inaudible. [12:06] >> Like what what's going on there? Imagine [12:08] if like that was it. It was like uh [12:10] people heard Nas and like this guy's too [12:12] smart. Uh we got to dumb it down a [12:14] little. We got to promote some people [12:16] that could barely talk. [12:17] >> Yeah. We got to promote some people that [12:19] are on cough syrup apparently. [12:20] >> Yeah, [12:21] >> that's the Have you ever done that cough [12:22] cough syrup? [12:23] >> No. [12:23] >> They seem to love it. [12:24] >> Yeah. [12:25] >> A lot of dudes who are into that that [12:27] cough syrup, man. They they swear by it. [12:30] >> It's crazy. It's got to be fun. It's got [12:32] to be enjoyable. [12:33] >> Is it codine? Is that what they're [12:35] doing? [12:35] >> I think so. [12:36] >> Have you done it, Jamie? [12:38] Bro, we talked about this before, but I [12:40] remember um back in the 90s I got a hold [12:45] of some Nyquil, the real Nyquil. Like I [12:49] guess they changed the formula for [12:50] Nyquil and uh I had you know whatever [12:53] the flu or something and I took some [12:55] Nyquil and I was laying in bed and I was [12:56] like this is wonderful. Yeah, [12:58] >> it was wonderful. like the just the [13:01] warmth, the softness of the pillows and [13:03] the warmth of the bed with the covers [13:05] over me like, "Oh, this is wonderful." [13:08] And I remember thinking, "Oo, this is [13:10] dangerous." [13:11] >> Oh, yeah. [13:12] >> Like, this is a dangerous feeling. [13:14] Because if your life was [ __ ] and you [13:16] found that like that's better than [13:18] anything else that's happening in your [13:20] life. [13:21] >> Yeah. [13:22] >> And you can get it at CVS. [13:24] >> Crazy. Crazy. [13:25] >> Who was in the old Nyquil [13:27] >> before they switched it? [13:29] I avoid that stuff like the plague. I'm [13:31] afraid of medicine. [13:32] >> So, this stuff probably was like sitting [13:35] in my house if I took it. So, it might [13:37] have even been older than 97 or 98 [13:40] whenever this was that I was sick. But [13:42] I'll never forget it cuz then I never [13:44] get like getting scared like I could [13:47] love this. Like I could just drink this [13:49] during the day and just like sit on my [13:51] back porch if I have the day off. [13:53] >> Yeah. [13:54] >> Just get obliterated with Nyquil and [13:56] just enjoy the universe. I told you [13:58] about that time I took a half of the [13:59] pain pill that the dentist gave me for [14:01] my wisdom tooth. I was like, "Oh, [ __ ] [14:03] This is lifechanging." [14:04] >> It says, "The earliest Nyquil formula [14:06] include Ephadrin, which is a [14:09] decongestant, docam, [14:12] doc, docyamine, [14:15] sisinate, which is an antihistamine, [14:18] acetaminophen, [14:20] dextro [14:22] methorphan, cough suppressant, and about [14:24] 25% alcohol." Mhm. [14:26] >> Oh, I was getting drunk, too. [14:27] >> Mhm. [14:28] >> Wow. Um, what changed the mid-200s after [14:32] the combat methamphetamine at There it [14:34] is. They removed pseudo epidurine. So, [14:38] was that the stuff? So, it wasn't [14:40] coding. But is there I think there is [14:42] Nyquil with coding though, right? [14:45] >> What I had was pretty good. I don't [14:48] think it was as simple. [14:50] >> Yeah. You had the stuff they could make [14:51] mess out of or whatever. [14:53] >> Yeah. Okay. Okay, we'll put it in [14:55] perplexity [14:56] and perplexity says in the mid 20ou. [15:00] Yeah, Nyquil brands sold in the US do [15:02] not contain codin and there's never been [15:04] a standard Vix Nyquil with codin in its [15:08] active ingredient lineup. Typical Nyquil [15:11] form. So codin. So does any cough syrup [15:14] have codin in it? [15:15] >> That's what lean is. So you're talking [15:18] about [15:18] >> they add it [15:19] >> or is it just prescription cough syrup? [15:21] >> That was the whole thing about it. [15:23] Maybe I am [ __ ] up my memory and [15:25] maybe it wasn't Nyquil cuz whatever it [15:27] was. It seems like [15:28] >> you get [ __ ] up off Nyquil but you [15:30] have to drink like the whole bottle. You [15:31] get Nyquil like just get [ __ ] up. [15:33] >> I definitely didn't drink the whole [15:34] bottle. I I know I took a dose [15:37] like a strong dose. [15:38] >> I mean you're just getting [ __ ] up off [15:40] 25% alcohol and a little bit of a [15:42] >> maybe [15:43] >> a little bit of side mess. [15:44] >> See the thing is it's so long ago I [15:46] can't remember. I say Nyquil because [15:48] it's like saying Q-tips. [15:49] >> Yeah. you know, or Kleenex just because [15:51] it's tissues or ear swabs. I don't know [15:54] if it was Nyquil, but it was cough [15:55] syrup, whatever the [ __ ] it was. And I [15:57] felt wonderful. And I remember thinking [15:59] like, this could be a real problem. [16:01] >> Like that one day in bed, cuz I'm always [16:03] scared of stuff like that. I'm always [16:04] scared to get I knew too many people [16:06] when I was growing up that got hooked on [16:07] stuff. Yeah. [16:08] >> And it just derailed their life. So [16:10] lying in bed, I was like, "Oh, you're [16:11] going to do this again. No more this." [16:14] >> Right. [16:14] >> I like it. [16:15] >> Yeah. [16:16] >> Yeah. I got a knee surgery once. They [16:19] gave me morphine. They made morphine in [16:21] a drip. [16:22] >> And they say that you can only hit that [16:24] button so many times it stops giving to [16:26] you. Yeah. But every time you feel pain, [16:27] you can just hit the button cuz I was on [16:29] like a perpetual motion machine. Yeah. [16:31] >> So my legs going and I'm just bang bang [16:34] bang bang. [16:36] This episode is brought to you by Zip [16:38] Recruiter. We all like to find ways to [16:40] save ourselves some time like ordering [16:42] out for dinner or meal prepping so you [16:44] don't have to cook during the week. 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So their whole [17:40] thing is like a luxurious [17:43] dental experience and they will hook you [17:46] up to laughing gas and they let you like [17:48] if they're like they're like you want a [17:50] little more and I'm like okay yeah and [17:52] that's like the closest I get to it is [17:54] once every 6 months or so I go there and [17:57] dude I'm always excited about this [17:59] [ __ ] experience. It is so awesome. [18:02] >> Do you ever come up with bits after [18:04] doing laughing gas to give you any [18:06] ideas? No, but during the thing it makes [18:08] me weirdly honest. You ever seen in Kill [18:10] Bill when he shoots her in the knee with [18:12] the honest gun cuz he was a chemist for [18:14] like a living is like his secret job. So [18:17] he comes up with this truth serum and [18:18] I've noticed that it makes me like [18:20] weirdly very honest. So one time when I [18:23] was in the dental office, the guy's [18:25] doing whatever and I'm like and I'm [18:28] jacked on laughing gas cuz it's not [18:30] really you're not really like cracking [18:32] up. you're just like in heaven and [18:34] you're like it's kind of smiling ear to [18:36] ear. And I remember going like how long [18:38] did you go to school for dental school? [18:40] And he's like whatever the answer is [18:42] like 8 years. And I'm like did you ever [18:43] think about going longer and becoming a [18:45] real doctor? And then I and I realized [18:47] like kind of in the moment even though I [18:49] was [ __ ] up like that's that sounds [18:51] mean but I think they're totally used to [18:54] it. I think they know that laughing gas [18:55] makes people [ __ ] [18:56] >> I bet they're not used to that dude. [18:58] That's so mean. It's not supposed [19:01] that's what I'm saying is it's like a [19:03] dangerous [19:03] >> a real doctor [19:04] >> a dangerous truth serum. [19:06] >> Some people want to be dentists. [19:08] >> Yeah, [19:08] >> we need them too. [19:10] >> Yeah, [19:10] >> you know [19:11] >> crazy gig. [19:12] >> Yeah, [19:13] >> it's a weird one. [19:14] >> I know. Imagine how much bad breath they [19:16] smell [19:17] >> and just weird things lodged in teeth [19:19] for God only knows how long. When I got [19:22] my root canal, um, one of the reason why [19:24] I had to get it is cuz, uh, I had a cap [19:27] on my tooth or a a filler, whatever it [19:30] is. What's it called? [19:32] >> Fillings. [19:33] >> No, the when they just fill your tooth [19:34] up. Why? Why can't I remember? [19:36] >> Filling. [19:36] >> Fillings. Why did I say filler? [19:38] Whatever. [19:39] >> Yeah. Uh, it was old school one, you [19:41] know? It was like white plastic. And [19:43] when I was a kid, I used to have them. [19:44] They were like [ __ ] lead. They used [19:46] to give you lead fillings, which is [19:47] crazy. Like kids had lead in their [19:50] mouth. [19:51] Um, and it was hurting. It was bothering [19:53] me. So, what had happened was uh I had [19:56] cracked the tooth and it had gotten [19:58] infected underneath the uh filling. So, [20:02] he takes the filling out and drills into [20:03] it and the smell [20:06] >> that came out of my mouth. It was so It [20:10] was pus. All this pus came out and this [20:13] [ __ ] horrific smell. [20:16] >> I was like, "Oh my god, is that coming [20:17] out of my mouth?" [20:19] >> Yeah. He's like, "Oh, that's normal. [20:20] It's decay. [20:22] There's an infection under here. We're [20:23] going to treat it. You're going to be [20:24] fine." [20:25] >> Yeah. Piece of elk from seven years ago. [20:27] >> This is a long time ago. This is a long [20:29] time ago. It was before I was hunting, I [20:31] think. [20:31] >> But it was uh I you know, people die [20:34] from that stuff, which is really crazy. [20:36] Like, if you don't take care of your [20:37] teeth and you get that kind of [20:38] infection, those kind of infections can [20:41] become septic. [20:42] >> Yeah. Well, it's nuts. Sometimes I'll do [20:44] a thing where I'll water floss after I [20:47] brush my teeth just to see what would [20:49] have been left in there if I just did [20:51] what normal humans do cuz high pressure [20:55] water flossers that I [ __ ] love. [20:57] Complete game changer for life. And it's [20:59] insane what will jet out of there with [21:02] gets stuck deep in between the teeth and [21:04] everything. And you know I think you're [21:06] I would for the most part I do it before [21:08] I brush but every once in a while I'll [21:09] be like I wonder if there's anything [21:11] left in there you know. Yeah, you have [21:13] to floss. You're gonna get a bunch of [21:15] [ __ ] stuck in there. [21:16] >> But [21:16] >> and even then, sometimes I'll regular [21:18] floss and then brush my teeth and just [21:20] out of curiosity go, I wonder if there's [21:22] anything left in there. And I'll do a [21:24] one silver with a water flosser and you [21:25] see like ding ding ding, three little [21:27] things come out. It's like that would [21:28] have marinated [21:30] >> in between my teeth or in the back of my [21:32] gum line or whatever. [21:33] >> Yeah, that's not good. But according to [21:35] my dentist, he thinks it's all sugar. He [21:38] thinks if you go back and you look at [21:40] like when people started developing [21:42] serious cavities, it's the people have [21:44] always had abscesses and broken teeth [21:47] and there's always been like dental [21:49] problems that haunted people because [21:51] back in the day, man, they just pull the [21:53] tooth out and then who knows what kind [21:54] of infection you still have in there and [21:56] they don't treat it. In the 1700s, if [21:59] you broke your tooth and got an [22:00] infection, you could be [ __ ] dead, [22:02] you know? You could die from that [ __ ] [22:03] But he was saying that the the amount of [22:06] cavities like steeply increased when [22:09] people started putting sugar and [22:10] everything and then kids started [22:12] drinking sugary sodas and eating sugary [22:14] candy and that stuff gets stuck in your [22:16] teeth. It's like I think that's the [22:17] cause of it. [22:18] >> Yeah. And probably high fructose corn [22:20] syrup's probably just as bad or if not [22:22] worse than actual sugar. [22:24] >> That stuff's not good for your body. [22:25] That's for sure. Your body doesn't like [22:27] it. Someone explained to me what's the [22:29] difference in the absorption of high [22:30] fructose corn syrup versus natural cane [22:33] sugar. I completely forget how they [22:35] explained it, but they were they were [22:36] basically saying that there's some [22:37] issues with how the body breaks it down. [22:40] >> Well, when you drink a soda, just think [22:42] about that. Where in nature do you get [22:44] 20 grams of sugar just in liquid form [22:48] and you just pump it downug? [22:51] Ah, refreshing. [22:53] >> Crazy. My buddy that I uh went to school [22:55] with just flew in from Hawaii, which is [22:58] where he's lived for like 20 years. He's [23:00] like he's like a wilderness guy. Climbs [23:03] trees and cuts down his own pineapples [23:05] and coconuts and stuff all the time. [23:06] He's he's got a great life. And um he uh [23:11] he checked a bag this trip just a few [23:13] days ago. Um and he brought it to the [23:15] mother ship because that's where we met [23:16] up. And he surprised me with this [23:18] checked bag that was like that had the [23:20] moldings built in and everything. It had [23:22] four coconuts and two white Hawaiian [23:26] pineapples, I think they're called, [23:27] which like run like $65 each or [23:30] something in the US. Like it's [23:31] impossible to get. And um according to [23:34] him, I don't know. Uh he's a real [23:36] hippie- dippy type. [23:37] >> Is that the dude that you brought to the [23:38] mother? [23:39] >> Yeah, Anthony. Yeah. [23:40] >> Your friend from high school, which is [23:42] crazy. [23:42] >> Yeah, he's the he's the man. He's just a [23:44] real dude. [23:45] >> That's crazy when you know people for [23:46] that long. [23:47] >> Yeah. Yeah. Yeah. And so this dude is [23:48] just living in Hawaii, living his best [23:51] life. [23:51] >> And I I mean, holy [ __ ] these [ __ ] [23:54] pineapple. He's like, "Dude, you're [23:55] going to love this pineapple. Pineapple. [23:57] Pineapple." He just kept going on about [23:59] it. I'm like, "All right, okay." Sure [24:00] enough. Holy [ __ ] [ __ ] man. It's [24:03] nature can deliver you a sugar dose cuz [24:07] he was saying that white Hawaiian [24:08] pineapples have higher sugar but much [24:10] lower acidity [24:12] >> than what we're used to. So it makes a [24:14] whole different and since obviously it's [24:16] natural sugar and this and that. It just [24:17] makes a whole different type of [ __ ] [24:19] fruit. It's crazy. [24:22] >> Sounds good. [24:22] >> Wild how we have to go other places to [24:24] get unbelievable [ __ ] [24:26] >> Well, of course Hawaii. [24:27] >> Yeah, [24:28] >> Hawaii really should be its own country. [24:30] >> Yeah, [24:30] >> I listen. I love Hawaii. I'm glad [24:32] they're protected by the United States. [24:34] People are cool as [ __ ] It should be [24:36] its own country. It's 5 hours by plane. [24:39] >> I mean, come on, man. Yeah, [24:40] >> white pineapples primarily known as [24:43] sugarloaf or white jade pineapples. [24:46] >> Highly prized rare variety grown in [24:48] Hawaii. Unlike standard yellow, they [24:50] feature creamy white flesh, particularly [24:52] uh practically no acidity and a complex [24:55] completely edible core. [24:57] >> It was great. [24:58] >> And [ __ ] he climbs a goddamn tree [25:01] >> like a little [ __ ] monkey boy. Normal [25:04] little white dude. [25:05] >> How did he wind up in Hawaii? Uh, he's a [25:09] real free spirit. He always was. I think [25:11] he just went out there, visited, and [25:13] stayed. He's the kind of guy that just [25:15] gets a one-way ticket places, and [25:17] figures it out as he goes. He's in [25:18] Youngstown right now. That shows you how [25:20] adventurous and crazy he is. He's like, [25:23] I'm going to spend a week and a half [25:24] there. I'm like, a week and a half in [25:26] Youngstown. [25:27] >> Why is he doing that? [25:28] >> Visit family and friends? He said, [25:30] >> is there a good hotel to stay at in [25:32] Youngstown? [25:33] >> No. And I even had to look this up [25:35] recently because I'm like, I'm not [25:36] staying at the crazy hotel that I stayed [25:39] at last time I was there. So I'm like, [25:41] best hotel in Youngsttown. And the [25:43] funniest thing is the actual closest [25:45] option was in Pennsylvania, like 50 [25:48] minutes away. Truly, I mean, there's one [25:51] like Double Tree downtown, but it's in [25:54] an area of absolute chaos. I mean, just [25:59] death wish. [25:59] >> Do you ever go back there and go, I [26:01] can't believe I grew up here? [26:02] >> Always. 100% of the time. I got a [26:05] feeling for it immediately when I went [26:06] to LA and I didn't hear police sirens [26:09] anymore, like as often at least. You [26:12] know what I mean? [26:13] >> Isn't that funny? Like LA with LA's [26:15] crime. [26:16] >> That's what I always thought. I'm like, [26:17] "Oh, this is going to be crazy. I've [26:19] heard these Tupac songs. Like, this is [26:21] going to be nuts." And it was [26:23] >> That was US A. [26:24] >> So peaceful. Yeah, exactly. [26:27] So peaceful. In Youngstown, at least [26:29] when I was growing up there, you could [26:30] hear a police siren or an ambulance [26:33] siren almost at any point of the day. [26:36] >> God, [26:37] >> my buddy sent me a shirt recently, too. [26:40] Another one buddy um that has the stats [26:43] on it of us being the murder capital. I [26:45] think it was 90, 91, and 96 per capita. [26:50] Not the biggest population, [26:52] but per capita, it was the most [26:55] dangerous place you could be. when I was [26:57] in those most developmental years when a [26:59] kid shouldn't be having his head next to [27:02] the window. Yeah, there it is. I got [27:03] that shirt. [27:05] >> Wow. [27:05] >> Fourtime defending champion, murder [27:08] capital of America. [27:10] >> Wow. [27:11] >> Yep. In 01 02. That puts me as a [27:13] sophomore and junior in high school. [27:16] >> 9597. I'm 112. [27:18] >> And you're being raised by your mom. [27:20] >> Yeah. on the north on the craziest [27:24] [ __ ] area of the whole goddamn thing. [27:26] The most dilapidated part of the north [27:28] side of Youngtown. [27:30] >> Wow. [27:31] >> Yeah. I can't believe it. That's why [27:34] like every part of my [ __ ] story I'm [27:37] like, "This is so goddamn weird." So [27:40] weird. [27:40] >> It is when you think about it, right? [27:42] When you really stop and think about it, [27:44] it doesn't seem real. 60 years ago, this [27:45] Ohio city was named Crime Town, USA. [27:48] >> Yep. Crime Town [27:50] >> 75 bombings. [27:51] >> Yep. [27:52] >> Oh, this was the mob days. [27:53] >> Yeah. [27:54] >> So, it used to be a mob run town, right? [27:57] >> Totally. [27:58] >> They were called bomb town. [27:59] >> Yeah. It was a Youngstown tuneup is a [28:02] car bomb. [28:03] >> Look at this. 75 bombings, [28:06] 11 killings in a decade, and no one [28:09] seems to care. [28:11] >> They were so nuts in Youngstown that [28:13] somebody tried to kill the actual [28:15] prosecutor, the actual DA. Oh, isn't [28:18] that normal that they always try to do [28:19] that? [28:20] >> Well, it's kind of the stupidest, [28:22] craziest thing you could do because then [28:24] the entire FBI comes down on you. It's a [28:28] little shortsighted to go, "Ah, we're [28:29] going to kill the main cop of this city [28:32] and not think that anything's going to [28:34] happen from that. Well, we beat the [28:36] game. We beat the main cop." [28:37] >> Imagine trying to be an intelligent [28:40] businessman and also a mob leader. [28:42] Imagine like planning things out in [28:45] advance and but also you're a mob [28:47] leader. [28:47] >> There was a lot of that going on and I [28:50] got to see quite a bit of it. Like there [28:53] were uh let's put it this way mall [28:55] developers in Youngstown and things like [28:58] that. And I got to see firsthand very [29:00] young that they were communicating with [29:02] politicians at lunchtime and stuff [29:05] because I was working at this little [29:07] Italian restaurant at the time right out [29:09] of high school. and um and having they [29:14] were having these quiet meetups in a [29:15] quiet in the corner of a quiet Italian [29:18] restaurant and you would see these huge [29:20] moguls, you know, I won't name any [29:22] names, but big business people in [29:24] Youngstown meeting with the local this [29:26] and that and congressmen. I got to meet [29:28] that congressman and that congressman [29:30] because they're there meeting with these [29:31] super duper rich people. And I'm like, I [29:33] wonder what the correlation is there, [29:35] >> bro. Back then when there was no cell [29:37] phones [29:38] >> Yeah. And you know, they had to bug [29:41] people. They have to They had to [29:42] literally bug businesses to get [29:44] information. [29:45] >> Like they were all doing something. [29:47] >> Oh yeah. [29:48] >> You couldn't be involved in any big time [29:50] business if you weren't down with the [29:52] Teamsters. If you weren't down with the [29:54] Long Shoreman, [29:55] >> you had to you had to We got TO WORK [29:57] THIS OUT, BOBBY. [30:00] We're businessmen. [30:02] >> That's That's how you did the business. [30:04] >> Give a little money to their campaign. [30:06] Not a little, but a bit. And then you [30:08] can get your stuff passed and make life [30:10] easier down the road. [30:11] >> Dude, I had friends that had no show [30:13] jobs. [30:14] >> Wow. [30:15] >> Yeah. [30:15] >> Yeah. [30:16] >> I had a friend of mine that had a [30:17] no-show job in New York at the Javit [30:19] Center. [30:20] >> You know, the Javit Center is like a big [30:22] convention center. [30:24] >> He had a union no-show job. [30:26] >> Wow. [30:26] >> So, he was a mob guy. [30:28] >> Yeah. [30:28] >> And they they just gave him money. [30:30] >> I only get a free check on the Sopranos. [30:32] They had those no-show construction [30:34] jobs. They're sitting there with their [30:36] portable fans. Yeah. No, that's real, [30:38] dude. That is a real thing. [30:40] >> Yeah. [30:41] >> There's They get a certain amount of [30:42] jobs. Like they would make agreements. [30:45] Like the union would make an agreement. [30:47] We get a certain amount of these jobs. [30:48] There's like, you know, [30:50] >> it's crazy. [30:51] >> There's really a hundred jobs, but we [30:53] want 130. [30:56] Uh, Youngstown was uh a haven for [31:00] organized crime related corruption was [31:02] ingrained into the fabric of its [31:04] society. A 2000 publication, New [31:06] Republic, listed a chief of police, the [31:07] outgoing prosecutor, the sheriff, the [31:09] county engineer, members of the local [31:11] police force, a city law director, [31:13] several defense attorneys, politicians, [31:16] judges, and a former assistant US [31:18] attorney as controlled by the mob. [31:21] >> So if they have that, if they found that [31:25] for sure, imagine how many others there [31:28] are, [31:28] >> right? That's everybody. That's [31:30] everybody. the prosecutor, the sheriff, [31:32] the county engineer, the police force, [31:34] city law director, defense attorney. [31:36] Imagine not being down with the mob. [31:39] Like, do you want to stay alive? Like, [31:40] do you want to work in this business? [31:42] >> Right. And this is a city. I think we [31:44] looked it up the other day, actually. I [31:45] think it only has 25,000 white people. [31:48] >> So, knowing that black people tend to [31:51] not be in the Italian mob, just going [31:54] off of 25,000, [31:57] and that's current. I don't know what it [31:58] was back in the day, but the point is is [32:00] like it's not a big city. [32:03] It's not I think 50 60,000 half or less [32:08] white. So [32:09] >> there's Tony. [32:11] >> Yeah, [32:11] >> there's little Tony watching pro [32:12] wrestling. [32:13] >> Oh yeah, pro wrestling. And even then I [32:15] was obsessed with Good Fellas and a [32:17] Bronx Tale and a Godfather because it's [32:19] like it's just what you're taught is [32:22] humanity. Like that's life. [32:24] >> Yeah. [32:26] So getting out of that and going to LA [32:28] and thinking it was going to be all it's [32:30] going to be crazy gangs and stuff and [32:32] it's just quiet. Granted, I started in [32:34] Burbank, which is a [ __ ] television [32:36] studio essentially. But when I moved to [32:38] New Jersey and I didn't have any money [32:40] when I first moved to New York, I I [32:42] couldn't afford to live in New in New [32:44] York City or I didn't even have an [32:45] apartment. I stayed with my grandparents [32:47] cuz my grandfather lived in New Jersey [32:50] in New York. And um he bought a house [32:53] there in I think it was like the 1940s [32:56] and they did a thing called [32:57] blockbusting. Do you know what [32:58] blockbusting is? They would go to door [33:00] to door and they would say black people [33:02] are moving into the neighborhood. You [33:03] got to sell now. And everybody sold. It [33:04] used to be an entirely Italian [33:06] neighborhood. [33:07] >> Uh and he was like I like black people. [33:08] Get the [ __ ] out of here. And he kept [33:10] his house but it was like one of very [33:12] few families that stayed. And then black [33:15] people moved out. And then they started [33:17] getting like different people, Spanish- [33:20] speakaking people, like Dominicans and a [33:22] bunch of other. And that's how it was [33:23] when I stayed with them. So this is like [33:29] nu 91. Yeah, I was three years in the [33:32] comedy, so it's probably 91. And uh [33:34] while I was living with them, the next [33:36] door neighbor's house got broken into by [33:38] the cops. The DEA smashed down his door. [33:40] The dude had an Audi parked in a [33:42] driveway. He was selling crack like [33:43] right next door to my grandpa. [33:45] >> Wow. The whole neighborhood was just [33:46] nuts, dude. Like he would get really [33:48] nervous when I would leave. Like I would [33:50] leave to go play pool somewhere and he [33:51] like be careful. Like it was [ __ ] [33:54] sketchy. [33:55] >> Yeah. [33:57] >> But it didn't used to be like when he [33:59] first moved there. It was just an all [34:02] Italian neighborhood. [34:03] >> Yep. [34:04] >> Real estate people even back like what a [34:06] dirty thing to do. [34:07] >> Scare people into moving. That's [34:10] probably the first project of US Aid. [34:12] That's probably [34:13] >> Yeah. [34:15] They probably got real estate people to [34:17] destroy neighborhoods. [34:19] >> There's something to it. I don't know [34:20] the correlation of Italian neighborhoods [34:23] being taken over, not taken over, but [34:26] whatever by black people like the mobrun [34:30] cities like Youngstown, like Chicago, [34:32] like Detroit. Um, [34:35] it's an interesting anomaly. I wonder if [34:38] there's any correlation between the [34:39] things. Well, you know, most of the [34:42] Italians that came in the early 20th [34:45] century were very poor. You know, they [34:47] were all coming over here for labor or [34:49] jobs and things along those lines. And [34:52] um you know, when they started doing [34:54] better, they you know, they started [34:56] moving out and moving into the suburbs [34:58] and moving into you know, more [35:00] gentrified areas. It's always what are [35:03] the new immigrants that are going to [35:04] come and take over this area that was [35:06] like formerly a lowincome Italian [35:09] neighborhood or a lowincome Irish [35:11] neighborhood. It's the same thing. Like [35:13] there's cycles, you know. [35:15] >> It's like there's cycles in fighting [35:16] too. Like in the early 20th century, [35:19] there's a lot of Jewish fighters like [35:22] Slappy Maxi Rosen Bloom. You never heard [35:24] of him, right? Some very good Jewish [35:26] fighters. um because they were poor and [35:29] there were the the new immigrants, you [35:31] know, and this is like before World War [35:33] II. And then in and even afterwards [35:37] there was some but then you get [35:39] Italians, you get a lot of Italians, get [35:41] Rocky Marciano, Rocky Gratziano, there's [35:44] a lot of like uh Jake Lamada, there's a [35:46] lot of these like Italian bad [35:48] [ __ ] because they were poor. [35:49] >> Yeah. And then what happened? Then you [35:52] got a lot of Puerto Ricans, a lot of, [35:54] you know, it's always like who's the new [35:56] immigrants, [35:57] >> right? [35:57] >> And who are the most hungry, come from [35:59] the most povertyridden areas. Like [36:02] Roberto Duran came from a terrible part [36:04] of Panama. Like not terrible, but I mean [36:06] like very poor, very violent. [36:08] >> Yeah. [36:08] >> And he was one of the baddest [36:10] [ __ ] [36:10] >> Boom. Manini was right down the street. [36:12] >> Yep. Yeah. I mean, Youngstown's known [36:17] for boxing. [36:17] >> Yeah. Kelly Pav. Kelly Pavick, who's [36:20] been on the podcast. He's awesome. [36:22] >> Yeah, [36:22] >> he was a beast, dude. [36:24] >> Oh, man. [36:25] >> That fight with him and Germaine Taylor [36:27] won. Sometimes I still rewatch the end [36:29] of that to [36:30] >> How did he survive? [36:31] >> Give me a burst of energy. [36:33] >> I mean, how did he make it through that? [36:35] That was a crazy I mean, he got dropped. [36:38] He looked like it looks like the fight [36:39] was over. And then when he's got him in [36:41] the corner and he rocks him [36:43] >> and you you go, "No way. He's coming [36:46] back. This is crazy." Easy. [36:47] >> This Did you watch uh the fights this [36:49] weekend? Geron Boot Boots Enis and I [36:51] forget the the dude he was fighting. [36:53] >> No, I was at that concert. I missed it. [36:56] >> Boots is very good. And for the most [36:58] part, he beat his ass. But the third [37:00] round he got rocked. The third round was [37:02] incredible cuz he the kid he was [37:04] fighting, who's the gentleman that he [37:05] was fighting, Jamie? [37:06] >> Zas. [37:07] >> Zas. Yeah. Young kid. He uh got dropped [37:11] in the second round like pretty bad. [37:12] Boots is very good. He's like one of the [37:14] best boxers alive. And then the third [37:16] round, the kid came back and rocked [37:18] Boots and it was just a war. Just the [37:20] third round was incredible. Boots wound [37:22] up stopping him. I think he stopped him [37:24] in like the seventh or the eighth round. [37:26] Uh he just dropped him one last time and [37:29] the the re the corner called it. It was [37:31] enough. Like he was getting his ass [37:32] kicked, but he was very very valiant, [37:35] you know. It was a really good fight. [37:37] Like Boots is better than him. Like [37:38] clearly he's like he's on another level, [37:40] but this kid showed just tremendous [37:42] heart. But it's like that third round [37:44] was just coming back from getting [37:46] dropped in the second. Like those kind [37:48] of moments where a guy's getting [ __ ] [37:50] up like like the Gachi Tapora fight. [37:52] >> Yep. [37:53] >> Perfect example. [37:54] >> Yeah. [37:54] >> Right. [37:55] >> That's when it's really a fight. [37:56] >> A a real fight cuz Toporia was on him in [38:01] that second round, [38:03] >> man. We were so close. They were in They [38:06] were You could hear it. [38:07] >> They Oh, you could really You could feel [38:09] it where I was, man. And you know, [38:12] obviously we're always close to the cage [38:14] on those things, but then when gate when [38:17] Turia was landing those body shots, it [38:20] was right against our side of the fence, [38:22] and I'm literally like, "Oh my." I mean, [38:25] holy [ __ ] [ __ ] man. And I've seen a [38:28] lot of people get ripped to the body [38:30] before, but there is something about his [38:32] close range strength in near that [38:35] clinch, that close up [ __ ] range of [38:38] Elia that is scary. [38:41] >> He's so good, dude. He's so good and [38:43] he's so precise. He just tried to like [38:47] ch I always repeat this because Chail [38:49] Son said it was perfect. If you try to [38:51] win by knockout and fail, you won't win [38:53] a decision. [38:55] >> Yeah. And sometimes you just run out of [38:57] gas because like you're not supposed to [38:58] fight like that if you think that the [39:00] fight's going to go five rounds. Like [39:02] Ilia had him hurt and he's like, I can [39:03] take him out. But Justin's so durable, [39:06] man. He's so durable. And that left hook [39:11] to the body, the sound of it, man, is [39:13] just whip. It's so perfect. He throws [39:16] perfect punches. His punches are just I [39:19] mean even Justin said it in the [39:22] postfight interview like when he's fresh [39:23] his skills are unmatched. Like that's a [39:25] crazy thing to say to a guy you just [39:27] beat up and made stop. He stopped him in [39:29] the fourth round. [39:30] >> Yeah, [39:31] >> that's crazy to say like his skills are [39:33] unmatched. But they really are. [39:35] >> Every point of that I'm at every point [39:37] of that anybody I think that knows [39:39] anything about those two fighters is [39:42] going until this is stopped. Anybody can [39:45] win this. Like even when his face was [39:48] blown up and his eyes looked black and [39:50] closed. [39:51] >> Mhm. [39:52] >> Until that air horn rings, I'm like [39:56] anything. One punch. And we've seen it [39:58] even with Gachi. You saw it with [40:00] Holloway, right? Was it him? Who did he [40:03] square up with in the middle? [40:05] >> Holloway. Yeah. [40:05] >> Yes. Hit him with that final punch. [40:07] >> One chin. One with one second left. It [40:10] can all be over. [40:12] >> Yeah. That was a little different in [40:14] that Holloway caught him with a jump [40:17] spinning back kick to the face in the [40:19] very last seconds of the first round and [40:22] broke the bone of his nose. [40:24] >> Um, we talked about it on the podcast [40:26] and I was like that changed that fight [40:27] because before that Gatei was pressing [40:30] him and it looked very competitive and [40:32] it looked like maybe Gachi had a slight [40:35] advantage but that's cuz Max Max's very [40:38] clever, very clever fighter. like he's [40:40] always switching stances and moving and [40:42] you know really hadn't showed that [40:44] spinning back kick a lot that hadn't [40:45] been a feature in a lot of his fights. [40:47] He did it a few times but to for to for [40:49] him to land it that way backing up jump [40:52] to the face I mean it was perfect. [40:54] >> Yeah, [40:54] >> it was perfect. And his nose was [ __ ] [40:57] And if you're fighting with a broken [40:58] like a broken bone on your face every [41:01] time you're getting hit you're getting [41:02] just blasted. [41:03] >> Yeah. [41:04] >> You're the pain is insane. And then, you [41:07] know, he had, you know, he was a step [41:10] behind Max. Max is teeing off on him. He [41:12] landed some good shots, though, even [41:14] though it was a good fight. I mean, Max [41:16] was definitely ahead in the fifth round, [41:18] but it was a good fight. And then, you [41:21] know, during that wild exchange, he [41:22] should have never done that. [41:24] >> Yeah, [41:24] >> he was already fading, whereas Max was [41:26] still very fresh. [41:29] >> [ __ ] crazy fight, man. [41:30] >> Yeah, [41:31] >> that was a crazy fight. I think [41:32] Topiria's nose was broken in round two. [41:36] I think it was pretty early on and uh [41:40] >> hard to say. [41:40] >> Yeah. [41:41] >> You know, but uh Justin did clip him [41:42] with a bunch of those uppercuts. So [41:44] Justin does this thing where he like [41:46] collar ties you and then throws an [41:48] uppercut in tight. And he's really good [41:50] at it. He's really good at like turning [41:52] you a little and then throwing an [41:53] uppercut. In these exchanges, he collar [41:56] ties and uppercuts. He caught him a few [41:58] times and you just get one of those on [41:59] the [ __ ] nose on the old schnozle. [42:02] This thing's so brittle. [42:04] >> Yeah. [42:04] >> It's such a If you feel your nose, just [42:06] feel it. [42:07] >> Have you ever seen Morab's nose? [42:10] >> The X-ray of Morab's nose. You never [42:12] seen it. [42:13] >> I sent it to you, right, Jamie? [42:14] >> Jamie, you'll find it. [42:16] >> It's crazy. Look what it looks like. [42:19] >> Oh my god. [42:20] >> Look at that. [42:21] >> Oh [ __ ] [42:22] >> bro. [42:24] Jeez. [42:24] >> That thing is destroyed. I mean, it's [42:27] destroyed. He's getting zero air out of [42:29] that. He's got the best cardio on planet [42:30] Earth, and he's getting zero air out of [42:33] his nose. [42:34] >> Wow. [42:34] >> But he won't get it fixed cuz if he gets [42:36] it fixed, he he can't fight for like a [42:38] year and he just wants to keep on [42:40] trucking. [42:41] >> Yeah, [42:44] >> that dude's a freak. [42:45] >> If I was his friend, I would say, "Dude, [42:46] you got a lot of money. You're a world [42:49] champion. Fix the nose. Let's fix it. [42:51] Let's take a year off. Come back and [42:53] [ __ ] these [ __ ] up." Cuz if [42:55] that guy's got a fixed nose, he's got [42:57] 10% more cardio. Are you crazy? That guy [43:00] with 10% more cardio. That's an extra [43:02] weapon. [43:03] >> I would get it fixed. But the problem is [43:05] if he gets it fixed and then like he [43:07] fights a guy like Hollow and he gets [43:08] jumping spinning back kicked to the nose [43:11] in the first round and it's shattered as [43:12] again, then he's kind of [ __ ] Because [43:14] if they have to fix it again, then they [43:16] might have to start taking pieces of [43:18] your rib out and reconstructing your [43:20] nose and grafting bone and doing weird [43:24] [ __ ] And then sometimes that [ __ ] [43:26] doesn't take and sometimes it gets [43:28] infected and then you have a bone [43:30] infection on your face and what do they [43:32] do then? Then they have to remove your [43:33] nose. Is that what they have to do? [43:35] >> [ __ ] [43:35] >> God. [43:36] >> Scary [ __ ] man. [43:37] >> Very much so. [43:38] >> These [ __ ] dudes, man. That is a [43:40] crazy job to risk your life, risk your [43:44] health, risk your bones. You You're [43:46] making a living by trying to damage [43:48] another person who's trying to damage [43:50] you. [43:51] Nuts. But it's also why it's the most [43:54] exciting [ __ ] in the world to watch. [43:55] >> Exactly. [43:56] >> So exciting. [43:57] >> Yeah. [43:57] >> Even boxing as, you know, tamed in [44:02] comparison to MMA because there's less [44:04] weapons and less options and a lot more [44:06] padding. [44:07] >> Yeah. You don't get the chokeouts, the [44:09] crazy chokeouts. [44:11] There was a crazy choke out this [44:12] weekend. Um, his name is Ruseov and he [44:16] fought uh God, how do I say his last [44:19] name? He fought this Russian cat and got [44:21] him Russian or Ukrainian, I forget. Um, [44:23] but he got him in a rear naked choke and [44:25] and put him to sleep. And it was one of [44:27] those ones where the guy looks dead. [44:28] He's like lying there. I mean, it was a [44:30] [ __ ] nasty choke, man. And yeah, like [44:33] and it's Look at him. [44:34] >> Oh yeah, I saw that. [44:37] >> It was dark, dude. [44:38] >> It's another meme out this week along [44:39] with the W girl pointing. [44:41] >> What's his name, [44:44] >> bro? It was nuts. [44:45] >> The memes on these things are nuts [44:46] nowadays. Oh, the internet is [44:48] undefeated. [44:49] >> Oh, it's crazy. [44:50] >> They're so good at memes. Oh my god. [44:51] >> There's so many people out there working [44:53] jobs that they hate [44:54] >> that are smart and funny. [44:56] >> Yep. We were talking about it the other [44:59] day, but you you've have you caught up [45:01] with any of those WNBA what's her name? [45:03] The girl that's pointing at [45:04] >> Sophie Cunningham. [45:05] >> Yeah. [45:06] >> Yeah. I've been um paying Can you put [45:08] that thing in the middle? Put the [45:10] ashtray in the middle. Um, I've been [45:12] paying attention very little, but one of [45:14] the things that I did watch is all the [45:16] fowls. Like these [ __ ] throw each [45:19] other to the ground. They and they poke [45:21] each other in the eyes. [45:23] >> Like they do this. They literally jab [45:25] each other in the eyes. It's crazy. Like [45:28] they they foul and also they travel so [45:31] much. [45:31] >> Oh, it's crazy. [45:32] >> They take like four or five steps and [45:34] then no one calls them on it. [45:35] >> Oh, yeah. double dribble everything. [45:38] >> Is there a trend now to not call [45:40] traveling? [45:42] >> Yes, without a doubt. In the actual NBA, [45:45] it's a thing too. [45:46] >> There's it's hard to get into this [45:48] without going way into like the weeds, [45:50] but the NBA has a technically different [45:53] rule than college and like high school [45:54] and everyone else where there's they [45:56] call it a gather step and they [45:57] definitely would call it in high school, [45:59] >> but they work all day manipulating it [46:02] with the referee watching them saying [46:03] like you can do that but you can't do [46:05] that. you can do this, but you can't do [46:06] that. And so, like, they've got it to a [46:08] place where everything they're doing [46:10] looks like traveling and dribble double [46:11] dribbles, but guys will break it down in [46:13] slow-mo and you'll be like, "Well, [46:14] technically it's not." [46:15] >> Cuz weird. I always thought if you took [46:18] a step, you had to bounce the ball. [46:19] >> Yeah, [46:20] >> that's how it should be. [46:21] >> You're allowed to. [46:22] >> Doesn't it seem like that should be how [46:25] it is? When you see guys taking four [46:26] steps, you're like, what's going on? [46:28] >> But do you want to see exciting [46:29] basketball or not? [46:30] >> Yeah, I do. [46:32] >> All right. Well, then just let the [46:33] referees call the game how they call it. [46:35] >> But I think there's something exciting [46:36] about you having to bounce that ball [46:38] because you won't be able to score as [46:40] much, right? [46:41] >> Correct. [46:42] >> Like if you have to bounce it every two [46:44] steps, whatever it is. [46:45] >> I wish I loved the NBA like I did when I [46:48] was a kid and [ __ ] Barkley and Jordan [46:50] and Ewing and all these people were [46:53] physical. It is just a whole different [46:55] game now. [46:56] >> So back then was it traveling like when [47:00] the Larry Bird days? [47:01] >> Hell yeah. Unless Jordan talked to the [47:03] ref and said, "Yo, you're wrong. Let me [47:05] do what I want." And then [47:06] >> Well, Jordan had the cheat code where he [47:07] would leap from the [ __ ] free throw [47:10] line. That is so when I've watched [47:12] videos of that, it doesn't even look [47:14] real. [47:15] >> He was such an amazing athlete. [47:18] >> He was so good and so possessed by his [47:21] desire to win. He would do things that [47:24] you would just go, "How does a person [47:26] fly?" [47:27] >> Yeah, [47:28] >> dude. Imagine if he was like a like one [47:30] of those jumpers, those long distance [47:32] jumpers. He'd probably have an insane [47:33] jump. [47:34] >> Yeah, [47:34] >> because he he's going from the free [47:36] throw line in the air. [47:38] >> That's crazy. [47:40] >> Everything he did was crazy. The way he [47:42] did things, the way he practiced, [47:44] everything. [47:45] >> Yeah. And did he not make his college [47:48] team? [47:48] >> No. That's [47:49] >> high school team. [47:50] >> No. [47:50] >> Wasn't there like one year [47:52] >> when he was a freshman? He didn't make [47:53] the varsity team. [47:54] >> That's what I'm saying. [47:55] >> Yeah. That's most freshman don't. [47:58] Perfect. May have changed basketball [48:00] history forever. [48:01] >> Most freshmen don't. That doesn't make [48:02] sense because they're not even developed [48:03] yet. [48:04] >> Yeah, that's plan. [48:05] >> I know kids in Texas, they keep their [48:07] kids back a year. [48:08] >> Wow. [48:09] >> They want their kid to be bigger. [48:11] >> I want Billy to be the biggest freshman. [48:13] I want him to be a 15year-old freshman. [48:15] We're pushing for right before his 15th [48:17] birthday. Like, hey, 15's a sophomore. [48:20] Billy's a [ __ ] cheater. Why you [48:22] sandbagging Billy? [48:23] >> Yeah. that it doesn't bother me nearly [48:26] as much in a sport like football where I [48:29] see what you're doing like you're [48:30] preparing a kid for a professional [48:32] future perhaps. Especially in Texas, [48:35] they're very into it down here. But if [48:36] it's a wrestling, it's like, hey, [48:39] >> yeah, [48:40] >> hey, there's [ __ ] no money in this [48:42] and that kid's 16 and he's in the ninth [48:44] grade. [48:46] >> Yeah, it's nuts. [48:48] >> How is the How old is the oldest that a [48:51] kid can be and compete in high school [48:52] sports? [48:56] Jamie, [48:57] >> please put that into our sponsor [48:58] Perplexity. Let's find out. I wonder if [49:01] it varies by sport. [49:03] >> Definitely by sport and by state. [49:06] >> Interesting. [49:08] Do they all have a cap at 18 or do they [49:11] allow you to compete at 19? Yeah, [49:13] there's going to be a But before I even [49:15] hit enter, I know it's going to say [49:16] something about like your graduating [49:18] class can't be out maybe more than like [49:20] two years or something like that in case [49:21] you got held back or you had an injury [49:23] or something like that. [49:24] >> Boy, I remember from my days of being [49:28] like 17 and 18, the difference between [49:30] 17 and 19 was huge. [49:32] >> Oh yeah. [49:32] >> It's a big difference. [49:34] >> [ __ ] yeah. [49:34] >> By the time you're 19, you're basically [49:36] man strength. You 17 I was like a boy [49:39] still. [49:40] >> Yeah. you know, like I was flimsy. 17 [49:44] was like a flimsy kid. By the time I was [49:45] 19, it was it's a different animal. You [49:47] You've got two more years of training [49:49] and testosterone in you. [49:51] >> Yeah. [49:51] >> If you're a wrestler, that's got to be a [49:53] huge advantage. [49:55] >> Every advant everything in wrestling is [49:57] a huge advantage. Starting one year [49:59] earlier is crazy. [50:00] >> Huge. Huge advantage. [50:02] >> 19 based off of certain [50:03] >> Oh, bro, that's so rude. making [50:06] 19year-olds wrestle against like [50:08] possibly 15 year olds is crazy, right? [50:11] So, if you are like in a certain weight [50:13] class that's not strong, like I wasn't a [50:16] good wrestler. I was a pretty good [50:17] wrestler, but I started I was on the [50:19] varsity team at my high school and uh [50:23] like one year I didn't even cut weight [50:24] or one one weight class I didn't cut I [50:27] was I there was a guy that was below me [50:29] at like 126 or 128 and he was better [50:32] than me and so the next available weight [50:35] class was 134 which is I that's what I [50:37] normally weighed when I was 15 so I just [50:40] wrestled at 134. [50:41] >> That's lovely. [50:42] Well, I could have been in there with a [50:44] 19-year-old [ __ ] animal who weighs a [50:47] buck 60 and dries himself out briefly to [50:50] hit 134. And there was guys like that, [50:52] man. You would see them at like the [50:54] states and you go, "What the fuck?" [50:56] >> Yeah. [50:56] >> And they were going to camps, so they [50:58] were wrestling 365 days a year, all year [51:01] long. [51:01] >> Oh, yeah. [51:02] >> I just started. I didn't know anything. [51:04] >> Same. I started as a freshman in high [51:06] school and got [ __ ] up. [51:08] >> I didn't even start as a freshman. I [51:09] started as a sophomore. [51:11] I started as a sophomore because some [51:13] kid kicked my ass in the locker room. [51:14] Some some kid grabbed me in a headlock [51:16] and threw me to the ground and didn't [51:18] punch me. He could have punched me. [51:19] Decided not to. But I was so humiliated. [51:21] I was like, "Oh my god, I need to learn [51:22] how to wrestle." [51:23] >> Mhm. [51:24] >> Then I also wrestled in the park like in [51:27] the grass with my friend Stephen and I [51:28] thought I'd be able I was a good [51:30] athlete. I was doing karate. I was like, [51:31] "He can't take me down." He took me down [51:33] instantly. I was like, "Oh no, this is [51:35] terrible." [51:36] >> Yeah. It's a whole different beast. It's [51:38] also like how tired you get. I remember [51:41] thinking I used to think that I had [51:43] worked out before that because I'd, you [51:45] know, taken karate classes and done some [51:47] taekwondo. I thought I'd worked out. [51:49] >> You don't even know what working out is [51:50] until you go through a wrestling [51:52] practice. You're like, [51:53] >> "We're running stairs. What? What? We're [51:55] carrying guys around the wrestling room. [51:58] You pick up your partner, your training [51:59] partner, you have the firemen carry them [52:01] around the [ __ ] room." [52:02] >> Yeah. [52:03] >> Oh, Jesus Christ. Then you're doing [52:04] push-ups and sit-ups to puke. And then [52:06] you're doing live drills. [ __ ] [52:09] >> Non-stop, [52:10] >> dude. Animals. [52:12] >> Yeah, we would rotate [52:14] uh you know, there's all those different [52:15] weight classes and just for shits and [52:18] giggles, you know, one of the drills [52:19] was, you know, escape from the next guy. [52:22] All right. Beep. Whistleblows escape. [52:24] You're on bottom. You have to get out [52:26] the next guy. So sometimes I at a 103 [52:30] weight class I would have Hugh Frost who [52:32] was I think 235 245 250. [52:37] >> Oh yeah. Just for one drill and it's a [52:39] [ __ ] joke. It's a pancake and he [52:42] would probably he was probably showing [52:43] mercy at the time obviously but not [52:45] really cuz he doesn't want to he doesn't [52:47] want to let this little [ __ ] [ __ ] [52:49] 103 out from under him. So he's you know [52:51] putting enough pressure to keep [52:53] everybody there. Not to mention the 165 [52:56] freak of nature made of muscle and the [52:59] 185, you know, it was just a drill. But [53:02] that reality hits hard. That's how you [53:04] see the difference between 15 and 17 and [53:07] all that. [53:08] >> And someone who actually really knows [53:09] how to wrestle and just wrestler [53:11] strength. Like I always tell people, if [53:13] you want to look at MMA, like what is [53:15] the most important skill? The the the [53:18] foundation is wrestling. The foundation. [53:20] If you wanted your kid to be a badass [53:22] fighter, you're like, "My kid really [53:24] loves fighting. He thinks he wants to do [53:25] it, but I want to prepare him right, [53:26] which I do." Teach him how to wrestle, [53:29] get that kid into a really good [53:30] wrestling program. Because if you have [53:32] advanced wrestling, you look at how it [53:34] shuts down so many fighters. Like look [53:37] at what Hamzot did to Dreus Dupacy. [53:40] Hamza, he just raged all them. His [53:43] wrestling is at such a high level. And [53:45] Dus, who was a world champion, couldn't [53:47] do [ __ ] to stop it. He just dragged him [53:49] to the ground anytime he wanted to. Got [53:51] him in a crucifix like three times. [53:52] >> Morab against Ali. I mean, [53:55] >> exactly. Exactly. [53:57] >> You were watching a guy that does a no [54:00] look right hand knockout punch into a [54:03] salute. No look at his opponent, [54:06] >> right? Get I mean, it's just impossible. [54:10] It It appears impossible in every Kabib [54:12] fight. The thing I always think about [54:15] first when I think about Kabib fighting [54:17] is him being on top and having his feet [54:20] under the other dude's feet, which is [54:22] just that's it. It's the final level [54:24] when you can't even begin the process of [54:29] posturing out in any way. You are [54:31] nothing. You are a tissue in an octagon [54:34] with a man [54:34] >> and he's wailing on your face. [54:36] >> He's wailing on your face and he has [54:38] your legs triangled underneath his legs. [54:41] It's always funny when UFC or when [54:44] casual UFC fans uh don't understand [54:48] those little things like that that [54:50] aren't even part of the fight. They're [54:51] looking up here waiting to see if the [54:53] punches are going to rain down. [54:55] >> Yeah. [54:56] >> But the positioning of his feet is what [54:58] I'm always looking at and how scary it [55:01] can be here. [55:03] >> He's not even doing it right. [55:04] >> He's hell on top of people. He is right [55:05] here. [55:06] >> But that leg being thrown is torture. [55:08] It's all the weight is [55:10] >> nothing you can do. There's just nowhere [55:13] to go. And all that weight on those [55:15] hips, people don't realize, [55:17] >> like I notice immediately if I ever see [55:19] somebody that's kind of on top and their [55:20] knees are on the ground. Like if you [55:23] look, his right knee isn't on the [55:25] ground. It looks like it might be. [55:26] >> And look how he keeps slamming those [55:28] left hands into Johnson's head. I mean, [55:30] he got hit with like 15, 20 unanswered [55:33] full force left hand blows. [55:35] >> Just holding his arms so he can't move, [55:36] >> bro. He's horrible. He was horrible. He [55:38] was so good. Khabib was so good. And he [55:41] would do this to world class fighters, [55:42] man. And by the way, Johnson clipped him [55:44] in that fight, too. It was one of the [55:46] few times in his career where he got [55:48] clipped. [55:50] >> One that looked really frustrated. Who's [55:52] the Who's the one that looked super [55:53] frustrated in that? [55:54] >> Barbosa. [55:55] >> I'm asking. I don't remember who it was. [55:57] >> Barbosa was one of them. But I mean, a [55:58] lot of guys who fought Kabib look [56:00] frustrated because there's not a damn [56:01] thing they could do. Nope. [56:02] >> Barbosa was like early in the first [56:04] round, he had that thousandy yard stare [56:06] was like, "Fuck, like I have to go [56:08] through three rounds of this where they [56:09] just give up on the idea that they can [56:11] even win." [56:11] >> Yeah. [56:12] >> Like all you're doing is trying to [56:13] survive. [56:15] >> Yeah. [56:15] >> He was a monster, dude. [56:17] >> Like that. His leg being trapped is [56:20] nuts. And look how he's scooting with it [56:23] >> and he's just slamming punches. And you [56:25] get up, he's just chasing you. [56:27] >> I got the gun right back down. I [56:28] thought, [56:28] >> but if you get up, he's just gonna [56:30] [ __ ] chase you and drag you to the [56:31] ground again. So, you blew all that [56:33] energy to get up. The moment you try to [56:34] punch or throw a kick, he's on you. [56:37] You're on your back again. Punch to the [56:39] face. Punch to the face. Yeah. [56:41] Wrestling's giant. It is the the biggest [56:44] skill. [56:44] >> Yeah. [56:45] >> You have to know how to do everything [56:46] else, too, nowadays, cuz all these kids [56:49] that like you see in the Contender [56:50] Series, these young guys coming up, man, [56:52] they're all so [ __ ] talented. [56:55] He tried to wheel kick them. And really [56:58] more than anything, I feel like [57:00] wrestling, being out wrestled and being [57:02] just trapped on the ground is so [57:04] psychologically demoralizing when you've [57:06] been training for a UFC fight and the [57:08] crowd is out there and the lights are on [57:10] you and you see the logos on the mat cuz [57:12] you're facing it. [57:13] >> Back that up a little bit. Let me show [57:14] you something here too. What's What's [57:16] interesting here before that before the [57:17] clinch. So after he throws the wheel [57:19] kick like Barbos is trying to win, [57:22] right? This is the third round. He's [57:23] trying to win and he throws this W. But [57:25] look, no, go before that. When he throws [57:28] the kick, here it is. So, he throws the [57:30] kick and misses. He's so tired now that [57:33] when Khabib moves for him, he clinches. [57:36] Look, he instigated the clinch. Instead [57:38] of pushing away, instead of circling to [57:40] his left, he clinched cuz he's so tired, [57:42] dude. He's so tired. And this dude just [57:45] Look at that face. [57:46] >> He just drags him down to the ground [57:48] again. [57:49] >> Twoon one on that arm underneath him, [57:52] >> weights being thrown in. He doesn't know [57:54] what to do with his legs. He actually [57:56] just put his foot above Kabib because [57:58] it's so confusing. All that weight on [58:01] you. You don't know where to even begin [58:04] to start getting up. [58:05] >> Well, he's the first thing he's got to [58:06] do is get that left leg free. And he's [58:08] not going to. [58:08] >> That was the part before the crawling [58:10] thing. [58:10] >> He's a He was a monster. He was a [58:12] monster [58:13] >> and retired undefeated. [58:15] >> Yeah. And there's something to being on [58:17] that mat, not being able to move, [58:19] knowing that the clock is ticking, and [58:22] this is not how you picture this going. [58:24] >> Not only that, this is with the current [58:26] rules where I think there should be no [58:29] stand-ups. I think the only time there [58:31] should be a stand up is when there's a [58:32] foul. [58:32] >> Yeah, I completely agree with you. I [58:34] hate it when they stand people up. [58:36] >> Even if it's boring. I get it's boring, [58:38] but the guy can't get up and this guy's [58:40] holding him down. So, he's winning. Yes, [58:42] he's winning. See, I know he's not doing [58:44] enough. What does that mean? He's biting [58:46] his time. You've got to let a guy have [58:49] strategy. Like when Muhammad Ali did [58:50] rope a dope against George Foreman, [58:53] imagine if the referee's like, "You've [58:55] got to punch back if you don't punch [58:56] back." No, he's he's got a strategy. [58:58] Strategy is let George Foreman burn [59:00] himself out and then eventually tee off [59:02] on him. And that's what he did. [59:04] >> Yeah. It stinks that referees can let [59:06] the crowd get in their head. [59:08] >> Well, it's the the organization wants [59:10] action, too. The fans want action. A lot [59:13] of people disagree with me and I [59:15] understand their point. I understand [59:17] their point. Especially if you're a [59:18] casual like it's gay. Get them up. Make [59:21] them fight. They don't want to fight. [59:22] They want to hug. Boo. Right. [59:25] >> So what? So what? This is the sport. And [59:27] if that guy who's on top, who's biting [59:30] his time and recovering, then decides, [59:32] okay, now's the time. Let me start [59:34] dropping some bombs because I've [59:35] recovered. [59:37] >> Good. Well, he held the position and he [59:40] recovered his energy and now he's [59:42] winning. Like, let him [ __ ] fight. [59:44] LET HIM FIGHT. GET OUT OF THERE. GET OUT [59:46] of there. [59:47] >> Yep. [59:48] >> There shouldn't be stand-ups. [59:49] >> And I get it. The referee gets that [59:51] cheer from the crowd. You know, it feels [59:54] rewarding. [59:55] >> Sometimes when they stand fights up, I [59:56] get excited. [59:57] >> Yeah. [59:57] >> I go, "Yeah, yeah, [59:59] >> here we go. [59:59] >> That striker has a chance." [60:01] >> But my position is still the same. I [60:03] don't think they should stand him up. [60:04] I'm worse than that. I think they should [60:06] start each round where they lost the [60:08] last round. [60:09] >> Oh, I love that. [60:10] >> That's great. [60:11] >> So, every round, why do you get to stand [60:12] up? Why do you get that advantage that a [60:14] striker gets of standing up when you [60:16] didn't earn it? [60:17] >> Get back down there. [60:18] >> Yeah, [60:18] >> get back down there. Crucifix. Why' you [60:20] have to start the round off in a [60:22] crucifix? [60:23] >> Yeah, that's how the end round ended. [60:25] They look at the big screen, get a [60:26] freeze frame of the position, referee [60:28] sets you in the exact position and says, [60:30] "Ready, fight." [60:32] >> Yeah. Yeah. [60:33] >> I love that. [60:34] >> Yeah. [ __ ] off. That's what the sport is [60:37] supposed to be. And sometimes it's going [60:39] to be boring. Yeah. But that's real [60:41] though. At least it's real cuz there's [60:44] been a lot of fights where the guy got [60:45] taken down in the first round, starts [60:47] out the second round, and blasts the guy [60:48] and knocks him out. And it's like, okay, [60:51] it's exciting to watch, but he didn't [60:53] earn that position. He just got that [60:54] position because the other guy survived [60:56] the first round. And so it's like, it's [60:58] one fight. It's not five fights, [61:00] >> right? So, I think it should be one [61:02] continuous fight with a one minute break [61:04] in each round. [61:05] >> Yeah. That'd be like if the team losing [61:07] automatically got the kickoff after [61:09] halftime or something like that. [61:12] >> Yeah. And look, guaranteed if uh I was [61:15] running the UFC, it would probably go [61:16] bankrupt. I'm not the right guy. I don't [61:18] know what the [ __ ] I'm talking about. [61:20] I'd be a terrible promoter. [61:22] I'd be too honest about stuff. And I'd [61:24] want to give people fights that maybe [61:26] they weren't the most exciting fighters, [61:28] but they were above the other person in [61:30] the rankings. [61:31] >> I I think the rankings should be the [61:33] whole reason why you make fights. [61:37] >> Sami Zayn won the Universal WWE [61:39] Championship over this weekend at a big [61:41] pay-per-view. [61:42] >> I have no idea who that is, but I'm [61:43] happy for him. [61:44] >> Shocked Cody Rhodess, [61:46] >> who was it who was like a guaranteed [61:48] win. [61:48] >> I wonder what happened. [61:49] >> Rolled him up real quick. [61:51] >> Do you think maybe that was fixed? Well, [61:54] it was very entertaining. [61:56] Very entertaining. [61:57] >> I'm sure it was. I just don't understand [61:59] how you go back and forth. [62:00] >> Oh, it's the best. [62:01] >> I know you love it. [62:02] >> Well, sometimes that's what I said about [62:05] this White House card, by the way, is [62:06] like [62:09] there's nothing that could have happened [62:11] that they could have written, if it was [62:14] written, that would have made it more [62:16] exciting, [62:17] >> right? [62:18] >> It felt real the whole time. and the [62:20] fights that happened before made it feel [62:22] like anything could happen in that main [62:24] event. Like it just felt raw and real, [62:27] but also storyline, which then when UFC [62:31] is at its best like that, it's like the [62:34] WWE. [62:35] >> That's what's interesting. Of course, [62:37] it's not as, you know, uh acrobatic. [62:41] Exactly. But it is it was a special [62:44] moment. You know, it was a regardless of [62:47] how you feel politically and I [62:48] understand it [62:49] >> if you're if you hate the Republicans [62:52] and you hate the whole idea, I get it. [62:54] But just as a person who loves a sport, [62:57] it was a very unusual experience. Very [63:00] unusual. And just I think people have to [63:03] just look at some things that way. You [63:04] know, some people have a really hard [63:06] time separating themselves politically [63:07] because they're going, "Oh, no." That [63:09] the White House puts on this thing. [63:11] There's all this bad press because of [63:12] the war. There's bad press because of [63:14] this and that. And they put on this [63:16] thing at the White House and it sort of [63:17] like [63:19] >> MAGA washes everything. You know what I [63:21] mean? Makes everybody like them again. [63:22] Gives them positive press which [63:25] undeniable. Undeniable. It gave them [63:27] positive press. [63:29] >> I mean, the amount of people that have [63:30] seen it is nuts. You know, I think just [63:33] on Paramount, it's something like 30 [63:35] something million now. And you know they [63:38] were telling me that they thought it was [63:39] probably 150 million people had watched [63:42] it in some form [63:44] >> which was uh you know Tik Tok clips, [63:46] Instagram, YouTube. But that is a nutty [63:49] number man. And I think Dana and Hunter [63:52] they were thinking it could get to like [63:53] a billion people see it [63:55] >> which is just nuts. [63:56] >> Yeah. [63:57] >> In some form you know highlight reels [63:59] clips. I mean just the Gachi fight alone [64:01] just the highlight reels. How many [64:02] people watch those on Instagram and Tik [64:05] Tok and [64:05] >> totally [64:06] >> the awareness of the event of the moment [64:08] was so huge. It was like nothing else. [64:11] Like it didn't feel like any other event [64:13] we had ever like I was nervous before it [64:15] started. [64:16] >> Yeah. [64:16] >> Like I never get nervous for the UFC. I [64:17] get excited but I was like legitimately [64:19] nervous. I was like I was feeling like a [64:21] little like this is crazy. Like we're on [64:23] the White House lawn. [64:25] >> No. The fly over is when it really hit. [64:28] >> Yeah. Well, when they had all those jets [64:30] together and they're so close to each [64:31] other, like imagine if one of those [64:33] [ __ ] clips into their wing and [64:35] spirals right into the ellipse. [64:36] >> Yeah. [64:38] >> Yeah. Crazy. What a spectacle. [64:41] >> Yeah. They would have definitely [64:42] canceled the fights cuz think they they [64:44] canled the White House correspondents [64:46] dinner because of that assassination [64:47] attack. [64:48] >> God damn it. [64:49] >> Oh, you had a bunch of bangers on that, [64:50] I heard. [64:51] >> Yeah. So annoying. I was more excited [64:54] for that than like anything. [64:56] >> How do they just cancel it? Why didn't [64:58] they reschedu it? Maybe they're going to [65:00] wait until the ballroom's finished. Cuz [65:02] that's the argument for the ballroom [65:04] that they could have it at a place like [65:05] that where it's completely secured. [65:07] >> Yeah. [65:08] >> Kurt Mascer thinks the whole thing is [65:09] fake. [65:10] >> Uh [65:11] >> oh. Another f another fake assassination [65:13] attempt. [65:13] >> Yeah. [65:14] >> How'd that guy get in there? [65:15] >> Yeah. [65:15] >> How that Well, I think some people are [65:18] just incompetent. [65:19] >> There's incompetence. There's bad [65:21] security. There's uh people that don't [65:23] do their job. And there's also people [65:24] that you didn't expect to be a problem [65:26] and were a problem and you're in a [65:29] hotel. [65:30] >> Also, the guy made it to the first level [65:33] of the first scanning of security. It's [65:37] not like he made it into the thing, [65:39] >> but he did shoot somebody, right? [65:41] >> I [65:42] >> I think he shot one of the Secret [65:43] Service agents in his bulletproof vest. [65:45] >> Yeah. [65:45] >> Is that true, Jamie? [65:47] >> I think so. [65:48] >> See, there were so many stories online, [65:49] it's so hard to know what was true and [65:51] what was not. But I think the guy was a [65:54] teacher, like a substitute teacher. [65:56] >> Nuts. It's all nuts. [65:59] >> It's like, man, you didn't think this [66:01] out? [66:01] >> Scheduled it for July 24th. [66:04] >> Okay. [66:05] Okay. [66:06] >> The correspondence dinner. [66:07] >> Yep. [66:07] >> Wow. I did not know that, [66:08] >> son. You might want to polish up some of [66:10] them bits. [66:11] >> Yeah, it's going to be some new stuff. [66:13] >> Go back and tag some of them with some [66:15] current events. Where are they going to [66:17] have it? [66:18] >> Uh, sorry, I sorted it. [66:21] If they have it at the same spot, that's [66:23] not smart. [66:25] >> New event held July 24th. [66:30] >> It's not saying where [66:30] >> is at the Pentagon. [66:32] >> They might wait. They might wait to [66:34] release that. [66:37] >> Yeah, it's not saying. Oh, uh, Waldolf, [66:40] excuse me, Waldorf Atoria. [66:42] >> Oh, okay. Well, I guarantee you they'll [66:46] tighten that [ __ ] up a little bit. [66:47] >> Oh, yeah. I know he was excited to do [66:51] the jokes. [66:52] >> Oh, yeah. [66:53] >> Yeah. [66:53] >> No, he was he was very pumped. [66:55] >> Yeah, they were bangers. I ran them um [66:59] because the thing happened. I happened [67:00] to be performing at the Kennedy Center [67:03] the ne that weekend, the next weekend. [67:06] So, I ran the jokes and I realized that [67:09] I had Adam Ray as a special guest that [67:12] was on before me. He brought me on [67:13] stage. So, I go, you know what? Even I [67:18] wrote jokes for the president of the [67:19] United States to make fun of the press [67:21] and everybody at the White House [67:22] correspondents dinner, but I just [67:24] realized Adam's here. Adam, you want to [67:25] come out and read these in Trump's [67:27] voice? [67:28] >> And so he was seeing the jokes for the [67:30] first time and reading them and we had [67:33] so much fun. [67:34] >> I didn't know he does a Trump, which [67:36] doesn't surprise me. I mean, his [67:37] impressions are insane. [67:38] >> He can do anything, dude. [67:39] >> Yeah, he can do anybody. He didn't even [67:40] he didn't he was dabbling in a Biden the [67:44] week that I hit him up to do Trump Biden [67:46] which I think is a [ __ ] god I think [67:48] it's like 40 million or seven some crazy [67:52] amount and again just like the UFC God [67:54] only knows after clips but it was a [67:56] monumental comedy [ __ ] moment having [67:59] Shane as Trumpction Adam is Biden right [68:02] before the election right after their [68:04] first debate where Biden was clearly [68:07] [ __ ] zonked and sleepy and and just [68:10] couldn't compete at all. And so I hit up [68:14] Adam via text. I'm like, "Do you have a [68:15] Biden?" He's like, "I cover it for five [68:18] seconds in a in my standup. I'm like, [68:21] uh, are you free on Monday to fly to [68:24] Austin and do Biden if I can get Shane [68:27] as Trump?" And I remember telling Shane, [68:30] like I'm like, "This is going to be an [68:31] interesting ask." Uh, but I, you know, [68:34] I'm just like, "Hey, Adam's got a [68:36] Biden." And Shane's like, "I have [68:38] something to do on Monday. I'm [68:39] cancelling it. I'm doing Trump." He [68:41] immediately saw The Brilliance. It was [68:44] just such a hot topic at the time. And [68:47] my god, it was [ __ ] crazy. There's [68:49] clips that I see of that episode and I [68:51] never rewatch Kill Tony's or anything. [68:54] I'll see clips sometimes and I literally [68:56] go, "Oh my god, holy [ __ ] shit." [68:59] There's one part where Trump goes, "How [69:01] many more retards are you going to bring [69:04] out here?" because there had been like [69:05] two handicapped people on the show. All [69:07] right, how many more retards you have [69:09] come? As I'm pulling a name out of the [69:11] bucket in real time, I go, "Anything can [69:13] happen, Mr. President. Let's see if what [69:15] the next guy's like." And he comes out [69:17] and he has like these weird deformed [69:18] penguin arms. [69:20] >> Oh god. [69:20] >> And you see Shane as Trump and the [69:23] crowd's dying because they see him first [69:25] and you see Shane as Trump look and go, [69:28] "Fuck." It's just one of his his rea [69:32] facial reactions to things are like his [69:35] greatest secret [ __ ] hilarious [69:36] weapon. And when he's Trump, it's even [69:39] amplified. It's like in my opinion 10 or [69:42] 20% funnier than even Shane is. I mean, [69:44] I'm sure he'd admit to this and know it [69:46] cuz Trump is just such an interesting, [69:48] polarizing character. And his take on [69:49] him is so [ __ ] funny. It's psychotic. [69:52] >> His impression so good. It's the [69:54] greatest Trump impression of all time [69:55] cuz it's like the jokes are so good. [69:58] >> Oh, by far. He's so What's What's funny? [70:00] >> Found the part. [70:02] >> So epic. [70:03] >> Back it up a little bit. [70:05] >> Another fun appearance by True Nickens. [70:08] >> This is the best. [70:12] >> All right, [70:13] >> Tony. How many more [ __ ] guys do you [70:15] have back here? [70:16] >> Anything can happen. [70:17] >> This crowd is hungry for more [ __ ] [70:20] guys. Frankly, I don't think we've seen [70:22] enough [ __ ] guys. How about a [70:23] [ __ ] racist? Would you like to [70:27] >> This next person could be one. I pulled [70:29] it out of the bucket. It is the Kill [70:31] Tony debut, I do believe, of Jacob Bar, [70:34] everybody. Jacob Bar. [70:38] >> Oh my god. [70:40] >> Thank you. [70:41] >> Well, well, well. [70:44] >> Oh my god. Okay. [70:46] >> Careful what you wish for. [70:49] >> Okay, hold on. We're gonna reset this. [70:51] Jacob, [70:52] >> what's funny is is Adam knows better [70:55] than anybody that you're not supposed to [70:56] say anything after the bucket bull comes [70:59] up. So me grabbing the mic out of his [71:01] hand and putting it down is even another [71:04] layer of hilarious to all of us. It's [71:06] like Biden's misbehaving. [71:09] >> I don't know. Did you see Shane's face [71:10] when he notices his hands? [71:12] >> I didn't even look. [71:17] >> And then [71:20] [ __ ] [71:21] He's our Jackie Gleason. [71:23] >> Oh yeah, without a doubt. [71:24] >> That's what it is. [71:25] >> Plus plus, man. [71:26] >> He's the great one of the generation. [71:29] >> What people don't realize, I I mean, [71:31] obviously, is that he is that funny all [71:36] the [ __ ] time. [71:37] >> All the time when we're hanging out in [71:39] the green room, [71:39] >> every bar, every restaurant, every green [71:42] room, every every stairway, [ __ ] [71:45] anywhere, everything. He I always [71:48] compare it to Mike Tyson in his prime. [71:50] He just hits harder and different doing [71:53] the smallest little things. Even if it's [71:54] a face, if somebody says something and [71:56] he just like reacts to it, it's crazy. [71:59] >> It's also always fun. [72:00] >> He's a fun guy. Like he wants to have [72:02] fun. Like even when he's cracking jokes, [72:05] it's fun. [72:06] >> Well, [72:06] >> I know he was very reluctant to do the [72:08] roast, you know. He was a little [72:10] reluctant to even host that. Like I [72:11] don't want I don't want to do those [72:13] things. [72:13] >> Yeah. you know, but [72:16] >> well, everything is, you know, [72:18] everything could be something. He [72:19] crushed so hard. It caused a real [72:21] ruckus. Him and I end capping that [72:24] thing. You know what I mean? [72:26] >> Yeah. [72:26] >> It was supposed to be a, you know, this [72:28] roast of black excellence and me and [72:31] Shane are just [ __ ] having the time [72:33] of our lives. He got [72:34] >> Who said it was a roast of black [72:36] excellence? You're just saying that [72:37] because it was Kevin Hart. [72:38] >> Well, yeah, that's that's like that was [72:40] >> It wasn't like explicitly stated or [72:42] anything, right? M [72:44] >> I mean [72:44] >> cuz imagine if you said you we're going [72:46] to have a roast of white excellence, [72:48] >> right? Exactly. No, I know. [72:50] >> Crazy. [72:50] >> Oh yeah. [72:51] >> It's weird where you can and can't say. [72:53] >> Oh yeah. [72:53] >> That's weird. [72:54] >> Oh yeah. [72:55] >> You know. [72:56] >> Yeah. It's a whole thing with that. I [72:58] mean [72:59] >> you can't talk about this, but you can [73:01] talk about that. [73:01] >> Well, it's just weird what we accept, [73:04] which like doesn't bother me at all, but [73:06] like Kane Velasquez when he fought in [73:07] the UFC, he used to have brown pride [73:09] tattooed on his chest. Cool. whose [73:12] family came over from Mexico. They they [73:14] literally walked here. [73:16] >> Yeah. [73:16] >> White pride not so popular, [73:19] >> right? [73:19] >> White pride on your chest. You know, [73:21] [ __ ] Sean Strickland just decided to [73:23] get white pride [73:26] and he posted a picture on Instagram of [73:28] him as a world champion with white pride [73:31] on his chest next to Cain Velasquez as a [73:33] world champion with brown pride on his [73:35] chest. [73:36] >> Yeah. [73:36] >> And people would lose their [ __ ] [73:40] minds. Yes. [73:41] >> And again, not saying that Shawn would [73:43] ever put white pride on his chest. [73:45] >> He would. No, he would. I follow him. He [73:47] >> doesn't have any tattoos. [73:48] >> I follow him on Twitter. He would. Trust [73:50] me. [73:50] >> He's a wild boy. [73:51] >> He did get a temporary tattoo. [73:53] >> He showed up at the UFC even though he [73:55] was banned. He showed up and they [73:56] arrested him. [73:57] >> Yeah. [74:00] They kicked him out. He's the world [74:02] champion. There's a UFC event at the [74:05] White House at the time before Justin [74:07] won. He was the only American world [74:10] champion. And they're like, "You can't [74:12] come." [74:13] >> Yeah. [74:13] >> Because you talk too much [ __ ] about [74:15] Israel. [74:16] >> Mhm. He's a wild boy. [74:17] >> But that's wild that your criticism [74:21] about Israel is what keeps you from [74:23] going to the White House as a world [74:26] champion in a a world title fights at [74:29] the White House. [74:30] >> Yeah. [74:30] >> Like you think you would want to [74:31] celebrate the American male world [74:33] champion. [74:35] >> I think he said some other stuff too [74:36] though. [74:36] >> Yeah. Epstein stuff there. [74:38] >> Yeah. [74:38] >> Said he's a wild boy. [74:40] >> Yeah. [74:41] >> I think he's [74:42] >> I told him when he retires from [74:43] fighting, he 100% should do a podcast. [74:46] And he was like, I you know [74:48] seen these guys doing these streamers [74:50] and like I go, you don't have to do [74:52] that, right? [74:52] >> You don't have to do it that way. He's [74:54] like, I couldn't do that. Just sit there [74:55] every day and talk to people for hours. [74:57] I'd lose my [ __ ] mind. I'm like, [74:59] right, but you don't have to do that. [75:01] Just your opinions on things. Like he's [75:02] an awesome podcast guest, [75:04] >> you know? I'm like, he could totally [75:07] totally do that. Just talk about stuff. [75:09] And also [75:11] Sean when he lets the the whole stick [75:14] down and just gives you his opinions on [75:16] things. Very smart guy. Yeah. [75:18] >> He's not stupid at all. And he would get [75:20] better at it, you know, as he did it [75:22] more. He easily could do a podcast. [75:27] >> Yeah. He's entertaining as [ __ ] [75:28] >> I just can't believe they kicked him out [75:29] of the White House. And that is they [75:31] kicked him out of the ellipse that area. [75:33] There's I think there's video of it. See [75:35] if you can find the video of it. Like, [75:37] sorry guys. Like they got like [ __ ] [75:39] six six cops and bulletproof vests. [75:41] >> Yeah. I think there was like 85,000 [75:43] people there. So, it's funny that [75:45] they're like that one the champion. [75:48] >> It's just he wasn't supposed to be [75:49] there. He was banned. He was not invited [75:52] or whatever. But even if you're not [75:53] invited, shouldn't you be able to go to [75:54] the fan area if you're the world [75:56] champion? If you want to be that wild [75:58] with no security and there's video of [76:00] him from the first night from the night [76:02] of the weigh-ins where they found out [76:04] that he was there. It's amazing because [76:06] he was wearing a hoodie the entire time [76:08] and someone told him he's got to take [76:09] off the hoodie and he's like I can't [76:11] listen. It's going to be a problem and [76:13] as soon as he takes off the hoodie [76:14] everybody goes it's [ __ ] strong [76:17] and then he's just surrounded by bros. [76:20] >> Hilarious. [76:21] >> Just getting hugged to death. He asked [76:23] some dude uh some dude asked him to leg [76:25] kick him. A Sean leg kick some kid. [76:29] >> Crazy. [76:30] >> World champion [ __ ] kicking some kid. [76:33] What is this world coming to? [76:36] >> There's starting to be some [76:37] >> It's him. Is it Is there uh audio? [76:52] >> This is crazy. [76:54] I like that we have some entertaining [76:56] American uh [76:57] >> Oh, he's the most entertaining [76:59] >> that Josh uh Hoit Hocket. [77:02] >> Hoit. [77:02] >> Hoit. [77:03] >> Yeah. [77:03] >> My god, he is. [77:04] >> That was what was hilarious was people [77:07] were so upset that he said Michelle [77:09] Obama's a man at the White House. [77:12] >> It's like that's what he's doing. He's [77:14] doing that on purpose. Like he's [77:15] literally wearing an American flag [77:17] bandana. He comes out to a Hulk Hogan [77:19] song. [77:20] >> He's wearing sunglasses [77:21] >> during Yeah. It's not appropriate. [77:23] You're right. [77:24] >> Yep. [77:24] >> Right. But he said the exact same thing [77:27] when I interviewed him somewhere else. [77:29] >> Yeah. [77:30] >> He said I I'm pretty sure he said [77:31] Michelle Obama's a man like last time I [77:33] interviewed him. [77:34] >> That's what I heard is that it's not the [77:36] his first rodeo at the Michelle Obama is [77:38] a man. [77:38] >> That's how he ends his interviews. [77:42] >> Hilarious. [77:43] >> He's trying to get people to talk about [77:44] him. [77:44] >> Yep. [77:45] >> You know, it's the whole thing is so [77:46] crazy. But all of it would be nothing if [77:50] he couldn't fight. Exactly. That's what [77:53] that's where it's real exciting is the [77:55] pre-fight stuff. I mean, the post-fight [77:58] interview pretty polarizing obviously [78:00] because that was the news. But if you [78:03] for the real fans paying attention, did [78:06] you didn't get to see him do that? Did I [78:07] send it to you? The kill Tony minute [78:09] that he did at the press conference. Oh [78:11] my god. So funny cuz he's like [78:13] purposefully bombing. [78:15] >> So he's literally doing a joke. He's he [78:17] says, "You guys know Tony Hinchcliffe? [78:19] I'm going to do my Kill Tony minute." [78:20] and he's purposefully like bombing. It's [78:23] corny, purposeful, bad jokes. And he's [78:25] going, "Man, tough crowd. All right, let [78:26] me let me try this one." And it's like [78:29] literally being hilarious [78:32] by strategically [78:34] trying to be funny, but not being funny. [78:37] You could tell that he was planning on [78:38] nobody laughing, but that it's setup [78:41] punch. And he's just [ __ ] try. He's [78:45] just trying to entertain, which is [78:46] >> he's trolling. [78:48] >> He's trolling. He's getting attention. [78:50] >> And then the most important thing, he [78:52] can fight. [78:53] >> Yeah, [78:53] >> that dude's good. [78:54] >> He's [ __ ] good, man. He's fast as [78:57] [ __ ] for a heavyweight. He's very light [78:59] on his feet, fast as [ __ ] fast hands. [79:02] >> Yeah. So fun to watch. [79:03] >> And you know what's interesting is uh he [79:05] talked a lot of [ __ ] about Alex Pereira [79:09] and you know, I want a shyama on your [79:11] mama, all that crazy [ __ ] [79:12] >> Um Pereira losing to serial gone. [79:16] Pereira decides to fight again. I don't [79:18] know if he's going to fight again. He [79:19] might be done. I think he said he might [79:21] be done, but I mean a lot of fighters [79:23] say that after a fight and especially [79:25] after a loss. [79:26] >> Yeah. [79:26] >> Let him sit around for a while. Then [79:28] they come up with [79:28] >> he's not done. [79:29] >> They back up the Brinks truck. Get him [79:32] versus Josh Hoit. [79:33] >> Oh god. [79:35] >> As a co-main event on a [ __ ] banging [79:37] New Year's Eve card. [79:38] >> Oh yeah. [79:39] >> Let's go. [79:40] >> Hit will be making fun of his headdress [79:42] and his face makeup. Oh, it would be [79:45] insane. It would be insane. But, you [79:47] know, the thing is Hok's got to deal [79:48] with that guy. [79:49] >> That's a different guy. That's not [79:51] Derrick Lewis. [79:52] >> I mean, if he continues to fight [79:53] heavyweight, it is interesting watching [79:57] a guy who's been so dominant at 85 and [79:59] at 205 with that all that extra weight [80:02] on. I don't know if that necessarily was [80:05] the right move, you know? I mean, I [80:08] think like some weight is probably good, [80:10] but maybe even 20 lbs lighter. Like [80:12] maybe 230 something. Maybe that would be [80:14] a better weight if he really wants to [80:16] fight at heavy weight cuz it seems like [80:17] he was carrying I mean just you ever [80:20] work out with a weight vest on? [80:21] >> Yeah, [80:22] >> it's crazy. [80:22] >> Yeah. [80:23] >> Like a 25 lb weight vest. It's nuts how [80:26] much harder everything is. So you got to [80:28] realize he had fought at 185 and he [80:31] fought at 205. That was what he weighed [80:32] in at. But let's be [80:35] honest. At 185, I think he probably [80:38] weighed 220 something, 226, I think it [80:41] was, fight night, which is nuts. It's 40 [80:43] lbs difference. And at 205, he probably [80:46] got into the 230s, like 235, 236, [80:49] something like that. But still was not [80:53] didn't look like he looked at 251. 251 [80:57] he looked like he was carrying [80:58] unnecessary weight, a little bit of it [81:01] at least. And if he was just like 20 [81:03] pounds lighter, he would still have that [81:05] speed and movement, but he's always had [81:07] crazy knockout power. It might be a [81:10] better weight for just seemed like it [81:12] was a lot of weight he had on him, you [81:14] know, [81:14] >> and it all went to his ass. Yeah, [81:16] >> his ass was giant. [81:17] >> Fat ass. [81:18] >> Big fat ass. [81:18] >> You know me, you know that's all I'm [81:20] looking at. That's why I watch UFC. And [81:24] uh yeah, it was all there. [81:25] >> It was like a backpack. [81:26] >> Well, that's where all the power comes [81:28] from. You know, when you're pushing off [81:29] your feet and you know, you're pushing [81:31] off those [ __ ] quads and pushing into [81:33] those glutes and then torquing that body [81:35] the way he does. [81:37] >> Ferocious power, dude. [81:38] >> But damn, that serial gone's good. Woo. [81:41] >> Yeah, [81:43] >> he's so good, dude. And he's in his [81:45] prime right now. Sir Gan is like really [81:46] coming into his own. [81:48] >> There's no heavyweight like him. No one [81:50] moves like him. [81:51] >> Yeah, I was going to say extremely [81:52] accurate for a heavyweight. [81:54] >> Not just accurate, agile. Yeah, [81:56] >> cuz uh we were talking about this the [81:57] other day that basketball is a great [81:59] place to start if you're a big athlete [82:02] and you want to learn combat sports, [82:04] especially striking because think about [82:06] how many direction changes basketball [82:08] players take where they're always kind [82:10] of doing that. They're always spinning [82:12] and moving. It's a series of [82:13] plyometrics. It's a series of hops and [82:16] jumps like Jordan's jump. Imagine if [82:18] Jordan had a flying knee, right? [82:21] >> Right. He's [ __ ] [82:22] >> He's hit you with a flying knee from 14 [82:24] feet away. Yeah. [82:25] >> What do you got? [82:27] >> Basketball. [82:28] >> What's that? [82:29] >> Playing basketball. [82:30] >> It's interesting because uh [82:32] >> Oh, serial guns are Yeah. So, he started [82:35] out playing basketball. [82:36] >> At least where I come from. Basketball [82:37] season and foot uh wrestling season are [82:41] at the same time. So, I wonder what he [82:43] was doing back then. [82:44] >> Well, he's in France, right? So, France [82:46] does not have wrestling [82:47] >> in their high school or in their [82:48] college, you know? and he learned [82:50] wrestling after he had become a really [82:53] elite worldclass Muay Thai fighter. So, [82:56] he's got the the the grappling is come [82:59] up in big ways. Like his grappling is [83:01] much better than it used to be. But [83:03] really, primarily he's a striker and [83:06] when John fought him like Jon just got [83:08] him to the ground and submitted him like [83:10] quickly. It's like the different I think [83:11] in that fight was kind of a big ass [83:13] wakeup call and Francis beat him too. So [83:16] Francis beat him by just Francis just [83:18] got a hold of him and most of the fight [83:21] was on the ground. A giant chunk of it [83:23] because Francis fought that fight with a [83:25] blown out ACL. [83:26] >> Wow. [83:27] >> Defended his world title with a blown [83:29] out ACL. [83:30] >> Crazy. [83:30] >> Had big ass knee pads on. O [83:32] >> I know. Wobbly ass knee. But that's how [83:34] dangerous Francis is. [83:36] >> Yeah. [83:36] >> He could just win it with grappling. [83:38] It's It's a shame that he's not in the [83:40] UFC. It's a real shame. [83:42] >> Yeah. Because like that whole thing was [83:45] what drove everyone crazy about boxing, [83:48] you know, that it was really hard to get [83:50] these guys together, [83:51] >> you know, and this was the whole idea [83:53] why everybody was excited about what [83:55] Riad season was doing and uh Turkey [83:58] alashshek and you know all those people [84:00] that put together these big ass fights [84:02] like Tyson Fury and Alexander Usyk and [84:06] the last one they just did Rico Verhu [84:08] and Usyk like they're putting together [84:10] these big crazy fights Like you that was [84:13] the thing that drove everybody nuts [84:15] about boxing and that's what drives [84:16] everybody nuts about MMA. The one thing [84:19] is it's the heavyweight division. The [84:20] fact that the best heavyweight or at [84:22] least the guy who was the lineal [84:24] heavyweight champion in the world isn't [84:26] even fighting for the UFC. That's crazy. [84:28] It's crazy. [84:29] >> Yeah. Who knows? Maybe one day, right? [84:32] >> Nope. [84:33] >> I don't think so. I tried to make it [84:34] happen. [84:34] >> Damn. [84:35] >> Yeah. I think we need to get those dudes [84:36] together. Look at that. Look at dunking. [84:40] That's crazy. [84:41] >> I know. See, that kind of ability to [84:44] throw your body around like that is so [84:46] huge as a striker. Yeah. [84:47] >> Because a lot of those guys are [84:48] plotting, you know, they're plotters. [84:50] They just kind of like wobble through. [84:52] >> I think what they need to do is get [84:54] Francis and the UFC together. They all [84:56] do mushrooms. [84:57] >> Yeah. [84:57] >> Just like make friends. [84:59] >> Yeah. [85:00] >> Because he doesn't have much time left. [85:01] I think Francis is 38. Is that how old [85:03] he is? [85:06] I think he's 38, which is different as a [85:09] heavyweight. Heavyweights have turns 40 [85:11] in September. Whoa. [85:13] Not much time left, [85:14] >> right? [85:15] >> 40 you can do. But unless you're Bernard [85:17] Hopkins, fighting at a world class level [85:19] in your 40s kind of unheard of. [85:22] >> I remember when France when uh Bernard [85:24] Hopkins fought Kelly Pavick, a lot of [85:27] people did not think that he had a [85:30] chance. [85:30] >> Oh yeah, I remember it very clearly. [85:32] >> And he outboxed the [ __ ] out of Kelly [85:34] Pav. He looked so good. [85:35] >> Truly the executioner. I want to say he [85:37] was in his 40s when that happened. [85:40] >> I think so. [85:41] >> How old was Bernard Hopkins when he [85:43] fought Kelly Pavick? [85:46] >> He fought at a world class level until [85:47] he's 50 years old. [85:48] >> Yeah. [85:49] >> Nuts. [85:50] >> Yeah. Nuts. [85:50] >> We were all watching that one. Everybody [85:52] from Youngstown going, "All right, this [85:54] is it. We're going to get back on the [85:56] right path." Because it was after his [85:58] loss to uh Margarita, is that right? [86:02] Who's the guy that got caught with the [86:04] cement in his gloves against the one guy [86:06] Antonio Margarito? I do believe. [86:09] >> 43. [86:10] >> Wow. He was 43 years old. [86:12] >> Wow. [86:13] >> Crazy. [86:14] >> Against a 26y old. [86:16] >> Crazy. Especially at 170 lbs. Like [86:20] nobody thinks at that weight that you [86:24] you can be competitive at a world class [86:26] level into your 40s. Most of the time [86:29] like people just write you off on that [86:30] number. Yeah, [86:31] >> they don't even care what you look like. [86:32] Like he's not going to be able to do it. [86:34] >> Was he the first one to beat Kelly? Is [86:35] that what I just saw? Wow. Okay. So, he [86:39] lost to him and then that's where [ __ ] [86:41] started to get [ __ ] up cuz then he [86:43] went on a a bad run after that. [86:46] >> Well, when you got beat up like that. [86:47] >> Yeah. [86:48] >> It's just tough on the brain, dude. [86:50] There's only so many of them fights that [86:51] you could take. [86:52] >> Yeah. [86:53] >> Where you get really beat up like that. [86:55] Bernard put it on him. [86:56] >> Mhm. You know, there's been a a bunch of [86:59] fights where a fighter got beat up [87:00] really badly and then they were never [87:02] the same again. Melick Taylor versus [87:04] Julio Cesar Chavez, that's a great [87:06] example. Chavez just put it on him and [87:09] dropped him in the final moments of the [87:11] round and then Richard Steele stopped it [87:13] and it was like this crazy [ __ ] [87:16] controversy cuz he stopped the fight [87:18] with like one second to go in a fight [87:19] that Melick was ahead on the scorecards. [87:22] But the the real the real story of that [87:25] fight was that the damage that Chavez [87:28] had put on Melick, Melick was never the [87:30] same again. [87:32] >> Pavle actually won his next two fights [87:33] and then had a bad staff infection [87:35] problem. [87:36] >> Oh wow. So after he beat Sergio So he [87:41] was set to fight Paul Williams but to [87:44] major staff infection and allergic [87:46] reaction some antibiotics nearly killed [87:48] him. Whoa. He eventually was able to [87:50] fight again against light middleweight [87:51] champion Sergio Martinez. [87:53] >> Oh, Sergio Martinez beat him. [87:56] >> Martinez beat he beat him. He Martinez [87:59] beat him. [88:00] >> Yes, sir. [88:01] >> Um [88:02] >> by Yeah. Uh unanimous 12 round decision. [88:05] Sergio Martinez was a bad [ __ ] [88:07] too. [88:07] >> Yes, he was. [88:10] >> Yeah. [88:12] In late rounds, Martinez came up. Yeah. [88:14] It's it's a just a crazy sport, man. You [88:16] only have so many wars in you. There's [88:19] only so many times you could do that. [88:20] And the really clever guys are the guys [88:22] who just don't get hit much. [88:24] >> I went down a Maidana rabbit hole [88:26] recently. Oh my god, that [ __ ] guy's [88:29] a freak. [88:30] >> Oh, he's an animal. [88:31] >> What a career. [88:32] >> Oh, he was an animal. [88:33] >> Unbelievable. He fought everybody. [88:36] >> He was one of the few guys to really [88:37] rock Floyd Mayweather. Yeah. [88:39] >> Knocked his tooth out [88:40] >> and wore his tooth around a chain. [88:42] >> Oh, I love that. [88:43] >> Yeah. He He got Floyd's tooth and wore [88:46] it as a piece of See if you can find the [88:48] tooth that Maidonna had of Floyd. Look [88:51] at that. Look at that. [88:52] >> Oh my god, that is so cool. [88:54] >> How hilarious is that? [88:56] >> That's so funny. [88:57] >> He had his tooth put on a [ __ ] He [88:59] wears Floyd's tooth on a necklace. [89:02] >> Wow, [89:04] that's crazy, [89:05] >> boy. What a square jawed [ __ ] [89:07] that guy is, huh? [89:08] >> Yeah. [89:09] >> Look at that jaw. That guy looks like [89:11] you could hit him with a baseball bat. [89:12] He was a tough dude. [89:13] >> Insane career. I think he fought [89:15] everybody. [89:16] >> The Broner fight, too. He dropped [89:17] Broner. That was when Broner was in his [89:20] prime. [89:21] >> Yeah, he was a beast. It's a It's a hard [89:24] ass [ __ ] sport. Any combat sport. [89:27] That is a hard way to make a living. [89:31] >> Profitable. [89:31] >> Do you see all the stuff that's going on [89:32] with Floyd? [89:34] >> Yeah. I I can't wrap my head around it. [89:36] I don't understand how someone makes [89:38] that much money and doesn't pay taxes or [89:41] whatever. [89:42] >> Yeah. Well, I could tell you how you you [89:44] run out of money. [89:45] >> Yeah. [89:45] >> You know, you you spend so much money on [89:48] things. [89:48] >> You don't Do you think he has a business [89:50] manager? [89:52] >> Maybe he wasn't looking out for his best [89:54] interest. [89:54] >> I mean, just you got to put somebody in [89:59] charge of that amount of money. [90:01] >> You would think You would think $750 [90:04] million would last you a while. Yeah, [90:06] >> he's I mean he's not even 50. [90:07] >> You give one guy 5%. [90:10] >> How old is Floyd now? [90:13] >> I Yeah. Put some away. [90:14] >> But the thing is it's like that [90:16] lifestyle. His lifestyle was all about [90:19] showing you his wealth. His lifestyle. [90:21] He's 49. [90:24] Imagine making $750 million and you're [90:27] 49. You're broke. [90:29] >> Oh god. [90:30] >> That's crazy. But Tyson talks openly [90:32] about how he spent hundreds of millions [90:34] of dollars, [90:35] >> just went through it. [90:36] >> You know, if you're living that life [90:38] where you're just wearing diamonds [90:40] everywhere and you're buying crazy [90:41] watches and you know, Floyd does these [90:43] things. You ever seen way he he'll go [90:45] into a hotel room when he's traveling [90:47] and he talks about like the watches that [90:49] he brought and so he opens up suitcases [90:51] with millions of dollars in watches. He [90:55] just opens suitcase. You ever seen [90:56] these? [90:57] >> No. [90:57] >> Find them because they're kind of [90:58] hilarious. He's just trying to figure [91:01] out which one he wants to wear. He [91:02] brings them all with him. [91:03] >> Yeah. He's just showing off. He's [91:05] showing off that he's got two suitcases [91:07] filled with diamond encrusted PC [91:10] Philippes and you know [91:13] the the the most high-end watches. Look [91:16] at this. See if you do you have the [91:18] clip? [91:19] >> Here it is. Look. Play put some volume [91:21] on this. Look at this. are always in my [91:23] [ __ ] business worried about what I'm [91:25] doing, what Floyd is doing, what Floyd [91:27] ain't doing, what I do got, what I don't [91:29] got. Just know I'mma stay in my lane. I [91:32] ain't going to [ __ ] with nobody. And I [91:34] don't want nobody [ __ ] with me. If I [91:36] go on vacation, my fault. When I go on [91:38] vacation for 30 days, I take 30 watches [91:42] with me. [91:46] >> Look at this. [91:47] >> But you know what? You know what? What's [91:49] crazy is this. if we add 10 more days, I [91:52] take 10 more watches. [91:56] But then I say, "Fuck it. If I want to [91:58] bring out the one and only, then I bring [92:00] out the watch that cost $18 million." [92:02] >> Oh, Jesus. [92:04] Matter of fact, you know what I'm going [92:05] to do for you [ __ ] haters [92:07] today? I'm going to go [ __ ] off $50,000 [92:09] cuz I ain't got [ __ ] else to do. [92:12] Money made all [ __ ] day. [92:15] >> You know what's crazy? [92:16] >> That's the problem. So that you can only [92:19] do for so long. [92:20] >> Yeah. [92:21] >> So if you have one $18 million watch [92:24] like, okay, let's not get crazy. Let's [92:26] not get crazy. You wanted to get it, you [92:28] got it. You have $750 million. You have [92:30] one $18 million watch. You can't have [92:35] 18 watches [92:37] that cost millions of dollars. Like cuz [92:40] you're going to need more. You're going [92:41] to keep wanting to buy more. You're [92:42] going to keep you're going to run out of [92:44] money. How many Rolls-Royces do you [92:46] have? Okay. Each one of those is a half [92:47] a million dollars. You have four or five [92:49] of them. H how many Ferraris? You got 10 [92:52] Ferraris. Okay. What? [92:55] Some of those Ferraris are almost a [92:56] million dollars. You have 10 almost a [92:58] million dollar cars. Okay. So, just in [93:01] watches and cars alone, we're looking at [93:04] 50 60 million. Okay. And then you have [93:07] to make 120 plus to actually have 60. I [93:11] don't know if he's leasing them. I don't [93:12] know how he's financing things. I don't [93:14] know. But [93:15] >> I would love to know [93:16] >> the real [93:16] >> he can make that money back by he can [93:19] make the money that he needs back by [93:21] literally making a super documentary [93:23] about how he spent it. You ever seen [93:25] that 30 for30 broke about how the NFL [93:28] players all spent their money? [93:29] >> No. [93:30] >> Well, it's unbelievable. One of the [93:32] easiest watches ever. [93:34] And like it it's I got to be 30 for30's [93:39] like biggest production ever. Like it's [93:41] everywhere. It's it's just huge. And um [93:45] yeah, who the hell doesn't want to know [93:47] about that, right? [93:48] >> And I'm waiting on that Nicholas Cage [93:49] dock that I probably nobody's making [93:52] either where it's like because he's a [93:54] different version of that, you know, [93:55] about this. [93:56] >> He went broke. [93:56] >> Oh, yeah. [93:58] >> But then he made it back again. [93:59] >> Well, yeah. He works his ass off. So, he [94:01] went on a He's on a terror. He's just [94:04] making movies left and right. And uh [94:08] yeah, going from 100 [94:10] >> he faced severe financial struggles in [94:12] the late 2000s, going from $150 million [94:15] fortune to being 6 million in debt. [94:17] Whoa. He never officially filed for [94:19] bankruptcy, but he cleared his debts by [94:21] relentlessly taking on movie roles, [94:23] including direct to video films and [94:25] selling off extensive real estate and [94:27] assets. And [94:28] >> I guess he bought like a lot of T-Rex [94:29] skulls. Like he spent his money on like [94:31] crazy things. He didn't just go watches [94:34] and cars. He would find crazy pieces of [94:36] art and like old historical things, I [94:40] think. [94:41] >> Well, he was a movie star from way back. [94:45] You got to realize like what was his [94:47] first film? I think his first film was [94:48] like 1980 or something. [94:50] >> Yeah. [94:50] >> I remember him being a movie star when I [94:52] was in high school. [94:53] >> Yeah. [94:53] >> That's a lot of time of being in that [94:56] bizarro Hollywood bubble getting your [94:59] brain cooked by fame. [95:01] >> Yeah. He's one of those you can watch [95:03] him do anything like one of those freaks [95:06] where even though people will say I [95:09] don't like this Nicholas Cage thing, I [95:10] don't like that. [95:12] >> From an article about what he spent his [95:13] money on, [95:14] >> $455,000 for two snakes. [95:20] >> Okay, so it was $276,000 [95:23] in 2005, the equivalent of $455,000 [95:26] today. Thanks inflation. [95:29] >> How crazy is that? [95:31] What's the four? Think about that. [95:33] $275,000 in 2005 is $455,000 today. [95:37] >> Damn. [95:37] >> How fun is inflation? [95:39] >> Wow. [95:41] >> What was uh Nicholas Cage's first movie [95:45] >> officially? [95:46] >> Yeah. [95:46] >> He was in a few things like [95:47] unofficially. [95:48] >> Just that crazy movie with him and [95:51] >> Raising Arizona had to be like the first [95:53] big hit, right? [95:54] >> That was a big one. That was a big one. [95:56] His [95:59] new ones are good, too. These wacky [96:01] ones, [96:02] >> his filmography, if you go all the way [96:03] back, 1982, Fast Times at Ridgemont High [96:07] >> is Nicholas Copala. [96:08] >> Valley Girl is what I was thinking of. [96:09] That was in 83. [96:12] Yeah. Credit is Nicholas Copela. That's [96:14] before he changed his name because he [96:16] didn't want to be connected to what is [96:18] his uncle Francis Ford Copa. Is that [96:20] what it is? [96:22] >> Valley Girl. So, Valley Girl was 83. So, [96:24] I was in high school, dude. Arizona [96:26] Peggy got married. Those are big, too. [96:28] >> Big. Those were huge movies, dude. [96:30] Raising Arizona is so [ __ ] funny. [96:33] >> I saw that like a year ago. I forgot. I [96:36] forgot how funny it was. Remember Tai [96:38] Cob or Tex Cobb was in there? The boxer [96:40] with the flatten nose who fought Larry [96:42] Holmes. He did a bunch of movies. [96:44] >> Big white guy. [96:45] >> Yeah. Big big [ __ ] cornfed white guy [96:47] on the motorcycle. [96:48] >> Yeah. Oh yeah. He's great. [96:51] >> It's a Cohen brothers movie, right? [96:52] Raising Arizona is [96:56] those guys might be the goats. They [96:57] might be the goats of comedy. Them and [96:59] the brothers. [97:00] >> Yep. No doubt. [97:01] >> See how many amazing hilarious [ __ ] [97:04] movies and the Cohen brothers was. They [97:05] were always so out there. Everything's [97:07] so out there. [97:09] >> Some of their films are just like what [97:10] the [ __ ] are you guys doing? [97:13] >> Like King was Kingpin Fairley Brothers. [97:15] >> Yes. [97:15] >> Those guys too. Like without a doubt. [97:17] >> [ __ ] that was good. [97:18] >> Unbelievable. [97:19] >> [ __ ] That's a funny movie. [97:21] >> So [ __ ] great. So funny. [97:23] >> The scene where he's throwing up in the [97:25] toilet when she's talking about him [97:26] eating her [ __ ] [97:27] >> to pay his rent. [97:29] >> Oh my god. Oh, Woody's range is [97:33] incredible. [97:34] >> You know what I heard about that movie? [97:36] That they had primed all the actors to [97:39] get really excited when Bill Murray [97:41] throws three strikes cuz he had to throw [97:43] three strikes in a row. And so they [97:45] said, "This might take a while, so we're [97:46] going to really need your enthusiasm." [97:48] And then Bill Murray actually threw [97:50] three strikes in a row first attempt and [97:53] everybody went crazy like for real cuz [97:56] they were, you know, like they were said [97:58] this is not going to happen this way. So [98:00] when he actually did it, everybody went [98:02] [ __ ] bananas. [98:03] >> Nuts. [ __ ] Such a good movie. [98:05] >> I love it. [98:06] >> Dude, Woody's a freak, bro. since he's [98:09] moved here and goes to kill Tony and [98:11] like we hang out and stuff [98:14] only after like being making friends [98:19] with him. Like I knew he did a lot of [98:22] great stuff, but he sneaks up in so many [98:25] great things. It's insane. He's in [98:28] [ __ ] um what is the Conan Brothers [98:31] one with uh not There Will Be Blood. It [98:32] was made at the same time with Javar [98:34] Bardm. Oh my god, how am I blanking on [98:36] this? It's uh No Country for Old Men. [98:40] >> Oh, that's right. That's right. [98:41] >> He's in it. And he's not even They don't [98:43] even like promote him on that or [98:45] anything. He just comes in the movie [98:47] halfway through with all these other [98:48] [ __ ] greats and is crushing. [98:52] >> It's hard to think that that's a Cohen [98:54] brothers movie. [98:54] >> The People versus Larry Flint. He's a [98:57] freak of nature. [ __ ] [98:59] >> that thing that you sent me the other [99:00] day with him when he was playing LBJ. [99:02] >> Oh my god, it's so good. I randomly [99:05] stumbled across that one. And I'm like, [99:06] "Oh, I'll fall asleep to this." Woody is [99:08] LBJ. And it's one of those movies that [99:10] [ __ ] kept me awake because it was so [99:12] goddamn good. [99:14] >> Mesmerizing. [99:15] >> Super nice guy, too. Like easy to hang [99:17] out with. [99:17] >> Oh my god. The best. [99:19] >> Very chill with everybody. Just hangs [99:21] out when he's in the green room. He's [99:22] just like one of us. [99:24] >> Yeah. [99:24] >> Normal. [99:25] >> Yep. [99:25] >> You know, which is hard to do when [99:27] you've been famous that long. Just be [99:29] cool. [99:29] >> Yeah. [99:29] >> But also, he doesn't have a phone. You [99:31] get a hold of him. You got to get go [99:32] through his wife to get a hold of him. [99:34] He's smart. just insulates him from [99:36] himself from all the nonsense. [99:37] >> Brilliant. [99:38] >> That's the way to do it. [99:39] >> Yeah. But I think when you get to like [99:41] that level, you kind of have to or [99:42] you'll go crazy. [99:43] >> Yeah. [99:44] >> You know. [99:45] >> Yeah. He has this fun. He likes [99:47] laughing, sipping his tequila, smoking [99:51] his weed. He's got it all figured out. [99:53] Grows his own weed, makes his own [99:55] tequila, [99:57] eats live food or whatever, and just [99:59] laughs and enjoys life. [100:02] It's perfect. Yeah, it's nice to know [100:05] that people can make it through that [100:06] crazy maze [100:08] and, you know, you could either go nuts [100:10] and buy Tyrannosaurus Rex calls [100:12] >> or you could just completely disconnect [100:14] from it all and just be yourself. Just [100:17] >> just keep keep killing it. [100:19] >> I know him and Makana have a TV show [100:22] that's coming out [100:23] >> where they play Brothers, right? [100:24] >> Yeah. [100:25] >> I think it's on Apple TV coming out [100:27] soon. [100:28] >> Yeah. [100:32] >> Yeah. So, um, what's it been like? Like [100:35] the the weirdness, the post roast [100:38] weirdness. [100:40] >> I'm always surprised by these things. [100:42] I'm always surprised that [100:45] they last so long that anybody's talking [100:48] about it. It's so bizarre. I was [100:52] surprised [100:53] with the Pang Dang thing. I was [100:55] surprised at the Trump thing. And this [100:58] one is really surprising cuz with other [101:01] ones they're like, "Ah, there's a time [101:03] and a place for jokes like that or this [101:05] or that or whatever." [101:07] And this is the time and the place for [101:09] it is like the roast of Kevin Hart, you [101:12] know? I'm going to go for it. [101:13] >> Yeah. [101:14] >> And we roasted Kevin, you know? I did a [101:17] [ __ ] George Floyd joke in the uh at [101:21] the Tom Brady roast and I did a Who's [101:25] the white guy that shot people? Um, [101:29] uh, it's the same fan base as, uh, god [101:32] damn it, the kid that shot people up in [101:35] wherever. [101:37] >> Be a little more specific. [101:39] >> The white guy shot a couple people, had [101:41] a gun at a thing. They made it look like [101:43] it was black people, but it was actually [101:45] white people that he shot that were [101:47] shooting at him or had guns. What's his [101:49] name? Has the [101:50] >> I have no idea who you're talking about. [101:52] >> Damn it. David Lucas is friends with [101:53] him. Brought him to the club. [101:54] >> Oh, Kyle Writtenhouse. [101:55] >> That's it. That's it. [101:56] >> I did a Kyle Writtenhouse joke. I did [101:59] this and then this one, people are [102:01] offended or something. I don't know. And [102:03] yeah, if you just watch that clip on my [102:05] dismount, it's a crazy clip. But if you [102:08] watch the entire flow of the roast set, [102:11] it's just one last departing joke, which [102:14] that's my thing, man. It's like I knew [102:16] Earthquake would be standing up on his [102:19] feet like he was halfway through my set. [102:21] you know, h you know, there's standing [102:24] O's that are happening during my actual [102:26] roast. And on this one, because there [102:29] were so many people on it, it was such a [102:31] long big roast, you know, they set you [102:33] to an aotted time. So, I'm like, okay, [102:35] I'm going to do something I don't [102:36] normally do and blast off more jokes per [102:39] minute than I normally do. Instead of [102:41] milking it and getting applause breaks [102:43] and things like that, I'm just going to [102:45] create a bang bang bang bang bang final [102:48] stand of things. And you know what's [102:51] funny is that I have something that's [102:53] supposed to offend everybody. Like I [102:56] don't want you to like 100% of any of my [102:59] jokes. I'm not that guy. I'm healish. [103:02] I'm a bad guy wrestling fan. Exactly. [103:06] >> So what's funny is people got offended [103:09] about the George Floyd thing and people [103:11] a lot of people said, "Yeah, well Pete [103:13] Davidson did a Charlie Kirk joke." And [103:16] they're comparing these things from two [103:17] different spectrums. But what what they [103:19] didn't mention is that I did a Charlie [103:21] Kirk joke in my set. So, [ __ ] them. [ __ ] [103:25] them. [ __ ] them. [ __ ] them. You know [103:26] what I mean? [103:27] >> Everybody gets them. [103:28] >> Everybody gets it. Is always my [103:30] >> Everybody gets them jokes. [103:31] >> Everybody does. I said that Kevin has uh [103:36] what quite the fan base. He has more [103:37] gunfire at his merch table than Charlie [103:40] Kirk. [103:40] >> Yeah. [103:40] >> Or whatever. And um [103:43] so you know for them to for people to [103:46] nitpick that joke and be offended and [103:49] it's funny because it was a lot of uh a [103:51] lot of comedians a lot of black [103:54] comedians were like I'm upset about this [103:57] you know they made their videos which is [104:00] just hilarious because they're not on [104:01] the roast they're not in attendance at [104:03] the roast. [104:04] >> You you saw Tiffany Hattish [104:05] >> the that was the best one. Nobody [104:07] handled it better than her. find Tiffany [104:09] Hattish getting uh asked questions. Was [104:12] it a TMZ thing? [104:13] >> Yeah. [104:14] >> About uh the roast cuz she handled it so [104:17] perfectly. [104:18] >> They're trying to They were trying to [104:19] bait everybody. [104:21] >> Of course they were. [104:22] >> Everybody, even Cheryl Underwood, who [104:23] handled it all like a champ. We made [104:26] friends before at a Netflix brunch that [104:30] week that was uh for that festival. [104:32] >> Well, dude, I told you about Cheryl. [104:34] >> Yeah, she's the [ __ ] [104:35] >> She's awesome. Yeah, [104:36] >> I I worked with Cheryl in like the early [104:38] 2000s, I think it was, in Montreal. I [104:41] told you she's a monster. [104:42] >> Yeah. [104:42] >> She'd go on stage with her purse on just [104:45] clutching her purse on stage and murder, [104:47] dude. [104:48] >> She would mur here's Listen to Tiffany. [104:51] >> She We look so good. Do you have like 30 [104:55] seconds to chat? Really quick. Yeah. [104:56] >> So, talking about Kevin Hart roast, [104:58] right? [104:58] >> Yes. It was so much fun. [104:59] >> So, Lonnie Love didn't think so. Lonnie [105:01] Love was like, "You know what? It's [105:02] exhausting. It's edgy." specifically [105:04] about the George Floyd joke. What are [105:08] you thinking? Is it just comedy? Should [105:10] they have been a little less uh [105:12] >> I think it should have been shorter. The [105:14] show was too long. [105:15] >> I mean, I was sitting there the whole [105:16] time. I had to pee. Something I didn't [105:17] hear the George Floyd joke cuz I had to [105:19] pee so bad. [105:20] >> So, you went to the bathroom with that? [105:22] >> Yeah. I was a glorified uh seat filler [105:25] >> and I was tired. [105:26] >> Well, also I mean Lonnie and other [105:28] people were like, "Oh, maybe it was a [105:29] little too racially motivated." What do [105:32] you think as far as like the jokes? Is [105:34] this just comedy or are people taking it [105:37] too seriously? [105:38] >> Is this all comedians saying it that [105:40] wasn't invited? [105:45] >> That's the [ __ ] comedian Tiffany [105:48] Hattish. [105:48] >> Bro, that was her version of the Shauna [105:51] Ali walkoff kick. [105:52] >> I love it. I love it, man. You never [105:56] forget those people that actually are [105:57] answering honestly in real [105:59] >> well real comics. And again, it's the [106:02] same thing for 100%. She's not only is [106:05] it a fun walk-off home run, but she's [106:07] also 100% correct. There's nobody that [106:11] was there that was offended. There was [106:13] no ruckus there. It's just like [106:16] everything else where you leave and you [106:17] go, "Huh, this thing's this thing's kind [106:20] of crazily taking off, it seems." A lot [106:22] of people are talking about that one [106:24] joke at the end. It's so weird. Well, we [106:26] live in an outrage culture and an [106:30] outrage there there's a there's money in [106:32] outrage. There's engagement in outrage. [106:35] Outrage is the it's the commodity that [106:38] everybody wants. Yeah. [106:39] >> They want to be outraged. Yeah. [106:40] >> And they want to be right. And if you're [106:41] outraged and you've got a good point, [106:43] you just ride that [ __ ] thing for as [106:45] much juice as you can get out of it and [106:46] then you move on to the next thing. [106:48] >> Yep. [106:48] >> What are you mad at now? it. You know, [106:51] >> there's never in any of these things, [106:53] there's never a moment where I'm like, [106:54] "Okay, this could cause a problem." It [106:57] was, it's never been that way. [106:59] >> Wild. It was high fives. [107:02] >> High fives and laughter after my 300 [107:05] p.m. set in a half-filled Madison Square [107:07] Garden waiting for the 8:00 p.m. arrival [107:10] of Trump to speak. I'm, you know, on a [107:12] 34 person lineup. Everyone was thrilled. [107:16] Way to get the crowd going. I mean, it's [107:19] you're just getting the party started. [107:20] The lights were up. Like, it obviously [107:22] wasn't the best position for me on that [107:24] lineup, but the same exact thing. And [107:27] then it's like a little bit later, you [107:29] realize like, oh, they're making a news [107:30] story about the Puerto Rico joke of all [107:32] things. So interesting. [107:34] >> I told you that joke was going to be a [107:35] problem. [107:37] >> I would have never told you to do that [107:39] joke during that, but I told you that [107:41] was going to be a problem in your ad. [107:42] >> It wasn't supposed to be in my original [107:45] thing for that. was a last second filler [107:47] because they gave me more time than [107:48] everybody. It was a very bizarre thing. [107:50] They gave me more time for every bizarre [107:52] thing. [107:52] >> First of all, the idea that you would go [107:54] on after someone like who went on before [107:55] you, Steven Miller? [107:56] >> No, not it was the national anthem with [108:00] a guy painting a uh painting of things. [108:03] Actually, no. He went on after me. I [108:05] went on right after the national anthem, [108:07] >> but someone had some kind of like rahrh [108:09] speech. Make America great again. [108:12] >> I wish there was. That all came like way [108:14] after which is crazy. They just had me [108:17] on the wrong position on the thing and [108:20] uh yeah, [108:21] >> you should only do standup where people [108:22] are doing standup. [108:23] >> Totally. Totally. [108:24] >> It doesn't work. [108:25] >> Totally. [108:25] >> It's like But you got to say, [108:28] >> but then again, it did it did work in [108:30] house. The place isn't miked for sure [108:32] standup comedy or lit for standup or [108:34] anything like it. [108:35] >> No, they were laughing. [108:36] >> They were having a good old time. Well, [108:38] they're probably happy that something [108:39] wasn't stiff and boring, you know, like [108:41] taxes and [ __ ] [108:44] tariffs. [108:45] >> I mean, Rudy Giuliani went on like 3 [108:47] hours after me. [108:48] >> That's crazy. [108:49] >> Yeah, it was a nuts all day. It was a [108:52] super long thing. My point being is that [108:54] it always surprises me that I'm the news [108:58] even though I'm because if someone else [109:01] said it, if it was a politician that did [109:03] it or someone else, someone high up in [109:06] the administration, that would make [109:07] sense. Same thing with the roast. If it [109:09] was a clean comedian, right? If Nate [109:12] Bargotsi or Jim Gaffigan were on it and [109:15] they said that, that's crazy. Me saying [109:18] it, that's normal. [109:20] >> They don't know that, though. See, the [109:21] thing is it's like you've achieved a [109:24] level of fame that like really snuck up [109:26] on people over the last couple years, [109:29] you know? It's because the rise of Kill [109:31] Tony has been completely organic. Like [109:35] there's been no promotion of Kill Tony [109:38] that made it become what it is. It's all [109:39] just people sharing it on YouTube, [109:42] sharing it online. That's all it is. [109:43] clips and these moments, you know, and [109:47] then, you know, obviously the Shane [109:49] moments and all the Kyle Dunigan. It's [109:52] been just so many amazing moments. It's [109:54] such a good show. It came organically. [109:56] And then you got to this point over the [109:58] last couple years of like, "Oh, we got [110:00] to pay attention to this [ __ ] guy." [110:01] And then we had a and then after they [110:03] started attacking you from the White [110:04] House thing or the uh Madison Square [110:06] Garden thing rather, which was 2024, [110:09] then it was on then it's on like Donkey [110:11] Kong, right? So that's two years later. [110:13] So now you're a guy that they go to like [110:16] to get mad at. And there's a bunch of [110:18] people like that online that that's [110:20] their business. Their business is people [110:21] are mad at them. They have hot takes. [110:23] People are mad at them. [110:24] >> Yeah. [110:24] >> I mean that's So you you've fallen into [110:27] that category. And so there's going to [110:30] be people that genuinely don't like what [110:32] you did and don't like you. And then [110:34] there's going to be people that are just [110:35] using it as a commodity. They're just [110:37] using it as outrage, which is part of [110:39] what the game is. You know, this this is [110:41] what they do. and their engagement, you [110:44] know, [ __ ] game that they play. And [110:47] it's kind of what we do in the joke [110:49] game. Yeah. You know, you get [110:50] engagement. You get people to laugh. [110:52] They You say outrageous things that you [110:54] don't even really mean, but it's because [110:55] it's a funny thing to say. It's just [110:57] like I always say, Bob Marley didn't [111:00] really shoot the sheriff. You know that, [111:01] right? [111:01] >> Right. [111:02] >> It's like it's just jokes. [111:04] >> Exactly. [111:04] >> Like when you say inappropriate [ __ ] on [111:07] purpose and that is like everybody used [111:10] to know that. Like Louis CK was a very [111:12] left-wing progressive guy when he was [111:15] saying really [ __ ] up things that he [111:17] didn't mean on purpose because they were [111:19] funny. [111:19] >> Yeah. Like that was what he did and [111:22] everybody was fine with it until [111:24] somewhere around it seems like it was [111:27] like 2016 200 like it started to turn a [111:31] corner where it became like people are [111:32] starting to take these things as [111:35] statements rather than as comedy [111:37] material [111:38] >> and they started trying to pretend that [111:40] the person really means this like that's [111:43] where it got crazy and that happened [111:45] around the time where social media [111:47] really came into prominence Because [111:49] before that there was no real avenue to [111:52] do that. There's no real avenue to [111:54] pretend you were really deeply upset. [111:56] >> Yeah. [111:56] >> I mean, I'm sure there's some people [111:57] that were upset, but there's also a lot [112:00] of like people that are just ill. [112:02] They're online all the time on these [112:04] social media apps just arguing and and [112:06] spitting out venom and yelling at people [112:08] and they yell at them. It's like they're [112:10] in hell all day long. And anytime [112:12] something comes along, they could be [112:13] upset at they got to they have to have [112:15] their take. They have to have that hot [112:17] take. [112:17] >> Yeah. And if their hot take gets [112:19] engagement, they're all looking at their [112:20] likes. Then they just start re-engaging [112:23] with that subject and going back on it. [112:25] And this is the real problem. Okay. [112:28] >> Good luck with that. That's bad for your [112:30] head, kid. [112:31] >> Right. Exactly. [112:32] >> Very bad for your head. All those people [112:34] that I know that are like especially [112:35] comics that are doing it, the comics [112:37] that are doing it, almost all of them [112:39] don't have good careers. No, all of [112:41] them, right? None of them have like [112:43] impressive care, especially compared to [112:45] their contemporaries that are doing [112:46] well. And then on top of it, they're all [112:48] mentally ill. They're all people that [112:50] are [ __ ] filled up with [112:51] pharmaceuticals and they're going to [112:53] therapy. They're they're like literally [112:55] mentally ill and they're online talking [112:57] about fascists, [112:58] >> right? [112:59] >> You know, like stop. Like get your [ __ ] [113:01] together. No one your opinion is not [113:03] that valuable to people because they [113:05] know that you're [ __ ] up. Do you not [113:06] understand that? [113:07] >> Right? [113:08] >> Like the way you view the world is is [113:10] it's not a healthy balanced perspective. [113:14] like you're viewing the world in this [113:16] like mentally ill lens. [113:18] >> Well, the whole online thing doesn't it [113:21] doesn't even convert to sold tickets or [113:23] a bigger thing. It it's such a temporary [113:26] drug for them to get to fill this void [113:29] of what they're not doing, [113:31] >> right? It doesn't convert to them people [113:33] wanting to go see them. No, I mean some [113:35] people maybe they get like a little [113:36] juice out of it, but it's not enough [113:38] because you're also opening the door. If [113:40] you do become popular, you have to [113:42] understand that if you've been spitting [113:43] hate at people for a decade and then you [113:46] become popular, boy, that hate's coming [113:47] your way. [113:49] >> Oh yeah, [113:49] >> it's coming your way, you know. And I [113:52] mean, this is one of the things that I [113:53] said after the Mensia stuff. I said, [113:55] even though I think it was the right [113:56] thing to do, I wouldn't do it again [113:58] because it's just too much. [114:00] >> Yeah. [114:00] >> It's just too much. You just you create [114:02] all you just feel the darkness of it all [114:04] the negative. It's all negative. It's [114:06] all negative. Even if though it had to [114:08] be done because you've got this guy with [114:10] it. It showed me how completely [114:14] absent of morals and ethics the business [114:17] is completely absent, [114:19] >> right? [114:20] >> They knew what he was doing and they did [114:22] not care. They didn't care because they [114:24] were profiting from it. This is the [114:26] conversation that I had with my agent [114:27] when they were dumping me. [114:29] >> I said I I told them, I go, "You're [114:30] making a mistake right now that's going [114:32] to affect the rest of your life. You [114:34] have to understand the choice that [114:35] you're making. you're choosing to align [114:38] with someone who in any other industry [114:40] that person would be in jail, [114:41] >> right? [114:42] >> If that person was and also if this was [114:44] in literature or if this was in music, [114:46] they would be sued into high heaven. [114:48] Like there's songs that like they don't [114:50] even seem like they're that close to [114:53] each other and people had to give like [114:56] songwriting credits to it. [114:57] >> Yeah. Oh yeah. like songs like people [115:01] get inspired by certain songs and then [115:04] they write a song that sounds close [115:08] enough that there's a rhythm to it that [115:10] people get upset. [115:11] >> Well, there's only so many notes and so [115:13] many chords and there's only so many [115:15] beats and so much timing. And it's often [115:18] the same thing with comedy. Like there's [115:21] some crossovers in a writer's room, [115:24] which I've been in so many of. So many [115:26] people writing on the same subject will [115:28] have the same joke. Uh it's only when [115:31] it's like what Mensia was doing word for [115:34] word long form. Well, that was a [115:36] different thing. What he's he was a [115:38] buccaneer. That was a totally different [115:40] thing. But there's songs like, okay, so [115:43] I was listening to this video the other [115:44] day or watching this video the other day [115:46] rather that was comparing um Radio [115:49] Head's Creep to an older song and they [115:54] had to give Creep uh Radio Head rather [115:56] had to give this older song writing [115:59] credits for this which sounds so [116:01] different. And then Radio Head accused [116:04] Lana Del Rey or someone from their [116:06] organization accused Lana Del Rey of [116:09] having a song that ripped off Creep [116:12] >> or was sounded too much like creep. And [116:14] it did sound a little like creep, but it [116:16] was very different. Like it should be [116:18] obviously this is like inspired by it, [116:20] right? If that's the like Elvis [116:22] Presley's entire career was inspired by [116:26] black musicians [116:27] >> like the way he danced and moved and the [116:29] way he sang. So it's like what are we [116:31] doing? Like there's stealing and then [116:34] there's inspired by. Inspired by is what [116:36] we were all doing. It's like we were [116:37] talking about that computer earlier, [116:39] that chip manufacturing thing. That [116:41] thing was built on the back of all the [116:44] [ __ ] super wizard geniuses that have [116:46] been working on all the different [116:47] technology that led to that being. You [116:49] can't just invent that in a vacuum. You [116:52] have to invent that on all these other [116:54] inventions that have taken place for [116:56] decades before you. [116:57] >> Right? This is the It's like with music. [117:01] It's interesting how ligious they are. [117:04] >> Maybe it's because they're run by a [117:05] certain group of people. Totally. [117:07] >> But they're so good at like suing [117:10] people. Like uh Bittersweet Symphony. [117:13] You remember that song? [117:13] >> Oh yeah, totally. [117:14] >> They had to they had to give all their [117:16] money to the Stones. [117:17] >> Yep. [117:17] >> Because it was uh what song? [117:21] >> Uh it's um [117:22] >> what's Perplexity? [117:24] while Tony is [117:27] >> or while Jamie rather is. [117:28] >> Don't do that, please. [117:29] >> Oh, I can't do that. That's right. No, [117:30] you can't. Oh, we have to get us. I [117:32] know. [117:34] Song called the last time. [117:35] >> If if I mean, we learned this the hard [117:37] way cuz I have an actual band that can [117:40] play anything and everything. And years [117:42] ago, they could play anything and [117:44] everything. Our old episodes hold um cuz [117:48] you know, I'd literally be to a you [117:50] know, a shy person. I'd be like, "What [117:52] do you you know, you ever do karaoke?" [117:53] They're like, "Yes." I'd go, "What song [117:55] do you sing?" And then they they go, "Da [117:56] da da." And I literally they would go [117:58] right into it. And now you can't hum a [118:01] song for a few seconds. [118:03] >> So Bittersweet Symphony was a sample [118:06] from uh the Verve developed Bittersweet [118:08] Symphony from a sample from a 1965 [118:11] version of Rolling Stone song, The Last [118:13] Time, [118:15] uh adding vocals, strings, guitar, and [118:17] percussion. After a lawsuit by the [118:20] Rolling Stones former manager Alan [118:21] Klein, the Verve relinquished all [118:23] royalties to the Rolling Stones members [118:25] MC Jagger and Keith Richards, who were [118:27] also added to the songwriting credits. [118:30] Wow. 2019, 10 years after Klein's death, [118:33] Jagger, Richards, and Klein's son seated [118:35] the rights to the Verb songwriter [118:37] Richard Ashcroft because he was probably [118:39] broke. There's similar things that have [118:41] happened recently with uh I think Olivia [118:43] Rodrigo and Paramore and then like uh [118:46] Puff Daddy and [118:47] >> Yeah. Can you please look up the other [118:49] one that I set up though? Um which was [118:52] Radio Head Creep, Lana Del Rey. And [118:54] Radio Head Creep had to give uh [118:56] songwriting credits to another band. [118:59] >> The Holl. [119:00] >> The Holl. That's right. What was the [119:01] original song? [119:04] The Air That I Breathe. [119:07] It's interesting when you listen to [119:09] Let's listen to them. See if you could [119:10] find that. There's a comparison video [119:12] that I watched uh on um YouTube. See if [119:16] you could find that because it's [119:18] interesting how they they they say the [119:21] first one and you're like, "Geez, I [119:23] don't see it." Well, we'll have to edit [119:24] this out, ladies and gentlemen. But you [119:26] could find it yourself. Radio Heads [119:27] Creep versus Lana Del Rey's Get Free [119:29] versus The Holl's The Air That I [119:30] Breathe. Yeah, that was a live version [119:32] of it, but if you uh hear the recorded [119:35] version of it, it's even more [119:37] You could see, [119:39] >> but people get inspired by things. [119:42] >> I get it though. [119:44] >> I get it in those cases, especially like [119:45] the beginning of the Holly song and then [119:47] the beginning of Radio Head, like [119:50] dead on. [119:51] >> Yeah. [119:52] >> They're set in a mood, like a very [119:54] specific mood. Have you ever seen how [119:56] the guy from here's a crazy one. The guy [119:58] from the Gorillas, the song Clint [120:02] Eastwood, I think it is, he had a like [120:04] one of those like little kids kind of [120:06] keyboards [120:08] and he hit the demo button because like [120:10] oftent times it'll just have a regular [120:13] song or whatever. And um it's the entire [120:18] backbone of their biggest hit. [120:20] Um, you'd have to you'd have to pull it [120:23] up, I guess, to understand, but it's [120:24] that. [120:27] Yeah, there it is. So, that's just on [120:31] the thing. Wow. [120:34] >> And somehow they got away with it. [120:39] >> Wow. [120:39] >> And then all they do from there is just [120:42] >> That's it. That's the preset. It's the [120:43] rock one preset. [120:50] That's so crazy. They used that. They [120:52] used a preset from [120:55] one of them little machines like a toy. [120:58] >> And much like the [ __ ] crazy jokes [121:00] that end up getting me in trouble, I bet [121:02] they don't even think that's going to be [121:03] the hit. You know what I mean? Like [121:05] they're probably not like, "This is the [121:07] song that's going to fly off the [121:08] shelves." [121:09] >> Yeah, but other people see it. Tony, I [121:10] was the one who told you you're going to [121:11] get stabbed for the Puerto Rican joke. [121:14] >> There was that was so many years later. [121:16] It's crazy. I was doing that joke during [121:19] the pandemic to the point to where it [121:20] got extended to where you were part of [121:22] it. And what's funny is I left those [121:24] tags of the longer joke out of the Trump [121:27] rally one which probably would have [121:28] protected me. It probably would have [121:30] saved it going, "Ah, it's going to get [121:32] me stabbed." Whatever. You know what I [121:34] mean? [121:34] >> Then you would have to do the Amy [121:35] Schubert joke. [121:36] >> Well, yeah, there was a lot to it. Yeah. [121:38] People don't realize that that's a small [121:41] bit of a much much bigger chunk at the [121:44] time. Well, that's why it should be in a [121:45] set. You know, of course, comedy is a [121:48] such a weird art form. I mean, look, I [121:50] love it to death, but real comedy should [121:52] be seen in person. [121:54] >> Oh, yeah. [121:54] >> You know, Stan Hope said this once, like [121:56] it was like everything we do on TV is [121:58] just to try to get people to come see us [121:59] in the clubs. Exactly. [122:00] >> Like, that's really what it is. Like, [122:01] you just really want people to go there [122:03] live because that's the real fun. [122:04] >> Yeah. [122:04] >> The real fun is all us, a bunch of human [122:07] beings [ __ ] around and having a good [122:09] time, right? soon as you start taking it [122:11] seriously and making it something that [122:13] it's not like you're [122:15] I get why you're doing it because that [122:18] has become a thing that people do today. [122:20] But I'm just saying like for your own [122:22] mental health just not it's not good for [122:24] you to be engaging like I was saying [122:27] about the Carlos thing like just [122:28] engaging in conflict. It's not good. [122:30] It's not good for you. It's bad for you. [122:32] >> Yeah. [122:32] >> Feels bad. It's not good. It's not it's [122:35] you this is ne there's negative energy [122:37] and positive energy. You should spend as [122:39] much of your time possible on things [122:42] that make positive energy. I know that [122:44] sounds hippie and because I'm a little [122:46] bit of hippie. I got a lot of hippie in [122:47] me, but that's what I believe. I believe [122:49] you should spend as much of your time [122:51] having fun, making people laugh, having [122:54] a good time, and less about dwelling on [122:57] [ __ ] [122:58] >> Yeah. That's why I try to stay off [123:00] Twitter because when I get on, I just [123:02] start freaking out at all the different [123:04] news stories that are just abomination [123:06] after abomination where you're just so [123:09] angry. [123:09] >> It's just impossible now. And and you [123:12] know, it used to be Twitter was Twitter [123:13] and this and that, but really it's just [123:15] the news. X is the news. It's so hard to [123:21] >> absorb that. It you it was fun and you [123:24] know it's cool and all and my algorithm [123:26] still shows me stuff that I love. Police [123:29] chases gone wrong and and UFC highlights [123:33] and all of this stuff, but all the stuff [123:36] around that is just crazy. I did a thing [123:39] because I was staying at a hotel [123:42] in um in uh DC right after the State of [123:48] the Union or something. Anyway, I'm [123:50] like, "Okay, it's a hotel TV. I never [123:52] get to watch regular TV. I'm going to be [123:55] asleep in a few minutes anyway." So, I [123:57] threw on um I ended up going by CNN. I'm [124:00] like, "Let's see what these wackos are [124:02] saying over here. Let's see how fake the [124:04] news can possibly be because from what I [124:07] understand, the most recent State of the [124:09] Union was a solid State of the Union and [124:12] very positive and long and entertaining. [124:14] Let's see what they say. Oh, racism [124:17] this. He caused the deaths of black [124:18] people here. He's the reason why we why [124:21] America's failing. It's the reason why [124:23] we're the laughing stock of the country. [124:25] It made me so stressed out. And I'm [124:28] like, "Okay, well, let's see what Fox [124:30] News is saying." And it was crazy over [124:32] there. And then you have [ __ ] [124:33] >> What did they say? [124:35] >> Uh well, they had their counterpoint [124:37] person on, unlike CNN where they're just [124:40] all in agreeance. Yeah. Yeah. and going [124:43] by six people literally going, "Yeah, [124:46] he's the worst and let's not forget that [124:49] he doesn't think trans people deserve [124:50] this and this and like they're just [124:52] going on and on about straight doom." [124:55] And Fox News had a counterpoint person [124:57] that was stressing me out. And you know, [124:59] and I swear to God, I'm not kidding. [125:02] This is not a joke. I was flipping [125:04] through the different ch by MSNBC. I'm [125:06] like, "Oh my god, this is crazy." I put [125:09] on Silence of the Lambs [125:11] >> to calm yourself down. [125:12] >> I swear to God, I was asleep five [125:15] minutes later. Silent and I ended up, it [125:18] just coincidentally was on the Buffalo [125:20] Bill part where like he's got a girl in [125:22] a well in the basket [125:24] >> pure darkness and I'm like [125:28] finally some peace on the cable [125:30] television. I never get to just watch [125:32] normal TV. [125:33] >> So, did Fox News have a positive spin on [125:35] the State of the Union address? I did [125:37] not watch it. I remember for some reason [125:39] it was stressing me out whatever was [125:40] going on because like they have they at [125:43] least Fox has they'll argue still like [125:46] the news used to be they'll have both [125:48] sides on and kind of talk it out and CNN [125:52] has that poor guy that poor one guy that [125:54] just takes all the bullets for everybody [125:57] is just going lying this is that stat [126:00] doesn't exist Jennings. [126:01] >> Yes. Yeah. [126:03] >> That poor guy is probably he probably [126:05] has months to live. He takes so many [126:07] bullets every day. He's a [ __ ] war [126:10] hero out there. [126:12] >> It's uh it's a very turbulent world when [126:14] it comes to discourse. It's just [126:16] everybody's mad at everybody else. It's [126:18] really weird to watch. It's really weird [126:20] to watch these these shows on CNN now [126:23] that are basically like bad podcasts [126:25] that get interrupted every five minutes [126:27] for a commercial. It's really what it's [126:28] like. [126:29] >> I just don't I don't remember it being [126:31] that way where it's just so many panel [126:33] opinion shows. I remember it was it was [126:36] more like CNN used to have Bourdain's [126:38] show on Y, [126:39] >> you know, where they would travel around [126:41] the country and [126:43] check out or travel around the world and [126:45] check out food and it was interesting. Y [126:47] >> and he would, you know, give you his [126:49] perspective on the cultures and all the [126:51] the problems and the things that these [126:54] people were facing and their food and [126:55] what what the community was like. It was [126:57] [ __ ] great show. They did a bunch of [127:00] different shows that were different, you [127:01] know, and then somewhere along the line, [127:04] man, they just went all outrage. [127:07] >> Yeah. [127:07] >> And I don't think that's going to get [127:09] any different now. I mean, now it looks [127:11] like Barry Weiss is going to be running [127:13] that as well. So, she's running the CBS [127:15] News and perhaps she's going to be [127:17] running CNN. The same company's going to [127:19] be running CNN. It's like, okay. [127:21] >> Yeah. [127:22] >> Good luck. Good luck. Because it's [127:24] already People already don't want to [127:25] listen. They don't want to take it [127:27] seriously. [127:27] >> Yeah. they, you know, and that's why X [127:29] has become the news. The reason why it's [127:31] become the news is because they can't [127:32] trust the news, [127:33] >> right? [127:33] >> You know, [127:34] >> totally. It's crazy over there. [127:36] >> Like Tim Dylan had these two New York [127:37] Times reporters on his podcast and uh I [127:40] listened to him talking about it. I [127:42] hadn't listened to them on the podcast, [127:43] but I listened to him talking about it [127:45] and he was saying that uh they said [127:47] there's no evidence that Jeffrey Epstein [127:49] was intelligence. And I was like, "What? [127:51] What? There's no you [ __ ] watch one [127:55] Mike Ben's episode of my podcast where [127:58] he breaks it down. It's almost [127:59] impossible that he's not [128:01] >> right. [128:02] >> Like what the [ __ ] are you like no [128:04] evidence? No, that's not true. There's [128:05] just evidence that you're not [128:06] considering. So it's like if the New [128:09] York Times and the people that we're [128:11] always supposed to trust to be the [128:12] objective purveyors of all that's going [128:13] on in the world, if they're compromised, [128:16] so they're not allowed to say things or [128:18] they have narratives that they could [128:19] they're supposed to spin one way or [128:21] another or they're very cautious about [128:23] being honest about their opinion, very [128:25] very shielded about their actual [128:26] opinions. Either either one of those is [128:29] not good or if they actually believe [128:31] that that's not good either because that [128:32] means you're not really paying attention [128:34] objectively. Like watch a Mike Benz [128:37] episode where he breaks down Epstein's [128:39] connections. It's nuts. The whole [128:42] thing's nuts. [128:44] It's crazy that anybody could say that [128:46] he wasn't intelligence. [128:48] >> Yeah, there's no doubt about it. And but [128:50] they will do anything to push their own [128:52] story. [128:53] >> They don't. Yeah. It's it's a propaganda [128:55] network. [128:56] >> Yeah. [128:56] >> And whatever that propaganda is, I mean, [128:58] that propaganda will shift depending [129:00] upon who's in control of the realm of [129:02] the of the U reigns, rather. the realm [129:04] really is a realm realm of nonsense. [129:07] Well, whoever's in control, they're [129:08] going to be the ones that dictate how [129:10] the narrative goes. And it's always [129:11] going to be whatever the sponsors are. [129:14] That's why you never hear anything about [129:16] any of these studies that they're [129:18] showing about the vaccine safety signals [129:20] that they found very early on, how they [129:22] hid it, all this Fouchy stuff. They're [129:25] they're not showing any of that. the [129:26] Tulsi Gabbard speech. We talked about [129:28] that where, you know, she gave this [129:30] speech explaining how he lied to [129:32] Congress and Fouchy had pressured these [129:35] other scientists to change their [129:37] perspective on whether or not it was [129:38] gain of function research and [129:40] >> Yeah. the [ __ ] that we had a pretty big [129:42] feeling about back in 2020. [129:44] >> Yeah. You don't hear any of these [129:45] people. They're not covering it. [129:47] >> Yeah. [129:47] >> And they can't because they can't really [129:49] tell you the whole news. They can only [129:51] tell you the news they're approved to [129:52] tell you. [129:53] >> That's not good. And that's how X comes [129:55] about. [129:55] >> Yeah. That's how X becomes the place [129:57] where everybody trusts. But then you go [129:58] to X and it's just filled with [130:00] horseshit. There's so much lies. There's [130:03] always video of something happening and [130:06] they're saying this is going on right [130:07] now. And you're like, and then someone [130:09] says, "No, this is a video from 2022. [130:11] This is in, you know, this part of the [130:13] world. This is AI. [130:14] >> This is China. This is not Israel. This [130:16] is, you know, it's like there's so much [130:19] horseshit and there's so many bots." [130:21] >> Yeah. It's like you just dip your toe [130:24] into the water and you just feel [130:25] poisoned. You're like, I got to get out [130:26] of here. [130:27] >> Yep. [130:27] >> But then you feel irresponsible for not [130:29] paying attention. [130:30] >> Exactly. And I feel like so many people [130:33] feel like they're doing the right thing, [130:34] watching the news and being informed and [130:37] they hear [130:38] >> that the news is fake and they think [130:40] that's just like a Trump talking point. [130:42] I've always said that Trump calling it [130:43] fake news was like one of the worst [130:46] things that could happen because then it [130:48] sounds like a Trump thing and the Trump [130:50] enemies go Oh, fake news. Sure, it's [130:52] fake. If he's saying it, then it can't [130:54] be fake because we have to disagree with [130:56] him. Meanwhile, it's a [ __ ] It's a [130:59] goddamn production. I mean, it is [131:02] >> fake. [131:03] >> And [131:03] >> they're right. It's fake. [131:04] >> Yeah, [131:05] >> it's fake. There. A lot of the news is [131:07] fake. It's not true. All that I mean, [131:09] the fact that no one got in trouble for [131:11] all that Russia gate stuff, [131:13] >> crazy. Absolutely crazy. and that they [131:16] still listen that the same people that [131:17] were pushing that Russia gate [ __ ] are [131:19] they're still giving opinions on TV, [131:22] >> right? [131:22] >> It's nuts. [131:23] >> Yeah. There's no repercussions to be [131:25] found. They get to say whatever they [131:26] want. It's crazy. [131:30] >> Well, the repercussion is no one takes [131:32] them seriously. [131:34] >> And that's real. They've suffered that. [131:36] I mean, uh we've seen that in real time. [131:38] And I think the p the pandemic was the [131:40] big that was the big wakeup call for a [131:42] lot of people especially people that [131:44] were forced to take the vaccine because [131:46] they had jobs or you know they had a fly [131:49] or they had family members and then they [131:52] they got some horrible side effect and [131:55] those people got what they call [131:57] redpilled you know I know a lot of [131:59] people that got redpilled from that. [132:01] >> They just can't take it anymore. [132:03] >> It's crazy and it's bubbish. You know [132:06] what I mean? And there's certain areas [132:08] geographically [132:10] in which that's the mentality and they [132:13] stick to it. I mean, here in Austin, I'm [132:18] known as, you know, uh, a skinny little [132:22] [ __ ] I went to LA and it turns out [132:25] I'm a racist Nazi. Like, I'm like, they [132:27] were doing jokes on me at that roast in [132:30] which it's like, "Oh, what are you guys [132:32] talking about?" There's parts where I'm [132:33] literally like, "What the I've never [132:35] even heard this about myself. I'm on a [132:37] comedy show every week where people take [132:39] shots at me and I've None of this is a [132:42] thing. [132:43] >> Well, it's made up and it's all They [132:45] also made up a bunch of stuff about like [132:47] you going to Saudi Arabia. [132:49] >> Yeah. [132:50] >> Which is crazy, [132:50] >> right? Crazy. [132:52] >> They just made it up. [132:53] >> Yeah. Not only made it up, turned it [132:55] down. Like didn't go when offered vast [132:58] sums of money that the bus boy, bag boy, [133:01] Tony would never imagine turning down. [133:04] And people don't even know that you [133:05] turned it down cuz you haven't been [133:07] public about it, [133:07] >> right? I mentioned it. I me glazed over [133:10] it on one for one moment on Kill Tony [133:12] once. But yes, the people that turned [133:15] down that money are you and Shane [133:16] Gillis. [133:17] >> Yeah. And meanwhile, Netflix clipped [133:19] that and po and pinned it on their [133:22] Instagram that joke. And with the [133:24] caption, long sip because I'm sipping my [133:26] water because the joke isn't on me, so [133:28] the camera shouldn't be on me. [133:30] Meanwhile, they're getting my reaction [133:32] shot to, "Oh, you guys took that Saudi [133:34] Arabian money." And make it makes it [133:36] look like I'm offended or something or [133:39] guilty of taking Saudi Arabian money. [133:41] >> But just a joke when you just lie about [133:43] a fact and to make a joke is crazy. [133:47] >> Mhm. [133:47] >> Cuz you're just lying. Like that's [133:50] there's a difference between that and [133:51] making a joke about something. Like you [133:53] had to make something true and then [133:55] criticize them for something. So you had [133:57] a lie about something and then criticize [133:59] them about that lie that you just [134:01] invented. [134:02] >> Yeah. [134:02] >> Which takes three seconds to find out it [134:04] wasn't true. [134:05] >> Exactly. [134:06] >> It takes a really quick search like, [134:08] "Oh, he didn't go." [134:09] >> Right. [134:10] >> Okay. [134:10] >> On the contrary, the the guys that [134:13] Chelsea was complimenting during that [134:16] set. Basically, Kevin Hart and Pete [134:18] Davidson did take the money and went to [134:20] Saudi Arabia. [134:21] >> Also, you don't think Chelsea Handler [134:22] would have taken that money if they [134:23] offered her to go to Saudi Arabia? He [134:25] went to dinner at Epstein's house. [134:27] >> Exactly. [134:27] >> What the [ __ ] are we talking about? [134:28] >> But it's all right cuz Woody Allen was [134:30] there. [134:30] >> Yeah. And apparently she gave him the [134:33] what have you. [134:34] >> She told him. That's what they said. She [134:37] told him she was very upset with him. [134:39] >> Um Yeah. At the intelligence agent slash [134:44] sexual predator's house. [134:45] >> Yeah. [134:46] >> Guys who arrested for statutory rape. [134:49] >> Uh that's fine though. [134:51] >> Crazy. [134:52] >> Just Yeah. Don't be a white guy. [134:55] It's enough. [134:56] >> It's just the whole thing is so stupid. [134:58] Like if you want to make fun of someone [135:01] for anything, for you know, you looking [135:03] gay or you like you're down with that. [135:05] But there you when you invent a fact [135:07] that's not true, you say it's not true [135:09] and then you criticize someone for that, [135:11] like that's stupid. That's a stupid way [135:13] to do comedy. [135:14] >> Yeah. [135:14] >> You know, [135:15] >> and the way that it's covered and [135:16] everything, it's like what what are you [135:18] guys doing? Well, if you didn't know and [135:21] people didn't know obviously because [135:23] they laughed. They thought you maybe you [135:25] did go or maybe Shane did go. They [135:27] didn't know that you were the two people [135:28] that did say no. [135:30] >> You know, Jessica Kersson went and she [135:32] got criticized so much she gave her [135:34] money away. [135:36] >> She gave the money away. I think she [135:38] gave What did she do with the money? [135:39] Find out what she did. But I was like, [135:41] "Oh man." Listen, those people that went [135:43] to see Jessica Kers, first of all, I [135:45] heard she murdered over there. She's [135:47] very funny. She's a [ __ ] dynamo. [135:49] She's a killer on stage. Very, very [135:51] entertaining. Lovely lady. I love her to [135:53] death. She's fun to talk to. [135:55] >> She [ __ ] murdered over there, I [135:58] heard. So, a lesbian woman from New York [136:02] went to Saudi Arabia. Look at donates [136:06] Riad Comedy Festival fee to human rights [136:09] campaign. Well, [136:10] >> wow. [136:11] >> All that money is going to someone's [136:12] payroll. [136:13] >> Yeah. It's going to, you know what I [136:14] mean? [136:15] >> Daycare center in Yeah. you feel better. [136:17] But meanwhile, someone it's paying for [136:19] someone's salary that's probably not [136:21] fixing homelessness or whatever the [ __ ] [136:22] it is. [136:23] >> That's what they do. Tom Siguro went and [136:26] put a photo of a Ferrari and said, [136:28] "Thanks, Saudi Arabia." [136:30] >> Yeah. [136:32] >> But everybody was very upset. But my my [136:35] perspective is um the people that are in [136:37] that audience, if you're upset at the [136:39] people that that are paying and [136:41] organizing, okay, the people that are in [136:43] that audience though that they're [136:44] performing to, they don't get a chance [136:46] to see American standup comedy and [136:48] they're getting a chance to see it live. [136:50] And standup comedy, like music, like [136:53] literature, changes people's minds. It [136:56] changes all art where you see someone, a [136:59] different person than you with a totally [137:00] different perspective that lives on [137:02] another side of the world that says [137:03] something that you think is hilarious [137:04] and you love. It changes, you know, it [137:08] changes people's perspectives. You win [137:09] hearts and minds. I mean, that's real. [137:11] Like you you can change the world a [137:13] little bit by getting people to say, [137:15] "Hey, we kind of are we all have a lot [137:18] of shared interests. We just want to [137:20] have fun. We just want to be with our [137:22] friends, be with our family, and do what [137:24] we want to do." Like everybody wants [137:26] that, including those people in the [137:27] audience. Like those people in the [137:28] audience in Saudi Arabia were just Saudi [137:30] Arabian citizens. They're just a bunch [137:32] of people that lived there. They came [137:34] out to see comedy. Like performing in [137:36] front of them. I mean, [137:39] what is wrong with that? It's was wrong. [137:43] You're supposed to boycott it because [137:44] the people that run it probably were [137:47] involved with the killing of Jamal [137:49] Kosigible in some way or the people that [137:51] finance it. Okay. [137:54] Maybe I see I see how you didn't want to [137:57] do it and I see how Shane didn't want to [137:58] do it and I probably probably wouldn't [138:00] want to do it either. But I don't have [138:02] any problem with people doing it because [138:03] I think at the end of the day you're [138:04] just like I don't have any problem with [138:06] Saudi Arabia putting on these boxing [138:07] matches that I talked about. I love that [138:09] they put on these boxing matches and [138:11] oddly enough that's not really [138:12] criticized that much even by like [138:15] heavyduty left-wing MMA media which is a [138:18] real thing. Um there's a lot of like [138:20] [ __ ] [ __ ] libs that are MMA media um [138:24] just because they're journalists and [138:26] they just happen to be fans but they [138:27] have that like hardcore leftwing [138:28] perspective. They don't seem to have [138:31] that much of a problem with it. Not like [138:32] people had the problem with the comics [138:34] over there where guys like Louie and [138:36] Bill Burr, they just get destroyed for [138:38] that. [138:39] >> Yeah. Yeah. It's nuts. [138:41] >> But I think Sigura had the right move. [138:43] Just don't even pay attention. [ __ ] off. [138:46] I'm going to perform wherever I want to [138:48] perform, you know. [138:50] >> Yeah. No, it makes sense. Totally. I [138:53] just can't go straight from a Trump [138:54] rally to Saudi Arabia. Like a little bit [138:57] of a hop, a skip, and a jump. [139:00] >> I know. It's also It's like, you know, [139:03] is that what you want to do? I don't [139:05] want to go there. It's too long, [139:06] >> right? [139:06] >> So, I want to be on a plane for 16 hours [139:08] to go anywhere. [139:09] >> Yeah. Exactly. That's why I hate it. I [139:11] hate flying. [139:12] >> Yeah. [ __ ] off. [139:12] >> It's terrible. [139:14] >> Come to Texas. Yeah. Yeah. Exactly. [139:18] >> It's just we live in a very polarized [139:20] society and I think a large part of that [139:22] is what we were talking about earlier [139:24] with social media and mentally ill [139:26] people just just screaming into the [139:27] [ __ ] void every day. [139:30] I just would like to suggest to people [139:33] just try not to engage like that for a [139:36] month and see how much better you feel. [139:38] >> Yeah. [139:38] >> Just try it. [139:39] >> Talk and make friends. [139:40] >> And hopefully that's not how you've set [139:42] up your life where you have to do that [139:43] for a living. Hopefully, you're not one [139:45] of those people cuz there are people [139:46] that are paid posters and they make a [139:48] pretty good living just posting and [139:49] getting engagement. Well, you know, I [139:53] don't know what to tell you. You're [139:54] trapped, [139:55] >> right? [139:55] >> You know, if you're if your whole thing [139:56] is like [ __ ] on people all day long, [139:58] you're kind of trapped. [139:59] >> Yeah. [140:00] >> But you can't feel good. [140:02] >> There's no way. [140:03] >> No, [140:04] >> there's no way. It's like the amount of [140:06] cortisol that must be pumping through [140:08] your body all day where you're going [140:09] over and and I see like people that do [140:12] that. I see how they get destroyed in [140:14] the replies and I'm like and I know [140:16] they're reading that like good lord. [140:19] >> Yeah. [140:20] >> Like I don't know how Gavin Newsome is [140:22] still alive. Every time he posts [140:24] something the way he gets destroyed in [140:26] those comments is like [140:28] >> [ __ ] insane. [140:30] >> Well, no one is happy. [140:32] >> It's just the funniest thing because [140:33] it's it he reminds me of like one of the [140:37] last actual politicians. like he's a [140:41] different just lying, [140:43] ignoring of facts type of human being [140:46] because we're witnessing it. Maybe it's [140:49] easy for someone in uh I don't know, New [140:53] Hampshire to go, "Ah, that Gavin [140:55] Newsome's the future." But we lived in [140:58] California and I've been to San [141:01] Francisco recently and we've seen it. [141:03] Like when you travel, you know, [141:05] comedians aren't the end all be all in [141:08] these wise whatever sages perhaps, but [141:11] we do travel a lot and you spend a [141:14] weekend in a city and you're not just [141:16] doing your shows. You're having lunch [141:18] somewhere. You're having coffee [141:19] somewhere. You're dealing with the [141:20] people at the hotel lot, whatever it may [141:22] be. There's different communications and [141:24] vibes and energies. And there's so many [141:27] of these places, especially California. [141:30] You know, San Diego's like a last stand. [141:32] Huntington Beach is an air area around [141:35] there. There's like these little pockets [141:37] in which there's still some common sense [141:40] and happiness. Enjoy Newport. These [141:43] little pockets, [141:44] >> but those major cities are [ __ ] man. [141:48] even the drive and you know I go to LA [141:51] basically maybe once a year now for a [141:53] quick always fun visit always doing some [141:57] arena and a couple nights at the store [141:59] which is different unfortunately but the [142:02] drive from LAX to that area of West [142:06] Hollywood/Bly Hills is gruesome [142:09] everything is for lease everything is [142:12] empty [142:14] um there's nothing new except for the [142:17] crazy looking weirdass Obama Museum [142:20] library, which is the craziest, weirdest [142:24] eyesore humanly imaginable. Where is [142:26] that? [142:26] >> It's like on the way up there. I can't [142:29] remember if it's like off of La Sienna [142:31] or Fairfax. [142:32] >> That's not the new one. Cuz the new one [142:33] is in Chicago, isn't it? [142:35] >> Yeah. [142:35] >> Oh, it is. What's the [ __ ] They built [142:38] something that looks just like that [142:39] monstrosity. [142:40] >> No, the one in Chicago people don't like [142:41] it. I think it looks dope. [142:44] It looks like [142:46] >> It looks like something from Bladeunner. [142:48] >> Yeah, [142:49] >> I like it. A lot of people don't like, [142:51] but it cost a lot of money. Cost like [142:53] $850 million. See if you can find out [142:55] what that building looks like. [142:58] >> Show me a photo of [142:59] >> something that looks just like that [143:00] building. [143:00] >> Sports complex on in Los Angeles they [143:04] made. [143:04] >> Who did the Obamas? [143:05] >> Yeah, I don't know if that's [143:06] >> Oh, okay. [143:07] >> Um [143:08] >> what is the um the one in Chicago? A lot [143:11] of people were criticizing it and I saw [143:12] it. I go, "That thing looks dope. I love [143:15] it." Like that thing. Where is it? Yeah, [143:17] the the one there where your cursor is. [143:18] Click on that. [143:20] >> Oh, that's a rendering. [143:21] >> I don't think it's done yet. [143:22] >> Oh, it's not done. [143:23] >> Maybe. I don't I mean, this looks like [143:24] >> I thought people were in it. [143:25] >> I don't think so. I think they [143:26] >> What's it down there in the lower? [143:27] >> They just showed this online and [143:29] everyone was going crazy. [143:30] >> I thought people were already going to [143:31] it. [143:32] >> I don't know that. [143:33] >> Um [143:36] I think that's it. That looks like a [143:38] rendering to me. That looks fake as [143:39] [ __ ] But that one down there, that one [143:42] down there with the darkness in the [143:44] corner. [143:45] >> Yeah, right there. Is that real? [143:50] >> Encyclopedia Bratannica. [143:52] >> I think that's a real photo. I think [143:55] it's done. I might be wrong. [144:00] >> Oh, you have uh Los Angeles, Chicago. [144:05] Yeah, it's real. So, it's up. But I I [144:09] think it looks cool. It's different. [144:15] People are saying it's ugly. It looks [144:16] like See if we can find photos of it. Go [144:18] to images. [144:22] >> Yeah. Just Yeah. We go. Like there, [144:25] dude. I think that looks dope. [144:29] >> Really? [144:30] >> Yeah. [144:30] >> That window list. [144:32] >> And look at how all the writing on the [144:33] top. What does it say? Go all the way [144:35] up, please. I'm [144:35] >> trying. [144:37] Oh. [144:39] Uh, unconstrained [144:43] >> convention by what is? [144:45] >> It's written on two sides. So, [144:47] >> I think you're missing. [144:48] >> Oh, right. Oh, it goes all the way [144:50] around it. Oh, that's [ __ ] cool. I [144:52] think that looks cool. I mean, maybe I [144:54] have no taste. [144:55] >> I mean, we can't even find an angle of [144:57] what they're trying to say there. So, [145:00] >> right. I don't know what it's saying, [145:01] but I think it's cool that they did [145:03] that. That they had words that go across [145:05] like that. I just think it looks sick. [145:08] >> But I like that kind of brutalist [145:10] architecture. I think that's what they [145:12] call it. [145:12] >> Yeah. [145:12] >> I like that kind cement with big glass. [145:16] Like there's a lot of houses like that, [145:18] especially like in the Hollywood Hills [145:19] that I love. [145:21] >> Mhm. [145:21] >> I looked at one of them [145:23] >> back when I was starting to make that [145:24] cheddar. And uh I was like maybe I [145:27] should live in Hollywood and then I [145:29] could just do the store right there. But [145:31] I was like [145:33] probably not that safe. I looked at the [145:35] house um above um the store that Mitsy [145:39] was selling. [145:40] >> What was it on Kfax? Was that what it [145:42] was? Was that the street? It was the [145:44] comic store. The comic house where like [145:47] Kenisonson stayed there and Paulie lived [145:49] there for a while. [145:50] >> But I had dogs and I was like this is [145:53] not enough backyard. It's too small. And [145:54] also it's like it's too close to the [145:56] machine. [145:57] >> Yeah. [145:57] >> It's like right next to the beast. Like [145:59] I don't know if I want to be like right [146:01] next to the beast. I think I'd rather be [146:02] outside the beast and go visit. Yeah, [146:04] >> like that for me, for my head. [146:06] >> But, uh, I looked at a couple of houses [146:08] up there and one of them was this house [146:10] that was like really it was out of my [146:12] budget really. I was just I shouldn't [146:13] have been looking at it. It was like 10 [146:15] million bucks and it had crazy like like [146:20] concrete with massive windows, but it [146:22] was right there on the street. [146:25] >> Like you're walking on the street, [146:27] there's a sidewalk you could lean over [146:29] and touch the front door of the house. I [146:31] was like, [146:31] >> "Yeah, [146:32] >> this is kind of crazy to buy this [146:34] house." And the guy was like, "Don't [146:35] worry, we have a state-of-the-art [146:36] security system." So I go, "Yeah, you [146:37] know what that is?" I go, "Your camera [146:39] is going to catch a guy with a ski mask [146:40] robbing you." [146:41] >> Yeah. [146:42] >> And two weeks after I said that, the guy [146:45] who owned the house got shot in it. [146:47] >> Whoa. [146:47] >> Two weeks got shot in the neck. [146:50] >> [ __ ] [146:51] >> Yeah. [146:52] >> Damn. [146:53] >> Yeah. [146:54] >> Yeah. So, [146:56] >> hey, [146:56] >> that's these places, man. But the ar [146:59] that kind of architecture I think is [147:00] dope. I like like that crazy modern [147:03] cement stuff. But for a house like what [147:06] you're going to live in the reality is [147:08] you'd probably be like I'm sleeping in a [147:10] museum. This is too weird. [147:11] >> Yeah. [147:12] >> I'd rather just have a regular house. [147:13] >> Yeah. Windows are a necessity. [147:17] >> Yeah. I just want to see stuff. I just [147:19] want to be able to open have a cup of [147:20] coffee and see some trees, you know? Let [147:23] me just sit down and [ __ ] collect my [147:25] thoughts for the day, you know? I don't [147:28] necessarily need to be in a [ __ ] [147:29] museum. Concrete ass big. It's there's [147:33] something weird about it. It's like [147:35] you're too weird. If you live like that, [147:37] you're weird, man. You're you're living [147:39] with this giant [147:42] 20 foot high glass wall in front of you [147:46] that looks out at the bladeunner scape [147:48] that is Los Angeles from the hills. Have [147:51] you seen that view at night? Have you [147:52] ever been up to a house? [147:53] >> Oh, yeah. Have you seen this house? [147:55] >> Oh, that's sick. I love that house. It's [147:57] known as like the Oakley Founders House. [147:59] I don't know if he still owns it, but [148:00] >> Yeah, that's up there. [148:01] >> Yeah, [148:02] >> that house I love. See, if I was single [148:05] and a baller, that's where I would live. [148:07] 210 million. A bargain. [148:12] >> [ __ ] love that [ __ ] I see [ __ ] like [148:14] that, I'm like, "Oh my god, that's where [148:16] I love it." But I don't want to live [148:18] there for real. [148:19] >> Yeah. [148:19] >> I think after a while you would be like, [148:21] "I'd rather have a log house." I was [148:23] trying to find pictures of Kanye's [148:24] concrete house, but this is not the one [148:25] I was looking for specifically. [148:27] >> I just love those kind of houses that [148:29] look like that. Like especially that [148:31] one, that circular one. [148:33] >> The way you pull into that driveway and [148:35] the the entire back house faces the [148:39] lights and you see the lights like it's [148:42] hard to see from photos of how Look how [148:44] sick that looks, man. That's sick. I [148:47] love that. But the lights from that, [148:50] like if you're up in the hills, you want [148:52] to be above looking down. And it's like [148:54] a movie. It's like a sci-fi movie. It's [148:56] one of the coolest [ __ ] views I've [148:58] ever seen. [148:58] >> Holly has the [ __ ] as crazy as it [149:01] sounds, that [ __ ] when he made [149:02] it, he bought a house that's on top top [149:06] top of the Hollywood Hills with that MTV [149:09] money. [149:09] >> Yeah, [149:10] >> dude. It's crazy. He remodeled it [149:13] recently when I was there for the [149:14] festival. He's like, "Dude, you got to [149:15] come see the house. Come see the house." [149:17] I'm like, Pauly, I'm so busy. That's [149:20] very highly unlikely. Come see the [149:22] house, dude. You got to come to the [149:23] house. Sure enough, I went there one [149:25] afternoon for a [ __ ] coffee. Bro, it [149:28] is crazy. He was right. He's got the [149:31] house. He did it. It's on top of [149:33] everything. So, there's if if a robber [149:36] does try to go up there, they're robbing [149:38] someone else's house. They don't want to [149:40] go to the tippy top of the [ __ ] hill. [149:42] That's a tough escape. [149:44] >> That's the problem is the escape. You [149:46] want to be close to the bottom so you [149:48] can [149:49] >> Right. [149:49] >> Speaking of which, I've been watching uh [149:52] I got went down a rabbit hole the other [149:53] day on YouTube [149:55] >> where uh street racers [149:56] >> and there's this one guy [149:58] >> uh who is like a famous street racer [150:01] because uh there's all these videos of [150:03] him. He got his uh his thing set up [150:06] where he can shut the lights off. He's [150:08] got this black Corvette. I'm gonna send [150:10] this to you, Jamie. I [150:11] >> think I've seen this guy. [150:13] >> Yeah, his name is really slow. [150:16] like R Y L SL O [150:20] um and he's got videos of these cop [150:24] encounters. So they he like baits cops [150:26] and then goes on these mad runs and you [150:29] you watch it, you go, "Holy shit." [150:31] >> Oh, I love it. [150:32] >> Cars on the screen. [150:33] >> Yes. This is the dude. [150:36] >> Yeah. [150:37] >> About him, not just [150:38] >> Yeah. This is well he's like a legend [150:40] online because he does interviews only [150:43] with a voice changer where it takes his [150:45] voice and it makes it like that where he [150:48] describes all the modifications that he [150:50] did to his car. But he puts a 3D camera [150:53] on the back of his car and he uh you [150:56] know they have those things where you [150:57] stick it on the back of your car and it [150:59] gives you a 3D view of the automobile [151:02] and he has video of the cops like [151:04] flashing their lights and his car has [151:06] got a 1000 plus horsepower. So these [151:09] poor cops and they're like 300 [151:11] horsepower [ __ ] Crown Victoria. They [151:14] try to chase this guy and he just [151:15] disappears and then once he gets out of [151:17] the line like go back to that video [151:20] where he was before. Watch this. [151:22] >> I mean it's this is it's edited. It's [151:24] not his videos. It's just someone [151:26] >> I I understand but if you just I know [151:27] this video but if you what what he does [151:29] is they start pulling him over and in [151:32] the beginning when they pull him over he [151:33] hits the gas and then shuts his lights [151:35] off. Did you pass that spot? Here it is. [151:37] So So this is it. So they hit the lights [151:41] and he's like, "See you." Are they going [151:44] to show it? [151:45] >> Yes. This is not the [151:46] >> Okay. So this is not the compilation. So [151:48] when he does it and he hits the gas, he [151:51] gets far. Here it is. He gets far enough [151:53] away from them. They're not showing it. [151:55] >> These [ __ ] they have to edit [151:57] their own [ __ ] Leaving it alone is [151:59] better. So he gets ahead of everybody [152:01] and then just he has a button where it [152:03] kills his headlights and he's using [152:05] night vision. [152:06] >> Wow. [152:08] >> Yeah. It's nuts. So, is this it? [152:10] >> Says he enters ghost mode here. [152:11] >> Yes, this is it. So, this is this guy. [152:14] So, his license plate says, "We'll run." [152:17] >> Like, it's a fake. It's a fake license [152:19] plate. The cops get it behind him. They [152:20] hit the lights and he goes, "Bye." [152:23] And the cops realize there's no way to [152:25] catch this guy. It's not. Look at that. [152:27] >> Oh. [152:28] >> Lights go out and he's gone. [152:31] >> And he's flashing lights on people to [152:33] get them the [ __ ] out of the way. And [152:34] there's no way to catch him. And then he [152:36] bangs U-turns. He knows where he's [152:38] going. He plots it out. And the thing [152:40] is, he's filming this and uploading it. [152:43] >> Oh, yeah. [152:44] >> So, he's got to hide his identity [152:46] through how many different channels? How [152:48] does Instagram not know who he is? How [152:49] is he posting? I guess he's using a VPN. [152:52] He's probably using a proxy and he's [152:54] probably going through some other [152:55] country or something. If he's smart, if [152:57] he's smart enough to avoid detection, [153:00] but he just has these [ __ ] crazy car [153:04] bills. It's like he's got a Calvo Viper [153:06] that has like I mean I don't know how [153:08] many [ __ ] [153:10] horsepower that thing has, but they make [153:12] some of these COVID Vipers. It's a [153:14] company here in Texas. They make Vipers [153:16] that have 2,000 horsepower. [153:18] >> Damn. [153:19] >> What? Like where [153:21] >> the [ __ ] are you talking about? [153:22] >> Does anybody know where does he always [153:23] do it in the same city? [153:24] >> He's in I think he's in the Dallas area. [153:27] >> How fun. [153:28] >> Well, yeah. Well, not good if he kills [153:30] somebody, but it's uh very spooky. [153:34] >> Yeah, [153:36] it's nuts, man. Because this [ __ ] [153:38] dude uh really knows how to drive, too. [153:41] And you see these poor cops and one of [153:43] them, the cops wipe out. They slammed [153:44] into another car and [153:45] >> oh [ __ ] [153:46] >> they're trying to pass by these cones [153:48] and the road cuts off and the cop hits [153:50] the cones then loses control of his car [153:52] and slams into another car. Like people [153:55] can [ __ ] die. Especially if he runs a [153:58] red light and he runs a lot of them and [154:00] someone's being an idiot. Maybe [154:02] someone's doing exactly what he's doing [154:03] while he's running the red light. [154:04] >> Dude, you have to see what Kanye's doing [154:06] right now. It's a it's a historical [154:08] moment in all of art. It's unbelievable. [154:10] >> Yeah. You said the he's standing on the [154:12] globe, right? [154:13] >> Well, not only that, he the entire [154:17] everything is a super production and [154:19] it's all him. like you could tell he's [154:21] made every decision and tweaked [154:23] everything to the to the color of [154:27] everything to when it happens to how it [154:28] happens that it's not too much. He's not [154:30] overwhelming the senses with lasers and [154:33] lights and all of this. It's all so [154:35] strategic. But most importantly, it's [154:39] first of all, it's the [ __ ] greatest [154:41] production I've ever seen of anything. [154:43] And I come from Pink Floyd land where [154:45] the live show has to be ahead of its [154:47] time and state-of-the-art and everything [154:48] for my mind to be blown. [154:51] And I was expecting this to be like [154:53] every other rap concert that I've seen, [154:55] which is going to be fun and good and [154:58] maybe great. Of course, it'll be great. [155:00] But this was like a thousand times my [155:02] expectations because first of all, he's [155:05] doing pop-up shows at stadiums, which is [155:07] crazy. He announces it a week or two in [155:10] advance and the stadium's like, "Okay, [155:12] we're sitting empty that night. We'd [155:14] love to sell beer and water and get a [155:16] percentage of merch, right? How these [155:17] venues work." They don't give a [ __ ] [155:19] And he's not promoting it. Everyone else [155:22] that's been to one or seen one is [155:24] promoting it. And then the mayor of [155:26] whatever city or whatever leftist [155:30] person, whether it be the governor of [155:32] that state or whatever, is like, "This [155:33] shouldn't be happening." So, they're [155:34] promoting it for him. and it's filled to [155:37] the top of the [ __ ] stadium. Whereas [155:40] even Pink Floyd or the Rolling Stones or [155:42] whoever announces a tour all at once and [155:44] goes, "Hey, buy tickets. I'm on tour. [155:46] Pretty. Please come." Right? He's just [155:49] like San Antonio July 4th. [155:52] >> Like a week ago, literally. And what's [155:55] crazy is that my buddy [155:57] got me tickets to go see him in Tampa [156:00] because as all we knew is that he was [156:02] going to Tampa. And so there I there I [156:05] was and I'm looking and it's filled to [156:08] the top and the floor is filled and it's [156:12] he doesn't stop. He doesn't take a [156:14] break. [156:15] >> There it is. [156:15] >> I saw that on Instagram after his first [156:17] one that he did. I think it was in LA [156:19] and I'm like, "Oh, that's crazy. I need [156:22] to see this. [156:23] >> That is nuts. That stage is nuts." [156:25] >> But these pictures and videos do not do [156:28] any justice to what is happening [156:30] soundwise, energywise. Just that stage [156:34] alone is [ __ ] insane. [156:36] >> It's crazy. And he enters at the he [156:39] walks through the crowd because [156:41] obviously it's in the round. He comes [156:43] out and you hear a pop from one side cuz [156:46] they can kind of see him and then the [156:47] globe turns on and you know he waits [156:49] until it's dark. So he is he enters at [156:52] one point and then inside is a a um a uh [156:58] a lift that only takes him. So like [157:00] there's no one that can storm that stage [157:02] or anything cuz it's inflatable on the [157:05] outside. So it's an impossible [157:08] impossible to, you know, storm the stage [157:11] or anything like that. And he's the only [157:14] one that has access to the lift [157:15] obviously. And he has a tether that he's [157:18] attached to so he doesn't go off or [157:20] anything. [157:21] >> So it doesn't fall into the balloon. [157:22] >> Exactly. And it is the most diabolical [157:26] show I've ever seen in my entire life. [157:28] Ever. And that includes all the [ __ ] [157:30] everythings. And again, I come from the [157:33] school of Pink Floyd, which is always [157:34] 10, 20 years ahead of its time [157:36] production-wise. [157:38] And this was [ __ ] nuts because he [157:42] does not stop. He does not take a break. [157:44] He doesn't go, "Thank you guys for [157:46] coming out." Until the very end in which [157:47] he goes, "It's all about love. I love [157:49] you guys. Thanks for sticking with me [157:51] all these years when all these people [157:52] said this." And then by that point, two [157:54] and a half hours in when he's saying [157:55] that, you're just like, you got to be [157:57] [ __ ] kidding me. [157:58] >> When you realize the bulk of his work, [158:00] how many bangers that guy has, [158:03] >> it's nuts, dude. [158:05] >> Bangers. [158:06] >> And I, as an experiment, took my one [158:08] buddy who said that uh, you know, part [158:11] of the group was my one friend who has [158:13] always been like, I don't know, you [158:15] [ __ ] love Kanye. I mean, not really [158:18] my thing, but he's not he's just not [158:19] really a rap fan is the reality. So, I [158:22] invited him on this trip and his mind [158:25] was [ __ ] now he's a diehard Kanye [158:26] fan. Now he's going back and, you know, [158:29] realizing that he's always been a Kanye [158:33] fan. Like, it's such a crazy [ __ ] [158:35] thing because not only does he have hits [158:37] on hits on hits, but he does not stop in [158:41] between songs because some of his beats [158:44] kind of correlate or this and that. [158:46] He'll literally just keep going and [158:49] going and going until his amazing on his [158:52] new album, he has this keyboardist with [158:55] one of those like crazy blow into tube [158:58] instrument things. I don't know what [159:00] it's called, but he has a solo, a big [159:03] one on one of the songs, which is gives [159:05] Kanye a minute and a half to catch his [159:08] breath, an hour and a half into nonstop [159:13] going. And also on top of all that, you [159:15] know, a rap concert's a rap concert, but [159:17] Kanye is the greatest producer of all [159:19] time in that industry. So every noise [159:22] that's happening, even if he's not [159:25] talking or or singing or rapping into a [159:28] microphone, is all him and him only. You [159:32] know what I mean? like he might get an [159:34] idea or an inspiration as we've talked [159:36] about or he's a master of sampling [159:39] um old hit songs and having them be in [159:42] the backbone of the thing and [159:43] everything, but this was it's just a [159:46] whole another level. Absolute insanity. [159:49] Like I thought I was going to go there [159:50] and be like, "Yeah, and maybe, you know, [159:52] move a little bit or sing along or [159:54] whatever." And instead my jaw was [159:56] dropped the entire time. [159:57] >> Is there anybody that ever bounced back [159:59] from being canceled like him? And that's [160:01] really the underlying thing. There's [160:03] this feeling of loyalty that's there. [160:07] And we're right. You know what I mean? [160:10] There's a feeling that everybody there [160:11] is like they're [160:14] correct. [160:15] >> Does that make sense? Like I saw a [160:17] breakdown of it cuz my algorithm's [160:19] feeding me Kanye stuff non-stop since I [160:21] went to it cuz somehow [ __ ] Instagram [160:23] knows and whatever. And I watched a [160:26] breakdown of it talking about how like [160:29] it's like this psychiatrist or energy [160:31] specialist or something that's talking [160:33] about how and why this is the craziest [160:36] concert ever done before. And she breaks [160:39] it down and goes, "People that like [160:42] Kanye believe in themselves." Because [160:47] if Kanye saying, "I'm the greatest. I'm [160:50] the man, I'm a god, all of these [160:52] things," makes you not like him and you [160:55] insecure, [160:57] you're insecure. Does that make sense? [161:00] Like it's like he if if that turns you [161:02] off to somebody, then you don't really [161:04] like yourself that much. [161:06] >> Why do you think that? [161:08] Well, again, this was someone else's [161:10] psychological breakdown of it, and I'm [161:11] probably not explaining it correct [161:12] because I was stoned on a couch, but [161:14] >> I see how what they would be saying to [161:16] try to defend him, but there's some [161:18] people that just get turned off by that [161:20] kind of braggadocious [161:22] rap music. [161:24] >> I don't. [161:24] >> Right. [161:25] >> I love that [ __ ] [161:26] >> Well, [161:27] >> I I love 90s hiphop talking about how [161:30] great they are. I love it. [161:32] >> Yeah. [161:32] >> I'm a giant fan of that [ __ ] [161:34] >> Yeah. You know, I think like some of my [161:36] favorite rap lyrics, like some of Nas's [161:39] lyrics, just him talking about how he's [161:40] the [ __ ] [161:41] >> Yeah, totally. [161:43] >> I don't mind it at all. But it's like [161:46] it's when you're singing along to that [161:48] stuff and you're listening to that [161:49] stuff, like you're feeling what that [161:51] guy's feeling when he's saying it. And [161:53] if his raps are hit, if his rhymes are [161:55] really hitting, especially like Kanye or [161:59] any of the greats, you know, Biggie, [162:00] Tupac, Nas, like when when they're [162:02] nailed, it's like, [162:04] >> oh my god, [162:06] >> with good lyrics and good execution. [162:09] It's a be it's a [ __ ] amazing art [162:10] form. Even if USA really did create it. [162:13] >> Yeah. [162:15] >> I don't I don't want to believe that, [162:18] you know. I think they probably very [162:19] they promoted it. What's really [162:22] interesting is the lack of big rock and [162:24] roll bands. I know Jaime's kind of [162:25] defended this, but Right. [162:27] >> I think it's a fact. [162:28] >> Oh, no. No doubt. [162:29] >> There's less big rock and roll bands [162:31] than when we were a kid. When we were a [162:32] kid, rock and roll was everything. [162:35] >> It was like rock and roll. And if you [162:36] liked rock and rap, like you were a [162:38] weirdo, [162:39] >> you know? [162:40] >> Yeah. Like I really became a rap fan [162:43] like almost like silently like secretly [162:48] >> because you had to be a rock fan. If you [162:50] if you loved rock music and you went to [162:52] rock concerts like that's all you liked. [162:54] But I was like yeah but this is good [162:55] too. [162:55] >> Oh yeah. [162:56] >> You know I'd like listen to ghetto boys. [162:57] I'll be like you got to listen to this. [162:58] Come listen to this. [ __ ] is awesome. [163:00] >> Yeah. Oh my range is absolutely [163:04] ridiculous. [163:05] >> Our green room. [163:05] >> I just got Roy Orbison on vinyl. Oh. Oh, [163:09] yeah. [163:10] >> Pretty Woman. [163:11] >> Oh my god. And again, that's one [163:13] >> We're gonna be in trouble for that [163:15] >> probably. [163:15] >> [ __ ] [163:17] >> [ __ ] [163:18] >> And again, Pretty Woman, much like Pink [163:21] Floyd's Wish You Were Here, is like one [163:23] of my when you get into their radio [163:25] stuff, it's kind of funny how some bands [163:27] and musicians get like typ casted by [163:30] their hit, whereas like Pretty Woman's [163:32] kind of repetitive and easy, even though [163:34] it's a jam, right? [163:35] >> Mhm. but his other songs that like I [163:38] hadn't even heard before because I'm [163:40] like this guy seems like he has some [163:42] [ __ ] some hits and he does man and uh [163:47] you know I what I mean by the Pink Floyd [163:49] thing is it always fascinated me that [163:51] people go ah yeah I like Pink Floyd Wish [163:53] You Were Here Another Brick in the Wall [163:54] and it's like damn it it's because those [163:57] are their radio songs cuz they can't [163:59] play an 11 minute long Shine on You [164:01] Crazy Diamond or all their real hits [164:05] that they're real echo. which is like 17 [164:07] minutes and goes slow and fast and and [164:10] bluesy and then jazzy and this and that. [164:13] >> Um [164:14] >> yeah, there were so many songs like [164:15] that, especially from like the 70s where [164:17] they just took wild chances and had long [164:20] ass songs like famously Freeird like [164:24] record executives were telling them like [164:25] the beginning of it is too slow. [164:27] >> Yep. [164:27] >> And they're like nope this is the song [164:30] >> exactly. [164:31] >> This is what it is. [164:33] >> Yep. There's another one. Yeah. Whole [164:36] lot of love. [164:37] >> Yeah. [164:37] >> Whole lot of love has a minute and a [164:38] half of [ __ ] sounds. [164:39] >> Mhm. [164:42] >> And symbols and [ __ ] It's weird. [164:44] >> I only recently got to see the uh the [164:47] Queen movie, whatever that is. Is that [164:49] Bohemian Rap City? [164:50] >> I believe so. [164:51] >> Whatever they call it. [164:52] >> I haven't seen it. [164:53] >> Yeah. Well, I walked in on a part where [164:55] it's the rec they're at the record [164:57] executives's office and he's going, [165:00] "This can't be the main single off of [165:02] this thing." And and Freddy Mercury's [165:06] like, "Dude, it [ __ ] has." And I'm [165:08] obviously not quoting this, but [165:11] >> uh and the record exec's like, "Man, [165:13] you're saying gibberish at points. It's [165:17] slow with a piano. You're saying things [165:19] that don't even make sense and it's [165:21] [ __ ] 8 minutes long. Like, what are [165:24] you thinking?" And they're arguing back [165:25] and forth and back and forth. and his [165:27] bass player, guitarist, or one of the [165:29] guys that's in the meeting with this [165:31] record exec sitting behind a big fancy [165:32] desk points at the wall and goes, "So, [165:35] you were the record exec that made this, [165:36] huh?" And he points at Dark Side of the [165:38] Moon, and you see the record exec, "Oh, [165:42] fuck." Because what the [ __ ] was that? [165:45] It starts with a heartbeat, has no words [165:48] for the first what, however long. [165:50] >> Also, what is the deal with it aligning [165:52] with the Wizard of Oz? [165:54] >> Crazy. Roger says it's just [165:57] coincidental. [165:58] >> I know. [165:59] >> But it seems like the universe organized [166:01] it. Yeah. [166:01] >> It almost seems like evidence of the [166:03] simulation. [166:04] >> Yep. [166:04] >> Because it's so good the way it lines [166:07] up. [166:07] >> Yeah. [166:08] >> It's too good. [166:08] >> I've always said it's the craziest [166:10] coincidence of all times. [166:12] >> I feel like it's evidence of the [166:13] simulation. [166:14] >> Mhm. [166:15] >> There's something about it. There's [166:16] evidence of like some weird bizarre [166:18] synchronicity between those two pieces [166:19] of art. [166:20] >> Yeah. The produ producing that would [166:22] have been near impossible. [166:23] >> Impossible. Not like he couldn't, but [166:25] just the amount of planning and figuring [166:27] things out and the technology then would [166:29] have been so hard to do. [166:30] >> Yeah. So hard. Pink Floyd would had to [166:33] they would have literally have to watch [166:35] it and then go over each beat and [166:38] decide. [166:39] >> How high was the person that figured it [166:40] out too, [166:41] >> right? Got discussed. But like how do [166:44] you notice that? Like hold on. Is it [166:46] It's going It's still going. It's 45 [166:48] minutes. [166:48] >> But meanwhile, it's perfect. Like we've [166:51] watched it before. It's perfect. The [166:53] lyrics are the scariest part. [166:55] >> God, [166:56] >> which one is which at one point when [166:59] only when the only moment when both the [167:01] good witch and the bad witch are there? [167:04] >> Yeah, it's nuts. [167:05] >> And the wildest one to me is always when [167:08] she's balancing on the thing, you know, [167:10] in black and white with the other [167:12] farmers around and on the run that crazy [167:16] starts and she falls off at that exact [167:18] moment and chaos is happening. It's [167:21] crazy. Is there a why in that [167:23] conspiracy? You know, like why would [167:25] they have done that just to do it? [167:27] >> Just for funsies. Just because they were [167:29] picking Floyd. [167:30] >> Yeah. [167:31] >> There's a lot of rumors you could have [167:32] picked. [167:32] >> Well, I mean, Roger Waters says it was [167:34] an accident. [167:35] >> I know. I'm just saying like [167:36] >> I know. I know. But the conspiracy [167:37] theorist I don't know. I mean, I would [167:39] imagine they think that I brought the [167:42] people that believe that it was some [167:44] sort of a coordinated conspiracy. [167:46] >> It's like, why wouldn't they say that? [167:48] Why wouldn't they just say we we lined [167:50] it up with [167:51] >> be awesome. [167:51] >> The Wizard of Oz. Yeah. If they said [167:53] that it would make more people watch it [167:54] and more people listen. [167:56] >> Well, they did pretty good off of it. [167:58] >> Yeah, they did pretty good. [168:00] >> Who were we to give them advice? [168:02] >> Yeah. [168:02] >> Speaking of doing pretty good. You're [168:03] [ __ ] killing it, dude. [168:04] Congratulations. [168:05] >> Thank you, buddy. [168:06] >> That's awesome watching it all. [168:07] >> Thank you, man. [168:08] >> You're taking all the hits. Keep on [168:09] moving. Keep on trucking. Just makes you [168:11] stronger. [168:11] >> On to the next one. [168:12] >> Makes the jokes better. New jokes are [168:14] killing it. [168:15] >> Yeah, it's fun. We're having a good [168:16] time. [168:17] >> Yeah. Tuesdays and Wednesdays are the [168:18] best. Working them out at the [168:19] mothership. [168:20] >> Yes, sir. All right. I appreciate you, [168:22] brother. [168:22] >> Thank you, man. Hell, yeah. Bye, [168:23] everybody.

Comedian Tony Hinchcliffe Defends Political Jokes at Trump MSG Rally

Detailed notes

[04:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=255s) Chip Grading and the Fragility of Civilization

[07:05](https://www.youtube.com/watch?v=inrnVpGsKN4&t=425s) Foreign Aid, Corporate Charity, and Hip-Hop Conspiracies

[11:37](https://www.youtube.com/watch?v=inrnVpGsKN4&t=697s) Mumble Rap, Cough Syrup, and Old-School NyQuil

[16:10](https://www.youtube.com/watch?v=inrnVpGsKN4&t=970s) The Morphine Drip Experience and "Luxurious" Dentistry

[19:11](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1151s) Tooth Decay, Septic Infections, and Flossing Habits

[22:24](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1344s) The Sugar Shock and Rare Hawaiian Pineapples

[24:58](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1498s) Growing Up in Youngstown, Ohio: "Crime Town, USA"

[28:11](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1691s) Local Corruption and Mob-Era "No-Show" Jobs

[32:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=1920s) Old Neighborhoods, Blockbusting, and Immigrant Cycles

[35:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2115s) The Hunger of Fighters and Boxing Tales

[36:47](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2207s) Elite Striking: Jaron Ennis and Topuria vs. Gaethje

[41:31](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2491s) Merab Dvalishvili's Nose and the Brutality of MMA

[44:07](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2647s) Submission Memes, WNBA Eye-Pokes, and NBA Traveling

[47:45](https://www.youtube.com/watch?v=inrnVpGsKN4&t=2865s) High School Sports, Age Limits, and "Sandbagging"

[50:00](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3000s) The Brutality of High School Wrestling Practice

[53:08](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3188s) Wrestling as the Foundation of MMA and Khabib's Dominance

[58:24](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3504s) Debating UFC Stand-Ups and Continuous Rounds

[01:01:37](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3697s) WWE Storylines vs. Real UFC Drama

[01:02:48](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3768s) The Spectacle of the White House Lawn UFC Event

[01:04:41](https://www.youtube.com/watch?v=inrnVpGsKN4&t=3881s) The White House Correspondents' Dinner and Security Concerns

[01:06:55](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4015s) The Legendary Trump and Biden *Kill Tony* Episode

[01:08:59](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4139s) Shane Gillis's Comedic Genius and The Brady Roast

[01:13:01](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4381s) Sean Strickland's White House Ban and Josh Hoyt's Antics

[01:32:46](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5566s) The Economics of Celebrity Excess and Nicolas Cage's Financial Rollercoaster

[01:36:51](https://www.youtube.com/watch?v=inrnVpGsKN4&t=5811s) The Comedy Geniuses and Woody Harrelson's Hollywood Longevity

[01:40:32](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6032s) Navigating Outrage Culture and Roast Controversy

[01:48:07](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6487s) The Chaos of the MSG Rally and the Rise of "Kill Tony"

[01:50:47](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6647s) The Online Outrage Economy and the Distortion of Comedy

[01:53:52](https://www.youtube.com/watch?v=inrnVpGsKN4&t=6832s) The Carlos Mencia Incident and Songwriting Theft

[01:57:13](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7033s) High-Profile Music Lawsuits and Creative Inspiration

[01:59:51](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7191s) Presets, the Puerto Rican Joke, and Protecting the Art Form

[02:02:58](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7378s) The Chaos of Modern Cable News vs. The Silence of the Lambs

[02:06:12](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7572s) The Death of Trust and the Rise of X

[02:10:27](https://www.youtube.com/watch?v=inrnVpGsKN4&t=7827s) The "Fake News" Production and Roast Jokes Built on Lies

[02:14:10](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8050s) The Saudi Arabia Comedy Controversy

[02:17:32](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8252s) Performing Comedy in Saudi Arabia and Social Media Toxicity

[02:20:30](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8430s) The Reality of Modern Politics and California's Cities

[02:25:21](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8721s) Hollywood Hills Real Estate and Extreme Security Realities

[02:29:44](https://www.youtube.com/watch?v=inrnVpGsKN4&t=8984s) The Legend of Ghost Mode Street Racing

[02:32:44](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9164s) The Mysterious Dallas Viper Driver

[02:34:04](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9244s) Kanye West's "Diabolical" Stadium Production

[02:37:58](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9478s) The Resilience and Genius of Kanye West

[02:42:15](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9735s) The Decline of Rock Bands and the Era of Long Songs

[02:44:42](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9882s) *Bohemian Rhapsody* and the Dark Side of the Rainbow

[02:48:04](https://www.youtube.com/watch?v=inrnVpGsKN4&t=10084s) Wrapping Up and the Comedy Mothership

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精炼阅读摘要

Detailed notes — zh

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Original transcript

[01:06:55](https://www.youtube.com/watch?v=inrnVpGsKN4&t=4015s) The Legendary Trump and Biden Kill Tony Episode

[02:44:42](https://www.youtube.com/watch?v=inrnVpGsKN4&t=9882s) Bohemian Rhapsody and the Dark Side of the Rainbow